7.The Scheme, Syllabus and Model Question Papers Rf Bachelor of Multi Media & Communication(B.M.M.C.) Programme (CBCSS-OBE) W.E.I 2020, Ar
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Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Polyvocality, the Unhomely, and the Methods of Mike Leigh in Playwriting: an Exegesis
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2018 I am here now: A play – and – Polyvocality, the unhomely, and the methods of Mike Leigh in playwriting: An exegesis Michael McCall Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Performance Studies Commons, and the Playwriting Commons Recommended Citation McCall, M. (2018). I am here now: A play – and – Polyvocality, the unhomely, and the methods of Mike Leigh in playwriting: An exegesis. https://ro.ecu.edu.au/theses/2151 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/2151 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Films 2018.Xlsx
List of feature films certified in 2018 Certified Type Of Film Certificate No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Production House Type ngth l/Celluloid) ARABIC ARABIC WITH 1 LITTLE GANDHI VFL/1/68/2018-MUM 13 June 2018 91.38 Video HOUSE OF FILM - U ENGLISH SUBTITLE Assamese SVF 1 AMAZON ADVENTURE Assamese DIL/2/5/2018-KOL 02 January 2018 140 Digital Ravi Sharma ENTERTAINMENT UA PVT. LTD. TRILOKINATH India Stories Media XHOIXOBOTE 2 Assamese DIL/2/20/2018-MUM 18 January 2018 93.04 Digital CHANDRABHAN & Entertainment Pvt UA DHEMALITE. MALHOTRA Ltd AM TELEVISION 3 LILAR PORA LEILALOI Assamese DIL/2/1/2018-GUW 30 January 2018 97.09 Digital Sanjive Narain UA PVT LTD. A.R. 4 NIJANOR GAAN Assamese DIL/1/1/2018-GUW 12 March 2018 155.1 Digital Haider Alam Azad U INTERNATIONAL Ravindra Singh ANHAD STUDIO 5 RAKTABEEZ Assamese DIL/2/3/2018-GUW 08 May 2018 127.23 Digital UA Rajawat PVT.LTD. ASSAMESE WITH Gopendra Mohan SHIVAM 6 KAANEEN DIL/1/3/2018-GUW 09 May 2018 135 Digital U ENGLISH SUBTITLES Das CREATION Ankita Das 7 TANDAB OF PANDAB Assamese DIL/1/4/2018-GUW 15 May 2018 150.41 Digital Arian Entertainment U Choudhury 8 KRODH Assamese DIL/3/1/2018-GUW 25 May 2018 100.36 Digital Manoj Baishya - A Ajay Vishnu Children's Film 9 HAPPY MOTHER'S DAY Assamese DIL/1/5/2018-GUW 08 June 2018 108.08 Digital U Chavan Society, India Ajay Vishnu Children's Film 10 GILLI GILLI ATTA Assamese DIL/1/6/2018-GUW 08 June 2018 85.17 Digital U Chavan Society, India SEEMA- THE UNTOLD ASSAMESE WITH AM TELEVISION 11 DIL/1/17/2018-GUW 25 June 2018 94.1 Digital Sanjive Narain U STORY ENGLISH SUBTITLES PVT LTD. -
Studio/Floor Manager
Studio/Floor Manager Introduction Studio Managers work in radio and Floor Managers work in television. They help make sure that programmes run as smoothly as possible. Also known as Floor/Studio Manager Work Activities Studio Managers work in radio and Floor Managers work in television. Studio Managers As a Studio Manager, you will work with Radio Producers (and other members of a production team) to make sure that studios and technical equipment are set up correctly for radio shows. Typical activities include: checking sound balance and quality controlling the mixing desk recording and editing material to be broadcast You might sometimes work in an outside broadcast unit. After gaining experience, you will probably choose to specialise in a particular area of broadcasting, such as sports, drama or music. Floor Managers As a Floor Manager, you will act as a link between the Filming Director and the studio floor. In effect, you will act on behalf of the Director, by taking responsibility for everything that happens on the studio floor. You'll organise and co-ordinate everything from the Performers to the technical equipment. You will often have Floor Assistants to help you. You may also work on outside broadcasts for both television and film. Travel and time away from home may be required, especially for location work and outside broadcasts. Being able to read, write and speak Welsh may be an advantage when you’re looking for work in Wales. Personal Qualities and Skills To become a Studio/Floor Manager, you will need: excellent communication skills self-confidence and the ability to generate enthusiasm in others patience and tact plenty of stamina and good organisational skills technical ability - especially in radio work good hearing - a lot of information is passed to Studio and Floor Managers via headphones Pay and Opportunities Pay The pay rates given below are approximate. -
Production Runner
Production Runner Introduction Production Assistants cover a wide range of duties within television and radio production. They provide administrative support, organise team meetings and help with recording. Also known as Production Assistant - Broadcasting Radio Production Assistant Television Production Assistant Production Assistant Broadcast Assistant Work Activities As a Production Runner, you will have many duties, including: making drinks for the crew and Actors administrative duties such as replying to emails and answering phone calls taking notes at meetings This career has a varied amount of duties so each day is going to be different. One day you could be booking sets and studios for the company and the next you will be communicating with Actors and celebrities. If you work at quiz shows, you could be conducting interviews with contestants and arranging their travel to and from the studio. After the show has finished, you might also be dealing with finance, organising the expenses of the contestants, production team and the hosts. You could also be sorting out the accommodation of the crew if the show is away from the original set, as well as the equipment needed to record the show. If you work in the studio, then you will be in the control room helping the Producers and Directors. This could include performing the countdown for the show and helping the Floor Managers during the broadcast. When the show has finished, you will be with the Editors and Producers helping them in the cutting room and editing the show. This job does however involve spending a lot of time away from home and travelling overseas. -
Leadership and Women: the Space Between Us
The University of Sheffield Leadership and Women: the Space between Us. Narrating ‘my-self’ and telling the stories of senior female educational leaders in Malta. Robert Vella A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Education. The University of Sheffield Faculty of Social Sciences School of Education October, 2020 ii Life is a journey and it’s about growing and changing and coming to terms with who and what you are and loving who and what you are. Kelly McGillis iii Acknowledgements Thank you for what you did; You didn’t have to do it. I’m glad someone like you Could help me to get through it. I’ll always think of you With a glad and grateful heart; You are very special; I knew it from the start! These few lines by Joanna Fuchs gather my gratitude to many persons who in some way walked with me through this journey. As the phrase goes, “no man is an island”, and surely, I would not have managed without the tremendous help and support of these mentioned below. A special thanks goes to my supervisor Emeritus Professor Pat Sikes. I am tremendous grateful for her sincere guidance, incredible patience, and her full support throughout this journey. I am very grateful for her availability and for her encouragement to explore various paths to inquire into my project. For me Pat was not just a supervisor, she was my mentor, a leader, advisor, and above all a dear friend. Mention must be made also to Professor Cathy Nutbrown and Dr David Hyatt who both offered their advice and help through these years, mostly during the study schools. -
12Th Pune International Film Festival (09Th - 16Th January 2014 ) SR
