SP Econ of China-FINAL
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Achieving High Coverage for Floating-Point Code Via Unconstrained Programming
Achieving High Coverage for Floating-Point Code via Unconstrained Programming Zhoulai Fu Zhendong Su University of California, Davis, USA [email protected] [email protected] Abstract have driven the research community to develop a spectrum Achieving high code coverage is essential in testing, which of automated testing techniques for achieving high code gives us confidence in code quality. Testing floating-point coverage. code usually requires painstaking efforts in handling floating- A significant challenge in coverage-based testing lies in point constraints, e.g., in symbolic execution. This paper turns the testing of numerical code, e.g., programs with floating- the challenge of testing floating-point code into the oppor- point arithmetic, non-linear variable relations, or external tunity of applying unconstrained programming — the math- function calls, such as logarithmic and trigonometric func- ematical solution for calculating function minimum points tions. Existing solutions include random testing [14, 23], over the entire search space. Our core insight is to derive a symbolic execution [17, 24], and various search-based strate- representing function from the floating-point program, any of gies [12, 25, 28, 31], which have found their way into many whose minimum points is a test input guaranteed to exercise mature implementations [16, 39]. Random testing is easy to a new branch of the tested program. This guarantee allows employ and fast, but ineffective in finding deep semantic is- us to achieve high coverage of the floating-point program by sues and handling large input spaces; symbolic execution and repeatedly minimizing the representing function. its variants can perform systematic path exploration, but suf- We have realized this approach in a tool called CoverMe fer from path explosion and are weak in dealing with complex and conducted an extensive evaluation of it on Sun’s C math program logic involving numerical constraints. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
Confucianism: How Analects Promoted Patriarchy and Influenced the Subordination of Women in East Asia
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2017 Apr 20th, 9:00 AM - 10:15 AM Confucianism: How Analects Promoted Patriarchy and Influenced the Subordination of Women in East Asia Lauren J. Littlejohn Grant High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Asian History Commons, History of Religions of Eastern Origins Commons, and the Women's History Commons Let us know how access to this document benefits ou.y Littlejohn, Lauren J., "Confucianism: How Analects Promoted Patriarchy and Influenced the Subordination of Women in East Asia" (2017). Young Historians Conference. 9. https://pdxscholar.library.pdx.edu/younghistorians/2017/oralpres/9 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Confucianism: How Analects Promoted Patriarchy and Influenced the Subordination of Women in East Asia Lauren Littlejohn History 105 Gavitte Littlejohn 1 Introduction Primary sources provide historians insight into how people used to live and are vital to understanding the past. Primary sources are sources of information-artifacts, books, art, and more- that were created close to the time period they are about and by someone who lived in proximity to that period. Primary sources can be first hand accounts, original data, or direct knowledge and their contents are analyzed by historians to draw conclusions about the past. There are many fields where scholars use different forms of primary sources; for example, archaeologists study artifacts while philologists study language. -
Who Began the Wars Between the Jin and Song Empires? (Based on Materials Used in Jurchen Studies in Russia)
Who began the wars between the Jin and Song Empires? (based on materials used in Jurchen studies in Russia) The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Kim, Alexander A. 2013. Who began the wars between the Jin and Song Empires? (based on materials used in Jurchen studies in Russia). Annales d’Université Valahia Targoviste, Section d’Archéologie et d’Histoire, Tome XV, Numéro 2, p. 59-66. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33088188 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Annales d’Université Valahia Targoviste, Section d’Archéologie et d’Histoire, Tome XV, Numéro 2, 2013, p. 59-66 ISSN : 1584-1855 Who began the wars between the Jin and Song Empires? (based on materials used in Jurchen studies in Russia) Alexander Kim* *Department of Historical education, School of education, Far Eastern Federal University, 692500, Russia, t, Ussuriysk, Timiryazeva st. 33 -305, email: [email protected] Abstract: Who began the wars between the Jin and Song Empires? (based on materials used in Jurchen studies in Russia) . The Jurchen (on Chinese reading – Ruchen, 女眞 / 女真 , Russian - чжурчжэни , Korean – 여진 / 녀진 ) tribes inhabited what is now the south and central part of Russian Far East, North Korea and North and Central China in the eleventh to sixteenth centuries. -
China's Dynastic History
