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American Dante Bibliography for 1983.Pdf
American Dante Bibliography for 1983 Anthony L. Pellegrini This bibliography is intended to include the Dante translations published in this country in 1983 and all Dante studies and reviews published in 1983 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. I wish to express my profound appreciation to Teodolinda Barolini, Joan M. Ferrante, Christopher Kleinhenz, and Richard H. Lansing for their collegial spirit of cooperation and their substantial assistance in the abstracting of a number of items for this bibliography. Translations [Paradiso, excerpts] “Paradiso: Lines from a New Translation.” Translated by Stefan Brecht. In Studies in Medievalism, II, No. 3 (Summer 1983): [Special Issue] “Dante in the Modern World,” edited by Kathleen Verduin, 79-85. Presents some selected short passages from Paradiso II, III, V, VII, VIII, IX, X, XI, and XII, interspersed with a very free prose translation. [Four Latin letters: Epistolae V-VIII.] In Babylon on the Rhone: A Translation of the Letters by Dante, Petrarch, and Catherine of Siena on the Avignon Papacy. Translated by Robert Cogan. Madrid: José Porrúa Turanzas, 1983). Provides an English translation only, with notes, of Epistolae V-VIII, along with a general introduction discussing the state of Italy and Dante’s ideas about the kind of government needed for the Empire, as compared with the ideas of Petrarch and Saint Catherine on the subject. Studies Abrash, Merritt. “Dante’s Hell as an Ideal Mechanical Environment.” In Clockwork Worlds: Mechanized Environments in SF, edited by Richard D. Erlich, Thomas P. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
American Dante Bibliography for 1985.Pdf
American Dante Bibliography for 1985 Christopher Kleinhenz This bibliography is intended to include all the Dante translations published in this country in 1985 and all Dante studies and reviews published in 1985 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. For their invaluable assistance in the preparation of this bibliography and its annotations my special thanks go to the following graduate students at the University of Wisconsin-Madison: Tonia Bernardi, Adriano Comollo, Scott Eagleburger, Jay Filipiak, Edward Hagman, Pauline Scott, Antonio Scuderi, and Elizabeth Serrin. Translations The Inferno. Translated by Nicholas Kilmer. Illustrated by Benjamin Martinez. Brookline Village, Mass.: Branden Publishing Co., 1985. 231 p. Illus. The Divine Comedy. Vol. II: Purgatory. Translated with an introduction, notes, and commentary by Mark Musa. Harmondsworth and New York: Penguin Books, 1985. xxvi, 399 p. illus., diagrs. This translation was originally published in 1981 by Indiana University Press (see Dante Studies, C, 134), here reprinted without the R.M. Powers drawings but with the addition of diagrams, an “Introduction to the Purgatory,” a “Glossary and Index of Persons and Places,” and a “Selected Bibliography.” Also, the arguments have been prefixed to their respective cantos. Dante’s Inferno: The First Part of the Divine Comedy of Dante Alighieri. Translated and illustrated by Tom Phillips. London and New York: Thames and Hudson, 1985. 311 p. illus., color. Studies Abrams, Richard. “Illicit Pleasures: Dante among the Sensualists. Purgatorio XXVI).” In MLN, C, No. 1 (1985), 1-41. Focuses on the many aspects of sensuality found in Canto XXVI and on the terrace of the lustful as a whole. -
Italian Books
Italian Books I Philobiblon Rome London New York In collaboration with Govi Rare Books, New York Italian Books I Spring 2019 Preface We are very pleased to present Philobiblon’s new publishing initiative Italian Books, a series of numbered catalogues devoted to the important place of Italian culture on the world stage. The catalogues will feature manuscripts, documents, printed books, engravings, drawings, and artist’s books produced in Italy, as well as Italian books printed outside the country, translations attesting to the impact of Italian culture abroad, including volumes finely bound by sought-after Italian binders, and those once owned by great protagonists of Italian book collecting. Together these selections will illuminate a journey into the multifarious Italian book world in the broadest and richest sense. After all, the history of the book itself is a fascinating narrative, an uninterrupted medley of fruitful cultural transfers and the migration of ideas. In this regard, Italy has always represented a unique crossroad among cultures, the custodian of ancient past, as well as the gateway between Western and Eastern worlds, whose academies, art collections, libraries, printing houses, and bookshops have provided, over the centuries, fertile meeting grounds for generations of scholars, bibliophiles, and connoisseurs. In the first decades of the twentieth century, two international exhibitions paid homage to the Italian book. The Mostra Storica dell’Arte della Stampa in Italia opened in Leipzig in 1914 and presented the magnificence of Italian book production from the fifteenth to the eighteenth century. The splendid Exposition du Livre Italien followed in Paris in 1926, mounted at the Bibliothèque Nationale and the Musée des Arts Décoratifs. -
