1ST EXAMINATION S No Regn No Name in Full 1 EM-0002 Sanjay

Total Page:16

File Type:pdf, Size:1020Kb

1ST EXAMINATION S No Regn No Name in Full 1 EM-0002 Sanjay 1ST EXAMINATION S No Regn No Name in full 1 EM-0002 Sanjay Chincholikar 2 EM-0009 Arun Savalaram Ghanti 3 EM-0010 Makarand R Deshpande 4 EM-0011 Rakesh Kumar Gandotra 5 EM-0016 V K R Warrier 6 EM-0017 S K Dix 7 EM-0018 Uday Kukde 8 EM-0019 Ajit Kumar Dubey 9 EM-0020 Dipak Kumar Pain 10 EM-0022 Indrajit Ganguly 11 EM-0024 Deore Pravin Bapu 12 EM-0026 Arjun Balasaheb Vavhal 13 EM-0027 Sanjay Baliram Bagul 14 EM-0030 Wilson E N Rodrigues 15 EM-0031 Muneesh Kumar Rastogi 16 EM-0034 Asha Ram Tripathi 17 EM-0036 Raj Kumar 18 EM-0038 Somnath Saini 19 EM-0040 Krishna Kant Mishra 20 EM-0042 Prabir Kumar Dey 21 EM-0043 M S Dogra 22 EM-0044 Bijay Kumar Sharma 23 EM-0045 Awadhesh Kumar Pachori 24 EM-0046 D Sathiyanarayanan 25 EM-0047 Ashok Kumar Kapoor 26 EM-0048 Virendra Singh 27 EM-0049 Manoj Kumar 28 EM-0051 Indrajit Kumar 29 EM-0055 Kishore Kumar Sarma 30 EM-0056 Rajendra Kumar Jha 31 EM-0057 Sanjay Kumar Aggarwal 32 EM-0062 Devendra Chhangani 33 EM-0064 Patel Vipulkumar T 34 EM-0066 A Authimoolam 35 EM-0068 Ghanshyam Suryavanshi Anilkumar 36 EM-0069 Shivaji 37 EM-0074 Kiran Phanse 38 EM-0075 Arun Patil 39 EM-0076 Raghavendra B G 40 EM-0077 Mangesh Madhukar Joshi 41 EM-0078 Avinash Trimbakrao Kale 42 EM-0079 Jaisankar G 43 EM-0080 Krishnan A G 44 EM-0082 Akash Agarwal 45 EM-0085 Umeshwar Vishwakarma 46 EM-0086 Upendra Manohar Bokare 47 EM-0087 Nihar Ranjan Mishra 48 EM-0088 Dharmendra Kumar Gupta Mahendrakumar Nathalal 49 EM-0089 Patel 50 EM-0090 Sudhakar R 51 EM-0092 Rajeev A S 52 EM-0093 Piyush Misra 53 EM-0094 Diwakar Misra 54 EM-0095 Chinmoy Dutta 55 EM-0096 Kameshwar Prasad Mishra 56 EM-0097 Nikhil Agnihotri 57 EM-0098 Shekhar Singhi 58 EM-0099 Ramasubramanian V 59 EM-0100 Chandiran S 60 EM-0102 Dinesh Kumar 61 EM-0103 Suresh Chandra Junwal 62 EM-0104 Shrikant Sumant Saraf 63 EM-0106 Rajeev Sharma 64 EM-0107 Nozer J Mirza 65 EM-0109 Lokesh Kumar 66 EM-0111 Vijay Kumar Jain 67 EM-0113 Anil Saini 68 EM-0116 Parveen Soni 69 EM-0117 Prashant Naratan Pujare 70 EM-0119 Sheth Bhaven Niranjanbhai 71 EM-0121 Samiran Atha 72 EM-0124 Shekhar Agrawal 73 EM-0125 Tushar Joshi 74 EM-0127 Santaji Nilkanth Jadhav 75 EM-0131 Patel Hirenkumar H 76 EM-0133 Srihari K 77 EM-0135 Rajesh D Shetty 78 EM-0137 Ashish Gokulprasad Mishra 79 EM-0140 Suvendu