Asteroids As Radial Velocity and Resolving Power Standards for Medium and High Resolution Spectroscopy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Instrumental Methods for Professional and Amateur
Instrumental Methods for Professional and Amateur Collaborations in Planetary Astronomy Olivier Mousis, Ricardo Hueso, Jean-Philippe Beaulieu, Sylvain Bouley, Benoît Carry, Francois Colas, Alain Klotz, Christophe Pellier, Jean-Marc Petit, Philippe Rousselot, et al. To cite this version: Olivier Mousis, Ricardo Hueso, Jean-Philippe Beaulieu, Sylvain Bouley, Benoît Carry, et al.. Instru- mental Methods for Professional and Amateur Collaborations in Planetary Astronomy. Experimental Astronomy, Springer Link, 2014, 38 (1-2), pp.91-191. 10.1007/s10686-014-9379-0. hal-00833466 HAL Id: hal-00833466 https://hal.archives-ouvertes.fr/hal-00833466 Submitted on 3 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Instrumental Methods for Professional and Amateur Collaborations in Planetary Astronomy O. Mousis, R. Hueso, J.-P. Beaulieu, S. Bouley, B. Carry, F. Colas, A. Klotz, C. Pellier, J.-M. Petit, P. Rousselot, M. Ali-Dib, W. Beisker, M. Birlan, C. Buil, A. Delsanti, E. Frappa, H. B. Hammel, A.-C. Levasseur-Regourd, G. S. Orton, A. Sanchez-Lavega,´ A. Santerne, P. Tanga, J. Vaubaillon, B. Zanda, D. Baratoux, T. Bohm,¨ V. Boudon, A. Bouquet, L. Buzzi, J.-L. Dauvergne, A. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Observing 27 Euterpe the Asteroid
Observing 27 Euterpe the Asteroid College Park Scholars Academic Showcase May 6, 2016 Shervin Razazi, [email protected], SDU Research Question How can we determine the rotation rate of an asteroid? Intro Why Research This? My Project group is called Explore the Universe Astronomers use the data in order to find out more and we are a group of mostly SDU scholars specific properties of asteroids. For example, an students who conduct research on various asteroid with a rotation period of under 2.2 hours is observable astronomical phenomena. My specific generally considered too small to be a self sustaining project was to observe an asteroid and then structure, which means that while in the asteroid belt determine the rotation rate of that asteroid. The they are too small to be held together by themselves asteroid I ended up observing is named 27 This suggests that these smaller bodies were once Euterpe. parts of larger asteroids. The data from all the thousands of asteroids being observe allow us to learn more and more about the solar system and its origins. Photo C.R. Shervin Razazi Limitations How This Affected Me Photometry • Weather Doing this project was not my first choice. As a Chemical • Analyze with Astro Image J • Clouds Engineer astronomy is not something I have ever studied or • Calibrate raw images • Humidity thought I would ever be doing. Even though it is not relevant • Align calibrated photos • Wind to my major it did teach me how hard it is to collect accurate • Generate light curve • Position of Asteroid scientific data. -
Accurate Positions of Pluto and Asteroids Observed in Bucharest During the Year 1932
ACCURATE POSITIONS OF PLUTO AND ASTEROIDS OBSERVED IN BUCHAREST DURING THE YEAR 1932 GHEORGHE BOCŞA, PETRE POPESCU, MIHAELA LICULESCU Astronomical Institute of the Romanian Academy Str. Cuţitul de Argint 5, 040557 Bucharest, Romania E-mail: [email protected] Abstract. The paper contains the observations of minor planets performed in Bucharest Astronomical Observatory in the year 1932 with the 380/6000 mm astrograph. Both Turner’s (constants) and Schlesinger’s (dependences) methods were used in the computation of the normal coordinates of the objects. Keywords: photographic astrometry – minor planets. 