APPENDIX IV.C Cultural Resources Study
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Colour, Form and Light Fun: Artistic Glass in Architecture
ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO ARTYSTYCZNE W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S t r e s z c z e n i e Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned. -
Fine Glass, Paperweights and British & European Ceramics
FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 Knightsbridge, London FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 at 10.30am Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 30 October +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm 11am-3pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Monday 31 October To bid via the internet please +44 (0) 20 7468 8244 9am-4.30pm visit bonhams.com [email protected] Please see page 2 for bidder Tuesday 1 November information including after-sale 9am-4.30pm Please note that telephone Simon Cottle collection and shipment Wednesday 2 November bidding is only available on +44 (0) 20 7468 8383 9am-4.30pm lots with the low estimate in [email protected] IMPORTANT INFORMATION excess of £500. Bids should be The United States Government SALE NUMBER submitted no later than 4pm on British Ceramics has banned the import of ivory 23586 the day prior to the sale. New Fergus Gambon into the USA. Lots containing bidders must also provide proof +44 (0) 20 7468 8245 ivory are indicated by the symbol CATALOGUE of identity when submitting bids. [email protected] Ф printed beside the lot number £25.00 Failure to do this may result in in this catalogue. your bid not being processed. European Ceramics Sophie von der Goltz LIVE ONLINE BIDDING IS +44 (0) 20 7468 8349 AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject Administrator line 48 hours before the auction Anna Burnside to register for this service +44 (0) 20 7393 3975 [email protected] General Enquiries [email protected] [email protected] Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. -
Ausglass Magazine a Quarterly Publication of the Australian Association of Glass Artists Aus Ass
Ausglass Magazine A Quarterly Publication of the Australian Association of Glass Artists aus ass POST CONFERENCE EDITION Registered by Australia Post Publication No. NBG1569 1991 CONTENTS Introduction 3 An Historical Context - by Sylvia Kleinert 5 ausglass The Contemporary Crafts Industry: magazine Its Diversity - by John Odgers u Contemporary Glass - Are We Going the Right Way? - by Robert Bell 15 Dynamic Learning - A Quality Approach to Quality Training - by Richard Hames 17 POST CONFERENCE The Getting of Wisdom: the gaining of EDmON 1991 skills and a philosophy to practice Session 1 - Cedar Prest 20 Session 2 - Bridget Hancock 22 Session 3 - Richard Morrell 23 Session 4 - Anne Dybka 24 New Editorial Committee: Fostering the Environment for Professional Practice - by Noel Frankham 27 Editor Technique and Skill: its use. development Bronwyn Hughes and importance in contemporary glass Letters and correspondence to by Klaus Moje 32 Challenges in Architectural Glass - by Maureen Cahill 35 50 Two Bays Road, Ethics and Survival - by WtuTen Langley 42 Mt. Eliza, VIC. 3930. When is a Chihuly a Billy Morris? - by Tony Hanning 43 Phone: Home - (03) 787 2762 Production Line: A Means to an End - by Helen Aitken-Kuhnen 47 The Artist and the Environment - by Graham Stone 49 Editorial Committee Working to a Brief- Bronwyn Hughes Chairperson Working to a Philosophy - by Lance Feeney 51 Jacinta Harding Secretary A Conflict of Interest - by Elizabeth McClure 53 Mikaela Brown Interstate & The Gift - Contemporary Making - by Brian Hirst 55 O.S. Liaison Meeting Angels: Reconciling Craft Practice Carrie Westcott and Theory - by Anne Brennan 57 Advertising Kim Lester Function? - by Grace Cochrane 6S Juliette Thornton Internationalism in Glass Distnbution Bronwyn Hughes Too Much Common Ground - by Susanne Frantz 67 David Hobday Board Gerie Hermans Members Graham Stone President: Elizabeth McClure FRoNT COVER: C/o Glass Workshop, The Crowning of the new President. -
WINDOW to WONDERS Any Dinner Party Island of Murano