American Dante Bibliography for 1981 ANTHONY L
American Dante Bibliography for 1981 ANTHONY L. PELLEGRINI [Originally published in Dante Studies, vol. 100 (1982)] This bibliography is intended to include the Dante translations published in this country in 1981 and all Dante studies and reviews published in 1981 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. The listing of reviews in general is selective, particularly in the case of studies bearing only peripherally on Dante. As a rule, items cited from Dissertation Abstracts International are registered without further abstracting, since the titles tend to be self-explanatory. Items not recorded in the bibliographies for previous years are entered as addenda to the present list. NOTE. Generally, the citation of an individual study from a collected volume representing several authors is given in brief, while the main entry of the volume is listed with full bibliographical data in its alphabetical order. Issues of this journal under the former title of Annual Report of the Dante Society continue to be cited in the short form of Report, with volume number. Translations The Divine Comedy. A new translation by C[harles] H[ubert] Sisson. Foreword to the American edition by Thomas G. Bergin; introduction, commentary, notes and bibliography by David H. Higgins. Chicago: Regnery Gateway. iii, 688 p. illus. (diagr., tables) 20.5 cm. (Gateway Editions.) [1981] According to his preface, "On Translating Dante" (pp. 35-43), the translator takes as his purpose "to convey Dante's meaning into English," and so forgoes the distorting use of rhyme and even takes liberties with the verse-length, varying it between thirteen syllables and nine, but observing the tercet division. -
La Letteratura Neogreca Del XX Secolo Un Caso Europeo
67 Materiali e documenti La letteratura neogreca del XX secolo Un caso europeo a cura di Francesca Zaccone, Paschalis Efthymiou, Christos Bintoudis University Press Collana Materiali e documenti 67 La letteratura neogreca del XX secolo Un caso europeo Atti del convegno internazionale di Studi neogreci in onore di Paola Maria Minucci Roma, 21-23 novembre 2018 a cura di Francesca Zaccone, Paschalis Efthymiou, Christos Bintoudis 2020 La letteratura neogreca del XX secolo Un caso europeo Atti del convegno internazionale di Studi neogreci in onore di Paola Maria Minucci Roma, 21-23 novembre 2018 a cura di Francesca Zaccone, Paschalis Efthymiou, Christos Bintoudis 2020 Quest’opera è pubblicata con il contributo del Ministero dell’Istruzione e della Cultura di Cipro Copyright © 2020 Sapienza Università Editrice Piazzale Aldo Moro 5 – 00185 Roma www.editricesapienza.it [email protected] Iscrizione Registro Operatori Comunicazione n. 11420 ISBN 978-88-9377-170-2 DOI 10.13133/9788893771702 Pubblicato a dicembre 2020 Quest’opera è distribuita con licenza Creative Commons 3.0 IT diffusa in modalità open access. Impaginazione / layout a cura di: Francesca Zaccone In copertina: Alfonso Gatto,La barca incantata (1974). Indice Per cavallo di battaglia la poesia. Un capitolo del Novecento neogreco in Italia 1 Christos Bintoudis Poesia, traduzione, insegnamento: le pietre miliari di un percorso 13 Paola Maria Minucci 1. Un funambolo della perifericità. La poesia di Kavafis fra due secoli 23 Biancamaria Frabotta 2. «σχόλια, κείμενα, τεχνολογία». Ο Καβάφης αναγνώστης ευρωπαϊκών περιοδικών στα χρόνια της νεότητός του. Η διαμόρφωση του ποιητικού και κριτικού του λόγου 37 Σταματία Λαουμτζή 3. Ο Ι. -
Alg-Palazzo-Capponi-A-Roma.Pdf