Roy Chowdhury 80 EM-0141 Narendra Hari Kulkarni 81 EM-0145 Mehta Atesh 82 EM-0146 Nilesh Narhar Nerkar 83 EM-0147 Damodaran C 84 EM-0150 Arun Kumar Pareek 85 EM-0152 Sathya Prakash K 86 EM-0156 Prashant Ravikant Dhruva 87 EM-0157 Shivmurti Ram 88 EM-0159 Anand Shanker 89 EM-0160 Snehalkumar Shah 90 EM-0161 Geo Punnoose 91 EM-0162 Shrikant Arwind Deshpande 92 EM-0163 Bajaj Praveer Madanlal 93 EM-0164 Balwant Sunil K 94 EM-0165 Vinay Nandan 95 EM-0166 Suhas Raju N 96 EM-0168 Jadhav Sunil 97 EM-0170 Vaibhav Vijay Dikshit 98 EM-0171 Ravi Budh Jyoti Gautam 99 EM-0173 Manoj S 100 EM-0174 Trilochan Mohapatra 101 EM-0178 Anil Kumar P 102 EM-0179 Manoj Kumar Mishra 103 EM-0180 Shaji K Jacob 104 EM-0182 Krishnadas P 105 EM-0183 Om Prakash Saxena 106 EM-0184 Sandeep Prabhakar Guram 107 EM-0185 Madhavamoorthy T 108 EM-0186 Ratheesh B 109 EM-0187 Kolli Rambabu 110 EM-0188 Shabbar Hussain 111 EM-0193 Kartikeya R Misra 112 EM-0195 Narendra Kumar Panchal 113 EM-0196 Ranjai Ji Srivastava 114 EM-0199 Tandon Ashok Khemchand 115 EM-0200 Manoj Gajanan Dighe 116 EM-0203 Suhas Khandekar 117 EM-0210 Ramanathan S 118 EM-0213 Vijayakumar Sholapur 119 EM-0214 Chakravarthy B 120 EM-0216 Pawan Kumar Verma 121 EM-0219 Reddy Nagaraju Yogendra Kishore 122 EM-0221 Maheshwari 123 EM-0222 Girish Kumar Dixit 124 EM-0224 Biju Ravindran 125 EM-0225 Tapan Kumar Paul 126 EM-0227 Shrinivas B 127 EM-0230 Rajendra Prasad V 128 EM-0231 Avijit Samadder 129 EM-0232 Sonia Bhattacharyya 130 EM-0234 Jagdeep Shah Singh 131 EM-0236 Kaushik Chattopadhyay 132 EM-0237 Anoop Singh Parihar 133 EM-0238 Rahul Prashant 134 EM-0239 Vishwa Bandhoo Gupta 135 EM-0245 Deepak Raizada 136 EM-0247 Sanjeev Shrivastava 137 EM-0250 Yadav Dinesh Kumar B 138 EM-0251 Amal Kumar Roy 139 EM-0253 Bharati Sinha 140 EM-0256 R P Visvas 141 EM-0258 Dave Nikunj 142 EM-0259 Maneesh Manocha 143 EM-0260 Rajendra Sakharam Sankhe 144 EM-0261 Prabodh Kala 145 EM-0262 Premsing Vinayak Sawant 146 EM-0274 Patel Rakesh Kumar 147 EM-0279 Parijat Mukherjee 148 EM-0281 Dharmendra Nath Thakur 149 EM-0288 Subhash Chaudhari 150 EM-0290 Baggapu Jagadiswar Rao 151 EM-0291 Rajeev Sharma 152 EM-0292 Rajiv Prakash Saxena 153 EM-0294 Daljit Singh 154 EM-0298 Guntupalli Siva Babu 155 EM-0299 S Mathu Pothi 156 EM-0302 Sanjay Arvindbhai Shah 157 EM-0303 M Abdul Malik 158 EM-0304 Mukhwinder Singh Rattan 159 EM-0305 Manish H Patel 160 EM-0307 Ravindra Kumar Singh 161 EM-0308 G S Tripathi 