“Dead Man Walking” by Sister Helen Prejean
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Celluloid Death: Cinematic Depictions of Capital Punishment
University of Kentucky UKnowledge Law Faculty Scholarly Articles Law Faculty Publications Summer 1996 Celluloid Death: Cinematic Depictions of Capital Punishment Roberta M. Harding University of Kentucky College of Law, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/law_facpub Part of the Criminal Law Commons, and the Film and Media Studies Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Repository Citation Harding, Roberta M., "Celluloid Death: Cinematic Depictions of Capital Punishment" (1996). Law Faculty Scholarly Articles. 563. https://uknowledge.uky.edu/law_facpub/563 This Article is brought to you for free and open access by the Law Faculty Publications at UKnowledge. It has been accepted for inclusion in Law Faculty Scholarly Articles by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Celluloid Death: Cinematic Depictions of Capital Punishment Notes/Citation Information Robert M. Harding, Celluloid Death: Cinematic Depictions of Capital Punishment, 30 U.S.F. L. Rev. 1167 (1996). This article is available at UKnowledge: https://uknowledge.uky.edu/law_facpub/563 Celluloid Death: Cinematic Depictions of Capital Punishment By ROBERTA M. HARDING* FILMMAKING HAS EXISTED since the late 1890s. 1 Capital punish- ment has existed even longer.2 With more than 3,000 individuals lan- guishing on the nation's death rows3 and more than 300 executions occurring since the reinstatement of the death penalty in 1976,4 capital pun- ishment has become one of modem society's most controversial issues. The cinematic world has not been immune from this debate. -
And Then One Night… the Making of DEAD MAN WALKING
And Then One Night… The Making of DEAD MAN WALKING Complete program transcript Prologue: Sister Helen and Joe Confession scene. SISTER HELEN I got an invitation to write to somebody on death row and then I walked with him to the electric chair on the night of April the fifth, 1984. And once your boat gets in those waters, then I became a witness. Louisiana TV footage of Sister Helen at Hope House NARRATION: “Dead Man Walking” follows the journey of a Louisiana nun, Sister Helen Prejean, to the heart of the death penalty controversy. We see Sister Helen visiting with prisoners at Angola. NARRATION: Her groundbreaking work with death row inmates inspired her to write a book she called “Dead Man Walking.” Her story inspired a powerful feature film… Clip of the film: Dead Man Walking NARRATION: …and now, an opera…. Clip from the opera “Dead Man Walking” SISTER HELEN I never dreamed I was going to get with death row inmates. I got involved with poor people and then learned there was a direct track from being poor in this country and going to prison and going to death row. NARRATION: As the opera began to take shape, the death penalty debate claimed center stage in the news. Gov. George Ryan, IL: I now favor a moratorium because I have grave concerns about our state’s shameful record of convicting innocent people and putting them on death row. Gov. George W. Bush, TX: I’ve been asked this question a lot ever since Governor Ryan declared a moratorium in Illinois. -
The Journey of Dead Man Walking
Sacred Heart University Review Volume 20 Issue 1 Sacred Heart University Review, Volume XX, Article 1 Numbers 1 & 2, Fall 1999/ Spring 2000 2000 The ourJ ney of Dead Man Walking Helen Prejean Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Prejean, Helen (2000) "The ourJ ney of Dead Man Walking," Sacred Heart University Review: Vol. 20 : Iss. 1 , Article 1. Available at: http://digitalcommons.sacredheart.edu/shureview/vol20/iss1/1 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected], [email protected]. The ourJ ney of Dead Man Walking Cover Page Footnote This is a lightly edited transcription of the talk delivered by Sister Prejean at Sacred Heart University on October 31, 2000, sponsored by the Hersher Institute for Applied Ethics and by Campus Ministry. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol20/iss1/1 Prejean: The Journey of Dead Man Walking SISTER HELEN PREJEAN, C.S.J. The Journey of Dead Man Walking I'm glad to be with you. I'm going to bring you with me on a journey, an incredible journey, really. I never thought I was going to get involved in these things, never thought I would accompany people on death row and witness the execution of five human beings, never thought I would be meeting with murder victims' families and accompanying them down the terrible trail of tears and grief and seeking of healing and wholeness, never thought I would encounter politicians, never thought I would be getting on airplanes and coming now for close to fourteen years to talk to people about the death penalty. -
