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VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette. -
Tuscia Operafestival™ Brings Italian Style to California IAOF Is Delighted
Tuscia Operafestival™ brings Italian Style to California IAOF is delighted to announce an exciting partnership with Italian luxury brand Bulgari, proud sponsors of the first edition of the “Italian Opera Festival”. Every night before the show will 'offer the public a free taste of the best wines and oils of the tuscia and Italy The Tuscia Operafestival™, now in its sixth season in the historic papal city of Viterbo, will see its Californian debut with the opening of the Italian Opera Festival™ in Orange County, the pearl of Southern California, at the Soka Performing Arts Center of Soka University in Aliso Viejo. The series of events will begin on Saturday, May 26th at 5:00 PM with a press conference hosted by the Italian Cultural Institute (1023 Hilgard Avenue, Los Angeles) and its director, Alberto Di Mauro, and will end on June 2nd, the “Festa della Repubblica”, national Italian holiday commemorating the independence of the Republic of Italy, to be celebrated at the Pico House (430 North Main Street, Los Angeles) in the presence of the Italian Consul General . This new version of our festival strives to promote the excellence of world renowned Italian products such as opera, art, wine, olive oil, water and fashion. The first cultural event, on Wednesday, May 30th at 7:00 PM, at the Soka Performing Arts Center (1 University Drive, Aliso Viejo) will be the recital of international opera star Bruno Praticò: "Buffo si nasce!" (We are Born Funny!), presenting operatic arias and duets by Italian composers Donizetti and Rossini. Recently featured at the LA Opera in the role of "Don Bartolo” in Rossini's Barbiere di Siviglia, Praticò is considered to be one of the greatest comic bass-baritone artists of our time. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
TURANDOT Di Giacomo Puccini a TEATRO CON LA LUTE
A TEATRO CON LA LUTE TURANDOT di Giacomo Puccini Ricerca contenuti ed immagini a cura di Elvira V. Resta gruppo LUTE TEATRO Opera in tre atti Libretto di Giuseppe Adami e Renato Simoni Musica di Giacomo Puccini Direttore Gabriele Ferro Concept Fabio Cherstich e AES+F Regia Fabio Cherstich Scene, video e costumi AES+F Luci Marco Giusti Orchestra, Coro e Coro di voci bianche del Teatro Massimo Nuovo allestimento del Teatro Massimo in coproduzione con Badisches Staatstheater Karlsruhe, Teatro Comunale di Bologna In partnership con Lakhta Center - San Pietroburgo CAST Principessa Turandot , Astrik Khanamiryan SOPRANO Imperatore Altoum e Principe di Persia, Antonello Ceron TENORE Timur il deposto re dei Tartari , Yuri Vorobiev BASSO Calaf il principe sconosciuto , Carlo Ventre TENORE Liù, la ragazza schiava Valeria Sepe MEZZOSOPRANO Ping il cancelliere , Federico Longhi BARITONO Pang maggiordomo, Francesco Marsiglia TENORE Pong capo chef della cucina imperiale, Manuel Pierattelli TENORE Mandarino, Luciano Roberti Direttore d’orchestra Gabriele Ferro Ha compiuto gli studi musicali, pianoforte e composizione, diplomandosi presso il Conservatorio Santa Cecilia di Ro- ma. Nel 1970 ha vinto il concorso per giovani direttori d’orchestra della Rai, collaborando da allora con le sue orchestre, quella dell’Accademia di Santa Cecilia e della Scala di Milano per i concerti sinfonici. Ha riscosso un ampio successo internazionale dirigendo i Wiener Symphoniker, i Bamberg Symphoniker, l’Orchestre de la Suisse Romande, l’Orchestre Philharmonique de Radio France, la BBC Symphony Orchestra, l’Orchestra WDR, la Cleveland Orchestra, e la Gewandhaus di Lipsia. Ha inoltre collaborato per molti anni con l’Orchestre National de Fran- ce. -
SALZBURG FESTIVAL 20 July – 31 August 2019 Young Singers Project
