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Colour, Form and Light Fun: Artistic Glass in Architecture
ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO ARTYSTYCZNE W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S t r e s z c z e n i e Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned. -
Fine Glass, Paperweights and British & European Ceramics
FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 Knightsbridge, London FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 at 10.30am Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 30 October +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm 11am-3pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Monday 31 October To bid via the internet please +44 (0) 20 7468 8244 9am-4.30pm visit bonhams.com [email protected] Please see page 2 for bidder Tuesday 1 November information including after-sale 9am-4.30pm Please note that telephone Simon Cottle collection and shipment Wednesday 2 November bidding is only available on +44 (0) 20 7468 8383 9am-4.30pm lots with the low estimate in [email protected] IMPORTANT INFORMATION excess of £500. Bids should be The United States Government SALE NUMBER submitted no later than 4pm on British Ceramics has banned the import of ivory 23586 the day prior to the sale. New Fergus Gambon into the USA. Lots containing bidders must also provide proof +44 (0) 20 7468 8245 ivory are indicated by the symbol CATALOGUE of identity when submitting bids. [email protected] Ф printed beside the lot number £25.00 Failure to do this may result in in this catalogue. your bid not being processed. European Ceramics Sophie von der Goltz LIVE ONLINE BIDDING IS +44 (0) 20 7468 8349 AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject Administrator line 48 hours before the auction Anna Burnside to register for this service +44 (0) 20 7393 3975 [email protected] General Enquiries [email protected] [email protected] Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. -
Homes & Interiors
Homes & Interiors - Ceramics, Glassware, Pictures & Decorative items - Live Online , 1 LG flatscreen television, model number7/04/2021 9:0018 AMUnusual Victorian Derby Porcelain Spill vase in 43UJ634V with remote control £50-80 the form of a Conch shell, supported by a Sea 2 Dyson DC40 vacuum cleaner with paperwork Horse £50-70 £30-50 19 Large Studio pottery charger with white flashes 3 Challenge floor standing electric oscillating fan on a blue ground £20-40 and a boxed Igenix heater (2) £20-40 20 Silver plated three piece teaset with fluted 4 Claude Butler Pine Lake mountain bike £30-50 decoration together with silver plated cutlery and sundries £20-40 5 Good Quality reproduction Ships Half Hull- 21 Extensive collection of Horse Brasses to include Iolanthe, Fitch Beale & Co, 1851, 127 x 30cm RSPCA Merit badges, and others (qty) £60-100 £100-150 22 Antique Copper 2 Gallon measure, together with 6 Good Quality reproduction Ships Half Hull- Iron miniature copper spirit kettles, copper brandy Ship Royale, 1863, 108 x 23cm £60-100 warmers and other antique metalware (qty) £80- 7 Pair of gold velvet interlined curtains, 230cm x 120 190cm approximately £30-50 23 Victorian Rosewood wall bracket with brass 8 Pakistani runner with geometric decoration on inlaid decoration, together with clocks for brown and red ground 236cm x 63cm £30-50 restoration £20-40 9 Eleven Royal Doulton figures - Hilary HN2335, 24 Brass ejector candlestick, together with other Fragrance HN2334, Elegance HN2264, Ashley brass candlesticks, copper and brass items (qty) HN3420, -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree. -
Bamfords Auctioneers & Valuers
Bamfords Auctioneers & Valuers The Derby Auction House Chequers Road Derby VICTORIAN, EDWARDIAN AND GENERAL SALE PART 2 Derbyshire DE21 6EN Started Jul 19, 2017 10:30am BST United Kingdom Lot Description 1000 A Hinks patent oil lamp with plated Corinthian column supporting clear cut glass font, later converted to electricity An early 19th Century substantial Named-View Derby campana vase, painted with a view in Wales, green ground, gilt snake handles, 1001 C.1825 (faults) Condition Report: Heavily damaged and poorly restored throughout, large cracks throughout An 18th century Pearlware blue and white bowl, painted with a child riding an Ox with others watching, pagoda, landscape, unmarked, 1002 29.5cm diam, c.1790 1003 A Japanese Pottery figure samurai warrior, green robes, long beard; another Geisha girl (2) 1004 A Japanese shaped circular plate, painted in underglaze blue with flowering peonies, 30cm diam, Miji period A large Royal Dux type model of an Indian elephant, standing with curled trunk, glazed in bronze green and gold tones, 44cm high, 1005 impressed marks (faults) 1006 A Moorcroft triangular ashtray, hibiscus on yellow ground A Victorian oversized Brandy balloon glass, engraved grape and vine Condition Report: A small 1mm chip to inner ring, light surface 1007 scratches throughout, 25cm high 1008 A Royal Worcester snuffer, as a Japanese girl 1009 A 19th century porcelain dog, Boxer 1010 A pair of large green glass bowls on stands 1011 A Goebel glass model Cockerel, painted decoration, engraved marks A late 19th century Staffordshire -
Ausglass Magazine a Quarterly Publication of the Australian Association of Glass Artists Aus Ass
Ausglass Magazine A Quarterly Publication of the Australian Association of Glass Artists aus ass POST CONFERENCE EDITION Registered by Australia Post Publication No. NBG1569 1991 CONTENTS Introduction 3 An Historical Context - by Sylvia Kleinert 5 ausglass The Contemporary Crafts Industry: magazine Its Diversity - by John Odgers u Contemporary Glass - Are We Going the Right Way? - by Robert Bell 15 Dynamic Learning - A Quality Approach to Quality Training - by Richard Hames 17 POST CONFERENCE The Getting of Wisdom: the gaining of EDmON 1991 skills and a philosophy to practice Session 1 - Cedar Prest 20 Session 2 - Bridget Hancock 22 Session 3 - Richard Morrell 23 Session 4 - Anne Dybka 24 New Editorial Committee: Fostering the Environment for Professional Practice - by Noel Frankham 27 Editor Technique and Skill: its use. development Bronwyn Hughes and importance in contemporary glass Letters and correspondence to by Klaus Moje 32 Challenges in Architectural Glass - by Maureen Cahill 35 50 Two Bays Road, Ethics and Survival - by WtuTen Langley 42 Mt. Eliza, VIC. 3930. When is a Chihuly a Billy Morris? - by Tony Hanning 43 Phone: Home - (03) 787 2762 Production Line: A Means to an End - by Helen Aitken-Kuhnen 47 The Artist and the Environment - by Graham Stone 49 Editorial Committee Working to a Brief- Bronwyn Hughes Chairperson Working to a Philosophy - by Lance Feeney 51 Jacinta Harding Secretary A Conflict of Interest - by Elizabeth McClure 53 Mikaela Brown Interstate & The Gift - Contemporary Making - by Brian Hirst 55 O.S. Liaison Meeting Angels: Reconciling Craft Practice Carrie Westcott and Theory - by Anne Brennan 57 Advertising Kim Lester Function? - by Grace Cochrane 6S Juliette Thornton Internationalism in Glass Distnbution Bronwyn Hughes Too Much Common Ground - by Susanne Frantz 67 David Hobday Board Gerie Hermans Members Graham Stone President: Elizabeth McClure FRoNT COVER: C/o Glass Workshop, The Crowning of the new President. -
WINDOW to WONDERS Any Dinner Party Island of Murano
design. The wide variety of objects makes it easy to find one that perfectly fits the bill. The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate any dinner party while decorative bowls and plates provide colour and a talking point. Murano glass can also enrich more private spaces. Add a touch of glamour to a bathroom with Murano glass mirrors whose appliqués can sublimely illuminate the room. However, Murano glass doesn’t only mean decorative objects. Beads, initially designed for rosary beads, were produced from the very beginning on the island. Today the glass beaded necklaces, bracelets, rings and pins are highly original and precious jewels that will add colour and elan for women of all ages. Whether to complement a special outfit or for a discerning gift idea, these fashion accessories are timeless creations, and perfect for any significant event or anniversary. Murano glass creations are excellent wedding gifts for both the bride and the groom that will be appreciated long after the day. Murano celebrates its history at the Museo del Vetro in the Palazzo Giustinian, which holds displays on the history of glassmaking and objects dating back centuries. Some of the older factories also have museums. A little nearer to home are the treasures to be found at The Artisan Studio in Salisbury’s Fisherton Street. Owner Juliette Scott sources her homewares and jewellery range from sisters Serena & Carlotta whose family are among the last master glassmakers on the The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate WINDOW TO WONDERS any dinner party island of Murano. -
Technical Research Bulletin
Technical Research Bulletin Volume 8 2014 SUMMARY A Venetian enamelled and gilded goblet (WB.55) is part of Technical study of a the collection bequeathed to the British Museum by Baron Ferdinand Rothschild in 1898. Conservation treatment in 1994 provided the rare Venetian turquoise opportunity to remove a small sample containing some opaque white as well as rare turquoise glass. These fragments were analysed glass goblet from the using scanning electron microscopy with energy dispersive X-ray spectrometry and by laser ablation inductively coupled plasma mass Waddesdon Bequest spectrometry. Further analyses were carried out on the enamels and blue glass knop of the goblet using surface X-ray fluorescence. Dora Thornton, Ian Freestone, William This contribution locates the object in the context of Venetian glass of the Renaissance as well as the history of collecting. The Gudenrath, Martina Bertini, Andrew conservation history and the processes employed to conserve the Meek and Denise Ling object prior to its redisplay in the new Waddesdon Gallery at the British Museum in 2015 are described. Careful macroscopic and microscopic observations are combined with the chemical analyses to outline a comprehensive chaîne opératoire for the object. Technically, it is fully consistent with current understanding of glass production in Venice in the late fifteenth century. The goblet The Venetian turquoise goblet (WB.55), which is the focus of this contribution, is one of the finest Renaissance glasses to be seen anywhere in the world, Figure 1. It came to the British Museum as part of the Waddesdon Bequest, a treas- ury collection formed over two generations by Baron Anselm de Rothschild of Frankfurt and Vienna, and his son Baron Ferdinand Rothschild, MP. -
ANTIQUE SALE 10.30Am 30 APRIL 2014 1. a Three Tier Oak Globe
ANTIQUE SALE 10.30am 30th APRIL 2014 1. A three tier oak globe wernicker oak bookcase 2. Victorian brass three piece reeded companion set 3. Graduated pair of copper baluster shaped fluid measures 4. 5. A large plaster figure ' Lady at the well, 6. An Edwardian mahogany chequered banded oval wall mirror 7. An oak mirror back hall-stand on turned supports 8. Three tier oak globe wernicker book case 9. A ships brass oil lamp 10. A copper two handle preserve pan 11. Victorian four piece red & white jug and basin set 12. Victorian blue and white three piece basin set 13. Large oak Jacobean style dresser 14. Victorian mahogany small corner cabinet 15. Globe wernicker four section bookcase fitted with drawer 16. Another 17. Edwardian mahogany small bow front glazed display cabinet inlaid with stringing 18. Set of eight 6+2 comb back contemporary dining chairs 19. Georgian style pine slat back side chair with rush seat 20. Six 4+2 wheel back dining chairs 21. Pair Victorian mahogany hall chairs with arched top rail, foliate carved back and on turned supports 22. Art nouveau oak comb back carver chair 23. Windsor arm chair with elm seat over turned supports 24. Pair spindle back side chairs with circular seats 25. Victorian kitchen chair 26. Pine wall shelf fitted with brass hooks 27. Pair brass ships lamps 28. Pair brass oil lamps with cut glass sides 29. 19thc mahogany small writing bureau on bracket feet 30. Victorian part tea service with river landscape 31. Victorian satin walnut dressing chest with mirrored back over two long drawers 32. -
A NEW TECHNIQUE in GLASS ART JOANNE MITCHELL a Thesis Su