An Interview with Jake Heggie
35 Mediterranean Opera and Ballet Club Culture and Art Magazine A Chat with Composer Jake Heggie Besteci Jake Heggie İle Bir Sohbet Othello in the Dansa Âşık Bir Kuğu: Seraglio Meriç Sümen Othello Sarayda FLÜTİST HALİT TURGAY Fotoğraf: Mehmet Çağlarer A Chat with Jake Heggie Composer Jake Heggie (Photo by Art & Clarity). (Photo by Heggie Composer Jake Besteci Jake Heggie İle Bir Sohbet Ömer Eğecioğlu Santa Barbara, CA, ABD [email protected] 6 AKOB | NİSAN 2016 San Francisco-based American composer Jake Heggie is the author of upwards of 250 Genç Amerikalı besteci Jake Heggie şimdiye art songs. Some of his work in this genre were recorded by most notable artists of kadar 250’den fazla şarkıya imzasını atmış our time: Renée Fleming, Frederica von Stade, Carol Vaness, Joyce DiDonato, Sylvia bir müzisyen. Üstelik bu şarkılar günümüzün McNair and others. He has also written choral, orchestral and chamber works. But en ünlü ses sanatçıları tarafından yorumlanıp most importantly, Heggie is an opera composer. He is one of the most notable of the kaydedilmiş: Renée Fleming, Frederica von younger generation of American opera composers alongside perhaps Tobias Picker Stade, Carol Vaness, Joyce DiDonato, Sylvia and Ricky Ian Gordon. In fact, Heggie is considered by many to be simply the most McNair bu sanatçıların arasında yer alıyor. Heggie’nin diğer eserleri arasında koro ve successful living American composer. orkestra için çalışmalar ve ayrıca oda müziği parçaları var. Ama kendisi en başta bir opera Heggie’s recognition as an opera composer came in 2000 with Dead Man Walking, bestecisi olarak tanınıyor. Jake Heggie’nin with libretto by Terrence McNally, based on the popular book by Sister Helen Préjean. -
Dead Man Walking-An Eyewitness Account of the Death Penalty in the United States
NYLS Journal of Human Rights Volume 12 Issue 1 Article 8 Fall 1994 DEAD MAN WALKING-AN EYEWITNESS ACCOUNT OF THE DEATH PENALTY IN THE UNITED STATES Ronald J. Tabak Follow this and additional works at: https://digitalcommons.nyls.edu/journal_of_human_rights Part of the Law Commons Recommended Citation Tabak, Ronald J. (1994) "DEAD MAN WALKING-AN EYEWITNESS ACCOUNT OF THE DEATH PENALTY IN THE UNITED STATES," NYLS Journal of Human Rights: Vol. 12 : Iss. 1 , Article 8. Available at: https://digitalcommons.nyls.edu/journal_of_human_rights/vol12/iss1/8 This Book Review is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Journal of Human Rights by an authorized editor of DigitalCommons@NYLS. DEAD MAN WALKING-AN EYEWrTNESS ACCOUNT OF THE DEATH PENALTY IN THE UNITED STATES. By Sister Helen Prejean, C.S.J. New York Random House (1993). Pp. 278. $21.00. Reviewed by Ronald J. Tabak" December of 1994, when I wrote this review of Sister Helen Prejean's fascinating and sobering book, Dead Man Walking-An Eyewitness Account of the Death Penalty in the United States,1 was ten years to the month of the execution of my client, Robert Lee Willie. It was also, not coincidentally, ten years to the month in which I first encountered Sister Helen. I had represented Willie in seeking certiorari from the United States Supreme Court in late 1983 to review his conviction and sentence, which was all I had originally agreed to do on his behalf. But when I learned that if I did not continue to represent him, there would likely be no one to represent him in his first state post-conviction and federal habeas corpus proceedings, I felt I could not walk away. -
Poe, Baze, Dead Man Walking, 44 Val
Valparaiso University Law Review Volume 44 Number 1 Fall 2009 pp.37-68 Fall 2009 Reflections on the Needle: oe,P Baze, Dead Man Walking Robert Batey Follow this and additional works at: https://scholar.valpo.edu/vulr Part of the Law Commons Recommended Citation Robert Batey, Reflections on the Needle: Poe, Baze, Dead Man Walking, 44 Val. U. L. Rev. 37 (2009). Available at: https://scholar.valpo.edu/vulr/vol44/iss1/2 This Article is brought to you for free and open access by the Valparaiso University Law School at ValpoScholar. It has been accepted for inclusion in Valparaiso University Law Review by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Batey: Reflections on the Needle: Poe, Baze, Dead Man Walking REFLECTIONS ON THE NEEDLE: POE, BAZE, DEAD MAN WALKING Robert Batey* The goal of most of the “Law and . .” movements is to bring the perspective of the humanities to legal issues. Literature and film, for examples, can cause one to envision such issues afresh. Sometimes this viewing from a new angle is premeditated, but sometimes it sneaks up on you. During a recent fall semester my colleague, Kristen Adams, asked that I speak to Stetson’s Honors Colloquium1 on a law and literature topic.2 The only date we could work out was Halloween, and so Professor Adams and I laughingly agreed that Edgar Allan Poe would be an appropriate choice. Dipping into Poe’s stories (all of which seem to be online), I immediately sensed their resonance with the law of capital punishment, another of my academic interests.3 The Fall of the House of Usher seemed filled with images of the death house. -
Oral History Center University of California the Bancroft Library Berkeley, California Frederica Von Stade Frederica Von Stade
Oral History Center University of California The Bancroft Library Berkeley, California Frederica von Stade Frederica von Stade: American Star Mezzo-Soprano Interviews conducted by Caroline Crawford in 2011, 2012, 2014, 2015 Copyright © 2020 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Frederica von Stade dated February 2, 2012. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Dead Man Walking Tells the Story of Sister Helen Prejean, Who Establishes a Special Relationship with Matthew Poncelet, a Prisoner on Death Row
Dead Man Walking tells the story of Sister Helen Prejean, who establishes a special relationship with Matthew Poncelet, a prisoner on death row. Matthew Poncelet has been in prison six years, awaiting his execution by lethal injection for killing a teenage couple. He committed the crime in company with Carl Vitello, who received life imprisonment as a result of being able to afford a better lawyer. The film consolidates two different people (Elmo Patrick Sonnier and Robert Lee Willie) whom Prejean counseled on death row into one character, as well as merging Prejean in Cambridge, Mass. in Sept. 2000 their crimes and their victims' families into one event. In 1981, she started working with convicted murderer Elmo Patrick Sonnier, who was sentenced to death by electrocution. Sonnier had received a sentence of death in April 1978 for the November 5, 1977 rape and murder of Loretta Ann Bourque, 18, and the murder of David LeBlanc, 17. He was executed in 1984. The account is based on the inmate Robert Lee Willie who, with his friend Joseph Jesse Vaccaro, raped and killed 18- year-old Faith Hathaway in May 1980, eight days later kidnapping a couple from a wooded lovers' lane, raping the 16-year-old girl, Debbie Morris, and then stabbing and shooting her boyfriend, 20-year-old Mark Brewster, leaving him tied to a tree paralyzed from the waist down. Willie was executed in 1984. She has been the spiritual adviser to several convicted murderers in Louisiana, and accompanied them to their electrocutions. St. Anthony Messenger says “you could call her the Mother Teresa of Death Row.” After watching Elmo Patrick Sonnier executed in 1984, she said, “I couldn't watch someone being killed and walk away. -
W Mark the Evangelist: Our Life Is Hidden with Christ in God in 1995, a Gripping and Extraordinarily Moving
Mark the Evangelist: Our Life is hidden with Christ in God In 1995, a gripping and extraordinarily moving film was made called Dead Man Walking. The screenplay was by the director Tim Robbins, and the film starred Susan Sarandon and Sean Penn. It drew its inspiration from a book of the same title by Sister Helen Prejean, a Roman Catholic nun. Written in 1993, the book recounted something of her remarkable befriending of and ministry to those on death row in the United States. The central character in the film, Matthew Poncelet, is a composite one, combining the real-life personages of two prisoners, both convicted of murder: Elmo Patrick Sonnier and Robert Lee Willie. For dramatic purposes, this composite character works really well in the film. What matters is that we get a real insight into what it’s like on death row, into what lies behind violent crime, into the pain and suffering caused, both to victim and perpetrator alike, as well as to the rest of society. We often find today that when a book or a film is based on actual historical occurrences, the names of people or the details of the stories are changed, largely to protect the identities of those involved. As a result, if’s often possible to lose sight of what’s historical and what’s fictional. This isn’t a new problem; it’s been around for a long time. Stories and characters get changed over the course of time, such that it becomes almost impossible to determine what’s real and what’s made-up. -
We Are Grateful Sister Helen Prejean Visits Melba’S
