Of Morton, Merrymount, and Maypoles
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Of Gay Sinners and Grizzly Saints Keweloh, Carina
Of Gay Sinners and Grizzly Saints Keweloh, Carina In: Student Journal of the Department of Anglophone Studies / Volume 1 (2018) This text is provided by DuEPublico, the central repository of the University Duisburg-Essen. This version of the e-publication may differ from a potential published print or online version. DOI: https://doi.org/10.17185/duepublico/47604 URN: urn:nbn:de:hbz:464-20181123-141434-3 Link: https://duepublico.uni-duisburg-essen.de:443/servlets/DocumentServlet?id=47604 License: As long as not stated otherwise within the content, all rights are reserved by the authors / publishers of the work. Usage only with permission, except applicable rules of german copyright law. Source: This essay was initially submitted as a term paper in the BA seminar “Religion in American Culture” and supervised by Dr Melissa Knox-Raab. Published in Student Journal of the Department of Anglophone Studies (Vol. 1, 2018) Of Gay Sinners and Grizzly Saints Fundamentalism in “The May-Pole of Merry Mount” CARINA KEWELOH1 Nathaniel Hawthorne’s stories often depict Puritans as superstitious, intolerant, patriarchal and oppressive, which led to the belief he held a negative attitude towards them. However, “The May-Pole of Merry Mount”2 suggests that this resentment is not specifically directed towards Puritans. Hawthorne’s short story rather exposes the dangers of fundamentalism in general. This essay scrutinizes both the portrayal of the community of Merry Mount and the Puritans in the short story to explore the features of fundamentalism they depict. Finally, the restricting and impairing effects of both fundamentalist communities will be assessed using the example of Edgar and Edith, the young couple at the center of Hawthorne’s tale. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Hawthorne's Conception of History: a Study of the Author's Response to Alienation from God and Man
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man. Lloyd Moore Daigrepont Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Daigrepont, Lloyd Moore, "Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man." (1979). LSU Historical Dissertations and Theses. 3389. https://digitalcommons.lsu.edu/gradschool_disstheses/3389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Day Quincy, Massachusetts, in the 1620S
CHAPTER TWO THOMAS MORTON Charlotte Carrington Thomas Morton established the Ma-re Mount settlement, near modern- day Quincy, Massachusetts, in the 1620s. Morton, an Anglican gentleman and lawyer, freed the servants at the plantation in order to trade and plant as equals. The Mortonites erected a maypole and embraced Old English traditions, which vexed the Pilgrims and Puritans. Morton, who was ban- ished from New England more than once, is primarily remembered as a marginal licentious anti-type to his Puritan opponents. This article addresses Morton’s disregarded side of the story, his numerous voyages across the Atlantic and the identities that he fashioned. In New England, Morton was a victim of Puritan persecution; he was arraigned fallaciously for trading guns to the American Indians and murder. He was whipped, imprisoned, banished and his property was sequestered. Morton operated entirely from outside of the ‘Puritan worldview’ and proffered an alterna- tive vision for the New World. However, across the ocean, Morton employed his flair with a pen and legal dexterity to challenge the Colony’s charter and put himself in a position of authority. Therefore, in order to truly place Morton at the center of the narrative, we must examine the life of this sojourner on both sides of the Atlantic. This article follows the voyages of Thomas Morton across the Atlantic between Old and New England in the early seventeenth century. In terms of identity formation, Morton is of interest precisely because he defies easy categorization. Morton illustrates that identities in an Atlantic world were multi-faceted and tailored to circumstance. -
