DOCSLIB.ORG

Shree Kothari Bhaipa Panchayat - Members Directory 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shree Kothari Bhaipa Panchayat - Members Directory 1 SHREE KOTHARI BHAIPA PANCHAYAT - MEMBERS DIRECTORY 1 AADITYA KOTHARI AASHI KOTHARI Father's Name : CHANDRAKUMAR KOTHARI Father's Name : ANAND KOTHARI Qualification : Qualification : Resi : 204/A, GULMOHAR UPVAN CHS GAVAND BAGH, POKHRAN RD, Resi : KOTHARI HOUSE 6 B.R.B BASU ROAD 5TH FLOOR KOL1 NO.2 NR,UPVAN LAKE.THANE(w), D.THANE-400610 Office : KCP TRADING. 204/A, GULMOHAR UPVAN CHA GAVAND BAGH, POKHRAN Office : RD,NO.2 NR,UPVAN LAKE.THANE(w), D.THANE-400610 Phone : 9987875466 Phone : DOB : Email : [email protected] DOB : 31.12.2012 Email : DOM : REET : AADITYA CHANDRAKUMAR KOTHARI DOM : REET : GANESH DAS BALLABH DAS KOTHARI AAKASH TOSHNIWAL AATHARV KOTHARI Father's Name : DINESH KUMAR TOSHNIWAL Father's Name : HARSH VARDHAN KOTHARI Qualification : Qualification : Resi : 107 BANGUR AVENUE BLOCK B 4TH FLR KOL-55 Resi : 22/1 ALIPUR ROAD FLAT NO 705 VANDANA APTS NEAR SBI ALIPUR BRANCH KOL27 Office : Office : Phone : Phone : 9007841111 DOB : 14.12.2009 Email : DOB : 19.06.2015 Email : DOM : REET : MANSUKH DAS HANUMAN DAS TOSHNIWAL DOM : REET : GOPIKISHAN MAHESH KUMAR KOTHARI AARAV KOTHARI Father's Name : SHIV KOTHARI Qualification : Resi : B/104, TEAKWOOD C.H.S.LTD., SWAPNA NAGRI, VASANT GRADENS, MULUND (W) MUMBAI-400080 Office : Phone : DOB : Email : DOM : REET : BALDEVDAS BULAKI DAS KOTHARI AARNA KOTHARI ABHISHEK KOTHARI Father's Name : ASHWINI KOTHARI Father's Name : LT-GIRDHAR GOPAL KOTHARI Qualification : Qualification : B Com Resi : "RAJHANS BLDG" 6 HASTINGS PARK RD KOLKATA 27 Resi : 22/1 ALIPUR ROAD FLAT NO 506 VANDANA APTS NEAR SBI ALIPUR BRANCH KOL27 Office : Office : G. KOTHARI & CO GIRIDHAR & CO JUTE HOUSE, 2ND FLR, 12 INDIA EXCHANGE PLACE KOL 01 Phone : Phone : 9433060000 DOB : Email : DOB : 06.11.1978 Email : [email protected] DOM : REET : MADAN GOPAL GOPAL DAS KOTHARI DOM : 21.11.2002 REET : GOPIKISHAN MAHESH KUMAR KOTHARI AARTI KOTHARI ABHISHEK KOTHARI Father's Name : KANHAIYA LAL KOTHARI Father's Name : GWAL DAS KOTHARI Qualification : BCA Qualification : B B M Resi : 6E GAGAN DEEP APRT BLOCK B 493/B/2 GT ROAD SOUTH Resi : 2A BYSACK STREET KOLKATA 700 007 HOWRAH 711102 Office : Office : 5 LALA LAJPATRAI SARANI KOLKATA-20 Phone : Phone : 9343780051 DOB : 21.05.1982 Email : DOB : 22.11.1984 Email : DOM : REET : PRAYAG DAS TAKAT MAL KOTHARI DOM : REET : SUKHDEB DAS KALYAN DAS KOTHARI AARTI TOSHNIWAL ABHISHEK KOTHARI W/o. :PRAMOD KUMAR TOSHNIWAL Father's Name : SHRI GWAL DAS KOTHARI Qualification : B Com Qualification : B.Com Resi : 3B RAM MOHAN MULLICK GARDEN LANE KOL 10 Resi : 339 CANAL STREET LAKE TOWN Office : PRAMOD MARKETING AGENCY Office : 3,SYNAGOUGE,2ND FLR, KOL-01 Phone : 8902564967 Phone : DOB : 09.12.1970 Email : [email protected] DOB : Email : DOM : 26.01.1989 REET : JANKILAL PRAMOD KUMAR TOSHNIWAL DOM : REET : SUKHDEB DAS KALYAN DAS KOTHARI AARTI TOSHNIWAL ABHISHEK KOTHARI Father's Name : NARENDRA KUMAR TOSHNIWAL Father's Name : BIJAY KUMAR KOTHARI Qualification : MBA Qualification : B Com Resi : BB 112 SALT LAKE CITY SEC 1 TANK NO 2 NEAR PNB, KOL Resi : 46/A CHAKRABERIA ROAD ( NORTH) INDRA PRASTHA APRT 64 FLAT 4F KOL 20 Office : Office : SHREE LUXMI TRADERS 14/1/1A INDRA KUMAR KARNANI ST KOL 01 Phone : Phone : DOB : 08.11.1985 Email : DOB : 21.04.1979 Email : [email protected] DOM : REET : JUGAL KISHOR TOSHNIWAL DOM : 19.01.2008 REET : CHAMPALAL BIJAY KUMAR KOTHARI “Arise, Awake and stop not until the goal is reached.” - Swami Vivekanada SHREE KOTHARI BHAIPA PANCHAYAT - MEMBERS DIRECTORY 2 ABHISHEK KOTHARI ADITYA KOTHARI Father's Name : SANJAY KOTHARI Father's Name : GANESH DAS KOTHARI Qualification : Qualification : B COM, C.A. Final Resi : FLAT NO. 2301, TOWER 1, SUMER TRINITY TOWER, Resi : 64 RATAN SARKAR GARDEN STREET KOL 7 PRABHADEVI, NEAR SAMNAPRESS, MUMBAI 400025 Office : A-1404, Flr 14th Naman Midtown, Plot FP 616(PT) Senapati Bapat Marg, Office : Next To Indiabulls Finance Centre, Eliphinstons Rd (W) Mumbai -400013 Phone : 9870314198 Phone : 9883064093 DOB : 14.01.1988 Email : [email protected] DOB : 05.06.1987 Email : DOM : REET : GANESH DAS CHAND RATAN KOTHARI DOM : REET : GANGADAS BALDEODAS GANESHDAS KOTHARI ABHISHEK KOTHARI ADITYA KOTHARI Father's Name : GOPAL DAS KOTHARI Father's Name : RAM KISHAN KOTHARI Qualification : B COM, M B A (Finance & Software) Qualification : CLASS X Resi : “Maharaja Appartment”, 4th Floor, Flat No. 4A, DC 90/1 Resi : 79 VIVEKANAND ROAD 3RD FLOOR KOL 6 Narayan Talla(W) Near College More, Baguihati-700059 Office : Office : Phone : 9831201056 Phone : DOB : 04.01.1985 Email : [email protected] DOB : 06.03.1996 Email : DOM : REET : GANGADAS BALDEODAS GOPALDAS KOTHARI DOM : REET : GWAL DAS SANKAR LAL KOTHARI ABHISHEK TOSHIWAL ADITYA KOTHARI Father's Name : SURYA PRAKASH TOSHNIWAL Father's Name : SHYAM MANOHAR KOTHARI Qualification : MBA Qualification : NURSERY Resi : 86 BALLYGUNGE PLACE 2ND FLOOR KOLKATA 19 Resi : 6+7 HARI DAS BANERJEE LANE BETIATALLA BAZAR HWH 3 Office : LADHURAM TOSHNIWAL& SONS Office : 11, POLLOCK STREET4TH FLOOR KOLKATA-01 Phone : Phone : DOB : 06.01.1981 Email : DOB : 26.10.2009 Email : DOM : 30.04.2006 REET : NANDALAL MADANLAL TOSHNIWAL DOM : REET : KISHAN DAS RADHA KISHAN KOTHARI ADITYA KOTHARI Father's Name : KAMAL KOTHARI Qualification : C A FINAL Resi : GANGA NIWAS BG 99 RABINDRA PALLI KRISHNAPUR KOL 101 Office : Phone : 93309415773 DOB : 15.11.1985 Email : DOM : 25.01.2014 REET : RAM GOPAL MOTILAL KOTHARI ADARSH KUMAR KOTHARI ADITYA KOTHARI Father's