1. INTRODUCTION The article is a continuation of the complete investigation of Bucharest Wide-Field Plates Archive initiated in 2010; it contains the plates with asteroids observed in 1932. That year 185 plates were exposed and were stored in the archive, but were not reduced. After analysing them, 98 plates were detected to contain measurable minor planets. The first observed positions in this year were of planet Pluto. They were exposed on 1318cm plates, with 52 minutes exposure .The observations were performed by the famous Romanian astronomer Professor Gheorghe Demetrescu. The most difficult problem was the identification of the planet, the three plates obtained in 1932 having dozens of stars with up to 15 magnitudes. As all the observations were performed in the same month and the planet did not have a great proper motion, it was possible to superpose two plates and to identify Pluto. The values (O–C)α and (O–C)δ were calculated by M. Svechnikov from the Institute of Applied Astronomy in Sankt Petersburg on the basis of precise positions obtained in Bucharest, which we integrated in Pluto’s orbit. -
An Asteroid Main Belt Tour and Survey N.E
CASTAway: An asteroid main belt tour and survey N.E. Bowles, C. Snodgrass, A. Gibbings, J.P. Sanchez, J.A. Arnold, P. Eccleston, T. Andert, A. Probst, G. Naletto, A.C. Vandaele, et al. To cite this version: N.E. Bowles, C. Snodgrass, A. Gibbings, J.P. Sanchez, J.A. Arnold, et al.. CASTAway: An aster- oid main belt tour and survey. Advances in Space Research, Elsevier, 2018, 62 (8), pp.1998-2025. 10.1016/j.asr.2017.10.021. hal-01902144 HAL Id: hal-01902144 https://hal.archives-ouvertes.fr/hal-01902144 Submitted on 23 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. an author's https://oatao.univ-toulouse.fr/19380 http://dx.doi.org/10.1016/j.asr.2017.10.021 Bowles, N.E. , Snodgrass, C. , Gibbings, A.,...[et all.] CASTAway: An asteroid main belt tour and survey. (2018) Advances in Space Research, 62 (8). 1998-2025. ISSN 0273-1177 CASTAway: An asteroid main belt tour and survey N.E. Bowles a,⇑, C. Snodgrass b, A. Gibbings c, J.P. Sanchez d, J.A. Arnold a, P. Eccleston e, T. -
The Journey of Kratos - Pilot by Supabryanryan Brian Richardson
The Journey of Kratos - Pilot By SupaBryanRyan Brian Richardson Based on Greek Mythology, with my own OC’s (Original Character). It tells a story about a young angel named Kratos that is destined to bring the world back to it’s proper balance from the reign of his evil father (Toru),¯ with the help from his friends Aurora, and the Greek Gods/Goddesses that comes his way. He goes to mythical places like Ancient Athens, Atlantis, Mount Olympus, and many more to come. WGA Registration Number: 4299 Spring St. Apt.#32 1757620 San Diego, CA 91941 (619) 251-2425 [Text Message (Preferred)] [email protected] [Preferred] supabryanryan.wix.com/brian-richardson [For More Info] CARD: One who is injured ought not to return the injury, for on no account can it be right to do an injustice; and it is not right to return an injury, or to do evil to any man, however much we have suffered from him. - Socrates FADE OUT EXT. ROTATION OF WORLD - DAY & NIGHT The World is rotating, while the narrator is talking... NARRATOR In the 19th Century, when the Earth was still in order and developing into a peaceful state. Gods and Mortal lived separate to keep all things in order. While Narrator is talking; little bits of darkness is sprouting, but FADES OUT... NARRATOR What the world didn’t know that there was a unweighted chaos reaching towards it. Views of Angels FADE IN/OUT behind the World, and also God/Goddesses FADE IN/OUT in the background, while Narrator is talking... NARRATOR It started with a disease that plagued angels--it made them either die/had temporary memory loss/or placed in different regions around the world. -
Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively. -
ATHENA Booksares in Thishades Series Artemis Hera Athena Poseidon Demeter Zeus
GODS & GODDESSES LOH-HAGAN OF THE ANCIENT WORLD Drama, passion, murder, and treachery—the ancient world of GODS & GODDESSES had it all. Gods could be fair and just or jealous and cruel. Temples were built in their honor and sacrifices were made to ensure they would bestow good fortune on mortals. Explore the whole series and get a glimpse into this thrilling ancient world! ATHENA BooksAres in thisHades Series Artemis Hera Athena Poseidon Demeter Zeus 45thHigh Parallel interest topics with Press accessible reading Features levels Considerate vocabulary Engaging content and fascinating facts Clear text and formatting Compelling photos AthenaVIRGINIA LOH-HAGAN www.cherrylakepublishing.com Page intentionally blank GODS & GODDESSES OF THE ANCIENT WORLD Athenaby Virginia Loh-Hagan Gods and goddesses were the main characters of myths. Myths are traditional stories from ancient cultures. Storytellers answered questions about the world by creating exciting explanations. People thought myths were true. Myths explained the unexplainable. They helped people make sense of human behavior and nature. Today, we use science to explain the world. But people still love myths. Myths may not be literally true. But they have meaning. They tell us something about our history and culture. Published in the United States of America by Cherry Lake Publishing Ann Arbor, Michigan www.cherrylakepublishing.com Content Adviser: Matthew Wellenbach, Catholic Memorial School, West Roxbury, MA Reading Adviser: Marla Conn MS, Ed., Literacy specialist, Read-Ability, Inc. -
Eros and the Good: the Portrayal of Erotic Experience in Plato and Bataillb
EROS AMI> THE GOOD EROS AND THE GOOD: THE PORTRAYAL OF EROTIC EXPERIENCE IN PLATO AND BATAILLB By PAULE. COREY, B.A. (Hons.) A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University ~ Copyright by Paul E. Corey, September, 1993 MASTER OF ARTS (1993) McMaster University (Religious Studies) Hamilton, Ontario TITLE: Eros and the Good: The Portrayal of Erotic Experience in Plato and Bataille AUTHOR: Paul E. Corey, B.A. (Hons.) (University of Guelph) SUPERVISORY COMMITTEE: Dr. Zdravko Planinc Dr. P. Travis Kroeker NUMBER OF PAGES: viii, 162 ii ABSTRACT This thesis is a study of the portrayal of erotic experience given by Plato 1n the Symposium, and by Georges Bataille in his later theoretical writings, particularly Erotism and The Accursed Share. As such, this work is a comparison between an ancient and a modern understanding of eros in order to see which provides a more adequate account of erotic experience. Though Bataille does not directly critique Plato's understanding of eros, there are several passages within the Symposium that bear a striking resemblance to the erotic account given by Bataille. This is especially evident in the speech of Aristophanes, where Plato, through one of his characters, provides an erotic understanding that contains many of the same elements that are found in Bataille. The Aristophanic account of eros is directly criticized by Plato through Socrates' erotic speech in the same dialogue. By illuminating the Platonic critique of Aristophanes' erotic understanding, I will extend the critique to Bataille, thus demonstrating the crucial deficiencies within Bataille's account. -
The Relationship Between Poverty and Eros in Plato's Symposium Lorelle D
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects Love's Lack: The Relationship between Poverty and Eros in Plato's Symposium Lorelle D. Lamascus Marquette University Recommended Citation Lamascus, Lorelle D., "Love's Lack: The Relationship between Poverty and Eros in Plato's Symposium" (2010). Dissertations (2009 -). Paper 71. http://epublications.marquette.edu/dissertations_mu/71 LOVE’S LACK: THE RELATIONSHIP BETWEEN POVERTY AND EROS IN PLATO’S SYMPOSIUM By Lorelle D. Lamascus A Dissertation Submitted to the Faculty of the Graduate School, Marquette University, In partial fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Philosophy Milwaukee, Wisconsin December 2010 ABSTRACT LOVE’S LACK: THE RELATIONSHIP BETWEEN EROS AND POVERTY IN PLATO’S SYMPOSIUM Lorelle D. Lamascus Marquette University, 2010 This dissertation responds to a long-standing debate among scholars regarding the nature of Platonic Eros and its relation to lack. The more prominent account of Platonic Eros presents the lack of Eros as