PRECISION AIR ENTRAPMENT THROUGH APPLIED DIGITAL AND KILN TECHNOLOGIES: A NEW TECHNIQUE IN GLASS ART JOANNE MITCHELL A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy August 2015 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell PhD 2015 1 Precision Air Entrapment through Applied Digital and Kiln Technologies: A New Technique in Glass Art Joanne Mitchell 2015 Abstract The motivation for the research was to expand on the creative possibilities of air bubbles in glass, through the application of digital and kiln technologies to formulate and control complex air entrapment, for new configurations in glass art. In comparison to glassblowing, air entrapment in kiln forming glass practice is under-developed and undocumented. This investigation has devised new, replicable techniques to position and manipulate air in kiln-formed glass, termed collectively as Kiln-controlled Precision Air Entrapment. As a result of the inquiry, complex assemblages of text and figurative imagery have been produced that allow the articulation of expressive ideas using air voids, which were not previously possible. The research establishes several new innovations for air-entrapment in glass, as well as forming a technical hypotheses and a practice-based methodology. The research focuses primarily on float glass and the application of CNC abrasive waterjet cutting technology; incorporating computer aided design and fabrication alongside more conventional glass-forming methods. The 3-axis CNC abrasive waterjet cutting process offers accuracy of cut and complexity of form and scale, across a flat plane of sheet glass. -
Tuesday 10Th December 2019
For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 th Tuesday 10 December 2019 Ceramics and Glass, Works of Art, Collectables, Silver & Books, Pictures & Furniture Sale Commences at 10.00am Buyersyeer are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE EX240 O n View: Saturday 7th December Order of Sale: Ceramics, Glass Lots 1-123 9am - 12noon Silver Lots 124-178 Pictures, Prints, Maps Lots 184-220 Monday 9th December Works of Art, Collectables, 9am -7pm Books, etc Lots 225-368 Furniture Lots 369-487 Morning of sale from 9am. W: www.bhandl.co.uk Catalogue £1.50 E: [email protected] Follow us on Twitter: @BHandL Tuesday 10th December 2019 Sale commences at 10am CERAMICS and GLASS 1 . A Whitefriars grey glass vase, together 9 . A set of six Waterford crystal whiskey with a Murano glass vase and three other tumblers, together with three sherry decorative glass items. glasses, four similar glasses, six cranberry glass wine glasses a Georgian pedestal 2 . Four ale glasses and a funnel one of jug, (damaged), etc. wrythen moulded form on a domed foot, £100-£150 (Plus 25.2% BP*). another of trumpet shaped form engraved with hops and barley, two others and a 10 . A harlequin set of late 18th century wrythen moulded funnel. English ale glasses with wrythen decoration on circular bases. (11). 3 . A pair of Victorian cranberry Jack in the £200-£300 (Plus 25.2% BP*). Pulpit vases. 11 . Five pieces of Nailsea and other glass 4 . -
Blue Enamel on Glass: an Investigation Into Microfracturing and Material Loss of 17Th Century Copper and Cobalt Blue Enamel
University of Amsterdam Conservation and Restoration of Cultural Heritage – Glass, Ceramics And Stone Master’s Thesis 16843 words Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Student: Roy van der Wielen 10757716 Supervisor: Mandy Slager Second assessor: Ellen Jansen 20-6-2017 All images made by Roy van der Wielen, unless specified otherwise Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Table of contents Abstract 3 Samenvatting 4 Introduction 5 Chapter one - technical art historical context 9 Chapter two – description of investigated degradation phenomena 22 Chapter three - current state of knowledge 34 Chapter four – corroboration of hypothesis 39 Chapter five – gas inclusions, surface pits and microfractures 49 Chapter six – conclusions 65 Acknowledgements 67 Bibliography 68 Appendix I Archival images 71 Appendix II FT-IR analysis applied tape 75 Appendix III historical sources and their inter-relation 79 Appendix IV unquantified xrf-spectrum Corning glass standard “D” and quantification table 80 Van der Wielen UvA 2 Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Abstract The Rijksmuseum Amsterdam owns a collection of fractured 17th century enamelled glass panels that have been mended with clear tape consisting of a cellophane carrier and rubber adhesive. In many cases, this tape has been applied over the decorated side and has yellowed and shrunk.