Name : BIJAY KUMAR KOTHARI Father's Name : DURGA DASJI KOTHARI Qualification : B Com Qualification : B Com HONS Resi : 46/A CHAKRABERIA ROAD ( NORTH) INDRA PRASTHA APRT Resi : 15A RAMESH MITRA ROAD EKTA BUILDING 3RD FLOOR KOL FLAT 4F KOL 20 25 Office : SHREE LUXMI TRADERS Office : KOTHARI TRADING CENTRE 14/1/1A INDRA KUMAR KARNANI ST KOL 01 4A POLLOCK STREET 3RD FLOOR Phone : 033-22424371/9903854621 Phone : 9831026220 DOB : 04.07.1970 Email : [email protected] DOB : 11.07.1978 Email : [email protected] DOM : 05.03.1994 REET : CHAMPALAL BIJAY KUMAR KOTHARI DOM : 29.01.2003 REET : RAMDHAN DAS BULAKIDAS DURGADAS KOTHARI ADITI KOTHARI ADITYA KOTHARI Father's Name : SUSHIL KUMAR KOTHARI Father's Name : MAHESH KUMAR KOTHARI Qualification : 1ST YEAR B.COM Qualification : Class III Resi : 4B, SAUMYA APT. NEAR GOKUL ROW HOUSE, ATHWALINES, Resi : 96 Block B, Bangur Avenue, 3rd, floor, Kolkata-700055 SURAT 395007 Office : Office : Phone : 08905999580 Phone : 9831332014 DOB : 03.06.1997 Email : [email protected] DOB : 09.09.2004 Email : DOM : REET : RAMCHANDRA DAWOO DAYAL KOTHARI DOM : REET : RIKHSIDAS KASHIRAM KOTHARI ADITI TUSNIAL ADITYA KOTHARI Father's Name : PRADIP TUSNIAL Father's Name : BALDEO DAS KOTHARI Qualification : B COM Qualification : B Com Resi : 5 HASTING PARK ROAD ALIPORE KOL-27 Resi : 89/172/171 BANGUR PARK RISHRA 712248 HOOGHLY Office : Office : SHREE LAXMI 9C ESPLANADE ROW (E) DHARMOTOLLA MARKET KOL 69 Phone : 9831026753 Phone : 9330348644 DOB : 14.01.1992 Email : DOB : 30.07.1977 Email : [email protected] DOM : REET : NARSING DAS PRAYAG DA TUSNIAL DOM : 18.04.2012 REET : SUKHDEB DAS KALYAN DAS KOTHARI ceb$eCee keÀes iegHle jKeves mes ner keÀe³e& efme× neslee nw~ - ®eeCeke̳e SHREE KOTHARI BHAIPA PANCHAYAT - MEMBERS DIRECTORY 3 ADITYA TOSHNIWAL AKANKSHA KOTHARI Father's Name : SANJAY TOSHNIWAL Father's Name : SUNIL KOTHARI Qualification : CLASS VIII Qualification : CLASS XII Resi : B 3 GANGES GARDEN 1ST FLOOR 106 KIRAN CHAND Resi : 23 MAHESHWARI DEBENDRA ROAD KOL07 SINGHA ROAD SHIVPUR HOWRAH 711102 Office : Office : Phone : Phone : 8420892910 DOB : 18.09.2000 Email : DOB : 22.07.1997 Email : DOM : REET : MANGILAL SATYANARAYAN TOSHNIWAL DOM : REET : UDHODAS KISHAN LAL KOTHARI ADITYA VIKRAM KOTHARI AKHIL KOTHARI Father's Name : KESHAV KOTHARI Father's Name : RAMESH KUMAR KOTHARI Qualification : Qualification : Resi : "RAJSHREE BLDG" FLAT#8 I 6 HASTINGS PARK RD KOLKATA Resi : 2B BYSACK STREET KOLKATA 700 007 27 Office : Office : Phone : Phone : DOB : 23.06.1998 Email : [email protected] DOB : Email : DOM : REET : MADAN GOPAL GOPAL DAS KOTHARI DOM : REET : SUKHDEB DAS KALYAN DAS KOTHARI AIDAN KOTHARI AKSHITA KOTHARI Father's Name : RAMBUX KOTHARI Father's Name : RAMESH KOTHARI Qualification : Qualification : Resi : 803,SANGAM BLDG.BH.JASLOK