REVISED PROPOSAL JULY 23, 2012 CLARIFICATION DOCUMENT A L I G H T I N G I N S T A L L A T I O N W I T H I N F I N I T E C O M B I N A T I O N S

ILLUMINATION-BASED MURAL PROJECT PROPOSAL 2 0 1 2

TEAM LIGHT WRANGLERS COMPANY: SANDY GARNETT STUDIO PRESENTED THROUGH JOY WULKE’S NON-PROFIT ORGANIZATION PROJECTS FOR A NEW MILLENNIUM, INC.

JOY WULKE JAMIE BURNETT STEVEN HAMELIN SANDY GARNETT

www.joywulke.com Luminous Environments Supertech Inc. sandygarnett.com [email protected] [email protected] [email protected] [email protected] Tel 203. 215. 2227 Tel 203. 215. 6832 Tel 203. 288. 3900 Tel 917. 922. 7213 Fax 203. 288. 3978 V I E W F R O M I - 9 5 BEFORE WE INSTALL S T A M F O R D I L L U M I N A T A

A L I G H T I N G

I N © 2S012 ChelseaT Press A L L A T I O N

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, W I Tno part ofH this publication may be reproduced, I N distributed,F or transmittedI inN I T E any form or by any means, or stored in a database or retrieval system, without prior written permission of the publisher.

C O PrintedM in the UnitedB StatesI of America.N A T I O N S

A L I G H T I N G I NSTAMFORDS T A L STATIONL A T ILLUMINATIONI O N W I PROJECTT H A PROPOSAL M I L L I O N C O M B I N A T I O N S

Book Design by SandyGarnett.com

Book Created by Sandy Garnett and Joy Wulke

Team Light Wrangler is:

Sandy Garnett Joy Wulke Jamie Burnett Steven Hamelin

Cover Image  Stamford Station Illumination by Team Light Wrangler

Back Cover Image Stamford Station Illumination by Team Light Wrangler STAMFORD STATION

ILLUMINATION PROJECT PROPOSAL

2 0 1 2

TABLE OF CONTENTS

SECTION 1 LETTER OF INTEREST 4

SECTION 2 TECHNICAL RESPONSE 9

SECTION 3 FINANCIAL CAPABILITIES 39

SECTION 4 FEE PROPOSAL 44

SECTION 5 APPENDICES 45

SECTION 6 VISUALS 48

SECTION 7 ADDENDUM 58

 To Whom It May Concern,

In 32 years of covering the arts and individual artists, one of the most original, bril- liant, and community-sensitive among them is Joy Wulke. I cannot say in a stronger way that she would be a phe- nomenal selection for you, and I say that not only because of Joy’s astounding talent as an artist; I say it because she is ex- traordinary in blending the needs of a city or institution with the hopes and desires of its citizens. That is a rare and much needed quality for an en- vironmental artist. I don’t know how else to say it -- Joy is a miracle-worker, in every important way.

Sincerely,

Faith Middleton, WNPR Host/Executive Producer The Faith Middleton Show

 SECTION 1: LETTER OF INTEREST

S T A M F O R D L U M I N A T A

LETTER OF INTEREST

Our team of Light Wranglers include:

Sandy Garnett – Owner Sandy Garnett Studio FEIN - 06 1312831 Lead Artist http://sandygarnettstudio.com 32 Pine Street #12, South Norwalk, CT 06854 Fine Artist - Painting & Sculpture Educator Interactive Design Art Curation

Jamie Burnett – Lead Contractor / Lighting Design President - Luminous Environments, Inc. FEIN 315 Stage Coach Rd. Durham, CT 06422 State of the Art Lighting Design – Installation CT registered electrician Digital Media Production Management Interactive Design

Joy Wulke – Creative Director Executive Director – Projects for a New Millennium, Inc. www.projects2k.org a 501-c-3 FEIN 22 3297631 www.joywulke.com FEIN 06 1321585 26 Prospect Hill Rd. Stony Creek, CT 06405 Creative Director Public Artist Placemaking Art Curation Interactive Design

(continued on page 6)

 Steven M. Hamelin – System Integrator / Installation Manager President - Supertech, Inc. www.supertech-inc.com FEIN 06-1345020 79 Rossotto Drive Hamden, CT 06514 System design and installation Equipment Distributor and Service Center Integrated Digital Media Production Management Interactive Design

TEAM CONTACTS

Sandy Garnett - Lead Artist regarding project intentions, content questions and clarifications. (917) 922 - 7213

Steven Hamelin - System Integrator, Installation Manager (203) 288 - 3900

Jamie Burnett - Lighting Designer/Production Manager regarding technical questions and clarifications. (203) 215 - 6832

 EXPRESSION OF INTEREST STATEMENT

POINTS TO BE ADDRESSED: Establishing an enhanced sense of place

Increase visitation

Positioning Stamford as a progressive city of growth

Setting a firm foundation.