design. The wide variety of objects makes it easy to find one that perfectly fits the bill. The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate any dinner party while decorative bowls and plates provide colour and a talking point. Murano glass can also enrich more private spaces. Add a touch of glamour to a bathroom with Murano glass mirrors whose appliqués can sublimely illuminate the room. However, Murano glass doesn’t only mean decorative objects. Beads, initially designed for rosary beads, were produced from the very beginning on the island. Today the glass beaded necklaces, bracelets, rings and pins are highly original and precious jewels that will add colour and elan for women of all ages. Whether to complement a special outfit or for a discerning gift idea, these fashion accessories are timeless creations, and perfect for any significant event or anniversary. Murano glass creations are excellent wedding gifts for both the bride and the groom that will be appreciated long after the day. Murano celebrates its history at the Museo del Vetro in the Palazzo Giustinian, which holds displays on the history of glassmaking and objects dating back centuries. Some of the older factories also have museums. A little nearer to home are the treasures to be found at The Artisan Studio in Salisbury’s Fisherton Street. Owner Juliette Scott sources her homewares and jewellery range from sisters Serena & Carlotta whose family are among the last master glassmakers on the The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate WINDOW TO WONDERS any dinner party island of Murano. -
Negro Who's Who in California" Publishing Co
mm MAIN LIBRARY '^va SA\' FRANCISCO HISTORY ROOM 1 92O0O79 M312 713054 NOT TO BE TAKEN FROM THE LIBRARY SAN FRANCISCO PUBLIC LIBRARY 3 1223 90038 3804 DEC 6 1955 ^ oo Digitized by tine Internet Archive in 2010 with funding from San Francisco Public Library http://www.archive.org/details/negrowhoswhoincaOOIosa NEGRO WHO'S WHO IN CALIFORNIA 1948 Edition imUTYPE BY flEIVE \. HEWLETT MAX J. WILLIAMS LITHOGRAPHED BY WM.WESTERFIELH N6\^ - RSFERENCe Copyright applied for by 'Negro Who's Who in California" Publishing Co. FOREWORD ORE and more various editions of biog;rai)hical histories published as Who's Who in the particular field covered are being accepted as accurate and com- I prehensive sources of inforniatiorr on the civic and s<)cial contributions, achieve- ments, successes, and i)opular recognition of outstanding men and women. Thinkiiig jjeople everywhere are alive to the iniportance of biography in i)Iot- ting and inlerjjreting growth and progress; not only the biographies of the re- nown, "but of all those who achieve success and recognition in law or medicine, in press or i)uii)it, in art or in music, in business or industry, in social or civic endeav- or, or in any legitimate activity of life. N'or need the attainment of the individual be nation-wide in its acclaim. It is important so long as in its material affect and interest it commands the resi)ect and admiration of his fellow citizens. Throughout the country a search of juiblic, school, and university libraries, of ,s(«ial and research agencies, and of private collections indicate in many States, a definite need for a Who's Who designed to record and present the Negro in the light of his achievements and recognition in those fields of activity which are measures of his advancement and his contributions to the growth and progress of the community and State in which he lives. -
Vasart Glass Bowl Mottled Pink and White with Typical
1. VASART GLASS BOWL MOTTLED PINK AND WHITE WITH TYPICAL WHORL DECORATION, TOGETHER WITH AN YSART THISTLE SHAPED GLASS VASE MOTTLED PINK AND OPAQUE WHITE WITH TYPICAL WHORL DECORATION 2. VASART THISTLE SHAPED GLASS VASE MOTTLED GREEN GLASS WITH SILVER INCLUSIONS, TOGETHER WITH A VASART GLASS VASE MOTTLED PINK AND YELLOW WITH SILVER COLOURED INCLUSIONS 3. VASART GLASS VASE MOTTLED PINK AND GREEN WITH TYPICAL BAND OF WHORLS, TOGETHER WITH A MONART MOTTLED GREEN GLASS VASE WITH GOLD AND SILVER COLOURED INCLUSIONS 4. MONART GLASS VASE MOTTLED BLUE GLASS WITH GOLD COLOURED INCLUSIONS 5. MONART GLASS BOWL MOTTLED BLUE GLASS WITH SILVER COLOURED INCLUSIONS AND FOLDED OVER RIM 6. EDWARD VII GOLD SOVEREIGN 1905 7. VICTORIAN GOLD SOVEREIGN DATED 1899 8. GEORGE V GOLD SOVEREIGN DATED 1913 9. GEORGE V GOLD SOVEREIGN DATED 1912 10. GEORGE V GOLD SOVEREIGN DATED 1913 11. GEORGE V GOLD SOVEREIGN DATED 1912 12. TWO GOLD HALF SOVEREIGNS - EDWARD VII DATED 1909 AND GEORGE V DATED 1913 13. DOUBLE STRAND CIRO PEARL NECKLACE WITH YELLOW METAL CLASP, STAMPED 9CT 14. YELLOW METAL OPEN FACED POCKET WATCH IN ORIGINAL FITTED CASE, THE DIAL INSCRIBED WALTHAM USA, WITH ROMAN NUMERAL DIAL AND SUBSIDIARY SECONDS DIAL 15. COLLECTION OF ASSORTED COSTUME JEWELLERY TO INCLUDE COMPACT, KOMAI STYLE BUTTONS, NECKLACES, BROOCHES, ETC. 16. A 9CT GOLD SIGNET RING, TOGETHER WITH A 9CT GOLD AND OPAL SET DRESS RING 17. A 9CT GOLD WEDDING RING, 18CT GOLD WEDDING RING, 18CT GOLD DRESS RING (LACKING TWO STONES), YELLOW METAL SIGNET RING 18. SAPPHIRE AND DIAMOND FIVE STONE RING SET TO YELLOW METAL BAND STAMPED 18CT 19. -