HOSPITAL,15/A PEDDER RD. Resi : 2, HARGUN HOUSE 1ST FLR, OPP.BUDH TEMPLE, NR.POODDAR MUMBAI-400026 HOSPITAL, DR. ANNIE BESANT RD., WORLI, MUMBAI-400018 Office : BRAJKISHOR KOTHARI&CO. 3rd Flr.87,dady Seth Office : Agiaryblane,Nr.adarsh Hotel,off Kalbadevi Rd. Mumbi-400002 Phone : 9323511001 Phone : 9833124705 DOB : Email : DOB : Email : DOM : REET : AIDAN RAMBUX KOTHARI DOM : REET : BASANT LAL BHEROBUX KOTHARI AISHA KOTHARI ALKA KOTHARI Father's Name : ASHWINI KUMAR KOTHARI W/o. : ASHOK VARDHAN KOTHARI Qualification : Qualification : B A Resi : "RAJSHREE BLDG" FLAT 6 HASTINGS PARK RD KOLKATA 27 Resi : ALANKAR 2ND FLOOR 6A PENN ROAD ALIPORE KOL 27 Office : Office : Phone : Phone : DOB : Email : DOB : 20.06.1961 Email : DOM : REET : MADAN GOPAL GOPAL DAS KOTHARI DOM : 22.01.1980 REET : SADASUKH GAMBIRCHAND BULAKIDAS KOTHARI AJAY KOTHARI ALOK KOTHARI Father's Name : LATE BABULAL KOTHARI Father's Name : MOHAN LAL KOTHARI Qualification : H S Qualification : B COM Resi : SHREE INDRA COLLECTION NAGAR UKHRA MORE, KAMAR Resi : FE 446 SECTOR III SALT LAKE CITY KOL 106 THUBA, HABRA - 743263 Office : SHREE INDRA COLLECTION NAGAR UKHRA MORE, KAMAR Office : THUBA, HABRA - 743263 Phone : 9332856217 Phone : 9330968288 DOB : 04.02.1972 Email : [email protected] DOB :
Load more

Recommended publications
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility.
    [Show full text]
  • CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021
    9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace Examrace Paper 3 has been removed from NET from 2018 (Notification)- now paper 2 and 3 syllabus is included in paper 2. Practice both paper 2 and 3 from past papers. CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021 Online Paper 1 complete video course with Dr. Manishika Jain. Lifetime subscription. Includes tests and expected questions. Join now! 1. Select the correct sequence from the following as per Natyashastra (A) Rasa, Tandava Lakshmana, Nandi, Nayaka Bheda (B) Tandava Lakshmana, Rasa, Nandi, Nayaka Bheda (C) Nandi, Tandava Lakshmana, Rasa, Nayaka Bheda (D) Nandi, Rasa, Nayaka Bheda, Tandava Lakshmana Answer: C 2. The “Nandi” of Natyashastra can be called (A) “Avanu” of Bhavai (B) Preliminary of a Play (C) Purvaranga of Dance (D) All of above Answer: D 3. Assertion (A) : The nature and degree of transformation from martial trait to stylised and aesthetic has great range. Reason (R) : Indian theatrical styles favour martial arts. Codes: (A) Both (A) and (R) true. (B) Both (A) and (R) false. (C) (A) true (R) false. (D) (A) false (R) true. Answer: C 4. Pick the odd one out: 1 of 9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace (A) Gangavataran (B) Talapushpaputa (C) Udhvahita (D) Bhujangatrasit Answer: C 5. Match the following: List – I List – II List I a.