A Learning Resource Report Reading Materials for Participants of The International Forum December 2003 China – A Selection of Dynastic Histories In April 2004, The International Forum will travel through three cities of historical significance in China. Beginning in Shanghai, one of the younger cities in China – it grew to prominence during the late Qing Dynasty (1644-1911) and during the Republic of China (1911-1949). Now it is the key financial center under the People’s Republic. The City of Hangzhou, south west of Shanghai, was the capital of the Southern Song Dynasty (1127-1279) until it fell to the Mongols in 1276. The city of Wuhan dates back to the Shang Dynasty (3,500 years ago) and it was part of the Chu during the Warring States Period (476 BC-221 BC) and during the Han Dynasty (206 BC-220 AD) it became a busy trading port on the Yangtze River. Chinese civilized history is re-told through its dynasties – a reminder that nothing remains the same and that everything has a rise and fall, a birth and death. The account of China’s history follows a cyclical pattern with the rise and fall of each dynasty, unlike western history which is re-told in a fairly linear progression from the Ancient Greeks onward. The attached reading chronicles parts of China’s history from the Shang Dynasty through the forming of the People’s Republic. It is a brief overview and a simple introduction designed to peak your interest, yet not tell the whole story. _______________________________________________________ This material is provided for the participants of The International Forum and is to be used for learning purposes only. -
My Tomb Will Be Opened in Eight Hundred Years╎: a New Way Of
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 'My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi Bryn Mawr College, [email protected] Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Let us know how access to this document benefits ou.y Custom Citation Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/82 For more information, please contact [email protected]. Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: Another View of the Afterlife in the Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. http://doi.org/10.1353/jas.2012.0027 “My Tomb Will Be Opened in Eight Hundred Years”: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi, University of Chicago Abstract: Jie Shi analyzes the sixth-century epitaph of Prince Shedi Huiluo as both a funerary text and a burial object in order to show that the means of achieving posthumous immortality radically changed during the Six Dynasties. Whereas the Han-dynasty vision of an immortal afterlife counted mainly on the imperishability of the tomb itself, Shedi’s epitaph predicted that the tomb housing it would eventually be ruined. -
Levi MA Thesis FINAL PART 1
Beyond the Western Pass: Emotions and Songs of Separation in Northern China Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Levi Samuel Gibbs Graduate Program in East Asian Languages and Literatures The Ohio State University 2009 Thesis Committee: Mark A. Bender, Advisor Meow Hui Goh Copyright by Levi Samuel Gibbs ©2009 ABSTRACT For several centuries, men in parts of northern China, driven by poverty and frequent droughts, were forced to journey beyond the Great Wall to find means of sustenance in Inner Mongolia. Over time, a song tradition arose dealing with the separation of these men from their loved ones. This study examines how various themes and metaphorical images in the lyrics of folksongs and local opera-like performances about “going beyond the Western Pass” (zou xikou !"#) reflect aspects of folk models of danger and emotional attachment. It also looks at how the artistic expression of these folk models may have helped people to better cope with the separation involved in this difficult social phenomenon. I suggest that the articulation of these folk models in song provided a traditionally available means through which to conceptualize and deal with complex emotions. ii For my wife, Aída, who inspires me in everything I do. iii ACKNOWLEDGMENTS There are many people to whom I would like to express my gratitude for their help during the process of writing this thesis. First and foremost, I want to thank my advisor, Dr. Mark Bender, for his patient guidance, insightful criticisms and suggestions, and for providing a cordial environment within which to explore new ideas. -
An Overview of Imperial China's Dynasties
Ms. Kimball History- 6th Grade Week 7 5/18 - 5/22 Name: Date: Per An overview of imperial China’s dynasties By National Geographic Society, adapted by Newsela staff on 05.17.19 Word Count 1,009 Level 1020L Image 1. The Great Wall of China stretches more than 13,000 miles. The most well-known sections were built during the Ming dynasty (1368–1644). Photo: Jeff Hu/Getty Images The Chinese empire was one of the most enduring empires on Earth. Throughout its long history, various dynasties — families that ruled the empire across generations — rose and fell. Single dynastic families often remained in power for hundreds of years, until being replaced by another powerful family group. The throne was passed down from father to son. Myth Or Reality? The Xia dynasty is traditionally said to be the first of many ancient Chinese ruling houses. It is thought to have existed from around 2070 B.C. until 1600 B.C. Yet the actual existence of this dynasty has been debated. Many researchers see it as nothing but a myth. This article is available at 5 reading levels at https://newsela.com. Ms. Kimball History- 6th Grade Week 7 5/18 - 5/22 The first Xia king, Yu, is said to have repaired the damage caused by a major flood. For this reason, legend has it, the gods awarded him the Mandate of Heaven, or the right to rule. Archaeologists have found evidence of large-scale floods from around the Xia time period, so the traditional story might be at least partly true. -