Thomas Morton As America's First Behavioral Observer (In New England 1624-1646)
Bulletin of the Psychonomic Society 1987, 25(1), (I}-,72 Thomas Morton as America's first behavioral observer (in New England 1624-1646) PHILIP HOWARD GRAY Montana State University, Bozeman, Montana As a falconer and lawyer in England, Thomas Morton was well trained to become the first be havioral observer in America. From his arrival in Massachusetts in 1624 to his forced removal in 1628 (he offended the Pilgrims by intercepting the beaver trade and offended the Puritans by refusing to accept their authority), he made many observations on the region's animals and Indians. These observations were collected in his book, published in 1637. Criticisms of Morton by the New England theocrats have been endlessly repeated by historians who fail to recognize Morton's value as an amateur psychologist and ethologist, and a very early one at that. Thomas Morton, gentleman, lawyer, sportsman, and tribes of William Bradford, who believed Morton to be pioneer settler in Massachusetts, lived among the Indians, guilty of everything from selling guns to the Indian men noted their manners and customs, hunted, traded, and to dancing around the maypole with Indian women, treat made friends with them. Equally important, Morton was ing the latter "most filthily" (Davis, 1908, p. 238). This an eager observer and cataloguer of the animals of the type of complaint is echoed by Adams (1892, p. 170), woods, skies, and sea. This information was collected dur who called Morton an old debauchee, tippler, and reck ing the first two decades of New England's colonization less libertine with neither morals nor religion, and An and set down in his New English Canaan or New Canaan, drews (1934), who extended Morton's presumed lack of published in Amsterdam in 1637 and readily available in morals to both conduct and thought. -
The Beginning of Winchester on Massachusett Land
Posted at www.winchester.us/480/Winchester-History-Online THE BEGINNING OF WINCHESTER ON MASSACHUSETT LAND By Ellen Knight1 ENGLISH SETTLEMENT BEGINS The land on which the town of Winchester was built was once SECTIONS populated by members of the Massachusett tribe. The first Europeans to interact with the indigenous people in the New Settlement Begins England area were some traders, trappers, fishermen, and Terminology explorers. But once the English merchant companies decided to The Sachem Nanepashemet establish permanent settlements in the early 17th century, Sagamore John - English Puritans who believed the land belonged to their king Wonohaquaham and held a charter from that king empowering them to colonize The Squaw Sachem began arriving to establish the Massachusetts Bay Colony. Local Tradition Sagamore George - For a short time, natives and colonists shared the land. The two Wenepoykin peoples were allies, perhaps uneasy and suspicious, but they Visits to Winchester were people who learned from and helped each other. There Memorials & Relics were kindnesses on both sides, but there were also animosities and acts of violence. Ultimately, since the English leaders wanted to take over the land, co- existence failed. Many sachems (the native leaders), including the chief of what became Winchester, deeded land to the Europeans and their people were forced to leave. Whether they understood the impact of their deeds or not, it is to the sachems of the Massachusetts Bay that Winchester owes its beginning as a colonized community and subsequent town. What follows is a review of written documentation KEY EVENTS IN EARLY pertinent to the cultural interaction and the land ENGLISH COLONIZATION transfers as they pertain to Winchester, with a particular focus on the native leaders, the sachems, and how they 1620 Pilgrims land at Plymouth have been remembered in local history. -
William J Scheick.Pdf (153.0Kb)