162 EM-0309 Sanjay Dey 163 EM-0311 S. Baskar 164 EM-0313 V Jayaraman Sivanageswararao 165 EM-0314 Chukkapalli 166 EM-0319 Deepak Sharma 167 EM-0322 Sonar Jitendra Dattatraya 168 EM-0326 B V Subramanyam 169 EM-0327 Debabrata Basu 170 EM-0329 M S Sureshkumar 171 EM-0335 Sreekumar A 172 EM-0336 Hemant Nilkanth Dalal 173 EM-0339 Nirmal Kumar Bhattacharya 174 EM-0340 Alok Kumar Tripathi 175 EM-0346 Gulshan Kumar Bhola 176 EM-0353 Vijayakumaran K M 177 EM-0354 D. Karkavel Rajan 178 EM-0356 Rashid Abbas Ansari 179 EM-0359 N Pandiyarajan 180 EM-0360 K Prakash 181 EM-0361 Narendra Kumar Srivastava 182 EM-0362 B Madhukuttan 183 EM-0364 Amitav Singh 184 EM-0365 Bhaskar Sengupta 185 EM-0367 Ashwani Kaul 186 EM-0370 Vikas Chandra Tyagi 187 EM-0374 Asit Kumar Pal 188 EM-0375 N. Alagiri 189 EM-0378 Virendra Kumar Sahu 190 EM-0380 Pradeep Kumar 191 EM-0381 Mohan Lal Patidar 192 EM-0382 Suneel Shripad Dixit 193 EM-0383 Alok Kumar Goel 194 EM-0385 Ramesh Bhatia 195 EM-0387 Anil Samuel 196 EM-0391 Brij Mohan Sharma 197 EM-0393 Sandeep Kumar 198 EM-0394 Tapan Kumar Mandal 199 EM-0395 Manoj Kumar Srivastava 200 EM-0396 Damani Ruskin 201 EM-0397 Hemant D Bhadri 202 EM-0398 Surajit Bhattacharya 203 EM-0400 R Nandakumar 204 EM-0401 Thirumurugan R 205 EM-0402 Arvind Kaushik 206 EM-0404 Sandeep Kapoor 207 EM-0407 S Venkatasubramanian 208 EM-0410 Anil Kumar Gupta 209 EM-0414 K Annadurai 210 EM-0417 Sanjay Dahiya 211 EM-0420 G S Ramakrishna 212 EM-0423 Ajit Kumar Maiti 213 EM-0425 Abhijit Neog 214 EM-0426 Nripen Kr. Bhattacharyya 215 EM-0429 Mahendra Kumar Tiwari 216 EM-0431 Rajiv Shrivastava 217 EM-0433 Lokesh Dwivedi 218 EM-0434 Shah Kaushikkumar 219 EM-0436 Challa Siva Prasad 220 EM-0438 Srinivasan 221 EM-0439 Paresh Dinkar Amin 222 EM-0441 Milin L Patel 223 EM-0442 Ulhas Pujari 224 EM-0445 Subhat Kumar Jindal 225 EM-0446 M. Venkatesh 226 EM-0449 Mahesh Kumar Sharma 227 EM-0451 Soumya De 228 EM-0452 K Subramanian 229 EM-0453 Ajay Kumar Jain 230 EM-0454 M Rajan Babu 231 EM-0455 B V Udhaya Kumar 232 EM-0456 Gorthi SSRV Vara Prasad 233 EM-0457 R Balasubramanian 234 EM-0459 L N Sharma 235 EM-0460 Nadimpalli Venkat Raju 236 EM-0461 Mathew Samuel 237 EM-0462 Samir Saha 238 EM-0464 Janeshwar Giri 239 EM-0467 Antriksh Kumar 240 EM-0468 Manoj Kumar Mishra 241 EM-0469 Qais Jamal 242 EM-0476 Sujoy Ghose 243 EM-0478 Anil Shukla 244 EM-0480 Ulhas Baburao Shete 245 EM-0481 Suresh Kumar Vishwakarma 246 EM-0482 Santosh