Mirror, Dream and Shadow: Gu Taiqing's Life and Writings a Dissertation Submitted to the Graduate Division of the University O
MIRROR, DREAM AND SHADOW: GU TAIQING‘S LIFE AND WRITINGS A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‗I AT MANOĀ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (CHINESE) May 2012 By Changqin Geng Dissertation Committee: David McCraw, Chairperson Giovanni Vitiello Hui Jiang Tao-chung Yao Roger Ames ACKNOWLEDGMENTS I would like to express my deepest gratitude to my advisor Prof. David McCraw for his excellent guidance, caring and patience towards my study and research. I really appreciate for his invaluable comments and insightful suggestions throughout this study. I also want to thank my dissertation committee members, Prof. Giovanni Vitiello, Prof. Hui Jiang, Prof. Tao-chung Yao and Prof. Roger Ames, for their intellectual instruction, thoughtful criticism and scholarly inspiration. I want to especially thank Prof. Tao-chung Yao for his guidance and support in my development as a teacher. I am also grateful to my husband, Sechyi Laiu, who helped me with proofreading and shared with me the pleasures and pains of writing. His patience, tolerance and encouragement helped me overcome the difficulties in finishing this dissertation. Finally, I would like to thank my parents and my little sister. They have always mentally encouraged and supported me throughout my academic endeavors. ii ABSTRACT Gu Taiqing is one of the most remarkable and prolific poetesses of the Qing dynasty. This study attempts to present critical and comprehensive research on Gu Taiqing‘s writing so to unearth and illustrate Taiqing‘s own life and mentality, in order to enrich our understanding of the role that writing has played in the lives of the pre-modern women. -
Song Dynasty Culture: Political Crisis and the Great Turn
General Survey Course Materials (R. Eno) Song Dynasty Culture: Political Crisis and the Great Turn The Song Dynasty, like the Zhou and the Han, is a dynasty whose history is split in two. The dates of the dynasty are 960-1279, but in 1127, an invasion of North China by a nomad people called the Jurchens forced the Song court to flee to the South, and from that year to the dynasty’s end, China was divided in two, with the Jurchens presiding over North China from their capital near modern Beijing, and the Chinese Song court based in the city of Hangzhou, near the Yangzi River delta. The two eras of the Song are distinguished in the historical records by being assigned the names “Northern Song” and “Southern Song.” The early Song state The Five Dynasties and the founding of the Song. During the decades following the fal of the Tang, control of China was deeply fragmented. In North China, five successive ruling houses, which were little more than warlord military powers, controlled most of the Yellow River valley region, while in the South, a different array of ten states existed Shang c. 1700 – 1045 BCE during the period (which is therefore Zhou 1045 – 256 BCE sometimes called the period of “five Qin 221 – 208 BCE dynasties and ten kingdoms”). North China Han 206 BCE – 220 CE faced the particular pressure of military “Six Dynasties” 220 – 589 incursions by non-Chinese peoples of the Sui 589 – 617 Tang 618 – 907 northern steppe; among these, a Mongol “Five Dynasties” 907 – 960 tribe known as the Khitans were the greatest Song 960 – 1279 ◄ threat. -
The Literati Studio and Spatiality in Song China A
UNIVERSITY OF CALIFORNIA Los Angeles Porous Privacy: The Literati Studio and Spatiality in Song China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Yunshuang Zhang 2017 © Copyright by Yunshuang Zhang 2017 ABSTRACT OF THE DISSERTATION Porous Privacy: The Literati Studio and Spatiality in Song China by Yunshuang Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2017 Professor Jack W. Chen, Chair My dissertation examines the distinctive significance of the studio during the Song dynasty (960–1279) through its various literary and visual representations. Simply speaking, the studio was an enclosed site specifically used for reading, writing, and art creation. Pre-Song texts have records of a few early examples of studio sites in China. However, it was during the Song dynasty that the studio became a prominent cultural space for literati. The studio became both an object of scholarly representation and the medium through which the literatus’ everyday practices were effected. In this way, the studio served as a medium for the reproduction of literati culture itself. This dissertation concentrates on the spatiality of this medium. I argue that in Song literary representations, the studio was a porous private space: on the one hand, it provided a confined space for personal practices and self-cultivation; on the other hand, the studio was open to limited public interactions and was an emblematic display of literati self-identity. The main body of this dissertation is divided into five chapters. The first chapter traces the evolution of the literary configuration of the studio till the Song dynasty, to demonstrate the pivotal role that Song literature played in the construction of the studio space.