Right Arm Resource Update
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Keith Hill on Keith Hill
June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve. -
Guies Docents
GUIES DOCENTS Guies docents -Interpretació- (2a edició, abril de 2021) Índex • Matèries bàsiques • Matèries obligatòries • Matèries optatives • TFG CENTRE AUTORITZAT D'ENSENYAMENTS ARTÍSTICS SUPERIORS DE MÚSICA Montfar 16-18, 08004 Barcelona www.jamsession.cat codi de centre: 08074367 Matèries bàsiques • Cultura, pensament i història o Història de la música I a III o Filosofia i estètica musical • Llenguatge i tècniques de la música o Percepció auditiva I i II o Anàlisi musical I i II • Formació complementària o Anglès tècnic I i II o Taller de comunicació CENTRE AUTORITZAT D'ENSENYAMENTS ARTÍSTICS SUPERIORS DE MÚSICA Montfar 16-18, 08004 Barcelona www.jamsession.cat codi de centre: 08074367 Història de la música I 1-DESCRIPCIÓ DE L’ASSIGNATURA Especialitat Interpretació / Pedagogia / Sonologia Denominació i caràcter de la matèria Cultura, pensament i història Matèria bàsica Crèdits 3 ECTS Seqüenciació temporal Semestre I % d’hores lectives 32% presencials 68% treball autònom Assignatura Història de la música I Requisits Cap 2-PROPOSTA DOCENT L’assignatura d’Història de la música I es centra en la sistematització dels coneixements sobre la història de la música des de la prehistòria fins al segle XX, ubicant la música en el seu context social i temporal. La Història de la Música està intrínsecament implicada amb totes les matèries del Grau, donat que el coneixement de l’origen i evolució de la música aporta elements importants per a l’execució d’obres musicals actuals i de tots els temps amb argumentació rigorosa que permet el coneixement i l’execució pròpia del temps de creació i la reinterpretació en l’actualitat, a partir dels seus elements originals. -
CULC Squatters Enter Third Month of Protests
Sunday, April 1, 2012 • Volume π, Issue e • nique.net Hot, dense place CBS documen- tary explores tribe of mammals living in Pasadena, CA.431 TechliqueThe North’s deadliest pre-school newsletter CULC squatters enter third month of protests Photo by Rick Shaw / Student Publications The Occupy CULC movement has built momentum across a broad spectrum of campus. Above, students refuse to leave the CULC building during a planned protest. By Mon E. Bags But could the building be just escaping from his dirt-stained lips. napkins,” Lee said. employment,” said Dan D. Lyons, Investment Banker a little too inviting? With such de- The squatters mostly sleep, but The next morning the room head of opposition efforts. lightful amenities it’s understand- more organized activity seems to was empty upon search. Security As this trend continues and the The G. Wayne Clough Un- able that it might attract those be on the rise. is doing its best to keep control of homeless begin to make homes in dergraduate Learning Commons who lack the essentials: shelter, “I don’t think I’ll ever recov- the situation, although they are the beloved CULC, students must (CULC) was created with the vi- warmth and powder rooms. er from what I saw that night,” faced with many obstacles. be wary of their surroundings. sion of having a sustainable build- The first sightings of these said Brock Lee, a fourth-year “Our squatting campaign “We fully support the Occupy ing on campus that would serve as “Clough-squatters” or Clough- GHYTSN major. Mussolini’s eyes started out small, but is growing CULC movement. -
Single Event Tickets on Sale August 26 at 10 Am
Troy Andrews has been hailed as New Orleans’ brightest star in a generation. The Purple Xperience is widely considered the greatest Prince tribute act Having grown up in a musical family, Andrews came by his nickname, around. The five-piece group, led by Marshall Charloff, “embodies the image, Sept 20 Trombone Shorty, when his parents encouraged him to play trombone at age intensity and sounds” (musicinminnesota.com) of Prince’s life. Founded in Sept 30 Friday, 7:30 p.m. four. By the time he was eight, he was leading his own band in parades, halls 2011 by Charloff and original Revolution band member Matt “Doctor” Fink, Monday, 7:30 p.m. and even bars. He toured abroad with the Neville Brothers when he was still the Purple Xperience has entertained well over 300,000 fans, sharing stages in his teens and joined Lenny Kravitz’ band fresh out of high school – the New with The Time, Cameo, Fetty Wap, Gin Blossoms, Atlanta Rhythm Section Orleans Center for Creative Arts. His latest album, “Parking Lot Symphony,” and Cheap Trick. Charloff, who has performed nationwide fronting world-class captures the spirit and essence of The Big Easy while redefining its sound. symphonies, styles the magic of Prince’s talent in appearance, vocal imitation “Parking Lot Symphony” contains multitudes of sound – from brass band blare and multi-instrumental capacity. Charloff, playing keyboards and bass guitar, and deep-groove funk, to bluesy beauty and hip-hop/pop swagger – combined recorded with Prince on “94 East.” Alternative Revolt calls the resemblance with plenty of emotion, all anchored by stellar playing and the idea that, even between Charloff and Prince “striking … both in looks and musical prowess. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Wavelength (March 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . -
4 5 in Re: 6 Grupo Fuego
file:///A|/Police%20Advisory%20Commission%20Hearing%20-%20In%20Re_%20Grupo%20Fuego.txt 0001 1 CITY OF PHILADELPHIA 2 POLICE ADVISORY COMMISSION 3 - - - 4 5 IN RE: 6 GRUPO FUEGO 7 8 - - - 9 Thursday, November 1, 2007 Philadelphia, Pennsylvania 10 - - - 11 Hearing in the above-referenced 12 matter, held in Philadelphia City Hall, Room 400, 13 Philadelphia, Pennsylvania 19102, commencing at 6:15 14 p.m., on the above date before Sandra J. Worrell, 15 Registered Professional Reporter and Notary Public. 16 - - - 17 18 19 CLASS ACT REPORTING AGENCY, LLC 20 Registered Professional Reporters 1420 Walnut Street 133H Gaither Drive 21 Suite 1212 Mt. Laurel, NJ 08054 Philadelphia, PA 19103 (856) 235-5108 22 (215) 928-9760 23 24 0002 1 BEFORE: 2 ROBERT NIX, ESQUIRE - Presiding Officer 3 MICHAEL B. HAYES, ESQUIRE 4 JOSEPH T. STAPLETON, ESQUIRE 5 ADAM ROGERS 6 OSCAR ROSARIO 7 - - - 8 file:///A|/Police%20Advisory%20Commission%20Hearing%20-%20In%20Re_%20Grupo%20Fuego.txt (1 of 85)4/3/2008 8:13:04 AM file:///A|/Police%20Advisory%20Commission%20Hearing%20-%20In%20Re_%20Grupo%20Fuego.txt 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 0003 1 - - - 2 I N D E X 3 WITNESS PAGE NO. 4 Suzette Pinero 8 5 6 Suzette Martinez 42 7 8 Aisha Martinez 91 9 10 11 - - - 12 E X H I B I T S 13 NO. DESCRIPTION PAGE NO. 14 None Marked 15 - - - 16 17 18 19 20 21 22 23 24 0004 1 MR. NIX: Good evening, ladies file:///A|/Police%20Advisory%20Commission%20Hearing%20-%20In%20Re_%20Grupo%20Fuego.txt (2 of 85)4/3/2008 8:13:04 AM file:///A|/Police%20Advisory%20Commission%20Hearing%20-%20In%20Re_%20Grupo%20Fuego.txt 2 and gentlemen. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Trombone Shorty & Orleans Avenue Bring the Funk on Austin City Limits Joined by Special Guest Cyril Neville New Episode
Trombone Shorty & Orleans Avenue Bring the Funk on Austin City Limits Joined by Special Guest Cyril Neville New Episode Premieres January 5 on PBS Austin, TX—January 3, 2019—Austin City Limits (ACL) showcases Trombone Shorty & his 10-piece band Orleans Avenue in an electrifying hour with the New Orleans funk shooting stars. The new episode premieres Saturday, January 5 at 8pm CT/9pm ET, as ACL’s Season 44 resumes with six new installments. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. “What’s up, ACL? We meet again!” proclaims Trombone Shorty, aka Troy Andrews, in his second appearance on the ACL stage. The celebrated singer/songwriter/trombone sensation made his ACL debut in 2010 and has become New Orlean’s biggest musical ambassador, channeling his hometown’s rich cultural heritage of soul, funk, jazz, rock and hip-hop to audiences worldwide. The bandleader and his band of aces, including horns, guitar and percussion, show off their bona fides on the instrumental opener “Buckjump,” before easing into the brass-band funk of the Allen Toussaint classic “On Your Way Down.” The non-stop party features selections from Shorty’s catalog, including funky rocker “Where It At?” and the show-stopping “Here Come the Girls” from 2017’s acclaimed Parking Lot Symphony, along with numbers from 2011’s For True and 2010’s Backatown. -
The Roots Report: Budget Bustin’ for Neil
The Roots Report: Budget Bustin’ for Neil Okee dokee folks… So, the other day I saw that one of my friends mentioned something about Neil Young tickets going on sale. That immediately caught my attention and I began trying to acquire tickets. I haven’t been this excited about seeing a show since my first Neil Young concert back in the ’70s. I don’t know why I got so giddy about it. I have seen him many, many times and I play his music in my band. Maybe it was because it felt like I was privy to some secret information as it was in pre-sales and you needed a special code to purchase tickets. My friend told me that the tix had just gone on sale and pretty much everything was available for the concert’s two-night stint. So, I entered the code and magically the attainable seats appeared. At first just the cheap seats were visible and I thought about just grabbing a couple and dragging one of my friends with me. But then I took a peek at the ‘spensive ones for those who live in the lap of the luxury sit “up front.” I Neil Young clicked on the price and nearly had a heart attack. Those prestigious pieces of paper were $250! But the seats were right up close to the stage and Young will be performing solo. It’s also only one of supposedly six dates across the country. A devilish thought washed over me, “Maybe I should just buy one!” I knew I couldn’t even remotely afford it. -
TUNECODE WORK TITLE Value Range 289693DR
TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl -
Women's Lives
In the West End of Newcastle “Visiting the past is something like visiting a foreign country: they do some things the same and some things differently, but above all else they make us more aware of what we call “home”.” John Arnold: “History: A Very Short Introduction” Contents Page Thanks 2 Introduction 3 The Women’s Lives Project 4 Mothers, aunts and grandmothers 5 Childhood 8 Childhood homes 10 School days 12 War-time childhoods 15 From Asia to Britain 17 Looking after a home 19 Working women 25 Working, marriage and motherhood 29 Working women in war-time 32 Family life 35 Asian women’s experiences 39 Leisure time 41 1 Thanks to everyone who contributed to this book West end women who contributed I ll u st ra t i o n s their memories and stories: The photographs were provided by the contributors Catherine Bell, Ann Butler, Margaret Cooney, Joan themselves and also by the West Newcastle Picture Coulson, Elsie Dixon, Brenda Hamilton, Shamshad Iqbal, History Collection and the Newcastle Community Mary Kelsey, Resham Kaur Khan, Jean Lockey, Irene Heritage Project. Lucas, Eileen Mackinnon, Elsie Marshall, Maureen McDade, June McDonald, Joan Miller, Dorothy O’Shea, Acknowledgements Pat Riley, Betty Ruddick, June Scott, Anne Steele, Dot Thanks are due to the Benwell Scotswood Ward Tweddle, Margaret Tweedy, Liz Vasey, Alma Wheeler, Committee for their contribution to the costs of producing Sylvia Wood, this book, to Newcastle City Council Libraries and Information Service, Search Project, West Newcastle Picture History Collection and Beamish Museum for their support for the project, and to ncjMedia for permission to reproduce the Big Alma newspaper extract.