Technical Research Bulletin
Technical Research Bulletin Volume 8 2014 SUMMARY A Venetian enamelled and gilded goblet (WB.55) is part of Technical study of a the collection bequeathed to the British Museum by Baron Ferdinand Rothschild in 1898. Conservation treatment in 1994 provided the rare Venetian turquoise opportunity to remove a small sample containing some opaque white as well as rare turquoise glass. These fragments were analysed glass goblet from the using scanning electron microscopy with energy dispersive X-ray spectrometry and by laser ablation inductively coupled plasma mass Waddesdon Bequest spectrometry. Further analyses were carried out on the enamels and blue glass knop of the goblet using surface X-ray fluorescence. Dora Thornton, Ian Freestone, William This contribution locates the object in the context of Venetian glass of the Renaissance as well as the history of collecting. The Gudenrath, Martina Bertini, Andrew conservation history and the processes employed to conserve the Meek and Denise Ling object prior to its redisplay in the new Waddesdon Gallery at the British Museum in 2015 are described. Careful macroscopic and microscopic observations are combined with the chemical analyses to outline a comprehensive chaîne opératoire for the object. Technically, it is fully consistent with current understanding of glass production in Venice in the late fifteenth century. The goblet The Venetian turquoise goblet (WB.55), which is the focus of this contribution, is one of the finest Renaissance glasses to be seen anywhere in the world, Figure 1. It came to the British Museum as part of the Waddesdon Bequest, a treas- ury collection formed over two generations by Baron Anselm de Rothschild of Frankfurt and Vienna, and his son Baron Ferdinand Rothschild, MP. -
CTY of Los ANGELES S
DEPARTMENT OF EXECUTIVE OffiCES CITY PLANNI NG CTY OF Los ANGELES S. GAIL GOLDBERG. AIC? OFFICE Of HISTORIC RESOURCES CALIFORNIA 200 N. SPRING STREET, ROOM620 DIRECTOR Los ANGELES, CA 90012-4801 (213) 978-1271 (213)978-1200 VINCENT ? BERTONI, Ale? DEPUTY DIRECTOR CULTURAL HERITAGE (213}978-1272 COMMISSION JOHN M. DUGAN, Alep DEPUTY DIR(CTOR RICHARD BARRON (213) 978-1274 PRESIDENT ROELLA H. !.OUIE EVA YUAN-MCDANIEL VICH'RfSIOf.NT DEPUTY DIRECTOR {213}978-1273 GLEN C. DAKE ANTONIO R. VILLARAIGOSA MIA M. LEHRER MAYOR fAX: (213)978-1275 oz SCOTT INFORMATION (213) 978·1270 FEl Y C. P1NGOL COMMISSION fXECUTIVE ASSISTANT wwwplanntng.lactrv.org {213} 978-1294 Date AUG 0 4 2009 Los Angeles City Council Room 395, City Hall 200 North Spring Street Los Angeles, Califomia 90012 ATTENTION: Barbara Greaves, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHC-2009-1908-CR Columbia Savings Building 5220 Wilshire Boulevard At the Cultural Heritage Commission meeting of July 16, 2009. the Commission moved to approve a resolution providing GENERAL COMMENTS to the California State Office of Historic Preservation regarding listing of 5220 Wilshire Boulevard to the California Register of Historical Resources. This resolution is subject to final adoption by the City Council and concurrence by the Mayor's Office. The California State Office of Historic Preservation allows for 90 days to receive comments from a city regarding a proposed listing of a property to the California Register. The above Cultural Heritage Commission action was taken by the following vote: Moved: Commissioner Barron Seconded: Commissioner Louie Ayes: Commissioner Lehrer, Dake Nays: Commissioner Scott Vote: 4-1 Fel C. -
Tuesday 10Th December 2019