Kumar Gupta 247 EM-0484 P. Rengarajan 248 EM-0485 P Venkatachalam 249 EM-0486 R Vinodh Kumar 250 EM-0487 T S Balachandran 251 EM-0488 Manoj Kumar Jha 252 EM-0489 Saumya Chakraborty 253 EM-0490 Sarabjeet Singh Virdi 254 EM-0491 Shrikishan Bhattad 255 EM-0493 S A Arabjan 256 EM-0494 Vinayak Bhat 257 EM-0499 Sachin Bhagwat 258 EM-0504 R Murali 259 EM-0505 A. Venkatesa Perumal 260 EM-0506 Mahesh M 261 EM-0507 N Mari Muthu 262 EM-0509 P Kasi Rao 263 EM-0513 Shripad B Sagdeo 264 EM-0514 Jayakumar R 265 EM-0519 Sujit Das 266 EM-0520 Ram Dutt Dadhich 267 EM-0521 Prabhakar Rao Landge 268 EM-0522 T.P. Krishnan 269 EM-0523 K Suresh Babu 270 EM-0529 Babujan S 271 EM-0531 A Ravikumar 272 EM-0533 Pijus Mandal 273 EM-0534 Anil Kewalramani 274 EM-0535 M R Vijay Gopal 275 EM-0540 Sanjeev Mittal 276 EM-0541 Suravarapu Giridhar Kumar 277 EM-0542 Vijay Kasliwal 278 EM-0543 M G Sreekumary 279 EM-0544 Sanjeev Kumar Aggarwal 280 EM-0545 Chikku Abraham 281 EM-0546 Arvind Bhanudas Wankhede 282 EM-0549 Vinay Shankar 283 EM-0553 Edula Panduranga Reddy 284 EM-0558 Sandeep Rehani 285 EM-0559 P Poovalingam 286 EM-0564 Sumit Verma 287 EM-0570 M Gunasekaran 288 EM-0571 R Jayaraman 289 EM-0576 Chandrakanth M N 290 EM-0577 Sanjay Kumar 291 EM-0587 Subhedar Shirish Dhirajlal Arajanbhai 292 EM-0589 Marakana Vasavada Axay 293 EM-0591 Narendrabhai 294 EM-0593 Manoj W Pande 295 EM-0594 Santosh Sopan Karne 296 EM-0596 M Ramachandran 297 EM-0597 S Avudaiappan Tamhankar Girish 298 EM-0601 Prabhakar 299 EM-0602 Sunil Doshi 300 EM-0604 E S Sabukuttan 301 EM-0605 V Ramesh Prabu 302 EM-0606 S Rajkumar 303 EM-0607 Manova Jeevados D 304 EM-0615 R Abdul Hameed 305 EM-0617 Rajesh Kumar 306 EM-0622 Saurabh Shantilal Mistry 307 EM-0624 Shashi Bhushan 308 EM-0625 Dasho Bhardwaj Dharmendrasinh 309 EM-0628 Bharatsinh Barot 310 EM-0629 Kharat Bhujang Ganpatrao 311 EM-0630 Swapnabrata Lahkar 312 EM-0634 Pandit Pankaj Radhakrishna 313 EM-0636 Manivannan B 314 EM-0637 N Ramamoorthy 315 EM-0638 Mehta Dipak 316 EM-0640 Manab Kumar Biswas 317 EM-0641 A K Bera 318 EM-0642 Rajiv Mehta 319 EM-0646 Mohinder Kumar Gupta 320 EM-0650 B Srihari Raju 321 EM-0653 Milind Vaidya 322 EM-0655 Kondeti Sivakumar Mastar Pravinkumar 323 EM-0657 Ratanjibhai 324 EM-0658 Partha Bhattacharjee 325 EM-0663 Udaya Srinivasa Gandhi 326 EM-0667 Navuduri Chalapathi Rao 327 EM-0668 Pardeep Kumar Ratra 328 EM-0669 Anupam Maheshwari 329 EM-0671 Harinadha Babu S 330 EM-0672 V.