12th Pune International Film Festival (09th - 16th january 2014 ) SR. NO. TITLE RUNTIME YEAR DIRECTOR COUNTRY OPENING FILM 1 Ana Arabia Ana Arabia 81 2013 Amos Gitai Israel, France AWARDEES FILM 1 Jait Re Jait Win, Win 116 1977 JABBAR PATEL INDIA 2 Swayamvaram One's Own Choice 131 1973 ADOOR GOPALKRISHNAN INDIA 3 Muqaddar Ka Sikandar Muqaddar Ka Sikandar 189 1978 PRAKASH MEHRA INDIA WORLD COMPETITION 1 Das Wochenende The Weekend 97 2012 Nina Grosse Germany 2 DZIEWCZYNA Z SZAFY The Girl From The Wardrobe 89 2012 Bodo Kox Poland 3 I Corpi Estranei Foreign Bodies 102 2013 Mirko Locatelli Italy 4 Mr. Morgan's Last Love Mr. Morgan's Last Love 116 2013 Sandra Nettelbeck Germany, Belgium 5 Thian Zhu Ding A Touch of Sin 129 2013 Zhangke Jia China, Japan 6 Night Train to Lisbon Night Train to Lisbon 110 2013 Bille August Germany, Portugal, Switzerland 7 La Pasión de Michelangelo The Passion of Michelangelo 97 2012 Esteban Larraín Chile, France, Argentina 8 Dom s Bashenkoy House with Turret 111 2012 Eva Neymann Poland Joanna Kos-Krauze, Krzysztof 9 Papusza Papusza 131 2013 Poland Krauze 10 Buqälämun Chameleon 73 2013 Ru Hasanov, Elvin Adigozel Azerbaijan, France, Russia 11 Rosie Rosie 106 2013 Marcel Gisler Switzerland, Germany 12 Queen of Montreuil Queen of Montreuil 87 2012 Solveig Anspach France 13 Fasle Kargadan Rhino Season 88 2012 Bahman Ghobadi Iraq, Turkey 14 Kanyaka Talkies Virgin Talkies 115 2013 K.R. Manoj India MARATHI COMPETITION 1 72 Miles Ek Pravas 72 Miles Ek Pravas 96 2013 Rajeev Patil INDIA Sumitra Bhave,Sunil 2 Astu So Beit 123 -
Singularities Vol-4-Issue-2
a peer reviewed international transdisciplinary biannual research journal Vol. 4 Issue 2 July 2017 Postgraduate Department of English Manjeri, Malappuram, Kerala. www.kahmunityenglish.in/journals/singularities Chief Editor P. K. Babu., Ph. D Principal, DGMMES Mampad College Members: Dr. K. K. Kunhammad Asst. Professor, Dept. of Studies in English, Kannur University Mammad. N Asst. Professor, Dept of English, Govt. College, Malappuram. Dr. Priya. K. Nair Asst. Professor, Dept. of English, St. Teresa's College, Eranakulam. Aswathi. M. P. Asst. Professor, Dept of English, KAHM Unity Women's College, Manjeri. Shahina Mol. A. K. Assistant Professor and Head Department of English, KAHM Unity Women’s College, Manjeri Advisory Editors: Dr. V. C. Haris School of Letters, M.G. University Kottayam Dr. M. V. Narayanan Assoc. Professor, Dept of English, University of Calicut. Editor's Note True research writing needs to take on the job of intellectually activating untrodden tangents. Singularities aspires to be a journal which not just records the researches through publishing, but one which also initiates dialogues and urges involvement. The Singularities conferences, envisaged as annual events, are meant to be exercises in pursuing the contemporary and wherever possible, to be efforts in leading the contemporary too. Space that permeates our existence, that influences the very way in which one experience, understand, navigate and recreate the world was selected as the theme for the annual conference of Singularities in 2017. The existence of space is irrevocably intertwined with culture, communication, technology, geography, history, politics, economics, and the lived experience. Understanding the spatial relationships, the tensions and dynamics that inform them, enables us to form insights into the process that configure the spaces we move through, inherit and inhabit. -
Media in Kerala
MEDIA IN KERALA THIRUVANANTHAPURAM MEDIA IN KERALA THIRUVANANTHAPURAM Print Media STD CODE: 0471 Chandrika .................................... 3018392, ‘93, ‘94, 3070100,101,102 Kosalam, TC -25/2029(1) Dharmalayam Road, Thampanoor, Thiruvananthapuram. Fax ................................................................................... 2330694 Email ................................................... [email protected] Shri. C V. Sreejith (Bureau Chief) .............................. 9895842919 Shri. K.Anas (Reporter) ............................................. 9447500569 Shri. Sinu .S.P.Kurup (Reporter) ............................ 0472-2857157 Shri. Firdous Thaha (Reporter) .................................. 9895643595 Shri. K.R.Rakesh (Reporter) ...................................... 9744021782 Shri. Jitha Kanakambaran (Reporter) ......................... 9447765483 Shri. Arun P Sudhakaran (Sub-editor) ........................ 