Casanova Malayalam Movie Box Office Collection Report
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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life. -
2018-19 UG ADMISSIONS- Reservation Quota Rank List
CMS COLLEGE KOTTAYAM (AUTONOMOUS) 2018-19 U G ADMISSIONS- Reservation Quota Rank list AIDED PROGRAMMES ECONOMICS SC QUOTA Report for admission with Fees and relevant documents at 10 am on 07 June-2018 Rank Application ID Name Option Index Mark 1 UG_2018_101368 MAHESH M 2 1265.00 2 UG_2018_100016 NAVYA SUBASH 2 1229.60 3 UG_2018_100964 NITHYA MADHU 2 1227.00 4 UG_2018_101994 SUBIN SATHYAN 1 1213.00 5 UG_2018_104484 PRIYANKA JAYARAJ 1 1212.00 6 UG_2018_100560 ALKA RAJU MOHAN 1 1178.00 ST QUOTA Report for admission with Fees and relevant documents at 10 am on 07 June-2018 Rank Application ID Name Option Index Mark 1 UG_2018_105277 shalu santhosh 1 1312.00 2 UG_2018_105128 VEENA MANMATHAN 1 1275.00 ENGLISH LANGUAGE AND LITERATURE SC QUOTA Report for admission with Fees and relevant documents at 10 am on 07 June-2018 Rank Application ID Name Option Index Mark 1 UG_2018_104900 APARNA JAYADEVAN 1 1414.00 2 UG_2018_102477 ARCHANA REMESH 2 1346.00 3 UG_2018_101808 ABHAY S RAJEEV 1 1346.00 4 UG_2018_100453 SARIKA SASI 2 1321.00 5 UG_2018_101147 PRIYANKA SUKUMARAN 1 1320.00 6 UG_2018_102210 ABINAYA I 1 1313.00 7 UG_2018_105333 LAVANYA LEELA 1 1304.00 8 UG_2018_104000 Milan Jayaraj 3 1281.00 ST QUOTA Report for admission with Fees and relevant documents at 10 am on 07 June-2018 Rank Application ID Name Option Index Mark 1 UG_2018_101916 SAYANA SAMUEL 1 1204.00 2 UG_2018_104880 SNEHA ISSAC 1 1146.00 HISTORY MODEL 1 SC QUOTA Report for admission with Fees and relevant documents at 10 am on 07 June-2018 Rank Application ID Name Option Index Mark 1 UG_2018_102123 -
Psyphil Celebrity Blog Covering All Uncovered Things..!! Vijay Tamil Movies List New Films List Latest Tamil Movie List Filmography
Psyphil Celebrity Blog covering all uncovered things..!! Vijay Tamil Movies list new films list latest Tamil movie list filmography Name: Vijay Date of Birth: June 22, 1974 Height: 5’7″ First movie: Naalaya Theerpu, 1992 Vijay all Tamil Movies list Movie Y Movie Name Movie Director Movies Cast e ar Naalaya 1992 S.A.Chandrasekar Vijay, Sridevi, Keerthana Theerpu Vijay, Vijaykanth, 1993 Sendhoorapandi S.A.Chandrasekar Manorama, Yuvarani Vijay, Swathi, Sivakumar, 1994 Deva S. A. Chandrasekhar Manivannan, Manorama Vijay, Vijayakumar, - Rasigan S.A.Chandrasekhar Sanghavi Rajavin 1995 Janaki Soundar Vijay, Ajith, Indraja Parvaiyile - Vishnu S.A.Chandrasekar Vijay, Sanghavi - Chandralekha Nambirajan Vijay, Vanitha Vijaykumar Coimbatore 1996 C.Ranganathan Vijay, Sanghavi Maaple Poove - Vikraman Vijay, Sangeetha Unakkaga - Vasantha Vaasal M.R Vijay, Swathi Maanbumigu - S.A.Chandrasekar Vijay, Keerthana Maanavan - Selva A. Venkatesan Vijay, Swathi Kaalamellam Vijay, Dimple, R. 1997 R. Sundarrajan Kaathiruppen Sundarrajan Vijay, Raghuvaran, - Love Today Balasekaran Suvalakshmi, Manthra Joseph Vijay, Sivaji - Once More S. A. Chandrasekhar Ganesan,Simran Bagga, Manivannan Vijay, Simran, Surya, Kausalya, - Nerrukku Ner Vasanth Raghuvaran, Vivek, Prakash Raj Kadhalukku Vijay, Shalini, Sivakumar, - Fazil Mariyadhai Manivannan, Dhamu Ninaithen Vijay, Devayani, Rambha, 1998 K.Selva Bharathy Vandhai Manivannan, Charlie - Priyamudan - Vijay, Kausalya - Nilaave Vaa A.Venkatesan Vijay, Suvalakshmi Thulladha Vijay 1999 Manamum Ezhil Simran Thullum Endrendrum - Manoj Bhatnagar Vijay, Rambha Kadhal - Nenjinile S.A.Chandrasekaran Vijay, Ishaa Koppikar Vijay, Rambha, Monicka, - Minsara Kanna K.S. Ravikumar Khushboo Vijay, Dhamu, Charlie, Kannukkul 2000 Fazil Raghuvaran, Shalini, Nilavu Srividhya Vijay, Jyothika, Nizhalgal - Khushi SJ Suryah Ravi, Vivek - Priyamaanavale K.Selvabharathy Vijay, Simran Vijay, Devayani, Surya, 2001 Friends Siddique Abhinyashree, Ramesh Khanna Vijay, Bhumika Chawla, - Badri P.A. -
ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Status As on 01.11.2019 of Applications of Retiree/Family Who Submitted Option Forms Type Ii, Iia, Iii & Iv and Deposited Recovery Amount
