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My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
1 September 2021 Vol. 50 No.12
1 SEPTEMBER 2021 VOL. 50 NO.12 2 3 ZERO MILE AND SOBATL PRESENT TWO NIGHTS SEPT 10 & 11 OF AMAZING LOUISIANA MUSIC & CUISINE! REBIRTH WE HAVE like SEPTEMBER 2021 BRASS Volume 50 • Issue 12 BAND ON THE GO? share 8 follow CREATIVELOAFING.COM COVER STORY: SILVER 404.688.5623 SCREAM SPOOK SHOW Shane Morton and Madeline PUBLISHER • Ben Eason [email protected] Brumby keep scaring people MANAGING EDITOR • Tony Paris BY KEVIN C. MADIGAN [email protected] EVENTS EDITOR • Jessica Goodson SERATONES THINGS COPY EDITOR • JJ Krehbiel 5 GRAPHIC DESIGNERS • Katy Barrett-Alley, AJ Fiegler TO DO CONTRIBUTING WRITERS Cliff Bostock, Ema Carr, Curt Holman, 18 Hal Horowitz, Lauren Keating, Kevin C. Madigan, TODAY... Tony Paris, Joshua Robinson GRAZING CONTRIBUTING ARTISTS Tray Butler Barbecue on my mind CONTRIBUTING PHOTOGRAPHERS BY CLIFF BOSTOCK Cliff Bostock INTERNS • Carolina Avila, Hailey Conway, Grace Karas CL RADIO & PODCASTS • Jill Melancon OPERATIONS MANAGER • Kartrina Thomas [email protected] 20 SOBATL.COM | 404.875.1522 SALES EXECUTIVES 1578 PIEDMONT AVE NE, ATLANTA, GA 30324 Andrew Cylar, Carrie Karas MUSIC FEATURE ...AND National Advertising Sales John Daly and ‘The Low VMG Advertising 1-888-278-9866 or 1-212-475-2529 Level Hum’ SEPTEMBER 17 EVERYDAY SR. VP OF SALES OPERATIONS • Joe Larkin SUBMISSIONS BY KEVIN C. MADIGAN Please direct any and all editorial submissions, LITTLE inquiries, story ideas, photography and art queries to the managing editor. STRANGER FOUNDERS Deborah and Elton Eason PIP THE PANSY 24 DAMN SKIPPY ATL UNTRAPPED $12 ADV/ $17 DAY OF | 9PM The rebirth of Rome Fortune SEPTEMBER 18 BY JOSHUA ROBINSON ANGIE 29 APARO AN EVENING W/ ANGIE SCREEN TIME APARO, SEATED SHOW! Out on Film and more $30 ADV/ $35 DAY OF | 8PM BY CURT HOLMAN Editor’s note: In last month’s print CHECK OUT edition we inadvertently left off the ABOUT THE COVER: byline for ATL Untrapped. -
Neuromancer , Crack, the Net, Rock 'N' Roll and His Latest Book, Idoru, in Which He Investigates the Mechanisms of Celebrity in the Modern Age
Generated by ABC Amber LIT Converter, http://www.processtext.com/abclit.html About these Study Guides I created these study guides to help my students prepare for literature classes. They are meant to serve several functions. 1) Some of them provide background to help readers understand what they are reading and why they are reading it (the historical status of the works). 2) They provide useful information, explaining allusions, obscure terms, etc. in the texts and provide translations of passages written in languages other than English. 3) They try to focus students' attention on issues that we will discuss in class. Rationale One of the most common student complaints in literature classes is that they can't figure out what the teacher expects them to get out of the assignments. Homework turns into a massive guessing game, failing which, students wait for the teacher to clarify things in class. This makes for sluggish or nonexistent discussions. Students using these guides can read with more purpose. They know what issues I am going to want to them to deal with in class and can prepare much better. I require my students to prepare written answers to the questions in these guides and come to class prepared to answer any one of them. At the beginning of class I collect the notes along with the quizzes. Not every question must be answered in the notes but they must show a diligent effort at preparation. Since I began using these guides, few students come to class without having both read and thought about the assignment, and discussions have improved enormously. -
Ty Segall Announces LA, NYC and European Residencies Performing Select Albums in Full + ???