Creating a dynamic gateway to the City of Stamford.

Our Connecticut Light Wrangler team is excited to have the opportunity to present our ideas and ex- pertise with state of the art pubic artworks and spectacles rendered in light to the City of Stamford. Our work will transform the Train Station into a place of wonder, which will invite visitors to return time and again to experience the ever-changing light delineation.

Our proposal includes permanent moving LED light delineation of the Stamford train station, a vibrant changing color-wash for the northern façade. The sparkle of light will be visible from I-95 and beyond. With our electrical team’s expertise software programs will be designed in collaboration with the City of Stamford to highlight events and seasons. Our installation team will respond with further explanation regarding design, electrical elements, systems, software, content generation, and / or production.

The changing programs will invite people to return often to experience the ever-changing light spec- tacle that the station will become. The illuminated station will provide a dynamic gateway to the City of Stamford.

Our team has accumulative experience in designing and installing permanent works of public art and illumination, design and installation of theatrical light spectacles, and special occasion signature light installations,

Your project is a wonderful opportunity to share our expertise in placemaking with light to offer a public work of art that will engage all who pass through via all forms of transportation inviting travelers to ex- perience the City of Stamford as a dynamic and progressive city of growth.

The light design we propose will offer a visual vocabulary for ‘setting a firm foundation’ for future exten- sion of light way-finding into the City of Stamford in the future.

 • Brief listing of projects with shared experience

Wulke and Burnett have worked together on over 20 light and sound spectacles 7 of which have been large scale multi-media performances in outdoor settings which have included not only light, laser, projection, but steam, fire, pyrotechnics. In the larger productions Steven Hamelin of Supertech has supplied and installed all high tech equipment.

Major projects include: 2010 Branford Luminata – Branford town center 2005 Terra Mirabila – Stony Creek Quarry 2003 New Haven Symphony Orchestra – Holst’s The Planets – Yale 2001 Terra Luminata – Stony Creek Quarry 2000 Navigation through Time – University of Connecticut / Avery Point 1999 Terra Continuum – Stony Creek Quarry 1995 Visualization of Time – Stony Creek Quarry

Burnett also designs stage sets and lighting for the following productions: Elm Shakespeare Educational Center for the Arts

Burnett - Hamelin

• Bushnell Center for the Performing Arts - Belding Theater, Hartford, CT • Basketball Hall of Fame, Springfield, MA • Mohegan Sun Casino, Montville, CT • Brown University, Providence, RI • State University of NY at New Paltz • U.S. Coast Guard Academy, New , CT See http://www.supertech-inc.com for complete listing • Jacob Burns Film Center

 SECTION 2: TECHNICAL RESPONSE

3.3 TECHNICAL RESPONSE FORMAT

3.31 SUMMARY

The Light Wrangler team understands and has experience to cover the expectations of the Stamford Lights project, which includes permitting, acceptance, installation, operating and maintenance for three years of a permanent Illumination-Based Mural Project that will transform the experience around the Stamford Transportation Center.

The proposed project will provide: • An enhanced sense of place by transforming the STC into a vibrant ever changing illuminated environment. • The light installation will give travelers a unique interactive experience and attract new visitors to the City of Stamford. • Through this installation Stamford will be seen in a “new light” as an exciting city of change and growth. • The light vocabulary of interactive LED programs, architectural LED enhancements and projections will set a firm foundation for future additions to the light-based work. • Provide a living display of lifestyle enrichment while using the latest energy - efficient technologies

The proposed project will be active on the exterior of the STC. • The programs to articulate the STC’s architecture and will be permanent while ever changing in their light patterns. • The projects on the front of the STC will be programmed to accommodate civic events, holidays and special features representing the City of Stamford. These changing images and light programs will be semi-permanent, as they will be ever changing.

The proposed Stamford Lights project will enhance the STC building and will not encroach on adja- cent properties. The equipment used in the installation will be installed in a safe and prudent manner and will not interfere with operations of the railroad, traffic on I-95, or any other building in the sur- rounding area.

The equipment will be installed in a secure and discrete manner protected from weather and human intervention while being easily accessed for maintenance. This equipment will be permanent with an expected service life of 20 years.

It is understood that we will be responsible for performance of defects for all material and workman- ship for the first three years and will provide an operation and maintenance manual to include the three year warranty.

Our team looks forward to working with the City of Stamford to design a work of art that will correspond and enhance the existing site. We appreciate the availability of the existing documents.

 Our team has experience is obtaining all permits needed for large civic projects and working within local and state building/zoning codes.

We look forward to being responsible for creative development of the overall concept, lighting design and programming. The work will be tested and installed by our creative technical team.

Our team has all the expertise required to create a wondrous dynamic and memorable light experi- ence for all. We have experience in Lighting Design, Placemaking, Digital Media, Art Curation, Archi- tecture, Public Art, Interactive Design, Production Management, Installation and Service of installed works. Please see cover letter for names and expertise of team.

We agree to comply with all applicable state and federal requirements as outlined in the contract be- tween the Department of Economic and Community Development and the City of Stamford.

3.32 UNDERSTANDING OF WORK TO BE PERFORMED

• Work methods, procedures, and materials

We work as a team to provide the most innovative and original art installations in all projects. Each location is researched for its outstanding characteristics, making each project unique to the place.

Projects proceed in the following manner: • Award of contract • Collaboration with commissioning body to finalize design • Schedule of payments • Schedule of work • Procurement of all necessary permits. • Finalization of content and scope of illuminated artwork • Ordering of materials • Scheduling of installation • Installation of work • Programming • Documentation • Dedication Of course all stages have layers of details.

We are planning to use a combination of LED lighting technologies such as LED based Neon, and wash lighting to achieve an endless combination of lighting spectacles.

· LED Neon SMD RGB · Voltage: 24V DC - Constant Voltage · Power Use: 4.8~16 Watts – 70 LEDs · Power Savings: 70% over glass neon

10 · Certifications: CE, ROHS · Brightness: 49.8 - 65.7 Lumens per meter · Dimmable:

The use of LED technology and working with the STD to utilized existing power sources will give our project for the City of Stamford the best and most economical project possible.

The major challenge for this project is the time frame. We will work diligently and efficiently and will be able to complete the work on time with the help collaboration with the City of Stamford.

3.33 CORPORATE EXPERIENCE AND CAPACITY

Following are a short list of projects completed by Light Wrangler collaborations and team individu- als.

Team projects:

• Name; Branford Lumina • Facility: Branford Town Green • Installer/Contractor: Luminous Environments • Artist/Project Managers: Jamie Burnett & Joy Wulke • Product Installed: Projection & Video display Building illumination • Location: Branford, CT • Project Cost: $55,000.00 • Contact Person: First Selectman: Unk Daros (203) 315-0620

11 • Name; Terra Mirabila • Facility: Stony Creek Quarry • Installer/Contractor: Luminous Environments • Artist/Project Managers: Jamie Burnett, Joy Wulke, Istvan B’Ratz • Product supplier Supertech • Product Installed: Projection & Video display Laser, smoke, pyrotechnics • Location: Branford, CT • Project Cost: $150,000.00 • Contact Person: First Selectman: Unk Daros (203)315-0620

• Name; The Planets • Facility: Woolsey Hall, Yale University • Installer/Contractor: Luminous Environments • Artist/Project Managers: Jamie Burnett, Istvan B’Racz, Joy Wulke • Product Installed: Projection & Video display • Location: New Haven, CT • Project Cost: $10,000.00 • Contact Person: Mary Ann Ott - Associate Director New Alliance Foundation 203 859-6555

12 • Name; Navigation through Time • Facility: University of Connecticut / Avery Point • Installer/Contractor: Luminous Environments • Artist/Project Managers: Jamie Burnett, Istvan B’Racz, Joy Wulke • Product Installed: Projection, Video, and Laser • Location: New London, CT • Project Cost: $45,000.00 • Contact Person: David Madacsi (860)536-4629

• Name; Career Paths • Facility: Kaynor Technical High School • Installer/Contractor: Luminous Environments • Artist/Project Managers: Gar Waterman • Product Installed: Cast Glass, LED, Brass, Computer, Software • Location: Waterbury, CT • Project Cost: $100,000.00 • Contact Person: Tamara Dimitri (860) 256-2800

13 SECTION 2: PERMANENT LIGHTING INSTALLATIONS

PERMANENT LIGHTING INSTALLATION EXAMPLES

EXAMPLES OF TECHNICAL AND DESIGN EXCELLENCE

MOHEGAN SUN CASINO, SUPERTECH

JACOB BURNS FILM CENTER, SUPERTECH

14 MOHEGAN SUN CASINO

SUPERTECH

15 BASKETBALL HALL OF FAME, SPRINGFIELD, MA.

SUPERTECH HUNDREDS OF PERMANENT INSTALLATIONS

HIGHWAY VIEW MANY ARCHITECTURAL / LIGHTING INSTALLATIONS ARE INSTALLED NEXT TO HIGHWAYS TO ATTRACT VISITORS

BASKETBALL HALL OF FAME

16 SUPERTECH RAN A 50 PERSON CREW WHILE PROGRAMMING THIS INSTALLATION

17 3.3.4 COMMITTED STAFF AND PROJECT ORGANIZATION

Each member of the team has over 15 years of experience in his / her respective business. Luminous Environments and Projects2k have 17 years of experience as partners in light spectacles.

Full time employees: • Sandy Garnett - 1 • Supertech – 4 • Luminous Environments – 2 • Projects2k - 1

Project Management Plan and Organization:

• All 4 principal Light Wranglers will participate in design of the project with the technical expertise of Steve Hamelin to help mold concepts into workable, on budget, and on time solutions. • Hamelin of Suptertech and Burnett of Luminous Environments will present to Garnett and Wulke products that will provide the effects the project requires. • Selection of products will be made by all four partners. • Ordering of materials will be done by Supertech. • Creation of script of images and effects will be designed by Garnett, Wulke, and Burnett and Hamelin. • Burnett and Hamelin will provide the expertise to create unique light programming software and inter active effects for the project. • Garnett and Wulke will work with the City of Stamford to determine programming for special event lighting and temporary programming which may include participation by Stamford residents. • Garnett and Wulke look forward to presenting visuals and outlines for a series of images to be projects on the north façade of the Station. • Luminous Environments and Supertech will install the work and oversee the quality of the project production. • Burnett and Hamelin will be responsible to obtain all necessary permits for the project. • Burnett will be responsible for rental of all installation equipment. • Garnett and Wulke will oversee the installation and be responsible for Design Coordination. • All aspects of the project will be reported by Garnett to appropriate person representing the City of Stamford.

Backup personal are available for Luminous Environments, Supertech, Projects2k and Sandy Garnett Studio. Collaborative projects with Luminous Environments and Projects2k have had production staff, projection workers, and volunteers of up to 40 people.

18 3.3.4.1 TEAM MEMBERS

Lead Artist / Proposing Artist - Sandy Garnett (CT resident)

Sandy Garnett is excited to be joining forces with public art master Joy Wulke, lighting designer James Burnett and lighting consultant Steven Hamelin for this ambitious team project presentation. Garnett has made his living as a painter and sculptor since graduation from St. Lawrence University in 1992. Garnett’s first 611 paintings were created at the old Yale & Towne Lock Factory as an 18 year running current member of the Loft Artists Association (Stamford). Garnett won his first large public art com- mission last year at the Stamford Bedford Street Garage City Canvas Project (a commission that has not yet come to fruition). Garnett bought and renovated two studios in South Norwalk, where the artist has worked and lived since moving out of his Stamford South End studio when the building went under renovation.

Co-Creator / Veteran Public Artist / Director of PROJECTS FOR A NEW MILLENNIUM INC.

- Joy Wulke (CT resident)

Joy Wulke is a master veteran in the public art arena. Her vast resume speaks for itself, and her long- standing partnership with lighting designer James Burnett clarifies the level of experience and excel- lence that Team Light Wrangler brings to this proposal.

Mrs. Wulke’s not-for-profit PROJECTS FOR A NEW MILLENNIUM INC., incorporated in 1993, will serve as the non-profit organization this team will run THE STAMFORD STATION ILLUMINATION PROJECT through, as prescribed by the RFQ Proposal.

Lighting Designer / Project Manager / Program & Equipment Installation

- James Burnett (CT resident)

James Burnett is a lighting designer and electrical contractor who has worked with Joy Wulke on nu- merous public art projects. His company Luminous Environments has extensive experience in lighting public projects as well as theater productions. Mr. Burnett makes his home in Durham, CT.

Lighting Consultant & Equipment Contractor

- Steven Hamelin (CT resident)

Steve Hamelin founded Supertech in 1992 and has extensive experience as a lighting consultant, sys- tem integrator, project manager, and equipment contractor. Steven and James have worked together on many large scale projects in the past. Mr. Hamelin lives in Durham, CT.

19 3.3.4.2 TEAM RESUMES

SANDY GARNETT SANDY GARNETT

Professional Fine Artist Painting and Sculpture 32 Pine Street Studio 12, South Norwalk, CT 06854 www.sandygarnett.com 917 922 7213

BIOGRAPHY

Sandy Garnett is a self-taught artist and has been a full time professional painter and sculptor since he graduated from St. Lawrence University in 1992. His work can be found in 40 U.S. states and ten countries through his network of five hundred collectors.

Garnett has developed a reputation as a self-sufficient, prolific painter, sculptor, and writer who has built his career on the fringes of the New York art world over the past 20 years. He is best known for his twenty year running Fingerprint Project, in which he explores contemporary identity through sculpted and painted fingerprints, human silhouettes and signatures. He is also collected for his Twister reliefs, his figure paintings, his Reconstruction series of narratives and cityscapes, and for his portraiture.

In the past five years Garnett has curated shows at the Loft Gallery in Stamford, CT. His first recorded song Busted Wing made it into a Teton Gravity Research film in 2009. In 2011 he released his first 5 song EP that was entirely self-produced. The artist also wrote, illustrated and published his first two Rainbow Riders children’s books in 2009. His coming of age story, ‘Baloney Express,’ is Garnett’s first turn as author and has received strong reviews since its publication in 2011. ‘The First 1000 Paintings of Sandy Garnett’ and ‘Sandy Garnett Paintings and Sculptures Inventory’ were published in 2012 and are the first art catalogues which represent Garnett’s fine art career.

SOLO EXHIBITIONS

2011 SOFT LANDSCAPES, Rinfret, Greenwich, CT. 2009 FINGERPRINT PROJECT 1990-2010, White Plains Museum Gallery, New York. 2009 RECENT WORK, The Loft Gallery, Stamford, CT. 2004 THE FINGERPRINT PROJECT, The Discovery Museum, Bridgeport, CT. 2003 RECONSTRUCTIONS, Palet, New York, New York. 2002 RECENT WORK, Rosenthal Gallery, Rich Forum, Stamford, CT. 1998 NAGANO SOLO, Nagano, Japan 1998 FINGERPRINT PORTRAITS, Landmark Gallery, Stamford, CT. 1997 RECENT WORK, Rosenthal Gallery, Rich Forum, Stamford, CT. 1994 NEO-POP PORTRAITS, Sackler Gallery, Stamford, CT. 1993 NEO-POP PORTRAITS, Landmark Gallery, Stamford, CT.