reviews 125 Resituating Anglo-American Colonial Textuality Review by william j. scheick, university of texas at austin Matt Cohen. The Networked Wilderness: Communicating in Early New England. Minneapolis: University of Minnesota Press, 2010. x + 237 pp. $67.50 (cloth); $22.50 (paper). Jonathan Beecher Field. Errands into the Metropolis: New England Dissidents in Revolutionary London. Hanover: Dartmouth College Press, 2009. xv + 154 pp. $85.00 (cloth); $35.00 (paper). Martha L. Finch. Dissenting Bodies: Corporealities in Early New England. New York: Columbia University Press, 2010. xvi + 274. $45.00. Francis Bacon’s understanding of rhetoric as merely a mechanism for disputation seems downright tepid compared to Plato’s contention that rhetoric is an art form designed to rule minds. Bacon’s sympathy for newly emergent scientific methods doubtless influenced his more scaled-down response to the power of rhetoric as a discipline. Even so, he hardly shied away from venturing into the choppy waters of rhetorical contention. As his hortatory short essay “Of Plantations” indicates, Bacon supported the expansion of England’s imperial power across the Atlantic. Before he died in 1626, he was personally involved in schemes for New World ventures. But, as Sarah Irving has explained “‘In a Pure Soil’: Colonial Anxieties in the Work of Francis Bacon” (History of European Ideas 32 [2006]: 249-62), this natural philosopher held reservations about the possible deleterious effects of English imperialism. He worried that imperialist efforts could adversely affect both the furthering of truth in general and the lives of indigenous peoples in particular. “Of Plantations” also expressed Bacon’s concern over the per- sonal character of the men sent to colonize the New World, an issue that John Smith would personally exploit in self-serving accounts of his transatlantic adventures. -
Howard HANSON Merry Mount
669012-13 bk Hanson 3/20/07 10:58 AM Page 16 AMERICAN OPERA CLASSICS Also available: Howard HANSON Merry Mount Flanigan • MacNeil Zeller • Austin Marley Northwest Boychoir Seattle Girls’ Choir Seattle Symphony Gerard Schwarz 8.559251 2 CDs 8.669012-13 16 669012-13 bk Hanson 3/20/07 10:58 AM Page 2 Howard HANSON (1896-1981) Also available: Merry Mount, Op. 31 Opera in Three Acts and Six Scenes Libretto by Richard L. Stokes, based on Nathaniel Hawthorne’s short story, The Maypole of Merry Mount Lady Marigold Sandys . Lauren Flanigan, Soprano Sir Gower Lackland . Walter MacNeil, Tenor Wrestling Bradford . Richard Zeller, Baritone Praise-God Tewke . Charles Robert Austin, Bass Plentiful Tewke . Louise Marley, Mezzo-soprano Thomas Morton . Byron Ellis, Bass-baritone Jack Prence . Paul Gudas, Tenor Myles Brodrib . Barry Johnson, Baritone Peregrine Brodrib . Christopher Bristol, Tenor Love Brewster . Diana Huber, Soprano Bridget Crackston . Rosy Freudenstein, Alto First Puritan . Fred K. Dent, Baritone 8.559047 Second Puritan . Daniel Jessup, Bass Desire Annable . Nan Beth Walton, Alto Jonathan Banks . Gino Luchetti, Tenor Faint-Not Tinker . Joachim Schneider, Baritone Jewel Scrooby . Gene Buchholz, Bass Seattle Symphony Chorale • Northwest Boychoir • Seattle Girls’ Choir Abraham Kaplan, associate conductor for choral activities Joseph Crnko, director, Northwest Boychoir Dr. Jerome Wright, director, Seattle Girls’ Choir Seattle Symphony 8.559072 Gerard Schwarz 8.669012-13 215 8.669012-13 669012-13 bk Hanson 3/20/07 10:58 AM Page 14 Seattle Symphony CD 1 45:13 Founded in 1903, Seattle Symphony (www.seattlesymphony.org) is one of the oldest and largest cultural Act 1: The Village (Midday) institutions in the Pacific Northwest. -
The Maypole of Merrymount