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 th Tuesday 10 December 2019 Ceramics and Glass, Works of Art, Collectables, Silver & Books, Pictures & Furniture Sale Commences at 10.00am Buyersyeer are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE EX240 O n View: Saturday 7th December Order of Sale: Ceramics, Glass Lots 1-123 9am - 12noon Silver Lots 124-178 Pictures, Prints, Maps Lots 184-220 Monday 9th December Works of Art, Collectables, 9am -7pm Books, etc Lots 225-368 Furniture Lots 369-487 Morning of sale from 9am. W: www.bhandl.co.uk Catalogue £1.50 E: [email protected] Follow us on Twitter: @BHandL Tuesday 10th December 2019 Sale commences at 10am CERAMICS and GLASS 1 . A Whitefriars grey glass vase, together 9 . A set of six Waterford crystal whiskey with a Murano glass vase and three other tumblers, together with three sherry decorative glass items. glasses, four similar glasses, six cranberry glass wine glasses a Georgian pedestal 2 . Four ale glasses and a funnel one of jug, (damaged), etc. wrythen moulded form on a domed foot, £100-£150 (Plus 25.2% BP*). another of trumpet shaped form engraved with hops and barley, two others and a 10 . A harlequin set of late 18th century wrythen moulded funnel. English ale glasses with wrythen decoration on circular bases. (11). 3 . A pair of Victorian cranberry Jack in the £200-£300 (Plus 25.2% BP*). Pulpit vases. 11 . Five pieces of Nailsea and other glass 4 . -
Blue Enamel on Glass: an Investigation Into Microfracturing and Material Loss of 17Th Century Copper and Cobalt Blue Enamel
University of Amsterdam Conservation and Restoration of Cultural Heritage – Glass, Ceramics And Stone Master’s Thesis 16843 words Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Student: Roy van der Wielen 10757716 Supervisor: Mandy Slager Second assessor: Ellen Jansen 20-6-2017 All images made by Roy van der Wielen, unless specified otherwise Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Table of contents Abstract 3 Samenvatting 4 Introduction 5 Chapter one - technical art historical context 9 Chapter two – description of investigated degradation phenomena 22 Chapter three - current state of knowledge 34 Chapter four – corroboration of hypothesis 39 Chapter five – gas inclusions, surface pits and microfractures 49 Chapter six – conclusions 65 Acknowledgements 67 Bibliography 68 Appendix I Archival images 71 Appendix II FT-IR analysis applied tape 75 Appendix III historical sources and their inter-relation 79 Appendix IV unquantified xrf-spectrum Corning glass standard “D” and quantification table 80 Van der Wielen UvA 2 Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Abstract The Rijksmuseum Amsterdam owns a collection of fractured 17th century enamelled glass panels that have been mended with clear tape consisting of a cellophane carrier and rubber adhesive. In many cases, this tape has been applied over the decorated side and has yellowed and shrunk. -
Pilkington Glass Handbook 2014 Covers the Range of Products As It Applied in May 2014
July 2014 Glass Handbook 2014 CE marking confirms that a product complies with its relevant harmonised European Norm. The CE marking label for each product, including declared values, can be found at www.pilkington.com/CE Pilkington Polska Sp. z o.o. 24, Portowa str., 27-600 Sandomierz, Poland tel.: +48 15 832 30 41, fax: +48 15 832 39 25 www.pilkington.pl Glass Handbook 2014 Glass Handbook 2014 Introduction Solar Control Thermal Insulation Fire Protection Noise Control Safety / Security Self-cleaning Decoration Glass Systems Special Applications Contents Introduction . 7 1 . Solar Control . 15 1.1. Pilkington Arctic Blue™ . 20 1.2. Pilkington Eclipse Advantage™ . 24 1.3. Pilkington EverGreen™ . 38 1.4. Pilkington Optifloat™ ...............................Tint 42 1.5. Pilkington Reflite™ . 54 1.6. Pilkington Solar-E™ . 60 1.7. Pilkington Suncool™ and Pilkington Suncool™ OW . 64 1.8. Pilkington Suncool Optilam™ 65/59 . 64 1.9. Pilkington Suncool™ Pro T . 64 1.10. Pilkington SunShade™ Silver . 94 2 . Thermal Insulation . 97 2.1. Pilkington Insulight™ . 100 2.2. Pilkington K Glass™ N . 102 2.3. Pilkington Optifloat™ .............................Clear . 106 2.4. Pilkington Optitherm™ GS . 110 2.5. Pilkington Optitherm™ ...............................S1 110 2.6. Pilkington Optitherm™ ...............................S3 110 2.7. Pilkington Spacia™ . 117 3 . Fire Protection . 121 3.1. Pilkington Pyroclear® . 128 3.2. Pilkington Pyrodur® . 131 3.3. Pilkington Pyroshield™ ..............................2 . 135 3.4. Pilkington Pyrostop® . 139 4 . Noise Control . 145 4.1. Pilkington Insulight™ ..............................Phon 160 4.2. Pilkington Optiphon™ . 164 5 . Safety/Security . 169 5.1. Pilkington Optilam™ (safety glass) ......................... 177 5.2. Pilkington Optilam™ (security glass) ....................... -
Colour, Form and Light Fun: Artistic Glass in Architecture
ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO artystyczne W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S treszczenie Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned.