DOCSLIB.ORG

Country Pride, County Wide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Country Pride, County Wide 2 0 1 7 R A V A L L I C O U N T Y F A I R Country Pride, County Wide Presenting Sponsor: Murdoch’s Home & Ranch Supply Wednesday through Saturday, August 30 – September 2 Ravalli County Fairgrounds 100 Old Corvallis Road, Hamilton, MT 59840 • Phone 406-363-3411 • Fax 406-375-9152 Stay connected! Visit our website: www.rcfair.org, like us on Facebook, and follow us on Twitter! For online entries: go to our website and follow the link: www.rcfair.org Parade Information - call Bitterroot Valley Chamber at 406-363-2400 Fair Gates Open 7AM to 10PM • Exhibit Buildings Open 10AM to 10PM Gate Ticket includes admission to all Grandstand Events • Free parking Daily 4-Day Fair Pass Adults $9.00 $25.00 Students, Military & 60+ Seniors $7.00 $18.00 5 Years Old & Under FREE FREE Thanks to our friends at Global Wireless, we are now able to accept credit/debit cards at all fair gates! - Carnival Hours ~ Wednesday-opens 2:00PM; Thursday-Saturday opens 1:00PM - Discount Carnival Tickets & Livestock Passes must be purchased before 5:00PM on Tuesday, August 29th at the Fairgrounds Office & select locations (see PG. 6, #2 for information) Main Attractions – Rodeo Arena Wednesday, August 30th Horse & Mule Show - 12 noon Wednesday, August 30th Ranch Rodeo - 7 pm Thursday, August 31st Bull-A-Rama & Cowboy Bronc Riding - 7 pm Friday, September 1st NRA Rodeo - 7 pm Saturday, September 2nd NRA Finals Rodeo - 7 pm County Commissioners Fair Commission T er m Greg Chilcott, Chairman Margaret Yuhas, Florence 12/31/2019expires THANK YOU TO THE MANY Jeff Burrows Rod Freeman, Hamilton 12/31/2018 VOLUNTEERS who help make the Ray Hawk Jeff Carter, Hamilton 12/31/2020 Doug Schallenberger Peg Andersen, Florence 12/31/2018 RC FAIR a success every year! Do Chris Hoffman Phil Connelly, Corv allis 12/31/2017 you want to GET INVOLVED? Jean Schurman, Victor 12/31/2020 Fairgrounds Staff Stephanie Millhouse, Stevi 12/31/2017 TO VOLUNTEER before or during Cryss Anderson, Director Darlene Reese, Admin. Assistant Premium Office Fair, please contact the Fairgrounds Beth Perkins, Data Entry Gayle Tintzman Lorena Eri ckson Office at 363 - 3411 or email Guy West, Facilities Manager Donna Weber Maggie Bauer [email protected] ► CONGRATULATIONS 2017 Fair Family Honorees: Bob and Joan Nicholson ► Congratulations to the 2017 Fair Contest Theme Winner: Beth Perkins ► Thank you to Ashley Mitchell for the 2017 Artwork ► Thank you to Hannah Honey for the 2017 Graphics wor k 2 RAVALLI COUNTY FAIR AND ROCKIN’ RC RODEO SCHEDULE OF EVENTS ~FRIDAY, AUGUST 11~ ~THURSDAY, AUGUST 31~ 1pm Carnival Opens OPEN CLASS ENTRY FORMS DUE IN THE FAIRGROUDS OFFICE, NO LATER 1pm Cheese Demonstration - Agriculture Barn THAN 5pm – NO LATE ENTRIES WILL BE ACCEPTED. 2pm Grain Threshing & Hay Baling - North Gate (no livestock entries online) 3pm Molly Hackett to demonstrate “Propagating Plants, How to Start Plants from Cuttings” - Agriculture Barn ~SUNDAY, AUGUST 27~ 5:45pm Parade of Wagons - Grandstand Arena 6pm Kiddie Kalf Class - Hornung Arena 12pm – 5pm Girl Scout Exhibits due – Judging starts at 6pm. 6:30pm Bitterroot Mountettes - Grandstand Arena 12pm – 7pm All Open Class Still (non-livestock) Exhibits Due (Except 6:45pm Miss Ravalli County Rodeo Pageant Introductions Floral – See Below) First Interstate Building, Main Gate. 7pm Bull-A-Rama & Cowboy Bronc Riding Agriculture in Agriculture Barn. 4-H Still Exhibits under 10pm Exhibit Buildings & Barns Close Grandstand - Main Gate ~FRIDAY, SEPTEMBER 1~ ~MONDAY, AUGUST 28~ 9am NRA Rodeo - Grandstand Arena 9am Open Class Dairy Goat Show - Applebury Arena 10am Exhibit Buildings & Barns Open 11am Open Class Meat Goat Show - Applebury Arena 10am Kiddie Lamb followed by Open Jackpot Lamb - Hornung 3pm – 7pm Open Class Floral Exhibits Due Arena West Gate - North Door/Floral Building 10am Roger Joy to demonstrate “Grafting and Budding Fruit Trees” - Agriculture Barn ~TUESDAY, AUGUST 29~ 10:30am Open Class Sheep Show - Hornung Arena 11am-1pm Miss Ravalli County Rodeo Queen Speeches, Interviews & Fashion – KLYQ Entertainment Tent 8pm Livestock must be in barns 1pm Carnival Opens BEFORE 5PM LAST CHANCE!!! Pre-sale carnival tickets and Livestock 2pm Grain Threshing & Hay Baling - North Gate Passes must be purchased prior to 5PM. 3pm Miss Ravalli County Rodeo Queen Horsemanship – Main Arena ~WEDNESDAY, AUGUST 30~ 5pm Cheese Demonstration - Agriculture Barn 6:15pm Miss Ravalli County Rodeo Queen Pageant Coronation - 10am Fair Parade - Main Street, Hamilton Main Arena 10am Exhibit Buildings & Barns Open 6:45pm Bitterroot Mountettes - Grandstand Arena Noon Horse, Mule & Donkey Show - Grandstand Arena 7pm NRA Rodeo - Grandstand Arena 1pm Ribbon Cutting with Chamber of Commerce – Main Gate 10pm Exhibit Buildings & Barns Close 2pm Carnival Opens 2pm Floral Barn Demonstration ~SATURDAY, SEPTEMBER 2~ 4pm Poetry Contest Reading – KLYQ Free Stage 5pm Little People’s Stick Horse Rodeo – KLYQ Free Stage 10am Exhibit Buildings & Barn Open 6pm FFA Cake, Cookie & Pie Auction – KLYQ Free Stage 12pm Premium Office open for payout of Ribbon winners 7pm Ranch Rodeo - Grandstand Arena 1pm Carnival Opens 10pm Exhibit Buildings & Barns Close 1pm Cheese Demonstration - Agriculture Barn 12-3pm 4-H Horsemanship Demonstration - Grandstand Arena ~THURSDAY, AUGUST 31~ 2pm Grain Threshing & Hay Baling - North Gate 2pm Western Agriculture Research Center for Discussion and 9am Kiddie Poultry Show - Poultry Barn Questions - Agriculture Barn 9:30am Kiddie Rabbit Show - Rabbit Barn 7pm NRA Finals Rodeo - Grandstand Arena 9:45am Open Class Rabbit Show - Rabbit Barn 10pm Exhibit Buildings & Barns Close 10am Kiddie Goat Show - Applebury Arena 10am Open Class Poultry Show - Poultry Barn ~SUNDAY, SEPTEMBER 3~ 10am Exhibit Buildings & Barn Open 11am Floral Barn Demonstration 7am-2pm Livestock Released 11am Horse, Mule & Donkey Show - Grandstand Arena 12pm-4pm Still Exhibits Released Noon Open Class Dog Show - North Gate Show Ring 3 FREQUENTLY ASKED QUESTIONS 1. HOW MUCH DOES IT COST TO GET INTO FAIR AND WHAT IS INCLUDED? Please see page 2 for the dates, times and gate prices. All gate purchases include Main Attractions such as Bull-A- Rama and NRA Rodeo. See #2 below for Carnival fees, which is a separate fee. 2. WHAT IS THE DEADLINE FOR PURCHASING DISCOUNTED CARNIVAL RIDE PASSES AND/OR LIVESTOCK PASSES? WHERE CAN THEY BE PURCHASED? You may purchase your discounted carnival all day ride passes and/or livestock passes until Tuesday before Fair (August 29th before 5 p.m.) NO DISCOUNTED CARNIVAL PASSES OR LIVESTOCK PASSES WILL BE SOLD AFTER 5 P.M. AUGUST 29th. Pre-sale carnival passes can be purchased at Super 1 Foods, People’s Market, Murdoch’s Home & Ranch Supply and the Fairgrounds Office. Livestock passes may be purchased at the Fairgrounds Office for $15. Some restrictions apply. 