    [Show full text]
  • CID Virtual Library of the Dance at ​
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ ​ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID ​ ​ Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the ​ ​ dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. ​ ​ 4. Feedback, since authors can receive comments from their readers. ​ ​ 5. Better acquaintance between CID members, once they know the research ​ ​ interests and publication achievements of each other. Books authored or edited by Members of CID ​ www.CID-portal.org/virtual-library/ Updated: 06 May 2019 ​ ​ - A - Aelita Kondratova (ed.): Proceedings of the 36th World Congress on Dance Research, Saint ​ Petersburg, 2013. Saint Petersburg, 2015. ​ Aelita Kondratova(ed.): Proceedings of the 39th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2015, 184 p. Aelita Kondratova (ed.): Proceedings of the 47th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2016, 222 p. Aja Jung (ed.): Decadance. Ten years of Belgrade Dance Festival. Beograd, 2013, 143 p. ​ ​ Alba G.A. Naccari: Pedagogia della corporeità. Educazione, attività motoria e sport nel tempo. ​ ​ Perugia, Italy, Morlacchi, 2003, 297 p. Alba G.A. Naccari: Le vie della danza. Pedagogia narrativa, danze etniche e danzamovimentoterapia. ​ ​ Perugia, Italy, Morlacchi, 2004, 295 p.
    [Show full text]
  • A Musical Fair
    - J 2 . T was no different from other music MUSIC FESTIVAL people realised the benefits of punc­ festivals that Bombay is treated to tuality.” It was decided that those who during the peak music season, except I came first would get the better seats in that it was organised by Protima Bedi, A their block. “I wanted to train the and her Odissi Dance Centre students. audience to be on time,” explains Pro­ And since Protima is a commercial Musical tima. Unfortunately, the earliest arriv- password when it comes to all things ers took to the first few rows, which cultural, the festival drew to its had been reserved for VIPs—like V.P. charmed circle, big names. As a result, Fair Sathe, Minister of Information & contrary to a few thousand rupees that Broadcasting, Frank Simoes, who in­ a more modest organisation would cidentally took a load off the organis­ collect on such an occasion, Protima’s ers’ shoulders by collecting all the rough estimate stood at Rs 2 lakh. “We advertisements for the brochure and had aimed at about Rs 5 lakh. Let’s surprisingly enough, Kabir Bedi. Bedi, see—maybe some more contributions who sat in the third row, was easily one will come in,” says a disappointed head taller than the rest of the audience Protima. forcing the luckless spectators behind The proceeds are to go towards the him to crane their necks. At the end Odissi Dance Centre, initiated two everyone had been seated to his years ago to “celebrate, preserve and satisfaction and the session was 45 perpetuate” Odissi, which as a dance minutes behind schedule.
    [Show full text]
  • Unclaimed Intdiv13 Website.Pdf
    FLNO NAM1 SHARES AMT2013 IN30023911567299 MUTHAPPAN RAJAGOPAL 400 1400 1201060000462471 SUMANT SHANKAR DHARESHWAR 4 14 1201060001076463 RENU GUPTA 80 280 1201060002277519 ISMAIL ZHABIULLA 25 87.5 1201060002352750 MUKTA ANUP MOTWANI 50 175 1201060002395710 RAJESH KUMAR AGARWAL 75 262.5 1201060100195562 MOHAN KESHAWRAO DEOTALE 25 87.5 1203320003229121 NEMCHAND SHAMJI SHAH 3743 13100.5 1204010000013555 V. AKHILESH REDDY . 30 105 K0006892 KUNAL K MEHTA 400 1400 M0004121 MANISH BHAGAWANDAS 2048 7168 R0002488 RAJANI KANTILAL SHAH 1284 4494 S0003784 SUBIR GUPTA 128 448 U0000367 UDAY PRATAPSINH 248 868 1201070000038720 ANURAAG KUMAR SANGHI 4 14 1201070000198190 SAGAR HARI NEMADE 25 87.5 1201090001310515 NEENA SIMON 100 350 1201090003653181 SUGUNA SRIDHARAN 629 2201.5 1201090005243206 AMARNATH GUTTA 89 311.5 1201090700022603 SANGEETA MOHAN SURANA 400 1400 1201120000141961 USHA . KOTHARI 100 350 IN30177414018133 SAMAR SINGH 960 3360 1201060000260618 BIMAL PRAKASH SAHOO 200 700 1201060000293059 Mahaveer Prasad Nagar 150 525 1201060000704202 RAYMOND DSOUZA 8 28 1201060001622976 SUDHA RAMDAS SHANBHAG 100 350 1201060001714423 RAJANI DEVI CHAWLA 200 700 1201060100079577 NAND KUMAR GUPTA 40 140 1201060001082403 VINAYAK ANANDA AHIRRAO 25 87.5 1201060002158974 GAJANAN D RAMANKATTI 25 87.5 1201060002306834 PARSOTAM N PRAJAPATI 30 105 1201060100122461 SMRUTI SHASTRI 20 70 1201090000222328 DEEPAK PANDURANG TELAVANE 50 175 1201090000686502 POOJA CHANDRAKANT MAHAJAN 100 350 1201090003048784 KANTTA MITTAL 40 140 1204010000011655 ANUPAMA REDDY . 100 350 J0001060
    [Show full text]
  • Cover Feature: Buddhist Dances of Bhutan
    ISSN 2455-7250 Vol. XVII No. 1 January - March 2017 A Quarterly Journal of Indian Dance Cover Feature: Buddhist Dances of Bhutan A Quarterly Journal of Indian Dance Volume: XVII, No. 1 January-March 2017 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 ISSN 2455-7250 Nartanam, founded by Kuchipudi Kala Kendra, Founders Mumbai, now owned and published by Sahrdaya G. M. Sarma Arts Trust, Hyderabad, is a quarterly which provides a forum for scholarly dialogue on a broad M. Nagabhushana Sarma range of topics concerning Indian dance. Its concerns are theoretical as well as performative. Chief Editor Textual studies, dance criticism, intellectual and Madhavi Puranam interpretative history of Indian dance traditions are its focus. It publishes performance reviews Patron and covers all major events in the field of dance in Edward R. Oakley India and notes and comments on dance studies and performances abroad. Chief Executive The opinions expressed in the articles and the Vikas Nagrare reviews are the writers’ own and do not reflect the opinions of the editorial committee. The editors and publishers of Nartanam do their best to Advisory Board verify the information published but do not take Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) responsibility for the absolute accuracy of the Avinash Pasricha (Former Photo Editor, SPAN) information. C.V. Chandrasekhar (Bharatanatyam Guru, Padma Bhushan) Cover Photo: A Buddhist Monk, dancing Kedar Mishra (Poet, Scholar, Critic) Kiran Seth (Padma Shri; Founder, SPIC MACAY) Photo Courtesy: Brochure of K. K. Gopalakrishnan (Critic, Scholar) Thimphu Tshechu by Bhutan Leela Venkataraman (Critic, Scholar, SNA Awardee) Communications Services, Mallika Kandali (Sattriya dancer, Scholar) [email protected] Pappu Venugopala Rao (Scholar, Former Associate D G, American Institute; Secretary, Music Academy) Photographers: Kezang Namgay, Reginald Massey (Poet, FRSA & Freeman of London) Leon Rabten, Lakey Dorji, and Sunil Kothari (Scholar, Padma Shri & SNA Awardee) Lhendup for Bhutan Communications Suresh K.
    [Show full text]
  • Sankeet Natak Akademy Awards from 1952 to 2016
    All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi
    [Show full text]
  • Departments / Centres of Study
    THE UNIVERSITY i. e x e The University of Hyderabad, a premier institution of 5. School of Humanities postgraduate teaching and research in the country, 6. School of Social Sciences was established by an Act of Parliament (Act No. 39 of 7. Sarojini Naidu School of Performing Arts, Fine Arts nd 1974) on 2 October, 1974 as a Central University, and Communication wholly financed by the University Grants Commission. 8. School of Management Studies The “objects of the University” as envisaged in the Act 9. School of Medical Sciences are: 10. School of Engineering Sciences & Technology The Schools of Physics, Chemistry, Management “to disseminate and advance knowledge by providing Studies, Medical Sciences and Engineering instructional and research facilities in such Sciences & Technology are the single department branches of learning as it may deem fit and by the schools and the others are multi-department schools. example of its corporate life, and, in particular, to make special provisions for integrated courses in Departments / Centres of Study humanities and science in the educational programmes of the University and to take appropriate The School of Mathematics and Computer / measures for promoting inter-disciplinary studies Information Sciences has the following Departments: and research in the University.” 1. Department of Mathematics & Statistics The University’s scenic, and serene campus spreads 2. Department of Computer and Information Sciences over a vast stretch of land measuring about 2,000 The School of Life Sciences has the following acres, 20 kms from the city of Hyderabad on the old Departments and a Centre: Hyderabad Bombay road. Amidst the scenic environment of the campus, several buildings catering 1.