WANTED: A CHILDREN’S BOOK ILLUSTRATOR FOR: The Maypole of Merrymount A Young Reader’s Story of Early America by Jack Dempsey and --- You? ***** NOTE: ILLUSTRATOR WANTED! ***** With each page of text below, you will find a matching page of “suggestions for each illustration”: a total of 12 or so--- I’m open-minded! If you’d like to co-author this book by creating its illustrations, give it a go! Contact me and we will share all publishing proceeds 50%-50%. THANKS! Dr. Jack Dempsey The Maypole of Merrymount: A Young Reader’s Story of Early America. Copyright Jack Dempsey 2009. All Rights Reserved. CONTACT: Dr. Jack Dempsey 001 781 438 3042 [email protected] Based on New English Canaan (Amsterdam 1637) by Thomas Morton (1576?-1647?), and on his biography, Thomas Morton: The Life & Renaissance of an Early American Poet, by Jack Dempsey (2000: Digital Scanning Inc., Scituate MA) Recommended for Readers age 10 and beyond About Thomas Morton & Merrymount This is the true story of Thomas Morton - a good-humored adventurer at the start of Colonial America who wrote extraordinary, hopeful things about it. Born to the wild outdoors of England’s West Country in the days of Shakespeare and Queen Elizabeth I, Thomas was “landsman” for a small group of traders and planters on Massachusetts Bay in 1624. In three years, with Native American connections, they built a small successful plantation, Merrymount. Together in Spring 1627 they and “all comers” celebrated with old English festival “Revels” around a Maypole (near today’s Wollaston Beach in Quincy, Mass.). -
Homecoming Concert
Presents Homecoming Concert: Piano 9 Highlander Voices Organ Saxophone Percussion Ensemble Wesley Chapel Friday, October 4, 2019 7:30 PM O LORD of hosts, God of Israel, the one who dwells between the cherubim, you are God, you alone, of all the kingdoms of the earth. Isaiah 37:16 Program 1. Jubilate Deo (from Jubilate Deo) Dan Forrest (b. 1978) Choral Union/Houghton Symphony Orchestra Daniel David Black, conductor Sonate En Ut # Fernande Decruck IV. Nocturne et Rondel (1896-1954) Matthew Amedio, Alto Saxophone Sharon Johnson, piano And So It Goes Billy Joel (b. 1949) Highlander Voices No Shadow of Turning David Gillingham (b. 1947) Houghton Wind Ensemble Timothy McGarvey, conductor Saturday at the Met Adam Gwom from Ordinary Days Houghton College Lyric Theatre Brandon Mellerski, conductor Um Mitternacht Gustav Mahler (1860-1911) Kimberly Prins Moeller, mezzo-soprano Houghton Wind Ensemble Program Motion no. 1 Nicholas Hall (b. 1991) Percussion Ensemble Sonata Op. 65, No. 3 Felix Mendelssohn Mvt I (1809-1847) Judy Congdon, organ Merry Mount Suite Howard Hanson Mvt III Love Duet (1896-1981) Houghton Symphony Orchestra Armenio Suzano, conductor O Day Full of Grace F. Melius Christiansen (1871-1955) College Choir Daniel David Black, conductor Total Praise Total Praise Richard Smallwood (b. 1948) arr. Carol Cymbala/orch. Lari Goss Choral Union/Houghton Symphony Orchestra/Houghton Wind Ensemble William Newbrough, piano As a courtesy to the performers and your fellow audience members, please be certain that all cell phones, watch alarms, and pagers are either turned off or set for silent operation. Flash photography can be very disconcerting to performers and is not permitted during the performance. -
HOWARD HANSON COLLECTION Accession No
HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts . -
Howard Hanson, Educator, Composer, Conductor
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Music From the Soil of the American Midwest: Howard Hanson, Educator, Composer, Conductor Full Citation: Eric Bachenberg, “Music From the Soil of the American Midwest: Howard Hanson, Educator, Composer, Conductor,” Nebraska History 81 (2000): 23-34 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH2000Hanson.pdf Date: 10/19/2012 Article Summary: Hanson, a Pulitzer Prize-winning composer (1896-1981), attributed his musical inspiration to the Nebraska prairies where he grew up. Bachenberg provides biographical details and a selected list of recordings. Cataloging Information: Names: Howard Hanson, Hans Hanson Sr, Hans Hanson Jr, Hilma Eckstrom Hanson, Wilhelmina Herold, Earl Morin, George Eastman, William Grant Still, Joseph Maddy, Ruth Watanabe, Margaret (Peggy) Nelson, Gerard Schwarz Place Names: Wahoo, Saunders County, Nebraska; Rochester, New