February 2020 Melba’s eatatmelbas.com We are grateful Sister Helen Prejean visits Melba’s ister Helen Prejean is known around the world for her tireless work against the death penalty. She has been instrumental in sparking national dialogue Son capital punishment and in shaping the Catholic Church’s vigorous opposition to all executions. Born on April 21, 1939, in Baton Rouge, Louisiana, she joined the Sisters of St. Joseph in 1957. After studies in the USA and Canada, she spent the following years teaching high school, and serving as the Religious Education Director at St. Frances Cabrini Parish in New Orleans and the Formation Director for her religious community. In 1982, she moved into the St. Thomas Housing Project in New Orleans in order to live and work with the poor. While there, Sister Helen began corresponding with Patrick Sonnier, who had been sentenced to death for the murder of two teenagers. Two years later, when Patrick Sonnier was put to death in the electric chair, Sister Helen was there to witness his execution. In the following months, she became spiritual advisor to another death row inmate, Robert Lee Willie, who was to meet the same fate as Sonnier. After witnessing these executions, Sister Helen realized that this lethal ritual would remain unchallenged unless its secrecy was stripped away, and so she sat down and wrote a book, Dead Man Walking: An Eyewitness Account of the Death Penalty in the United States. Dead Man Walking hit the shelves when national support for the death penalty was over 80% and, in Sister Helen’s native Louisiana, closer to 90%. -
RESTORATIVE JUSTICE David Fritz Presented At: NACSW Convention 2005 October, 2005 Grand Rapids, Michigan
North American Association of Christians in Social Work (NACSW) PO Box 121; Botsford, CT 06404 *** Phone/Fax (tollfree): 888.426.4712 Email: [email protected] *** Website: http://www.nacsw.org “A Vital Christian Presence in Social Work” RESTORATIVE JUSTICE David Fritz Presented at: NACSW Convention 2005 October, 2005 Grand Rapids, Michigan I. Introduction On New Year’s Eve 1997, in Victoria, British Columbia, Bob McIntosh and two of his friends decided to check in on a loud party going on at the home of some friends who were out of town. When the door was opened, one youth punched Bob in the face so hard that Bob fell and lost consciousness. The young men proceeded to kick Bob while he was down, literally beating him to death. Five years later, Bob’s wife Katy produced a video in which she described her life and the lives of their twin children since that day. Police showed the video to one of the suspects, Ryan Aldridge, who broke down and confessed to his role in the killing. Ryan then wrote a letter to Katy and the twins in which he took responsibility for his part in Bob’s death. The next morning, police brought Katy to meet Ryan. Katy finally had the opportunity to ask Ryan what happened that night. As Katy left the building, she noticed that Ryan was sobbing and said, “I wanted to make it OK for him.” In the Spring 2003, Katy began attending meetings of the Victim Offender Mediation program of Community Justice Initiatives. Today, Katy Hutchinson makes presentations at schools addressing the dangers of unsupervised parties. -
Teaching Kit Dead Man Walking
DePaul University Library Special Collections and Archives TEACHING KIT CONTENTS pg.3 pg.10 INTRODUCTION BIOGRAPHIES pg.4 pg.12 TEACHER'S GUIDE BIBLIOGRAPHY pg.6 pg.16 SUBJECT AREAS: ADDITIONAL RESOURCES ENGLISH LANGUAGE ARTS, SOCIAL STUDIES, THEATER pg.17 ACKNOWLEDGEMENTS pg.9 TIMELINE: DEAD MAN WALKING DMW TEACHING KIT | PAGE 2 INTRODUCTION By Jamie Nelson Head, Special Collections and Archives Dead Man Walking: An Eyewitness Account of the Death Penalty in the United States was instrumental in bringing widespread attention to the human dimension of the death penalty. First published in 1993, it has been reprinted, translated, and adapted for film, theater, and opera. Universities, high schools, libraries, churches, and theater groups have hosted community-wide reading experiences, panel discussions, performances, and visits from Sr. Helen herself for nearly 25 years. This teaching kit, including primary sources and curricular materials for teachers, is meant to complement, enhance, deepen, and challenge the experience for those reading, performing, or viewing Dead Man Walking. The digitized primary sources, available at spca.depaul.press/prejean, are but a sampling of the Sr. Helen Prejean papers, which provide a unique and intimate perspective on the death penalty and intersecting social justice issues, the development of Sr. Helen’s activism, and the creative and practical processes of writing and publishing books and bringing the story to screen and stage. DMW TEACHING KIT | PAGE 3 DePaul University Library Special Collections and Archives is honored to care for Sr. Helen’s archival collection and to make materials available for teaching, learning, engagement, and reflection. We are grateful to our partners from the DePaul University College of Education, David Bates and John Geiger, who shared their expertise gained from the Library of Congress Teaching with Primary Sources program.