    [Show full text]
  • 1ST EXAMINATION S No Regn No Name in Full 1 EM-0002 Sanjay
    1ST EXAMINATION S No Regn No Name in full 1 EM-0002 Sanjay Chincholikar 2 EM-0009 Arun Savalaram Ghanti 3 EM-0010 Makarand R Deshpande 4 EM-0011 Rakesh Kumar Gandotra 5 EM-0016 V K R Warrier 6 EM-0017 S K Dix 7 EM-0018 Uday Kukde 8 EM-0019 Ajit Kumar Dubey 9 EM-0020 Dipak Kumar Pain 10 EM-0022 Indrajit Ganguly 11 EM-0024 Deore Pravin Bapu 12 EM-0026 Arjun Balasaheb Vavhal 13 EM-0027 Sanjay Baliram Bagul 14 EM-0030 Wilson E N Rodrigues 15 EM-0031 Muneesh Kumar Rastogi 16 EM-0034 Asha Ram Tripathi 17 EM-0036 Raj Kumar 18 EM-0038 Somnath Saini 19 EM-0040 Krishna Kant Mishra 20 EM-0042 Prabir Kumar Dey 21 EM-0043 M S Dogra 22 EM-0044 Bijay Kumar Sharma 23 EM-0045 Awadhesh Kumar Pachori 24 EM-0046 D Sathiyanarayanan 25 EM-0047 Ashok Kumar Kapoor 26 EM-0048 Virendra Singh 27 EM-0049 Manoj Kumar 28 EM-0051 Indrajit Kumar 29 EM-0055 Kishore Kumar Sarma 30 EM-0056 Rajendra Kumar Jha 31 EM-0057 Sanjay Kumar Aggarwal 32 EM-0062 Devendra Chhangani 33 EM-0064 Patel Vipulkumar T 34 EM-0066 A Authimoolam 35 EM-0068 Ghanshyam Suryavanshi Anilkumar 36 EM-0069 Shivaji 37 EM-0074 Kiran Phanse 38 EM-0075 Arun Patil 39 EM-0076 Raghavendra B G 40 EM-0077 Mangesh Madhukar Joshi 41 EM-0078 Avinash Trimbakrao Kale 42 EM-0079 Jaisankar G 43 EM-0080 Krishnan A G 44 EM-0082 Akash Agarwal 45 EM-0085 Umeshwar Vishwakarma 46 EM-0086 Upendra Manohar Bokare 47 EM-0087 Nihar Ranjan Mishra 48 EM-0088 Dharmendra Kumar Gupta Mahendrakumar Nathalal 49 EM-0089 Patel 50 EM-0090 Sudhakar R 51 EM-0092 Rajeev A S 52 EM-0093 Piyush Misra 53 EM-0094 Diwakar Misra 54 EM-0095 Chinmoy
    [Show full text]
  • Bharatanatyam
    P 2 | OCTOBER 2017 Contents Volume 2, Issue 4 | October 2017 Editorial Team 04 Beacons of Light 24 Anupama: Editor’s Note 05 The Unparalleled Cultural Bulletin 06 Dance in India 10 Reviews 35 Sai Nrityotsav @ 100 A Magical Evening with Palpable Excitement A Confluence of Impressive Nritta - Tribute to Legendary Guru Narmada Rays of Hope 28 10th Anniversary Rita Andrade: Vysakhi Nrithyotsav 2017: Torch Bearers 14 Passion A Decade of Classical Personified Dance Cover Story 18 Reliability Reports 46 Then and Now Scholarly Corner 60 Augmenting Brain with Indian Music Kindled Spirits 62 Frozen in Time 63 Arangetram 64 Celebrations 31 Tributes 65 Reformer of In Sight 66 Kuchipudi Natyam Classifieds 67 P 3 | OCTOBER 2017 Editorial ‘The Dance India’- a monthly cultural magazine in English is our humble "If the art is poor, attempt to capture the spirit and culture of art in all its diversity. the nation is sick." Articles may be submitted for possible Editor-in-Chief publication in the magazine in the following BR Vikram Kumar manner. Executive Editor • Send in your articles to [email protected] Paul Spurgeon Nicodemus Please include your full name, contact Associate Editor information (address and telephone number) and a short bio data. RMK Sharma • Articles are published in the magazine only Assistant Editor on the condition that the author agrees to UNS Vijayshri the terms of the Copyright Statement and Policy Sub Editor D Praveena Regd. Office: Trivikram Publications, Feature Writer D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Visakhapatnam - 530 013, A.P. Ch Nikhitha Coordinators (News, Advertisements & Tel: 0891-2525656 Editorial Advisor Subscriptions) The opinions, beliefs and viewpoints expressed by the various writers in the articles and B Ratan Raju Sai Venkatesh Karnataka reviews do not necessarily reflect the opinions, beliefs and viewpoints of the editorial team or Contributions by Kashmira Trivedi Maharashtra official policies of The Dance India.