SALZBURG FESTIVAL 20 July – 31 August 2019 Press Release of the Salzburg Festival Young Singers Project 2019 Supported by the Kühne Foundation photo: SF/Anne Zeuner (SF, 2 July 2019) “The lucky hand – or rather, lucky ear – of Evamaria Wieser, the director of the Young Singers Project, is demonstrated by the fact that the participants in the Young Singers Project achieve excellent results at competitions all over the world and are engaged by the best opera houses,” says Festival President Helga Rabl-Stadler. “This year, a total of 13 participants of the Young Singers Project will appear on the programme of the Salzburg Festival. Furthermore, I am particularly pleased that Joel Prieto, a 2008 YSP participant, will sing the title role in Orphée aux enfers.” With the Young Singers Project, the Salzburg Festival has created a high-carat platform for the support of young vocalists, which looks back upon eleven years of successful history in 2019. Since 2008, 157 young vocalists from 41 countries have participated in the Young Singers Project. This year, 13 young singers from eleven nations will take part. They are from Canada, Spain, the UK, France, Russia, Poland, the USA, Ukraine, Ireland and, for the first time, from Mexico and New Zealand. 1 SALZBURG FESTIVAL 20 July – 31 August 2019 The singers are chosen at international auditions. As part of their fellowship, they have the opportunity to work with Festival artists. Tuition includes not only music lessons and repertoire expansion, but also stage rehearsals, language coaching and lied interpretation. Its master classes and strong practical orientation make YSP an international model for young artist programmes. -
Opera Oresteai 7-10 Opt 2 RBF Program 4-16 2
the richard b. fisher center for the performing arts at bard college Sergey Taneyev’s July 26 – August 4, 2013 About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space, and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater & Performance and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, film, and cabaret; and the Bard Music Festival, which celebrates its 24th year in August with “Stravinsky and His World.” The 2014 festival will be devoted to Franz Schubert. The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein presents Oresteia Music by Sergey Taneyev Russian libretto adapted by A. A. Venkstern after Aeschylus Directed by Thaddeus Strassberger American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Madeleine Boyd Costume Design by Mattie Ullrich Lighting Design by JAX Messenger Hair Design by Jon Carter Makeup Design by Lucia Aloi Sung in Russian, with English surtitles Sosnoff Theater July 26 and August 2 at 7 pm July 28, 31, and August 4 at 3 pm Running time for this performance is approximately three hours and 40 minutes, including two intermissions. -
Katia Ricciarelli Al Teatro Lirico
mercoledì 19 dicembre 2007 Notizie Cabaret/Teatro/Danza Katia Ricciarelli al Teatro Lirico - CABARET/TEATRO/DANZA - Divertente deus ex machina in Orfeo all’inferno di Jacques Offenbach al Teatro Lirico di Cagliari il 20 dicembre Grande attesa per il debutto di Katia Ricciarelli, nel ruolo dell’Opinione pubblica, in Orfeo all’inferno che va in scena giovedì 20 dicembre alle 20.30 (turno A) al Teatro Lirico di Cagliari. Jacques Offenbach ha affidato a questo personaggio la funzione cardine di un vero e proprio deus ex machina dell’intricatissima e spassosissima vicenda, soprattutto amorosa. Il celebre soprano veneto che ha dichiarato, fin dal primo giorno di prove, “voglio divertire e divertirmi”, si è perfettamente calata nell’atmosfera spensierata, allegra e briosa dell’operetta francese che l’allestimento cagliaritano esalta e sottolinea ulteriormente, attraverso regia, scene, costumi e luci di sicuro impatto visivo. Il pubblico cagliaritano ha applaudito Katia Ricciarelli, splendida protagonista in Norma, all’Auditorium del Conservatorio nell’autunno del 1988 e all’ Anfiteatro Romano, nel luglio 1990, quando ha interpretato Leonora nel Trovatore verdiano. Biografia Nata a Rovigo, Katia Ricciarelli compie i suoi studi musicali al Conservatorio Benedetto Marcello di Venezia, sotto la guida di Iris Adami Corradetti. Debutta a Mantova nel 1969 in La Bohème e l’anno seguente in Il Trovatore al Teatro Regio di Parma. Nel 1971 vince il concorso “Voci Verdiane” della Rai. Da allora canta in tutti i più prestigiosi teatri del mondo. Inizialmente, per il colore particolare della voce, affronta ruoli soprattutto verdiani quali Giovanna d’Arco, Suor Angelica, Il Corsaro, I due Foscari, Otello, Simon Boccanegra, Don Carlos, Un ballo in maschera, Messa di Requiem, Luisa Miller, La Traviata, Rigoletto, Capuleti e Montecchi, Anna Bolena, Lucrezia Borgia, Maria di Rudenz, Don Giovanni. -