Recommended publications
  • Sources of Maratha History: Indian Sources
    1 SOURCES OF MARATHA HISTORY: INDIAN SOURCES Unit Structure : 1.0 Objectives 1.1 Introduction 1.2 Maratha Sources 1.3 Sanskrit Sources 1.4 Hindi Sources 1.5 Persian Sources 1.6 Summary 1.7 Additional Readings 1.8 Questions 1.0 OBJECTIVES After the completion of study of this unit the student will be able to:- 1. Understand the Marathi sources of the history of Marathas. 2. Explain the matter written in all Bakhars ranging from Sabhasad Bakhar to Tanjore Bakhar. 3. Know Shakavalies as a source of Maratha history. 4. Comprehend official files and diaries as source of Maratha history. 5. Understand the Sanskrit sources of the Maratha history. 6. Explain the Hindi sources of Maratha history. 7. Know the Persian sources of Maratha history. 1.1 INTRODUCTION The history of Marathas can be best studied with the help of first hand source material like Bakhars, State papers, court Histories, Chronicles and accounts of contemporary travelers, who came to India and made observations of Maharashtra during the period of Marathas. The Maratha scholars and historians had worked hard to construct the history of the land and people of Maharashtra. Among such scholars people like Kashinath Sane, Rajwade, Khare and Parasnis were well known luminaries in this field of history writing of Maratha. Kashinath Sane published a mass of original material like Bakhars, Sanads, letters and other state papers in his journal Kavyetihas Samgraha for more eleven years during the nineteenth century. There is much more them contribution of the Bharat Itihas Sanshodhan Mandal, Pune to this regard.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility.
    [Show full text]
  • Gr8ambitionz Team
    Quick Reference Guide for IBPS Clerks CWE III Powered by www.Gr8AmbitionZ.com your A to Z competitive exam guide CURRENT AFFAIRS QUICK REFERENCE GUIDE FOR IBPS CLERKS III ONLINE EXAM www.Gr8AmbitionZ.com Important Points you should know about Public Sector Banks RBI (Reserve Bank of India) : o The Reserve Bank of India (RBI) is India's central banking institution, which controls the monetary policy of the Indian rupee. It was established on 1st April 1935 during the British Raj in accordance with the provisions of the Reserve Bank of India Act, 1934 o Governor : Raghuram Rajan o Headquarters : Mumbai State Bank of India o It the largest banking and financial services company in India by assets. The bank traces its ancestry to British India, through the Imperial Bank of India, to the founding in 1806 of the Bank of Calcutta, making it the oldest commercial bank in the Indian Subcontinent. Bank of Madras merged into the other two presidency banks Bank of Calcutta and Bank of Bombay to form the Imperial Bank of India, which in turn became the State Bank of India. Government of India nationalized the Imperial Bank of India in 1956, with Reserve Bank of India taking a 60% stake, and renamed it the State Bank of India. In 2008, the government took over the stake held by the Reserve Bank of India. o CMD : Smt. Arundathi Bhattacharya o Headquarters : Mumbai o Associate Banks : SBI has five associate banks; all use the State Bank of India logo, which is a blue circle, and all use the "State Bank of" name, followed by the regional headquarters' name: .
    [Show full text]
  • General Studies Series
    IAS General Studies Series Current Affairs (Prelims), 2013 by Abhimanu’s IAS Study Group Chandigarh © 2013 Abhimanu Visions (E) Pvt Ltd. All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or any information storage or retrieval system or otherwise, without prior written permission of the owner/ publishers or in accordance with the provisions of the Copyright Act, 1957. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claim for the damages. 2013 EDITION Disclaimer: Information contained in this work has been obtained by Abhimanu Visions from sources believed to be reliable. However neither Abhimanu's nor their author guarantees the accuracy and completeness of any information published herein. Though every effort has been made to avoid any error or omissions in this booklet, in spite of this error may creep in. Any mistake, error or discrepancy noted may be brought in the notice of the publisher, which shall be taken care in the next edition but neither Abhimanu's nor its authors are responsible for it. The owner/publisher reserves the rights to withdraw or amend this publication at any point of time without any notice. TABLE OF CONTENTS PERSONS IN NEWS .............................................................................................................................. 13 NATIONAL AFFAIRS ..........................................................................................................................