April 23, 2019 For Immediate Release Ty Segall Announces LA, NYC and European Residencies Performing Select Albums in Full + ??? Photo Credit: Denée Segall Ty Segall is pleased to announce special 2019 residencies in Los Angeles, New York City and different European cities. Joined by the Freedom Band, each night of the residency, Segall will perform select albums from his catalogue in full, including Melted, Goodbye Bread, Emotional Mugger, and Manipulator, plus a to be announced set. Segall will bring his fervent live show to the Teragram Ballroom in Los Angeles every Friday from July 26 - September 27. The first 500 people to purchase 3 or more tickets to different LA shows will receive a limited 7” of new, unreleased music. Next, he will play five consecutive nights at New York’s Warsaw October 1 - October 5. The first 500 people who buy 3 or more tickets to different NY shows will get an exclusive, limited poster created and signed by Segall in New York. Following New York, Segall and the Freedom Band will head overseas to play Paris, London, Berlin and Haarlem, NL. Tickets are on sale this Friday, April 26th at 11am EST. All tour dates, including specifics on which album Segall will be playing on each date, are below. Ty Segall & Freedom Band Tour Dates: Fri. July 26 - Los Angeles, CA @ Teragram Ballroom (Ty Segall plays ??? + Melted) Fri Aug. 2 - Los Angeles, CA @ Teragram Ballroom (Ty Segall plays ??? + Melted) Fri. Aug. 9 - Los Angeles, CA @ Teragram Ballroom (Ty Segall plays ??? + Melted) Fri. Aug. 16 - Los Angeles, CA @ Teragram Ballroom (Ty Segall plays ??? + Goodbye Bread) Fri. -
2.3.4. .Ch Www . Bad Bonn
www. bad bonn BONN KILBI Press Release Press BAD .ch 2.3.4. 6.16 Programme FELDERMELDER 2.6.16 PLAYS ERRATIC INSANLAR VISUALS BY (TUR) Turkish Folk Gets the Electronic SUPERMAFIA (CH) Treatment TY SEGALL & Industrial Heartbeat Saz-Supremacy, Muthafukka! Neon Lamp Rain Power to the People! THE MUGGERS (US) Overwhelmed Noise Lo-fi Prophet Excentric Workaholic Helter Skelter in the Garage FÖLLAKZOID (CHI) Andes-Trip s s s s (CH) BOREDOMS (JAP) Hypnotized by Fear Weird Japanese Noise Loop and loop it again until Apocalypse NOW! EYE and Yoshimi you get high Samuel Savenberg’s Anal Chocolate Roots That’s how Chilean Kraut superincumbent soundscapes tastes like JULIA HOLTER (US) KNÖPPEL (CH) High Precision Bedroom-Pop STANLEY BRINKS & Wichser Rock Vocoders and Euripides THE WAVE Vulgar Swiss German Lyrics and Madrigals, Musicals and A Sounds for Soccer-Fans Light Heart PICTURES & Olma Thrash FRESCHARD (D, F, UK) Crashing Campfire PAPAYA FUZZ (CH) OGOYA NENGO & Herman Dune-Memorial-Band Surfing La Sarine Forever THE DODO The Man and the Jewel and Eat That Fuzzy Yogurt, Bitch! WOMEN’S GROUP the Band Tcheu, C’est Sale! (KEN) THE Kenyan Ethno Grand Dame You’ve Never Heard Of PYRIT (CH) ZAPERLIPOPETTE What the Hell is Dodo? Shiny As Minerals (CH) Vocal Social Criticism – Lonely Milkyway Electronica Why so serious? all Drum, no Bass Probably the Next Xavier Dolan Pizza at Bad Bonn Movie Soundtrack Mathematics, Acrobatics HORIZON FAT WHITE ISOLATED LIQUIDE (CH) What’s That Distant Humming? FAMILY (UK) LINES (CH) Excremental Indie Swiss Hypno-Tekkno -
S Album of the Week: the Slackers
Rob’s Album Of The Week: The Slackers Ska is a genre that has been in a bit of a crossroads over the past few years. It’s kind of in the same position punk rock was in the late 2000s, out of the limelight but still around somewhat, and there’s a dedicated fan base still packing venues to dance to the rhythms. For 25 years The Slackers from New York City have been keeping two tone alive and they’re not going away. Furthering the latter is their brand new self-titled album coming out on February 19. Bringing that trademark jazzy spin on the genre, Vic Ruggiero and crew haven’t slowed down at all since coming up from Manhattan in 1991. The groovy sextet from The Big Apple incorporates a bit of psychedelia and garage rock in their latest release. Each track brings something different; a few are heavy with the horns while others have the keys as the base of the entire song. It definitely makes the experience a stimulating one. It’ll be difficult to grow bored while diving to this one. Ruggiero also brings that laid back soul he’s known for to keep everything timeless. Is Ska due for the 4th Wave? Only time will tell. It’ll take a bunch of kids rejuvenating the rude boy ideal and that’s only a small part of what it’ll take. A big part of this weekly review are my top tracks off of the Album Of The Week. Open wide, take a bite, repeat and get your fill. -
Ty Segall Presents “Radio” Off First Taste, New Album Due August 2Nd Via Drag City