9745827659 Shri. K Sasi (Chief Photographer) .............................. 9446441416 Daily Thanthi ........................................................................... 2320042 T.C.42/824/4,Anandsai bldg.,2nd floor,thycaud ,Tvm-14 Email ......................................................... [email protected] Shri.S.Jesu Denison(Staff Reporter) ............................ 9847424238 Deccan Chronicle .......................................................... 2735105, 06, 07 St. Joseph Press Building, Cotton Hills, Thycaud P.O., Thiruvananthapuram -14 Email .......................................................... -
Thesis (2.977Mb)
Ethnography of Production Practices in Kenyan Television Entertainment Programmes: Imagining Audiences Submitted By: George Ngugi King’ara Student Number: 208502318 Final Clean Copy Submitted in fulfillment of the total requirements for the degree of Doctor of Philosophy, in Centre for Communication, Media and Society, University of KwaZulu- Natal, Durban Supervisor: Prof Ruth Teer-Tomaselli 2 Table of Contents Declaration…………………………………………………………………………… 5 Acknowledgements…………………………………………………………………... 6 Abbreviations………………………………………………………………………… 7 Abstract………………………………………………………………………………. 9 Preface………………………………………………………………………………... 11 Organisation of the thesis ………………………………………………………………………… 12 Chapter One: A Political Economic Overview of the Beginnings of Broadcasting in Kenya Introduction……………………………………………………………………………………… 17 Kenya’s economic background in context……….…………………………………………….. 18 Statutory protections and regulation of broadcasting in Kenya………………………….….. 20 Political economic legacies and formation of broadcasting systems…………………………. 22 Radio and the beginnings of broadcasting in Kenya………………………………………….. 24 Influence of British Broadcasting Corporation (BBC) on radio in Africa…………………... 26 Introduction of television in Kenya…………………………………………………………….. 27 Television and the nation-building project in post-independent Kenya…………………….. 29 Factors influencing VOK/KBC television programming and audience reach………………. 31 i) Television’s marginal reach………………………………………………………… 33 ii) The economic and political performance of the country…………………………. 35 -
YCP 5Th Film Fest.Cdr
Yashwant Intl. Film Festival 2015 Yashwantrao Chavan The birth centenary of Shri Yashwantrao Chavan (1913 - 1984) was celebrated last year in a befitting manner by the Government of Maharashtra and the Yashwantrao Chavan Pratishthan, Mumbai. It was an acknowledgement of his stellar contribution as first Chief Minister to the making of modern Maharashtra, as a State with progressive policies and a decentralized democratic set up of administration. In November, 1962, he became the Defence Minister in the aftermath of the India-China conflict. He worked hard to restore the morale of the armed forces and to enhance his strength through modern weapons, better equipment, organisational changes and a harmonious relationship with the armed forces. The efforts paid off in the India- Pakistan conflict in 1965. Subsequently, he held the high offices of Union Home Minister, Union Finance Minister and Foreign Minister of India. In 1979, he became the Deputy Prime Minister of India. He was a freedom fighter, effective parliamentarian and an astute administrator. He was a connoisseur of fine arts, a great lover of books and an author of acknowledged literary merit. He was very fond of watching good films, plays and stage performances of folk-art. The 'Yashwant' International Film Festival is a tribute to the outstanding personay of Yashwantrao Chavan. Yashwant Intl. Film Festival 2015 Yashwantrao Chavan Pratishthan Presents Jointly with: Supported by: Government of Maharashtra Yashwant Intl. Film Festival 2015 Foreword It is a matter of great satisfaction that the 5th Yashwant International Film Festival is being organized from 17th to 23rd January, 2015, at the Chavan Center by the Yashwantrao Chavan Pratishthan, Mumbai, in collaboration with the Pune Film Foundation, and financial support from the Government of Maharashtra.