STATUS AS ON 01.11.2019 OF APPLICATIONS OF RETIREE/FAMILY WHO SUBMITTED OPTION FORMS TYPE II, IIA, III & IV AND DEPOSITED RECOVERY AMOUNT OPTION SENT TO LIC FOR Sl. AMOUNT OF NAME OF RETIREE/FAMILY EMP. NO. FORM TYPE RO/HO PURCHASE OF No. DEPOSIT (II/IIA/III/IV) ANNUITY 1 MR N.K. RAJAWAT 42449 II IRO 6,22,521 12-07-2019 2 MR. DEEPAK D. GUPTE 42436 II IRO 8,91,408 12-07-2019 3 ASHOK KUMAR DIXIT 42531 II IRO 4,83,587 12-07-2019 4 MOHAN KUMAR F VATNANI 42511 II IRO 12,87,988 04-09-2019 5 SUNIL K KHARE 50733 II LRO 12,21,795 23-08-2019 6 B. S. GAUTAM 20035 II LRO 20,73,435 23-08-2019 7 A K SINGH 40023 II LRO 15,84,162 23-09-2019 8 MAHENDRA SINGH CHANDEL 27118 II LRO 16,80,299 23-09-2019 9 SUREKHA YADAV 28304 II LRO 4,31,903 23-09-2019 10 UTPAL DUTTA 15326 II GRO 6,61,965 04-09-2019 11 DEBARAJ DUTTA 15379 II GRO 10,94,699 04-09-2019 12 T CHAKRAVARTY 15167 II GRO 11,07,323 04-09-2019 13 NIRMAL KR AGARWALA 15404 II GRO 4,82,107 04-09-2019 14 AJAY KUMAR SHARMA 50734 II LRO 10,37,117 - 15 MR ARVIND KHANDELWAL 27302 II LRO 12,16,431 23-08-2019 16 A K SINGH 15027 II LRO 13,38,151 21-10-2019 17 S S ABBAS 24034 II LRO 9,00,226 23-08-2019 18 R C SRIVASTAVA 25058 II LRO 11,64,398 31-10-2019 19 T N PASANGNA 45731 II MDRO 12,99,930 04-09-2019 20 S MUTHUMADASAMY 45735 II MDRO 6,61,920 04-09-2019 21 R KRISHNAVENI 46210 II MDRO 5,19,427 04-09-2019 22 SMT ILABEN S MEHTA 40040 II ARO 11,00,838 23-09-2019 23 M T SHAH 41939 II ARO 10,33,283 23-08-2019 24 JIGNA JAYESHKUMAR SHAH 41344 II ARO 12,62,763 04-09-2019 25 MR. -
Intermedialtranslation As Circulation
Journal of World Literature 5 (2020) 568–586 brill.com/jwl Intermedial Translation as Circulation Chu Tien-wen, Taiwan New Cinema, and Taiwan Literature Jessica Siu-yin Yeung soas University of London, London, UK [email protected] Abstract We generally believe that literature first circulates nationally and then scales up through translation and reception at an international level. In contrast, I argue that Taiwan literature first attained international acclaim through intermedial translation during the New Cinema period (1982–90) and was only then subsequently recognized nationally. These intermedial translations included not only adaptations of literature for film, but also collaborations between authors who acted as screenwriters and film- makers. The films resulting from these collaborations repositioned Taiwan as a mul- tilingual, multicultural and democratic nation. These shifts in media facilitated the circulation of these new narratives. Filmmakers could circumvent censorship at home and reach international audiences at Western film festivals. The international success ensured the wide circulation of these narratives in Taiwan. Keywords Taiwan – screenplay – film – allegory – cultural policy 1 Introduction We normally think of literature as circulating beyond the context in which it is written when it obtains national renown, which subsequently leads to interna- tional recognition through translation. In this article, I argue that the contem- porary Taiwanese writer, Chu Tien-wen (b. 1956)’s short stories and screenplays first attained international acclaim through the mode of intermedial transla- tion during the New Cinema period (1982–90) before they gained recognition © jessica siu-yin yeung, 2020 | doi:10.1163/24056480-00504005 This is an open access article distributed under the terms of the cc by 4.0Downloaded license. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Persons – 2012
Persons – 2012 • Omita Paul appointed as the Secretary of the President: Appointment Committee of the Cabinet(ACC) appointed Omita Paul as the Secretary of the President on 24 July 2012. Her tenure as Secretary to the President is for contract basis. Omita is 63 years old. She replaced Christy L Fernandez. Omita Paul was appointed as the information commissioner in the central Information Commission in the year 2009 for the short duration of time at the end of the UPA-I government’s tenure. In addition, she had resigned to join as the Advisor in Finance Ministry from 2004 to 2009. Omita is a retired officer from Indian Information Service (IIS) from 1973 batch. Omita Paul is the wife of KK Paul. KK Paul was the former Delhi Police Commissioner. He is working as the member of the Union Public Service Commission. • Hesham