July 1, 2019 For Immediate Release Ty Segall Presents “Radio” Off First Taste, New Album Due August 2nd Via Drag City Listen HERE Tickets for Special LA + NYC Residencies On Sale Now; LA Residency Kicks Off This Month Photo Credit: Denée Segall Ty Segall presents “Radio,” a new single from his forthcoming album, First Taste, due August 2nd via Drag City. Just in time for the July 4th festivities (such as they are), “Radio” should satisfy all our barely-subsumed bloodlust and immutable desire to rule while also providing a majestically boomboxable anthem to revel along with at the cookout. As “Taste,” a number that “churns like a buzzsaw without forfeiting any melody” (Rolling Stone), continues to rise at radio, new single “Radio” sizzles with koto by Segall, saxophone and piano by Mikal Cronin, bass by Emmett Kelly, percussion and drums by Segall and Charles Moothart, and back up vocals by Shannon Lay. Through layered vocals, Segall describes shedding an old identity, adopting a new one and accepting what he cannot change: “It makes me feel like I am living for free // While I’m watching the new radio // My anger has gone away // Replaced by my new name // I’m no longer empty // I need no family.” “‘Radio’ is a science non-fiction song,” says Segall. “We live in a Cronenberg film. It has Videodrome saxoheadphones. I am a slave to the new radio and so are you.” First Taste is an introspective set for Ty Segall after the extroversions of 2018’s Freedom’s Goblin, yet just as steeped in hard beats. -
Ty Segall Announces New Album, First Taste
June 4, 2019 For Immediate Release Ty Segall Announces New Album, First Taste, Due August 2nd Via Drag City, and Releases “Taste” Video/Single Support for LA + NYC Residencies Announced (photo credit - Denée Segall) “Our salivating makes it all taste worse,” croons Ty Segall in “Taste,” the lead single / video from his forthcoming album, First Taste, due August 2nd via Drag City. He’s talking about us: how we’re the masters of our own destiny, tellers of our own prophecy, makers of our own sickened choices. It’s a warning, but this time, the finger is pointing back at him too. He’s one with us. First Taste is an introspective set for Segall after the extroversions of 2018’s Freedom’s Goblin. Lines of struggle wind through the songs as Segall reflects on family, re-encountering pasts, anticipating futures. He skates through oneness, self-esteem, the parents – all the joys of a rain-filled childhood – while reaching outward in the here and now, feeling for a shared pulse. Meanwhile, the production is far out! Segall’s creative juices suggested some radical (in the older sense of the word) new instrumental territories: koto, recorder, bouzouki, harmonizer, mandolin, saxophones and brass, voices, and a sprinkling of keys. Segall occupies the drumset whenever it’s heard on the left speaker, while Charles Moothart plays the kit on the right side. Segall’s vocal prowess sits in fresh relief against his mutant orchestra, spooling tension through some of his most patient songs, his feral scream in complete control. Whatever the mood is, the pedal is pushed cleanly to the metal — and that means to the max of the lightest ballads ever, OR through the most raging rocks yet. -
Transhuman Artists and Their Art in William Gibson's Sprawl Trilogy
Transhuman Artists and Their Art in William Gibson’s Sprawl Trilogy The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37799754 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Transhuman Artists and Their Art in William Gibson’s Sprawl Trilogy Timothy R. Letteney A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University March 2018 ! Copyright 2018 Timothy R. Letteney ! ! Abstract William Gibson’s Sprawl Trilogy has left an indelible mark on pop culture and has even influenced the trajectory of digital technologies. While not the first purveyor, Gibson is often credited with popularizing the science fiction subgenre known as cyberpunk. Gibson himself never championed the term himself, but he certainly benefited from its zeitgeist. At their core, Gibson’s futuristic techno-laden narratives owe as much to the crime fiction of the 1930’s and 1940’s as they do to the science fiction of the 1970’s and 1980’s. Much like Dashiell Hammett’s socially conscious crime fiction, Gibson’s techno-noir has much more than the plot moves going on. Gibson’s Sprawl is a tactful takedown of the burgeoning materialistic consumer driven society of the 1980’s. Gibson did not write these novels as a warning for the future, but as a spotlight for contemporary issues. -
Summer in the Valley 48 Pages.Indd
Ulster Publishing’s Hudson Valley Summer in the Valley 2021 COVER: An artist’s paradise — a view of the Catskills from Olana FEATURE: Woodstock loves Rosie Magee 2 • Summer 2021 Hudson Valley Explore ulster publishing To Rosie, with love Woodstock wouldn’t have been Woodstock without her by Bruce Weber Rosie Magee of Rock City, c. take on a new and not necessarily wel- 1915, Konrad Cramer (1888-1963), comed persona,” observed town histo- n the early years of the twenti- Gelatin silver print, Konrad and rian Richard Heppner. Not Rosie, who eth century, Rosie Magee (1850- Florence Ballin Collection. embraced the young souls who made 1927) was the ministering angel their way to Woodstock in hopes of es- Iof the Woodstock art colony, un- tablishing long and successful careers as surpassed in her motherly care, support artists, and provided them her personal and sympathy for the young artists and brand of wisdom, good cheer and home art students in town. Longtime Wood- cooking. stockers “unfamiliar with the ways of Rosa A. Powell Magee was born in artists met the newcomers with skepti- Woodstock in October 1850. In 1872, cism, caution, and in some cases with Rosie married Sanford P. Magee (1846- outright hostility as they saw their town 1918), who spent his most productive ulster publishing Hudson Valley Explore Summer 2021 • 3 4 • Summer 2021 Hudson Valley Explore ulster publishing years working as a quarry teamster. With the decline in bluestone quarrying at the end of the nineteenth century, he tried to make a go of it as a farmer.