Palazzo Capponi Ringraziamenti Il volume è stato realizzato d’intesa tra l’Autorità per la vigilanza sui lavori pubblici e l’Istituto Nazionale Archivio Notarile Distrettuale per l’Assicurazione contro gli Infortuni sul Lavoro Archivio di Stato di Frosinone (sez. di Veroli) e con il contributo di: Archivio di Stato di Roma Associazione nazionale artigiani dell’edilizia, Archivio Storico del Vicariato dei decoratori, dei pittori ed attività affini Archivio Storico Capitolino Associazione nazionale costruttori edili Biblioteca Apostolica Vaticana Associazione nazionale imprese edili Biblioteca della fondazione Besso Associazione delle organizzazioni di ingegneria, Biblioteca della Camera dei Deputati di architettura e di consulenza tecnico-economica Biblioteca dell’Istituto Storico della Compagnia di Gesù Consiglio nazionale degli architetti, pianificatori, Collegio Internazionale degli Agostiniani paesaggisti e conservatori di S. Monica, Archivio degli Agostiniani Consiglio nazionale geometri in S. Maria del Popolo Consiglio nazionale degli ingegneri “La Civiltà Cattolica” San Paolo Unipol Assicurazioni Trascrizione dei documenti Alessandra Camerano Referenze fotografiche Roma, Fondazione Besso Roma, Archivio Storico Capitolino Roma, Biblioteca dell’Istituto Nazionale di Archeologia e Storia dell’Arte © Biblioteca Apostolica Vaticana (Vaticano), pp. , , , , , , -, , , , - C. Benocci, , G. Sale, , G. De Rosa, Giorgio Rossi, pp. -, , , , , -, , - In copertina: Prospetto di Palazzo Capponi, , disegno a china su carta. Roma, Archivio Capitolino -
Miscellanea Medicea Ii (201-450). Inventario
STRUMENTI CLXXXVI MISCELLANEA MEDICEA MISCELLANEA MEDICEA II II ROMA 2009 MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI DIREZIONE GENERALE PER GLI ARCHIVI Stemma ligneo della famiglia Medici, Archivio di 2009 Stato di Firenze STRUMENTI PUBBLICAZIONI DEGLI ARCHIVI DI STATO CLXXXVI STRUMENTI CLXXXVI ISBN 978-88-7125-305-3 ARCHIVIO DI STATO DI FIRENZE MISCELLANEA MEDICEA MISCELLANEA MEDICEA II II (201-450) (201-450) Inventario a cura di BEATRICE BIAGIOLI GABRIELLA CIBEI VERONICA VESTRI Inventario a cura di BEATRICE BIAGIOLI, GABRIELLA CIBEI, VERONICA VESTRI Coordinamento scientifico e revisione PIERO MARCHI MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI ROMA DIREZIONE GENERALE PER GLI ARCHIVI 2009 2009 Nel ricordo di Anna Bellinazzi: ci mancheranno i suoi consigli e la sua amicizia Il lavoro di schedatura è stato finanziato dalla Direzione generale per gli archivi attraverso una convenzione con l’Istituto nazionale di studi sul Rinascimento. PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CLXXXVI ARCHIVIO DI STATO DI FIRENZE MISCELLANEA MEDICEA II (201-450) Inventario a cura di BEATRICE BIAGIOLI, GABRIELLA CIBEI, VERONICA VESTRI Coordinamento scientifico e revisione PIERO MARCHI MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI DIREZIONE GENERALE PER GLI ARCHIVI 2009 DIREZIONE GENERALE PER GLI ARCHIVI Servizio III - Studi e ricerca Direttore generale per gli archivi: Luciano Scala Direttore del Servizio III: Patrizia Ferrara Cura redazionale: Maria Grazia Lippolis Elaborazione schede: Beatrice Biagioli, Gabriella Cibei, Veronica Vestri (le specifiche a p. 1095) Si ringraziano: Patrizia Ferrara e Maria Grazia Lippolis della Direzione generale per gli archivi. Carla Zarrilli, direttrice dell’Archivio di Stato di Firenze. Rosalia Manno Tolu, già direttrice dell’Archivio di Stato di Firenze, per avere promosso la realizzazione di questo lavoro. -
The Self Obscure. the Influence of Dante on Beckett
THE SELF OBSCURE. THE INFLUENCE OF DANTE ON BECKETT RICHARD ANTHONY CAVELL B.A., University of British Columbia, 1971 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1974 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Depa rtment The University of British Columbia Vancouver 8, Canada i ABSTRACT Beckett has continually alluded to Dante throughout his career. This thesis traces the extent of the influence of Dante on Beckett, and interprets Beckett in the light of that influence. Dante figures in Beckett^ two major critical works, "Dante... Bruno. Vico.. Joyce" and Proust. In the essay on Joyce Beckett gives his own definitions of the three post-mortal states. In the essay on Proust, Beckett defines the artistic process as a descent toward the essence. The early fiction and poetry is distinct from the later works in that the allusions to Dante are more frequent and more obvious. The anti-hero of More Pricks than Kicks is Belacqua Shuah. -
English-Speaking Modernism: Ezra Pound, in 1910, Celebrates the Advent of What He Calls ‘The Master’; W.B