Kandil Named Egypt's New Prime Minister: Egypt’s President Mohamed Morsi elected fifty-year- old Hisham Kandil as the country’s Prime Minister on 26 July. Morsi ordered the country’s former minister of water resources and irrigation, Kandil to form a new government. Kandil, holds an engineering degree from Cairo University in the year 1984 and a Ph.D. from the University of North Carolina in the year 1993. Kandil will be the first Egyptian prime minister to wear a beard, which is a sure sign of change in the country. A number of more experienced names were suggested for the prestigious role, but Morsi chose Kandil, a relatively lesser-known face as the Prime Minister of the country, this could be because he wanted someone unlikely to threaten or overshadow him. -
A Queer and Foreign State: Iceland’S Cinematic Subjects
MAXINE SAVAGE A Queer and Foreign State: Iceland’s Cinematic Subjects ABSTRACT Since the year 2000, twenty Icelandic films have been produced which could be aptly grouped as LGBTQ+ or queer Icelandic cinema. This “queer turn” in Icelandic cinema emerges as the nation makes strides in advancing LGBTQ+ rights and as its demographics markedly shift, first-generation immigrants now comprising 12.6 per cent of the population. These changes have not occurred in a vacuum, and the films discussed in this article complicate the boundary between native and foreign, Icelandic and non-Icelandic, alongside their centering of queer characters and stories. In addition to narrative focus on coming-out and sexuality, many of the films within “Icelandic queer cinema” thematize race and ethnicity, often through the inclusion of foreign characters living and traveling in Iceland.This collection of films is thus well suited to exploring the interlock- ing national and sexual regulations which produce the Icelandic nation state. This article explores conceptions of the Icelandic nation state in two films that span Icelandic cinema’s “queer turn,” Baltasar Kormákur’s 101 Reykjavík (2000) and Ísold Uggadóttir’s Andið eðlilega (And Breathe Normally, 2018). In tracing representations of racialized otherness within these films and taking theoretical cues from critical race theory and queer of color critique, this article considers the ways in which race and ethnicity co-constitute categories of sex, gender, and sexual orientation. Ultimately, this article poses “Icelandic queer cinema” as a key site for the contemporary negotiation of the meaning of national and sexual belonging in Iceland. Keywords: Icelandic cinema, queer theory, race, abjection, Nordic exceptionalism lambda nordica 3–4/2020 © The authors. -
Giacomo Casanova
Giacomo Casanova Sergio Mejía Macía Con recurso a la película de Federico Fellini Fellini’s Casanova y a la autobiografía del veneciano, Histoire de ma vie Este texto teatral sobre la vida de Giacomo Casanova (17251798) toma préstamos, sin pudor ni economía, de la película Fellini’s Ca sanova, producida por Alberto Grimaldi y Twentieth Century Fox en 1976, sobre guión escrito a cuatro manos por Bernardino Zapponi y Federico Fellini y dirigida por el último. Consulté sin método la autobiografía de Casanova, escrita en francés con el título Histoire de ma vie y publicada por primera vez en Leipzig entre 1822 y 1824, en traducción alemana. Utilicé la edición francesa establecida por Francis Lacassin, publicada por la casa parisina de Robert Lafront en 1993. Las tres primeras escenas corresponden a episodios de la Histoire de ma vie no incluidos en la película de Fellini. Las restantes siete son interpretaciones libres de episodios tratados por Fellini, todos ellos tergiversados por una lectura muy personal de la Histoire de ma vie, obra a su vez muy personal. Se incluyen traducciones libres,de fragmentos de los siguientes poemas: Ariosto, Orlando Furioso, Canto Segundo, primera Estanza; Canto Cuarto, sexta Estanza Torcuato Tasso, Noches 36 Artes, La Revista, Nº. 12 Volumen 6/ juliodiciembre, 2006 Personajes Casanova viejo Henriette Una flaca alta La monja de Murano Casanova joven Cinco cortesanos (tres Una pelirroja baja Una condesa mujeres y dos hombres) Casanova niño Dos prostitutas Cinco monjas Madame d’Urfé Marzia, la abuela Una