3. WHAT ARE THE CARNIVAL HOURS AND FEES? Carnival Opening Times: Wednesday August 30th – 2 p.m., Thursday-Saturday 1 p.m. Carnival Ride Passes (all-day ride pass) pre-sale is $20. Pre-sale ends Tuesday August 29th at 5 p.m. Thereafter, the DAILY Carnival pass fee is $35. We strongly encourage you to purchase the discounted ride passes PRIOR to Fair. Individual ride tickets may be purchased from the Carnival Ticket Booths only. 4. WHEN DOES MY ENTRY FORM AND ENTRY HAVE TO BE IN? Open Class entry forms must be in the Fairgrounds Office by Friday, August 11th at 5 p.m. or by 11:59 p.m. online. (livestock cannot be entered online) 4-H & FFA entry forms need to be in the Fairgrounds Office by August 4th by 5 p.m. or by 11:59 p.m. online. Your actual item(s) will need to be delivered according to the Department you have entered. Please pay close attention to the dates when you need to bring them in as some have changed since last year. Please do not bring items in with forms. The Fairgrounds Office does not have the space to hold them until take- in day. 5. WHAT DOES OPEN CLASS INDICATE? Open Class refers to Departments that are open to the public. 6. HOW DO I ENTER ONLINE AND WHY CAN’T I ENTER LIVESTOCK ONLINE? Go to http://www.rcfair.org and follow the instructions. If you have any questions or problems, please contact us at 406-363-3411. You cannot enter Livestock online due to our inability to collect fees online. For Livestock, you must bring your entry form into the Fairgrounds Office and pay the associated fees at that time. 7. WHEN CAN I GET MY ENTRY TAGS? Entry tags are available the week after entry form deadlines in the Premium Office. This is the small building located right behind to the Fairgrounds Office, to the south. 8. WHERE DO I BRING MY ENTRY ITEMS? It depends on which Departments you have entered. Most entries will be in the First Interstate Building, Floral entries will be in the Floral Building by the Grandstands, Agricultural entries will be in the Agricultural Barn, Antique Machinery entries will be in the North gate area with the exception of collectibles which will be in the First Interstate Building, and livestock will be in the barns. If you are not sure of where your entry should go, please refer to the Department which you have entered in. 9. WHEN CAN I PICK UP MY ENTRY ITEMS? Release day is Sunday from 12 p.m. to 4 p.m. for Still Exhibits and 7 a.m. to 2 p.m. for Livestock. If you are not sure, please ask the Superintendent of your Department. 10. WHEN AND WHERE DO I GET MY PREMIUMS? Congratulations for winning a ribbon or an award for your entry! Premiums are available Saturday from 12 p.m. to 6 p.m., Sunday 12 p.m.
Load more

Recommended publications
  • Australian Official Journal Of
    Vol: 20 , No. 4 2 February 2006 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 2 February 2006 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 1175 Registrations/Protected IRs Amended and Changed ................ 1178 Applications for Extension of Time ...................... 1175 Applications/IRs Accepted for Registartion/Protection .......... 877 Applications/IRs Filed Nos 1092349 to 1093924 ............................. 841 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 1179 Withdrawn..................................... 1179 Refused ...................................... 1179 Assignments, Trasnmittals and Transfers .................. 1179 Cancellations of Entries in Register ...................... 1181 Corrigenda ...................................... 1183 Notices ........................................ 1175 Opposition Proceedings ............................
    [Show full text]
  • Colour, Form and Light Fun: Artistic Glass in Architecture
    ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO ARTYSTYCZNE W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S t r e s z c z e n i e Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned.
    [Show full text]
  • Exhibition Checklist (PDF)
    Racine Art Museum 441 Main Street Box 187 Racine, Wisconsin 53401-0187 262.638.8300 www.ramart.org 11th Annual Exhibitors Linda Campeau Racine International Aubrey Deschler Kate Alphs Racine Gabriella Deschler PEEPS Michelangelo’s Peep Natalie Deschler Art Watercolor Peppa Pigs at the Park Exhibition Felt, craft sticks, paint, straws, Cookie Anderson Milwaukee googly eyes, and wire Pretty in Pink Peeps Beads Anna Christensen, Under 13 Verona Friendly Peepiens Come to Earth Veronica Gagliano Averkamp Caledonia Wood, rocks, felt, stain, pipe cleaners, It’s a Peep Shake for Peep’s Sake! pom poms, found object, container, Polymer, found object, stickers, and paint and paper straw Sue Dannenberg Waterford, MI Robert Baird Greenfield Putting Peeps to Sleep Kristin Leguizamon Fabric, batting, ribbon, and thread Peep Puns Found cans, found toys, and cardboard Bill Drehfal St. Francis I Thought I Saw a Putty Cat! Wanda Barbour Kenosha Butternut wood Tumbling Peeps Fabric Mary Drehfal St. Francis The Leap Year Deep Peep Leap Arev Buchaklian Racine Wood and fabric Peeps in this Together Canvas Chris Fabio Racine Destiny Klinkhammer Haig Buchaklian, Under 13 Racine 2020 Grad Peeporama Cardboard, paper, and ribbon Display cases and pins Shardae Feest Racine Siroun Buchaklian, Under 13 Racine Ears Peep-ever Together Fabric Canvas Ellen Ferwerda Kenosha Liam Bughman Whitewater St. Peep (Martyr to Plastic) Mary Bughman Digital inkjet print Sonic the Peephog Styrofoam®, toothpicks, skewers, felt, Nellie Frazee Kenosha pipe cleaners, wood, ceramic, foam
    [Show full text]
  • Fine Glass, Paperweights and British & European Ceramics
    FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 Knightsbridge, London FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 at 10.30am Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 30 October +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm 11am-3pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Monday 31 October To bid via the internet please +44 (0) 20 7468 8244 9am-4.30pm visit bonhams.com [email protected] Please see page 2 for bidder Tuesday 1 November information including after-sale 9am-4.30pm Please note that telephone Simon Cottle collection and shipment Wednesday 2 November bidding is only available on +44 (0) 20 7468 8383 9am-4.30pm lots with the low estimate in [email protected] IMPORTANT INFORMATION excess of £500. Bids should be The United States Government SALE NUMBER submitted no later than 4pm on British Ceramics has banned the import of ivory 23586 the day prior to the sale. New Fergus Gambon into the USA. Lots containing bidders must also provide proof +44 (0) 20 7468 8245 ivory are indicated by the symbol CATALOGUE of identity when submitting bids. [email protected] Ф printed beside the lot number £25.00 Failure to do this may result in in this catalogue. your bid not being processed. European Ceramics Sophie von der Goltz LIVE ONLINE BIDDING IS +44 (0) 20 7468 8349 AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject Administrator line 48 hours before the auction Anna Burnside to register for this service +44 (0) 20 7393 3975 [email protected] General Enquiries [email protected] [email protected] Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No.
    [Show full text]
  • P4vor 6-44S Ana' P4por Cuase
    P4vor 6-44s Ana' P4por Cuase Ashley Machum With information constantly shifting to online water. "The fibers from trees were discovered to formats it seems that a paperless society is quite be an ideal and cheap source" and are *hat the possible. However, the online format can never majority of today's papers are made froin (Garner, deliver the tactile experience that holding a piece 2006, p. 7). There are specialty papers made to of paper can. Those who seek the solace of paper satisfy any individual's needs. should consider paper crafts as a means to reconnect with the real thing. Making paper crafts involves using any type of paper, they "mix any form of paper or card stock The human connection with paper has existed for to create interesting and innovative craft projects" thousands of years. It began in Egypt when, "the (Garner, 2006, p. 8). It is not necessary to exceed first form of paper was invented over 5,000 years the budget when offering a craft progrgn. Paper ago." This type of paper is known as papyrus. for programs can be sourced "in fine art supply The name is derived from the "plant called and craft stores, as well as in home improvement Cyperus papyrus" of which the paper is made of stores, party and office supply stores, and from its thin slices layered (Garber, 2006, p. 6). Today's online suppliers. Recycled magazines and catalogs method for making paper is "attributed to the are another excellent source of paper" (Le Van, Chinese inventor T'sai Lun in the years around 2006, p.8).
    [Show full text]
  • Ausglass Magazine a Quarterly Publication of the Australian Association of Glass Artists Aus Ass
    Ausglass Magazine A Quarterly Publication of the Australian Association of Glass Artists aus ass POST CONFERENCE EDITION Registered by Australia Post Publication No. NBG1569 1991 CONTENTS Introduction 3 An Historical Context - by Sylvia Kleinert 5 ausglass The Contemporary Crafts Industry: magazine Its Diversity - by John Odgers u Contemporary Glass - Are We Going the Right Way? - by Robert Bell 15 Dynamic Learning - A Quality Approach to Quality Training - by Richard Hames 17 POST CONFERENCE The Getting of Wisdom: the gaining of EDmON 1991 skills and a philosophy to practice Session 1 - Cedar Prest 20 Session 2 - Bridget Hancock 22 Session 3 - Richard Morrell 23 Session 4 - Anne Dybka 24 New Editorial Committee: Fostering the Environment for Professional Practice - by Noel Frankham 27 Editor Technique and Skill: its use. development Bronwyn Hughes and importance in contemporary glass ­ Letters and correspondence to by Klaus Moje 32 Challenges in Architectural Glass - by Maureen Cahill 35 50 Two Bays Road, Ethics and Survival - by WtuTen Langley 42 Mt. Eliza, VIC. 3930. When is a Chihuly a Billy Morris? - by Tony Hanning 43 Phone: Home - (03) 787 2762 Production Line: A Means to an End - by Helen Aitken-Kuhnen 47 The Artist and the Environment - by Graham Stone 49 Editorial Committee Working to a Brief- Bronwyn Hughes Chairperson Working to a Philosophy - by Lance Feeney 51 Jacinta Harding Secretary A Conflict of Interest - by Elizabeth McClure 53 Mikaela Brown Interstate & The Gift - Contemporary Making - by Brian Hirst 55 O.S. Liaison Meeting Angels: Reconciling Craft Practice Carrie Westcott and Theory - by Anne Brennan 57 Advertising Kim Lester Function? - by Grace Cochrane 6S Juliette Thornton Internationalism in Glass ­ Distnbution Bronwyn Hughes Too Much Common Ground - by Susanne Frantz 67 David Hobday Board Gerie Hermans Members Graham Stone President: Elizabeth McClure FRoNT COVER: C/o Glass Workshop, The Crowning of the new President.
    [Show full text]
  • WINDOW to WONDERS Any Dinner Party Island of Murano
    design. The wide variety of objects makes it easy to find one that perfectly fits the bill. The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate any dinner party while decorative bowls and plates provide colour and a talking point. Murano glass can also enrich more private spaces. Add a touch of glamour to a bathroom with Murano glass mirrors whose appliqués can sublimely illuminate the room. However, Murano glass doesn’t only mean decorative objects. Beads, initially designed for rosary beads, were produced from the very beginning on the island. Today the glass beaded necklaces, bracelets, rings and pins are highly original and precious jewels that will add colour and elan for women of all ages. Whether to complement a special outfit or for a discerning gift idea, these fashion accessories are timeless creations, and perfect for any significant event or anniversary. Murano glass creations are excellent wedding gifts for both the bride and the groom that will be appreciated long after the day. Murano celebrates its history at the Museo del Vetro in the Palazzo Giustinian, which holds displays on the history of glassmaking and objects dating back centuries. Some of the older factories also have museums. A little nearer to home are the treasures to be found at The Artisan Studio in Salisbury’s Fisherton Street. Owner Juliette Scott sources her homewares and jewellery range from sisters Serena & Carlotta whose family are among the last master glassmakers on the The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate WINDOW TO WONDERS any dinner party island of Murano.