    [Show full text]
  • Actress Ashley Clements
    Community Community Swasthi Japanese Academy for artist P7 Excellence P20 Masakatsu promises to focus Sashie’s solo on honing fine exhibition will go on talents to their display at the Anima utmost limits. Gallery on May 9. Friday, April 29, 2016 Rajab 22, 1437 AH DOHA 25°C—38°C TODAY PUZZLES 14 & 15 LIFESTYLE/HOROSCOPE 16 JJane,ane, a hhurricaneurricane Centuries later, the famous writer continues to inspire books, clubs, movies and more. P2-3 COVER STORY 2 GULF TIMES Friday, April 29, 2016 COMMUNITY COVER STORY No plain Jane The writer’s fiction is the basis for many film and TV adaptations as well as the template for countless PRAYER TIME rom-com movies or romance novels. Also, unlikely Fajr 3.38am Shorooq (sunrise) 5.00am mashups into the Austen universe, writes Tom Beer Zuhr (noon) 11.31am Asr (afternoon) 3.00pm Maghreb (sunset) 6.05pm Isha (night) 7.35pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Ooredoo Telephone Assistance 111 Local Directory 180 International Calls Enquires 150 Time 141, 140 Doha International Airport 40106666 Labor Department 44508111, 44406537 Medical Commission 44679111 Mowasalat Taxi 44588888 Qatar Airways 44496000 Weather Forecast 44656590 Hamad Medical Corporation 44392222 44393333 Qatar General Electricity and Water Corporation 44845555 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Qatar University 44033333 ote Unquo Qu te The pen is mightier than the sword if the sword ane Austen (1775-1817) Metropolitan High School, dubs her Cher Horowitz is very short, and the pen is isn’t just for English majors Whit Stillman’s indie-fi lm gem from (Alicia Silverstone) and puts her in a anymore.
    [Show full text]
  • P6participated P20 Innovators in the Fourth in the World, Is Driven Race of the Latest by the Self-Devised Edition of Qatar Ecosystem That Running Series
    Community Community Over 100 Sweden, one runners of the top P6participated P20 innovators in the fourth in the world, is driven race of the latest by the self-devised edition of Qatar ecosystem that Running Series. nurtures creativity. Monday, May 9, 2016 Sha’baan 2, 1437 AH DOHA 29°C—40°C TODAY LIFESTYLE/HOROSCOPE 13 PUZZLES 14 & 15 Watch COVER STORY out! Hospital discharge is one of the most dangerous periods for patients. P4-5 DIVERSE: Mubarak al-Malik’s work. The al-Markhiya gallery is showcasing the works of three diverse Qatari artists. Details on Page 9 2 GULF TIMES Monday, May 9, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.53am Zuhr (noon) 11.30am Asr (afternoon) 2.58pm Maghreb (sunset) 6.10pm Isha (night) 7.40pm USEFUL NUMBERS Just The 3 Of Us live under the same roof as they both deal with their sense of GENRE: Comedy, Romance responsibility and their yearning for security. Uno is motivated by Emergency 999 CAST: John Lloyd Cruz, Jennylyn Mercado, Richard Yap his sense of family while CJ is governed by an unconditional love Worldwide Emergency Number 112 DIRECTION: Cathy Garcia-Molina that should put her fi rst above everything else. The unlikely thing Kahramaa – Electricity and Water 991 SYNOPSIS: Just The 3 Of Us is centered on an unlikely love that binds Uno and CJ together paves the way for them to fi nd in Ooredoo Telephone Assistance 111 story between polar opposites Uno (Cruz) and CJ (Mercado) – each other the kind of love they never thought they needed.