Norbeck, Peters & Ford
Norbeck, Peters & Ford 59 Congress Street Saint Albans, VT 05478-1611 USA 1-802-524-7673; 1-800-654-5302 Fax: 1 888 819 4831 email: [email protected] website: www.norpete.com Auction Number 146 •- AUCTION Closing Date: Friday, 29 May, 2015 1001. AINO ACKTÉ: FAUST – Air des bijoux / LOHENGRIN – Einsam in trüben Tagen (in French). 10½” brown Parl. Odeon PO 93 (XPr 1-2/4-2), (w.Ackté’s signature embossed in shellac). M-A, superlative copy. MB 35 “It is difficult to realise that Ackté's sensational début at Covent Garden was as Salome in Richard Strauss' opera. Here she sings…with grace and excellent coloratura technique, and although she was Finnish, the style is typically French, and with immaculate diction. - John Freestone 1002. AGUSTARELLO AFFRE (The French Tamagno): ARMIDE – Plus j’observe ces lieux (Gluck) / MARCELLE DEMOUGEOT, AGUSTARELLO AFFRE, JUSTE NIVETTE: FAUST - Anges purs, anges radieux. 10½” brown & white French Odéon 97011/60895 (XP 4250/4267). A or better, choice copy has few faintest rubs, positively inaud. MB 15 1003. AGUSTARELLO AFFRE (The French Tamagno): SIGURD – Esprits, gardiens (Reyer) / L’ATTAQUE DU MOULIN – Adieux à la forêt (Bruneau). 10½” brown & gold / brown & white French Odéon 36682/36741 (XP 2460/2565). A to M-A, choice copy. MB 15 1004. AGUSTARELLO AFFRE (The French Tamagno): L’AFRICAINE – Pays merveilleux, 2s. 10½” brown & gold French Odéon 36695/72 (XP 2463/75). A to M-A, choice copy has, Sd.2 only, very few superficial pap.scuffs, barely visible & inaud. MB 15 1005. AGUSTARELLO AFFRE (The French Tamagno): GUILLAUME TELL – Asile héréditaire / LOHENGRIN – In fernem Land (in French). -
Nata a Rovigo, Katia Ricciarelli Compie I Suoi Studi Musicali Al Conservatorio Benedetto Marcello Di Venezia, Sotto La Guida Di Iris Adami Corradetti
Nata a Rovigo, Katia Ricciarelli compie i suoi studi musicali al Conservatorio Benedetto Marcello di Venezia, sotto la guida di Iris Adami Corradetti. Debutta a Mantova nel 1969 in La Bohème e l’anno seguente in Il Trovatore al Teatro Regio di Parma. Nel 1971 vince il concorso “Voci Verdiane” della Rai. Da allora canta in tutti i più prestigiosi teatri del mondo. Inizialmente, per il colore particolare della voce, affronta ruoli soprattutto verdiani quali Giovanna d’Arco, Suor Angelica, Il Corsaro, I due Foscari, Otello, Simon Boccanegra, Don Carlos, Un ballo in maschera, Messa di Requiem, Luisa Miller, La Traviata, Rigoletto, Capuleti e Montecchi, Anna Bolena, Lucrezia Borgia, Maria di Rudenz, Don Giovanni. Negli anni successivi affronterà anche il repertorio rossiniano, grazie alle straordinarie agilità vocali in suo possesso, in opere quali Semiramide, Tancredi, La donna del lago, L’assedio di Corinto, La gazza ladra, Il viaggio a Reims, Bianca e Falliero, Armida. Con Placido Domingo e la regia di Franco Zeffirelli, è Desdemona nel film-opera Otello di Giuseppe Verdi. Dal 1990 affronta opere come Medea, Andrea Chènier, Adriana Lecouvreur, Werther, Fedora, Orfeo ed Euridice, Agrippina, Il barbiere di Siviglia e La Cenerentola. È stata diretta dai più grandi direttori: Herbert von Karajan, Colin Davis, James Levine, Claudio Abbado, Lorin Maazel, Riccardo Muti, Zubin Mehta, Carlo Maria Giulini, Georges Prêtre, Carlos Kleiber e Gianandrea Gavazzeni. Intensa la sua attività concertistica con complessi quali gli Archi della Scala, Solisti Veneti, I Virtuosi, Ensemble Le Vivaldiane. La sua duttilità artistica la porta ad affrontare anche l’operetta in particolare La vedova allegra, Eva. -
Wolfgang Amadeus Mozart UPROWADZENIE Z SERAJU (Die Entführung Aus Dem Serail) (Abduction from the Seraglio)