    [Show full text]
  • PAA STUDIO TOUR MAP FOLLOW Th Th the SIGNS! November 26 and 27 2010 10Am - 4Pm
    MAP NOT TO SCALE PAA STUDIO TOUR MAP FOLLOW th th THE SIGNS! November 26 and 27 2010 10am - 4pm OYSTERVILLE 2 1. Wayne Ivy…31523 Sandridge Rd “My Way Lane “…360-665-3780 Accent & Home Furniture, Antique Technique 3 OYSTERVILLE RD SURFSIDE 1 2. Don Perry…34516 “J” Place…541-352-7407 Interior & Exterior Metal Art, Hand Cut 4 3. Ruth Carpenter…33006 “G” Place…360- 665-0756 Framed Originals & Matted Prints, Cards, Conventional & Abstract Style JOE JOHNS RD Willapa Bay 4. Jan Richardson…815 318th Place…360-665-2603 Clay Work, Functional & Sculptural 5 OCEAN PARK 8 5. Bette Lu Krause…27806 “L” Place…360-665-6153 Expressionist Landscape Originals, 6 9 Prints, Holiday Art Items BAY AVE 6. Tapestry Rose Yarn Shop…1024 Bay Avenue…360-665-5385 Knitted Fiber Art, Lessons, Supplies, Gifts 7 7. Bay Avenue Gallery…1306 Bay Avenue…360-665-5200 Original Art from 30 Local Artists - hosting Maxine Brown Demonstrating Watercolor Painting 227TH PL 8. The Barn on Bay…2311 Bay Avenue…360-665-6041 Charlie Cozby Photography 10 Bonnie Lou Cozby Photography, Beach Chic` Christmas - hosting Judy Cox Handmade Cards, 12 Magnetic Bookmarks, Artistic Pins, Iris Folding Demo Barbara Lester Fused Glass Jewelry Joan Taplin Original Watercolors & Prints, Cards, Magnets, Bags, Tiles Cynthia Pride P 11 Watercolor Prints, Cards, Magnets, Floral Art A 9. Wiegardt Studio Gallery…2607 Bay Ave…665-5976 Original Watercolor Paintings, Prints, C Instructional Materials, Eric’s 25th Anniversary I CRANBERRY RD F S LONG BEACH I A 10. Sue Raymond…3900 199th Court…360-642-1375 Hand Sculpted & Raku Ceramics, C N Demonstrating Raku & Horsehair Firing D 11.
    [Show full text]
  • Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
    Lawrences Auctioneers Ltd - ANTIQUES AND COLLECTIBLES - Starts 23 Jul 2019 Lot 1 Kurdish rug having central medallion on deep blue and rust ground with multiple borders, 5ft x 3ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 2 Indo Persian style carpet of all-over floral design with multiple borders on a beige ground, 9ft 10ins x 13ft 6ins Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 3 Indo Persian silk rug having central gol with all-over floral design on a wine ground with multiple borders, 31ins x 49ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 4 Indo Persian silk rug, the central panel of figures having all-over floral design on a black ground with multiple borders, 30ins x 50ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 5 Indo Persian silk rug having central medallion with all-over floral design on a beige ground having multiple borders, 37ins x 60ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 6 Small rug having four central gols with multiple borders on a wine ground, 3ft x 1.5ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding
    [Show full text]
  • TROVE at ICFF 2014 Release FINAL
    TROVE BRINGS STUNNING NEW SPRING COLLECTION TO ICFF New York, NY, May 17-20 Booth #2006 (May, 2014 – New York, NY) Returning to ICFF this year, Trove celebrates spring with an alluring new collection of images and patterns that once again push the dimension of wallpaper design in beautiful and unexpected ways. Jee Levin and Randall Buck, co- founders of Trove, are innovative multimedia designers who approach each new collection as artists to a blank canvas. Drawing influences from myriad media and experiences—from architecture, film and art history to travel and nature—this new collection exhibits the distinctive qualities of Trove designs: surprising scale, unconventional color palette, and a poetry and grace that transforms walls into works of art, inviting interpretation. At ICFF in the Javits Center (Booth #2006), Trove will present five arresting new designs: Allee, Rinceau, Grotte, Suichuka, and Macondo along with Trace, a recently released design that makes its ICFF debut this year. All of the patterns are available in 6 colorways and in Trove’s signature scale, which repeats at 12-foot high and 6-foot wide and can be customized to height. Allee Allee presents an expansive dreamscape inspired by Alain Resnais’ 1961 film, “Last Year at Marienbad.” Set in an unspecified formal garden, the film plays with spatial and temporal shifts in scenes to create an ambiguous narrative. The designers translate the cinematic repetition to photographic repetition, composing a landscape organized around a central pathway thereby inviting the passerby to wander into this mise en scene. Rinceau French for foliage, “rinceau” describes a style of filigree that is characterized by leafy stems, florid swirls and sinuous natural elements.
