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Liner Notes, Visit Our Web Site: Broadcasts by WNYC-FM (New York City) and KPFA-FM (Berkeley), 1991
CMYK 80811- 2 80817-2 [2 CDs] CHARLES AMIRKHANIAN (b. 1945) LOUDSPEAKERS CHARLES AMIRKHANIAN LOUDSPEAKERS DISC 1 [TT: 70:03] DISC 2 [TT: 61:30] Pianola (Pas de mains) (1997–2000) 39:51 1. Son of Metropolis 1. Corale Cattedrale 3:57 San Francisco (1997) 26:38 2. Pet Hop Solo 2:28 Loudspeakers 3. Valzer Provarollio 5:27 (for Morton Feldman) (1988–90) 34:32 4. Tochastic Music 2:18 2. Meyerbeer 4:35 5. Passaggio di Coltivadori 1:07 3. The Piece 5:26 6. Antheil Swoon 2:14 4. Voice Leading 6:51 7. Chaos of the Moderns (Presto) 4:24 5. Took Some Time 7:34 8. To a Nanka Rose 2:16 6. Such a Surface 3:33 9. A Rimsky Business 4:43 7. Pretty Pretty Macabre 3:08 10. Kiki Keys 10:39 8. Loudspeakers 3:24 11. Im Frühling (1989–90) 30:06 Im Frühling 1990, Son of Metropolis San Francisco ൿ 1997, Pianola ൿ 2000 A Westdeutscher Rundfunk Köln Production New World Records, 20 Jay Street, Suite 1001, Brooklyn, NY 11201 Tel (212) 290-1680 Fax (646) 224-9638 [email protected] www.newworldrecords.org This compilation ൿ & © 2019 Anthology of Recorded Music, Inc. All rights reserved. Made in U.S.A. 21907.booklet.16 10/29/19 1:12 PM Page 2 HARLES AMIRKHANIAN (b. 1945) can be regarded as a central figure repetitive elements, but are more poetic, intuitive in their form and often in American music, and on several fronts. As a composer, he’s been impressionistic in their effect. -
Collection Highlights
COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
Fall 2013 OLLI Berkeleyuniversity of California Osher Lifelong Learning Institute
Fall 2013 OLLI Berkeleyuniversity of california Osher Lifelong Learning Institute New courses in Lafayette! Learn more on Sept. 12. Sept. 30 – Nov. 8 Courses Workshops olli.berkeley.edu Lectures An educational program for older adults who are learning for the joy of it. Community Fall 2013 Director’s Greeting Who We Are Starts Sept. 30 Mondays OLLI @Berkeley is an educational program Visit olli.berkeley.edu for syllabi, reading lists, and other course materials. OLLI @Berkeley is thriving, with new faculty, new programs, and for lifelong learners age 50 and up who are new offerings for a growing community of members. eager to explore traditional and new areas of knowledge — without exams or grades. While continuing to offer a wide range of courses, we are Distinguished Berkeley faculty members now organizing several course threads to support our core and other Bay Area teachers enjoy sharing programming. Around the theme of sustainability, we will their expertise with members whose life feature Nobel prize-winning scientist Dan Kammen, who will critique the financial experience and intelligence enrich the and political institutions that are unprepared for the transitions required for our exchange of ideas. world’s energy future. Author Susan Griffin will take a cultural approach to drawing Membership in OLLI @Berkeley is required connections between the exploitation of nature and the nature of social relations. to participate in the full range of offerings. It will be fascinating to learn from the scientist and the poet, to challenge our Joining OLLI @Berkeley means discovering assumptions on humanity’s relationship to the earth from two distinct viewpoints. -
Layout Program
Voices Raised The Silver Anniversary of Radio Bilingüe’s National News and Information Service Voces Vqoicuese R aSised uenan 1985 ~ 2010 The Silver Anniversary of Radio Bilingüe’s National News and Information Service 25 years ~ Noticiero Latino – Breaking news daily for Latinos nationwide 15 years ~ Línea Abierta – National talk show connecting audiences and newsmakers 30 Years ~ Radio Bilingue – Public media by Latinos for Latinos Friday, May 21, 2010 6 -9 pm Oakland Asian Cultural Center Performances by Mariachi Colima de Javier Magallón Mariachi Femenil Orgullo Mexicano Remarks by Special Guest ~ the Honorable Cruz Reynoso Tribute to Miguel Martínez ~ “Father of the Mariachi Trumpet” Also celebrating the opening of new national studios in Downtown Oakland 405 14th Street, Suite 414 Oakland, CA 94612 Event supported in part by the National Endowment for the Arts Celebrating our