p.o. Dyrektora / Acting Director Danuta Bodzek Dyrektor Artystyczny / Artistic Director dr / PhD Alicja Węgorzewska-Whiskerd Wolfgang Amadeus Mozart UPROWADZENIE Z SERAJU (Die Entführung aus dem Serail) (Abduction from the Seraglio) Libretto – Gottlieb Stephanie der Jüngere na podstawie dramatu / based on the drama by Christoph Friedrich Bretzner Wolfgang Amadeus Mozart UPROWADZENIE Z SERAJU KV 384 (Die Entführung aus dem Serail / Abduction from the Seraglio) Libretto – Gottlieb Stephanie der Jüngere na podstawie sztuki Christopha Friedricha Bretznera Belmont i Konstancja based on the drama Belmont and Constanze by Christoph Friedrich Bretzner Opera w trzech aktach / Opera in three acts Oryginalna niemiecka wersja językowa z dialogami w języku polskim In the original German with Polish dialogues DYRYGENT / CONDUCTOR Marcin Sompoliński INSCENIZACJA I REŻYSERIA / DIRECTING AND STAGING Jurij Aleksandrow SCENOGRAFIA, KOSTIUMY I ŚWIATŁA / SCENOGRAPHY, COSTUMES AND LIGHTS Paweł Dobrzycki CHOREOGRAFIA / CHOREOGRAPHY Natalia Madejczyk OBSADA / SOLOISTS Konstanze – Aleksandra Bubicz-Mojsa, Sylwia Krzysiek, Joanna Moskowicz Belmonte – Aleksander Kunach, Daniel Oleksy, Jacek Szponarski Pedrillo – Bartosz Nowak, Tomasz Tracz, July Zuma Blonde – Paulina Horajska, Nicola Said, Aleksandra Żakiewicz Osmin – Dariusz Górski, Sebastian Marszałowicz, Robert Ulatowski Selim – Piotr Pieron MIMOWIE / MIMES Mariusz Karpiński, Andrzej Kwiatkowski TANCERKA / DANCER Klaudia Walasz ZESPÓŁ WOKALNY WARSZAWSKIEJ OPERY KAMERALNEJ VOCAL ENSEMBLE OF WARSAW CHAMBER OPERA -
Catalogo 126 Copia.Pages
Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 333 2551758 +39 0583 342218 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Opera 1920 - 1950 Toscanini, La Scala e altre rarità d’opera 1. Iris Adami Corradetti (Milano 1904 - Padova 1998) Due lunghe lettere autografe firmate, del rinomato soprano, figlia d'arte (la madre era il soprano Bice Adami e il padre il baritono Ferruccio Corradetti), grande interprete di Madama Butterfly (della quale fu per vari anni la protagonista ufficiale della Scala) e maestra di Katia Ricciarelli, su questioni La prima a Jenner Mataloni: Pesaro, 12 (senza ind. di anno ma 1942) "Mi risulta che vi sia spiaciuto ch'io abbia cantato la Butterfly al Lirico e non vi abbia telefonato almeno per chiedervi in merito a una eventualità scaligera. In fondo mi fa piacere perché vedo che non sono completamente dimenticata. Ma vi scordate che nel maggio scorso, mi avete detto che nella prossima stagione scaligera avreste dato Butterfly all'Albanese...". -
Don Pasquale Resources
DON PASQUALE RESOURCES Books Don Pasquale Vocal Score Italian [Paperback] Authors: Gaetano Donizetti, Giovanni Ruffini. Notes: Musical Theatre Vocal Solo. Italian/English. 218 pages. Hal Leonard. 2004. Don Pasquale Score (Ricordi Opera Full Scores) Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). Paperback edition with new art cover. Italian/English. 512 pages. Ricordi. 2005. Donizetti’s Opera, Don Pasquale [Paperback/Kindle Edition] Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). This scarce antiquarian book is a facsimile reprint of the original. Italian/English. 36 pages. Kessinger Publishing, LLC. 2008. Don Pasquale / The Opera Journeys Mini Guide Series [Paperback] Authors: Gaetano Donizetti, Burton Fisher. (Study Score). Pocket-sized guide includes story synopsis, story narrative with one-bar music highlight examples and an essay providing background about the opera and its composer, analysis, and insightful commentary. English. 36 pages. Opera Journeys. 2000. SAN FRANCISCO OPERA Education Materials DON PASQUALE Resources Films/DVDs Donizetti – Don Pasquale / Corbelli, de Niese, Borchev, Shrader, Mazzola (2013) Actors: Alessandro Corbelli, Danielle de Niese, Nikolay Borchev, Alek Shrader. Conductor: Enrique Mazzola. London Philharmonic Orchestra and The Glyndebourne Chorus. Director: Mariame Clément. Language: Italian. DVD. 2014. Donizetti – Don Pasquale / Furlanetto, Gallo, Kunde, Focile, Muti (2011) Actors: Ferruccio Furlanetto, Lucio Gallo, Gregory Kunde, Nuccia Focile. Conductor: Riccardo Muti. Orchestra and Chorus of the Teatro alla Scala. Director: Stefano Vizioli, Patrizia Carmine. Language: Italian. DVD. 2011. Donizetti – Don Pasquale / Netrebko, Del Carlo, Polenzani, Kwiecien, Levine (2010) Actors: Anna Netrebko, John Del Carlo, Matthew Polenzani, Mariusz Kwiecien. Conductor: James Levine. Metropolitan Opera Orchestra and Chorus. Director: Otto Schenk, Gary Halvorson. Language: Italian. DVD. 2011.