FOCUS ! Bec1ett Modern - ostmodern DANELA CASELL ! Bec1ett, Dante and the Archive DANELA CASELL BECKETT, DANTE AND T7E ARC740E Dante is ubiQuitous in English-speaking modernism: Ezra Pound, in 1910, celebrates the advent of what he calls ‘the master’; W.B. Yeats regards him as the only poet able to achieve ‘unity of being’; T.S. Eliot, called by Pound ‘the true Dantescan voice’ of modernism, hails him as ‘a European’ in an essay of 1929, which, according to Samuel Beckett, sports an ‘insufferable … professorial tone’. Beckett, who early on in his career demonstrates the presence of Dante in Joyce’s Work in Progress , develops instead, after his slothful character BelacQua, a purgatorial Dante whose faint, shadowy presence traverses his oeuvre. Dante is, of course, a long-term presence in the history of English-language literature: a major occurrence in Chaucer but notably absent in the period between him and Milton, Dante is regarded as an example of medieval lack of measure throughout the eighteenth century. Rediscovered in the nineteenth century, his perceived Romantic genius is first reflected through the figure of the Byronic hero and then welded to the Risorgimento. Today, Dante remains an icon, associated in mainstream literary culture with poetic excellence, Italian musicality, and even mystery, but also treated by contemporary artists with the kind of irreverence that would be unthinkable without the experiments of the modernist period. 1 The first half of the twentieth century is a key historical moment to understand the leap between Dante as the hero of national unity and a Dante exploded and fragmented – the Dante of Andrea Zanzotto, or of Ciaran Carson’s Inferno , for instance. -
National Archives of Canada Manuscript Division
NATIONAL ARCHIVES OF CANADA MANUSCRIPT DIVISION VATICAN. ARCHIVES OF THE SACRED CONGREGATION "DE PROPAGANDA FIDE" 1622-1799 Finding Aid No. 1186 Prepared by Luca Codignola for the Manuscript Division of the National Archives of Canada and the Research Centre for Religious History in Canada of Saint Paul University 1990 Calendar of Documents Relating to French and British North America in the Archives of the Sacred Congregation "de Propaganda Fide" in Rome, 1622-1799 Luca Codignola 1990 National Archives Canada 2 TABLE OF CONTENTS Preface Methods employed in the preparation of the calendar How to use a standard entry of the calendar Abbreviations and symbols Calendar of the different series Series II Acta Series III SOCG Series IV Varia and Addenda Series V Lettere Series VI congressi 3 PREFACE This Calendar describes all the documents relating to French and British North America preserved in the Archives of the Sacred Congregation de Propaganda Fide in Rome, for the period 1622-1799. At the beginning, there is a description of the methods employed in the preparation of the calendar, directions on how to use a standard entry and a list of the abbreviations and symbols used in the calendar. For further information, researchers should consult the Guide to Documents Relating to French and British North America in the Archives of the Sacred Congregation de Propaganda Fide in Rome, 1622-1799, prepared by the same author and published by the National Archives of Canada in 1990. That guide, which serves as an introduction to the Calendar, provides a history of the congregation, the organization of its archives, a study of several projects carried out by the archivists and historians using documents held by that institution, and a description of the methodology used in preparing the Calendar. -
A Man, an Age, a Book
MARCO FORLIVESI A Man, an Age, a Book 1. A man Bartolomeo Mastri was born in Meldola, near Forlì, on 7th December, 1602, into the lower aristocracy of the town. He en- tered the Order of Friars Minor Conventual in about 1616 and was educated at the Order’s studia in Cesena, Bologna, and Naples. After a brief period of teaching logic in the studia of the Order in Parma and Bologna, he completed his period as a stu- dent in the ‘Collegio di S. Bonaventura’ in Rome in the years 1625-1628. From 1628 to 1638 he was Regent, together with his fellow Brother Bonaventura Belluto from Catania, of the Order’s studia in Cesena and Perugia. In 1638 he was promoted, together with Belluto, to the post of Regent of the ‘Collegio di S. Antonio’ in Padua, a post he retained until 1641. From that year, which according to the customs of the time marked the end of his ca- reer as a teacher, until 1647 he resided alternately either in Mel- dola or Ravenna, a city where he held the post as private theolo- gian to Cardinal Luigi Capponi. In the meantime, together with Belluto, from 1628 to 1647 he planned, wrote and published his first great work: a cursus of Scotist philosophy articulated into logic, physics, and metaphysics. In 1647 he was elected Minister of his Order for the Province of Bologna. When this assignment was completed, in 1650, he returned to Meldola, where he lived until 1659 and compiled most of his theological works. From that year, until 1665, he was frequently a member of the retinue of the General Minister of his Order, Giacomo Fabretti from Ra- “Rem in seipsa cernere”.