    [Show full text]
  • Vasart Glass Bowl Mottled Pink and White with Typical
    1. VASART GLASS BOWL MOTTLED PINK AND WHITE WITH TYPICAL WHORL DECORATION, TOGETHER WITH AN YSART THISTLE SHAPED GLASS VASE MOTTLED PINK AND OPAQUE WHITE WITH TYPICAL WHORL DECORATION 2. VASART THISTLE SHAPED GLASS VASE MOTTLED GREEN GLASS WITH SILVER INCLUSIONS, TOGETHER WITH A VASART GLASS VASE MOTTLED PINK AND YELLOW WITH SILVER COLOURED INCLUSIONS 3. VASART GLASS VASE MOTTLED PINK AND GREEN WITH TYPICAL BAND OF WHORLS, TOGETHER WITH A MONART MOTTLED GREEN GLASS VASE WITH GOLD AND SILVER COLOURED INCLUSIONS 4. MONART GLASS VASE MOTTLED BLUE GLASS WITH GOLD COLOURED INCLUSIONS 5. MONART GLASS BOWL MOTTLED BLUE GLASS WITH SILVER COLOURED INCLUSIONS AND FOLDED OVER RIM 6. EDWARD VII GOLD SOVEREIGN 1905 7. VICTORIAN GOLD SOVEREIGN DATED 1899 8. GEORGE V GOLD SOVEREIGN DATED 1913 9. GEORGE V GOLD SOVEREIGN DATED 1912 10. GEORGE V GOLD SOVEREIGN DATED 1913 11. GEORGE V GOLD SOVEREIGN DATED 1912 12. TWO GOLD HALF SOVEREIGNS - EDWARD VII DATED 1909 AND GEORGE V DATED 1913 13. DOUBLE STRAND CIRO PEARL NECKLACE WITH YELLOW METAL CLASP, STAMPED 9CT 14. YELLOW METAL OPEN FACED POCKET WATCH IN ORIGINAL FITTED CASE, THE DIAL INSCRIBED WALTHAM USA, WITH ROMAN NUMERAL DIAL AND SUBSIDIARY SECONDS DIAL 15. COLLECTION OF ASSORTED COSTUME JEWELLERY TO INCLUDE COMPACT, KOMAI STYLE BUTTONS, NECKLACES, BROOCHES, ETC. 16. A 9CT GOLD SIGNET RING, TOGETHER WITH A 9CT GOLD AND OPAL SET DRESS RING 17. A 9CT GOLD WEDDING RING, 18CT GOLD WEDDING RING, 18CT GOLD DRESS RING (LACKING TWO STONES), YELLOW METAL SIGNET RING 18. SAPPHIRE AND DIAMOND FIVE STONE RING SET TO YELLOW METAL BAND STAMPED 18CT 19.
    [Show full text]
  • Technical Research Bulletin
    Technical Research Bulletin Volume 8 2014 SUMMARY A Venetian enamelled and gilded goblet (WB.55) is part of Technical study of a the collection bequeathed to the British Museum by Baron Ferdinand Rothschild in 1898. Conservation treatment in 1994 provided the rare Venetian turquoise opportunity to remove a small sample containing some opaque white as well as rare turquoise glass. These fragments were analysed glass goblet from the using scanning electron microscopy with energy dispersive X-ray spectrometry and by laser ablation inductively coupled plasma mass Waddesdon Bequest spectrometry. Further analyses were carried out on the enamels and blue glass knop of the goblet using surface X-ray fluorescence. Dora Thornton, Ian Freestone, William This contribution locates the object in the context of Venetian glass of the Renaissance as well as the history of collecting. The Gudenrath, Martina Bertini, Andrew conservation history and the processes employed to conserve the Meek and Denise Ling object prior to its redisplay in the new Waddesdon Gallery at the British Museum in 2015 are described. Careful macroscopic and microscopic observations are combined with the chemical analyses to outline a comprehensive chaîne opératoire for the object. Technically, it is fully consistent with current understanding of glass production in Venice in the late fifteenth century. The goblet The Venetian turquoise goblet (WB.55), which is the focus of this contribution, is one of the finest Renaissance glasses to be seen anywhere in the world, Figure 1. It came to the British Museum as part of the Waddesdon Bequest, a treas- ury collection formed over two generations by Baron Anselm de Rothschild of Frankfurt and Vienna, and his son Baron Ferdinand Rothschild, MP.
    [Show full text]