    [Show full text]
  • CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021
    9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace Examrace Paper 3 has been removed from NET from 2018 (Notification)- now paper 2 and 3 syllabus is included in paper 2. Practice both paper 2 and 3 from past papers. CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021 Online Paper 1 complete video course with Dr. Manishika Jain. Lifetime subscription. Includes tests and expected questions. Join now! 1. Select the correct sequence from the following as per Natyashastra (A) Rasa, Tandava Lakshmana, Nandi, Nayaka Bheda (B) Tandava Lakshmana, Rasa, Nandi, Nayaka Bheda (C) Nandi, Tandava Lakshmana, Rasa, Nayaka Bheda (D) Nandi, Rasa, Nayaka Bheda, Tandava Lakshmana Answer: C 2. The “Nandi” of Natyashastra can be called (A) “Avanu” of Bhavai (B) Preliminary of a Play (C) Purvaranga of Dance (D) All of above Answer: D 3. Assertion (A) : The nature and degree of transformation from martial trait to stylised and aesthetic has great range. Reason (R) : Indian theatrical styles favour martial arts. Codes: (A) Both (A) and (R) true. (B) Both (A) and (R) false. (C) (A) true (R) false. (D) (A) false (R) true. Answer: C 4. Pick the odd one out: 1 of 9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace (A) Gangavataran (B) Talapushpaputa (C) Udhvahita (D) Bhujangatrasit Answer: C 5. Match the following: List – I List – II List I a.
    [Show full text]
  • The Journal of International Communication Film Remakes As
    This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Pkt-Div-2011-12-Unpaid
    SLNO FOLIO/DEM AT ID NAM E AD1 AD2 AD3 AD4 P INC OD DWNO M IC R DIV AM OU NT 1 000064 MR. OTTO GROB MERCHANT NESSLAN SW ITEZERLAND SW ITZERLAND 2883 2893 1740.00 2 000075 SMT. LALITHA KARU NAKAR NO.4.GAJAPATHY STREET KILPAU K CHENNAI. MADRAS - 600 010 600010 1852 1862 560.00 3 000085 SRI. S S MANI K.R.IENGR ROAD (BR) TEYNAMPET PO CHENNAI. MADRAS - 600 018 600018 1911 1921 1005.00 4 000123 MRS. M A B DA.COSTA AZAREDO RU A DE S.JOAQU IU N BORDA MARGAO GOA GOA 284 291 90.00 5 000127 MISS M A E DA COSTA RU ADE ABADE FARIA.MARGAO. GOA GOA 285 292 6260.00 6 000148 MISS AMINA ESSOP MIA C/O.TRANSVAAL INVESTMENT CO.LTD.. 65.BREE ST..NEW TOW N JOHANNESBU RG -2001 (REPU BLIC OF S.A.) 2986 2996 2075.00 7 000150 SHRI KN M PR VEERAPPA CHETTIAR BANKER. NATARAJAPU RAM PO.. RAMNAD DISTRICT RAMNAD DIST. 286 293 35.00 8 000166 SRI RAGHU NATHAN (EXECU TOR TO THE ESTATE 52 K.R.IYENGAR ROAD ALW ARPET CHENNAI. MADRAS - 600 018 600018 1912 1922 50.00 9 000177 SRI. S G NADKARNY BLOCK NO.3A. PLOT NO.80 DR.ANNIE BEASANT ROAD W ORLI, MU MBAI. BOMBAY 400 018. 400018 918 925 555.00 10 000202 RAO SAHIB M.G. RAMACHANDER ROW PU DU KOTTAI PU DU KOTTAI 288 295 4175.00 11 000219 MR. MAHOMED IBRAHIM KHATRI 45. "DANLAT". NEAR COLABA P.O.. MU MBAI. BOMBAY - 400 005 400005 782 789 3750.00 12 000220 MR.