Messengers ¡Bienvenidos! What better way to mark this moment on the journey of Radio Bilingüe than to cel - ebrate our journalists and our mariachi musicians – the messengers who have raised the voices and told the stories of Mexicanos and Latinos when no one else would? With artfulness, precision and dedication, the messengers capture and bring to air our most important life is - sues and community concerns. Our stories are their stories. Radio Bilingüe tonight celebrates the building and sustaining of the first and only national Span - ish language news and information service for the public broadcasting system – now reaching audiences across the U.S., Mexico and other nations. And, we proudly carry on our leadership in the modern mariachi movement to foster the tradition and ensure this music of the people stays with the people. -
Daniel Del Solar Papers CEMA 145
http://oac.cdlib.org/findaid/ark:/13030/c81j9bj2 Online items available Preliminary Guide to the Daniel del Solar Papers CEMA 145 Finding aid prepared by Callie Bowdish UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections March 2013 Preliminary Guide to the Daniel CEMA 145 1 del Solar Papers CEMA 145 Title: Daniel del Solar papers Identifier/Call Number: CEMA 145 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 55.0 linear feet(55 paige boxes, that have been accessioned into other boxes. The papers include audio, video, photos, documents, digital files, self published books and Mexican antiquities.) Date (inclusive): 1950-2012 Abstract: Daniel del Solar (June 13, 1940 - January 13, 2012) was a prominent Latino media activist, photographer, videographer, documentarian, and poet. He worked with KQED-TV in San Francisco, the Corporation for Public Broadcasting and WYBE-TV in Philadelphia. His papers document his life story using the media available during his lifetime. There are years of digital photos, video, self-printed books and audio files. They chronicle his life while documenting the use of emerging technologies used in social movements concerned with Latin America and the United States. Venezuela, Nicaragua, Chile and Mexico are covered. His family life included artists such as Surrealist and Dynaton artists Lee Mullican, and Wolfgang Paalen who were his stepfathers. Fresco artist Lucienne Bloch and Stephen Pope Dimitroff, family friends, and his mother Luchita Hurtado have threads connecting his family to Frida Kahlo and Diego Rivera. -
2016 in the United States Wikipedia 2016 in the United States from Wikipedia, the Free Encyclopedia
4/30/2017 2016 in the United States Wikipedia 2016 in the United States From Wikipedia, the free encyclopedia Events in the year 2016 in the United States. Contents 1 Incumbents 1.1 Federal government 1.2 Governors 1.3 Lieutenant governors 2 Events 2.1 January 2.2 February 2.3 March 2.4 April 2.5 May 2.6 June 2.7 July 2.8 August 2.9 September 2.10 October 2.11 November 2.12 December 3 Deaths 3.1 January 3.2 February 3.3 March 3.4 April 3.5 May 3.6 June 3.7 July 3.8 August 3.9 September 3.10 October 3.11 November 3.12 December 4 See also 5 References Incumbents Federal government President: Barack Obama (DIllinois) Vice President: Joe Biden (DDelaware) Chief Justice: John Roberts (New York) https://en.wikipedia.org/wiki/2016_in_the_United_States 1/60 4/30/2017 2016 in the United States Wikipedia Speaker of the House of Representatives: Paul Ryan (RWisconsin) Senate Majority Leader: Mitch McConnell (RKentucky) Congress: 114th https://en.wikipedia.org/wiki/2016_in_the_United_States 2/60 4/30/2017 2016 in the United States Wikipedia Governors and Lieutenant governors Governors Governor of Alabama: Robert J. Bentley Governor of Mississippi: Phil Bryant (Republican) (Republican) Governor of Alaska: Bill Walker Governor of Missouri: Jay Nixon (Independent) (Democratic) Governor of Arizona: Doug Ducey Governor of Montana: Steve Bullock (Republican) (Democratic) Governor of Arkansas: Asa Hutchinson Governor of Nebraska: Pete Ricketts (Republican) (Republican) Governor of California: Jerry Brown Governor of Nevada: Brian Sandoval (Democratic) -
King Biscuit Time”--Sonny Boy Williamson II and Others (1965) Added to the National Registry: 2017 Essay by Edward Komara (Guest Post)*
“King Biscuit Time”--Sonny Boy Williamson II and others (1965) Added to the National Registry: 2017 Essay by Edward Komara (guest post)* Sonny Boy Williamson II This King Biscuit show is about flour and the blues, not about flowers and rock music. “King Biscuit Time” was born when the blues harmonica master Sonny Boy Williamson (1899- 1965, born Aleck Miller) visited the newly opened KFFA radio studios in Helena, Arkansas. Seeing radio as a means of promoting his upcoming performances, Williamson pitched the idea of a regular show during the noon hour when his working audiences were taking their lunch breaks. KFFA agreed, securing Max Moore, owner of the Interstate Grocer Company and King Biscuit Flour, as the sponsor. “King Biscuit Time” debuted on November 21, 1941 at 12:15 pm, with Williamson and guitarist Robert Lockwood playing for 15 minutes. The success was immediate, allowing the musicians to maintain their time-slot every weekday. They were so successful that, in 1947, while the company’s flour bag continued to have its crown, the corn meal bag began to feature a likeness of Williamson sitting on an ear of corn. As the show continued through the 1940s, additional musicians were brought in to create a band behind Williamson. Chief among them were guitarists Joe “Willie” Wilkins, Earl Hooker and Houston Stackhouse, pianists Robert “Dudlow” Taylor, Willie Love and Pinetop Perkins, and drummer Peck Curtis. During the early broadcasts, Sam Anderson and Hugh Smith served as announcers. John William “Sonny” Payne filled in once in 1941, but he returned in 1951, staying on as the “King Biscuit Time” host until his death in 2018. -
Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale
Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale Shackleford A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2021 Thesis Committee: Cosette Collier, Thesis Director Dean John Vile PhD, Thesis Committee Chair Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale Shackleford APPROVED: ______________________________________ Cosette Collier, Thesis Director Professor, MTSU Department of Recording Industry, and Recording Arts Technology (M.F.A.) ______________________________________ John Vile, PhD, Thesis Committee Chair Dean, MTSU University Honors College ii ACKNOWLEDGMENTS Special thanks to my family who have supported me in my research and showed continued interest in its development. Inki, yakoke. Chi_pila_tok lawa yancha oklhlhili moma falayya ii_liit ii_fatpolachi_tok anoa yancha anoa. I could not have done this without your help. To my tribe and elders who have taught me through the years and built the foundation of my knowledge of our culture. Yakoke. And to my thesis Director, Cosette Collier, who listened, believed, and encouraged me throughout the entire process of writing this thesis. Your faith in me helped give me the motivation to pursue this project to its end. Your guidance helped give me directions when I did not know the next step to take. Thank you. iii ABSTRACT Little is known about the Native American influence on popular genres of music today. The subject has attracted little interest until recently, yet none of that interest has focused on the southeastern tribes, such as the Chickasaw or Choctaw. This is not altogether unusual as there remains much research to be done on how the various Native American cultures have influenced modern society. -
April18, 1990 EXTENSIONS of REMARKS ARE WE a HUMANE NATION? Passivity and Privatism: "Look out for No
7342 EXTENSIONS OF REMARKS April18, 1990 EXTENSIONS OF REMARKS ARE WE A HUMANE NATION? passivity and privatism: "Look out for No. cuts in basic social and human service pro 1,"-those who can't are shiftless, a drag on grams will exact social and human costs, the economy. and they will also appear as direct financial HON. LEE H. HAMILTON Times also have changed for our disadvan costs at the future times in different ledg OF INDIANA taged youth. In the '60s, there was hope: ers. IN THE HOUSE OF REPRESENTATIVES Upward Bound, the Neighborhood Youth There is a price to be paid for Reagan's re Wednesday, April18, 1990 Corps and the Job Corps held out a helping duction of human and social services. The hand. Youngsters who had never before had price is that these cutbacks did not reduce Mr. HAMILTON. Mr. Speaker, I would like to a chance believed that the dream of achiev crime; they increased it. They did not pro insert a recent article by Arthur I. Blaustein ing selfhood could become a reality. By the mote better family life; they destabilized it. into the CONGRESSIONAL RECORD. Mr. Blaus early '80s, though, that hope had been They did not reduce alcoholism; they in tein was chairman of the National Advisory dashed, and it was replaced with despair, as creased it. They did not increase respect for youngsters turned to drugs, crime and vio Council on Economic Opportunity under Presi the law; they weakened it. lence. The four particular elements of the dent Carter. He now teaches at the University It is important to clarify this reality, for Reagan administration's policies that have of California, Berkeley. -
Preliminary Conference Schedule
48th Annual ARSC Conference Chapel Hill, NC May 14-17, 2014 Sheraton Chapel Hill Hotel The Conference Schedule Official conference site. Presentations are organized into themes that in- form the widest range of members’ vocations and Registration avocations. The conference opens with a plenary Opens Wednesday 4:00-6:30pm in the foyer near session and thereafter includes a mix of Paris I&II on the ground floor of the Sheraton. concurrent sessions and plenary sessions. Attendees can choose from a broad spectrum of Exhibitors presentations focusing on Artists & Repertoire Set-up Thursday 8-10:30am in Vienna-Brussels; on record, and Archives & Technology issues. tear-down 1:30-4:00pm Saturday. Plenary Session Exhibit Hall and Silent Auction Opens at 10:45am Thursday in Vienna-Brussels; Main Artists & Repertoire remains open daily during conference hours. Program Exhibits close on Saturday at 1:30pm. Silent auction payments are due by 4:00pm Saturday. Archives & Technology Pre-Conference Workshops Extra- Sheraton Hotel Check-in begins 8:30am Wednesday for full-day Curricular workshop at Sheraton, and 1:30pm for afternoon Activities Off-site workshop at UNC. Pre-registration required; a separate fee applies. May 14 WEDNESDAY 9:00a–4:00p ARSC Board Meeting 4:00–5:00p ARSC Executive Committee Meeting Board Room 9:00a–5:00p Pre-Conference Workshop: All Things Digital – Managing Digital Audio Collections Pre-registration required Paris I & II Pre-Conference Workshop: Audiotape Playback 2:00-4:00p Pre-registration required Pleasant Room, Wilson -
The P0litics of S0und / the Culture 0F Exchange
The P0litics of S0und / The Culture 0f Exchange Online Panel Discussion Live from January 31 - March 23 2005 with Kenneth Goldsmith, Douglas Kahn and John Oswald Moderated by Lina Dzuverovic Lina Dzuverovic Subject: The P0litics of S0und / The Culture 0f Exchange Posted: Jan 31, 2005 2:12 PM The practice of cutting-up, appropriating and repurposing existing content in the creation of new artworks was central to 20th century artistic practice. From Marcel Duchamp’s ‘Erratum Musical’ (1913) which spliced together dictionary definitions of the word ‘imprimer’ with a score composed from notes pulled out of a hat, via William Burroughs’s and Brion Gysin’s ‘cut-up’ technique used to allow new meanings to ‘leak in’ by re-cutting existing texts, to John Oswald’s releases which mixed and altered several musical sources, the history of the 20th century avant-garde can be read as the history of appropriation. The availability, immediacy and ease of use of digital networked technologies in the last decade has made the link between the notion of 'the original' and artistic value more tenuous than ever, ushering in a new chapter in the debate around appropriation and the role of the author. The early years of the Internet enabled independent musical and artistic networks to flourish and operate somewhat ‘under the radar’ of commercial production, often establishing their own gift economies and adhering to rules decided by the network participants themselves. But this brief period of ‘making it up as we go along’ when it comes to file sharing, distribution and exchange is coming to an end in the face of endless attempts by the music industry to understand, co-opt, capitalize on and engage with cultures of exchange introduced by online networks and grassroots initiatives.