a deficiency or need experienced by the lover with respect to the object needed, lacked, or desired, so that the nature of Eros is construed as self-interested or acquisitive, subsisting only so long as the lover lacks the beloved object. This dissertation argues that such an interpretation neglects the different senses of lack present in the Symposium and presents an alternative interpretation of Eros based on the Symposium ’s presentation of Eros as the child of Poverty and Resource. Chapter one examines the origin and development of the position that Platonic Eros is acquisitive or egocentric and the influence this has had on subsequent interpretations of Plato’s thought. -
Visual Representations of the Birth of Athena/Menrva: a Comparative Study," Etruscan Studies: Vol
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 5 2001 Visual Representations of the Birth of Athena/ Menrva: A Comparative Study Shanna Kennedy-Quigley University of California, Los Angeles Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Kennedy-Quigley, Shanna (2001) "Visual Representations of the Birth of Athena/Menrva: A Comparative Study," Etruscan Studies: Vol. 8 , Article 5. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/5 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Visual RepresenTaTions of The BirTh of AThena/Menrva: A ComparaTive STudy1 by Shanna Kennedy-Quigley he myth of Zeus’s miraculous ProPagation of Athena is the subject not only of such TGreek Poetic masters as Hesiod, Homer, Aeschylus, and EuriPides, but a favorite as well among Archaic and Classical Greek artists, eventually coming to occuPy the East Pediment of the Parthenon.2 PerhaPs through the imPortation of such Portable art- works as Painted vases, the Etruscans were exPosed to the legend, the fundamental iconog- raPhy of which they assimilated and transformed. The PurPose of this study is to demon- strate that Etruscan deviations from Greek archetyPes for rePresenting the birth of Athena exemPlify Etruscan cultural attitudes toward women, which differ significantly from those of their Greek contemPoraries. This study will examine Etruscan rePresentations of the myth, noting Etruscan dePartures from Greek archetyPes and demonstrating that these vari- ations reflect the comParatively liberated status of women in Etruria. -
Greek Gods/Mythology Notes - Information on the Greek Belief System Comes from Many Sources
Greek Gods/Mythology Notes - Information on the Greek belief system comes from many sources. Unlike followers of religions such as Christianity, Judaism, & Islam, the Greeks did not have a single sacred text, such as the Bible or Koran from which their beliefs and religious practices derived. Instead, they generally used oral traditions, passed on by word of mouth, to relate sacred stories. Priest and priestesses to various gods would also guide people in worship in various temples across Greece. We know something about these beliefs because Greek poets such as Homer, Hesiod and Pindar, and Greek dramatists such as Euripides, Aristophanes & Sophocles mention the myths in their various works. Greek mythology, however, was not static- it was constantly changing and evolving. Thus, there are often many different versions (and some that are contradictory toward one another) of the various Greek myths. Thus, some of the example myths you read in here may differ from ones you have previously heard. It does not necessarily make either version “wrong”- simply different. - The Greeks had many Gods & Goddesses- over three thousand if one were to count the many minor gods and goddesses. These deities made up the Greek pantheon, a word used to mean all the gods and goddesses (from the Greek word “pan” meaning all, and “theos” meaning gods). However, throughout Greece, there were always twelve (called the Twelve Olympians) that were the most important. They are: 1. Zeus 2. Hera 3. Poseidon 4. Athena 5. Apollo 6. Artemis 7. Hephaestus 8. Ares 9. Hermes 10. Aphrodite 11. Demeter 12. Dionysus 13.