    [Show full text]
  • NW20717 Rejected List.Pdf
    List of provisionally rejected applicants for the post of Cleaner advertised vide Post Code No.NW20717 of Advt. No.NWR-2/2017 Sl No. RegistrationId CandidateName DateOfBirth Cat. Rejection Remarks 1 61000701970 RITESH KUMAR 22-Nov-92 9 Documents not enclosed 2 61000842221 AADIL FAROOQ DAR 10-Aug-96 9 Documents not enclosed 3 61000805463 NIKHIL MEENA 10-Apr-98 2 Hard copy not received upto 07.10.2017 4 61000490029 RAJESH KUMAR MEENA 12-Jan-87 2 Hard copy not received upto 07.10.2017 5 61000091669 PINKESH KUMAR MEENA 22-Jul-90 2 Hard copy not received upto 07.10.2017 6 61000630318 SHAMBHU PASWAN 01-Feb-89 1 Hard copy not received upto 07.10.2017 7 61000204572 MANOJ KUMAR 16-Feb-92 1 Hard copy not received upto 07.10.2017 8 61000007317 RAMBHAJ 18-Oct-96 9 Hard copy not received upto 07.10.2017 9 61000872038 AMIT 02-Mar-99 9 Hard copy not received upto 07.10.2017 10 61000870882 NISHA KUMARI 01-Aug-97 6 Hard copy not received upto 07.10.2017 11 61000863989 HARWINDER SINGH 10-Aug-93 1 Hard copy not received upto 07.10.2017 12 61000563092 ANIL KUMAR MEENA 08-Sep-98 2 Hard copy not received upto 07.10.2017 13 61000533202 DEVENDRA KUMAR 25-Apr-92 6 Hard copy not received upto 07.10.2017 14 61000114063 CHANDRA BHAN BHATIA 03-Jul-92 1 Hard copy not received upto 07.10.2017 15 61000873902 RAMAVTAR MEENA 07-Aug-99 2 Hard copy not received upto 07.10.2017 16 61000873904 SHIV SHAKTI SINGH MEENA 26-Dec-95 2 Hard copy not received upto 07.10.2017 17 61000859343 CHETAN MEENA 09-Aug-92 2 Hard copy not received upto 07.10.2017 18 61000611207 AKSHAY GOEL
    [Show full text]
  • CID Virtual Library of the Dance at ​
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ ​ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID ​ ​ Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the ​ ​ dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. ​ ​ 4. Feedback, since authors can receive comments from their readers. ​ ​ 5. Better acquaintance between CID members, once they know the research ​ ​ interests and publication achievements of each other. Books authored or edited by Members of CID ​ www.CID-portal.org/virtual-library/ Updated: 06 May 2019 ​ ​ - A - Aelita Kondratova (ed.): Proceedings of the 36th World Congress on Dance Research, Saint ​ Petersburg, 2013. Saint Petersburg, 2015. ​ Aelita Kondratova(ed.): Proceedings of the 39th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2015, 184 p. Aelita Kondratova (ed.): Proceedings of the 47th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2016, 222 p. Aja Jung (ed.): Decadance. Ten years of Belgrade Dance Festival. Beograd, 2013, 143 p. ​ ​ Alba G.A. Naccari: Pedagogia della corporeità. Educazione, attività motoria e sport nel tempo. ​ ​ Perugia, Italy, Morlacchi, 2003, 297 p. Alba G.A. Naccari: Le vie della danza. Pedagogia narrativa, danze etniche e danzamovimentoterapia. ​ ​ Perugia, Italy, Morlacchi, 2004, 295 p.
    [Show full text]
  • A Musical Fair
    - J 2 . T was no different from other music MUSIC FESTIVAL people realised the benefits of punc­ festivals that Bombay is treated to tuality.” It was decided that those who during the peak music season, except I came first would get the better seats in that it was organised by Protima Bedi, A their block. “I wanted to train the and her Odissi Dance Centre students. audience to be on time,” explains Pro­ And since Protima is a commercial Musical tima. Unfortunately, the earliest arriv- password when it comes to all things ers took to the first few rows, which cultural, the festival drew to its had been reserved for VIPs—like V.P. charmed circle, big names. As a result, Fair Sathe, Minister of Information & contrary to a few thousand rupees that Broadcasting, Frank Simoes, who in­ a more modest organisation would cidentally took a load off the organis­ collect on such an occasion, Protima’s ers’ shoulders by collecting all the rough estimate stood at Rs 2 lakh. “We advertisements for the brochure and had aimed at about Rs 5 lakh. Let’s surprisingly enough, Kabir Bedi. Bedi, see—maybe some more contributions who sat in the third row, was easily one will come in,” says a disappointed head taller than the rest of the audience Protima. forcing the luckless spectators behind The proceeds are to go towards the him to crane their necks. At the end Odissi Dance Centre, initiated two everyone had been seated to his years ago to “celebrate, preserve and satisfaction and the session was 45 perpetuate” Odissi, which as a dance minutes behind schedule.
    [Show full text]