    [Show full text]
  • Bhardwaj Ph.D
    CONFIGURING THE ‘CONTEMPORARY’: CHOREOGRAPHIC PROCESSES OF NAVTEJ JOHAR, PADMINI CHETTUR, AND JAYACHANDRAN PALAZHY Meghna Bhardwaj Ph.D. Candidate, School of Arts and Aesthetics, Jawaharlal Nehru University Delhi, India INTRODUCTION Peter Osborne argues, The root idea of ‘Contemporary’ as a living, existing, or occurring together in time…is derived from the medieval Latin ‘Contempornaeous’, the English ‘Contemporary’ dates from around mid-seventeenth century (Osborne, 2013: pp 15). He points out a sense of up-to-datenss (Osborne, 2013: pp 16) that is demanded of this term in its popular usage, and characterizes ‘contemporaneity’ with transnationality and coming together of different times (Osborne, 2013: pp 17). In the light of Osborne’s understanding of the term ‘Contemporary’, and also with Andy Horwitz’s reference to Contemporary performance as time-based art with its origins in dance and theatre (Horwitz, 2011), the attempt here is to pinpoint the central concern of the ‘Contemporary’ in dance/performance which is embodiment of ‘multiplicity’ and ‘interactivity’ of the current times. In a context of growing interconnections between bodies and spaces, the paper intends to read a sense of Heterotopia in the ‘Contemporary’ performance spaces. Michel Foucault, in one of his lectures in 1967, defined Heterotopia as a space of otherness. It is neither here nor there, and creates mixed experience. For example, a conversation over a phone call or the moment when one looks at oneself in the mirror (translated by Jay Miskowiec, 1984). The heterotopic performance spaces may exhibit the ability to question the terms 1 © 2016 Bhardwaj Journal of Emerging Dance Scholarship and order of ‘centre’ and ‘periphery’.
    [Show full text]
  • The Changing Contours of Women and Dance in India (A Historical Twilight on Tradition and Transition)
    2012 2nd International Conference on Social Science and Humanity IPEDR vol.31 (2012) © (2012) IACSIT Press, Singapore The Changing Contours of Women and Dance in India (A Historical Twilight on Tradition and Transition) ∗ Prabhu Kumari Vanama PG Dept of Historical Studies, Bharathi Women’s College, Chennai, India Abstract. A sweeping look at the magnificence of the Indian women through the forms, characteristics, challenges and changes occurred and are still occurring in traditional dance, forms the theoretical and pictorial substance of this study. At one level, it is a historical compendium of classical dance, an exploration of its’ moods and majesty, an ode to its sublime aesthetics and at another level, it is a stunning scholarly portrayal of a pluralistic society teeming with feminine cultural vitality. Keywords: Women, Bharathanatyam,, Kathak, Kuchipudi, Manipuri, Mohiniattam, Odissi. 1. Introduction According to Natyashastra or the treatise of Classical Dance “The Body should catch up to the tune, the hands must explain the meaning, the eyes must speak the emotion, and the feet must beat the time-measure” [1]. Bharatha’s Natyashastra which is popularly styled as Panchama Veda [2] speaks about 108 dance postures which constitute the basic structure of any classical dance and women whose mind as well as physic that is best suitable for this dance divine, naturally inclined towards dance from the inception of this universe. Women of India succeeded in developing an individual style which is a blend of the typical features of many Paramparas with the distinct stamp of their individuality. Basically, there are two types of dancing – Theatrical Dancing and then Social Dancing.
    [Show full text]