20 SELECTED GROUP EXHIBITIONS

2012 ART SELECTIONS, Bendheim Gallery, Greenwich, CT (award). 2011 MIRROR SHOW, Bendheim Gallery, Greenwich, CT. BLACK AND WHITE, Loft Gallery, Stamford, CT. 2010 THE ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, CT. Fingerprint Portrait of The King Intermediate School; 312 Fingerprint Installation. 2008 PIVOTAL MOMENTS, Loft Artist Gallery, Stamford, CT. 2008 ART OF THE NORTHEAST, Silvermine Guild Art Galleries, New Canaan, CT. 2006 ART OF THE NORTHEAST, Silvermine Guild Art Galleries,Sculpture Prize. 2005 RECENT WORK, The Pool Art Fair, Solita Grand Hotel, 7-10 July. FINGERPRINT TOTEMS, RHG and Charlotte Street Galleries, London, . FINGERPRINT TOTEMS, Art London, Rebecca Hossack Galleries, London, England 2004 DIALOGUES IN ABSTRACTION, UCONN Gallery, Stamford, CT. Curated By Ben Ortiz. 2003 THE EXTENDED PORTRAIT, Silvermine Guild Arts Center, New Canaan, CT. Curated By Nancy Duncan Hall, Curator, Bruce Museum, Greenwich, CT. NEW MEMBERS, Silvermine Guild Arts Center, New Canaan, CT. Curated By Helen During, Director, Silvermine Guild Art Center. 2002 SOUVENIRS OF MEMORY, Silvermine Guild Galleries. Director William Benton. RESPONDING TO 9/11, Mayor’s Gallery, Stamford, CT. 2001 ART OF THE NORTHEAST. Silvermine Guild Galleries, New Canaan, CT Juried by Bill Arning, Curator, MIT Visual Art Center, Cambridge, MA 2000 GROUP SHOW. DWG Art Space, New York, New York. Curated by Sandy Garnett, Don Desper, Brian Whitely. VISIONS OF THE MILLENNIUM. Sackler Gallery, Stamford, Connecticut. Curated by Bayardo Carrillo. 1999 IN BLOOM. Norwalk Community College, Norwalk, Connecticut. Curated by Susan Hardesty. ART INVITATIONAL. Carriage Barn, New Canaan, CT. Juried by William Zimmer. WOMEN IN ART. Westchester Center For The Arts Gallery, Mount Kisco, NY. 1998 CURRENT AMERICAN VISIONS, Nagano, Japan Curated by Minami Beppu. ARTIST VISIONS. Stamford Museum, Stamford, Connecticut. Juried By Joan Wheeler and Ken Marchione 1997 GROUP SHOW. Sackler Gallery, Stamford, Connecticut. Juried by Bayardo Carrillo. 1996 AREA ARTISTS. Cavalier Gallery, Greenwich, Connecticut. Juried by Ron Cavalier. 1995 AREA ARTISTS. Cavalier Gallery, Greenwich, Connecticut. Juried by Ron Cavalier.

CURATION

2012 LINA MORIELLI, SKETCHBOOKS (with Lina Morielli), Loft Gallery, CT. 2011 BLACK and WHITE (with Lina Morielli), Loft Gallery, Stamford, CT.

21 2010 POW, PUNCH, ZOOM (with Lina Morielli), Loft Gallery, Stamford, CT. 2009 SMALL WORKS (Curated with Lina Morielli), Loft Gallery, Stamford, CT. 2009 Drawing Show (with Lina Morielli), Loft Gallery, Stamford, CT. 2009 RENEE KAHN RECENT WORKS (with Lina Morielli), Loft Gallery, Stamford, CT. 2008 SMALL WORKS (with Lina Morielli), Loft Artists Gallery, Stamford, CT. 2008 PIVOTAL MOMENTS, Loft Artists Gallery, Stamford, CT. 2008 LANDSCAPES ON THE MIND, Loft Artists Gallery, Stamford, CT.

JURYING

2011 ALTERNATIVE VISIONS, Rowayton Arts Center, Rowayton, CT

AWARDS

2006 ART OF THE NORTHEAST, Silvermine Guild, New Canaan, CT. Sculpture Prize 2001 ART OF THE NORTHEAST. Silvermine Guild. Sculpture Prize Juried by Bill Arning.

PUBLIC ART COMMISSIONS

2011 Winner, Bedford Street Garage Mural, Stamford, CT. (Project fell through). 2002 Two Handpainted Star Sculptures for Galaxy of Stars Promotion, Norwalk, CT. 2001 Two Handpainted Art Cars, Art-O-Mobiles, Stamford, CT. 2000 Two Handpainted Cows, CowParade East Coast, Stamford, CT. Sponsored by Corcoran Jennison, 2000. 1997 Two Handpainted Automobiles for Chevrolet Promotion on 35 U.S. City Rock and Roll Festival HORDE Tour, Featuring Neil Young, Beck, Blues Traveler, Primus, Morphin. Painted landscape murals on 1997 Chevrolet Geo Metro and Tracker autos on side stag while bands played at each venue (general capacity 20,000 per venue).

CORPORATE / INSTITUTION COLLECTIONS

Corcoran Jennison Town of Stamford, CT (Permanent Collection) Pepsico Corporation, Purchase, NY GM Corporation, , MI St. Lawrence University, Canton, NY

MUSEUM COLLECTIONS

GM Motors Museum

SELECTED BIBLIOGRAPHY

2009 Abby Luby, “Sandy Garnett,” Stamford Advocate, January. 2008 Bob Chuvala, “Portrait of the Artist in a Profession of Dreamers,” FFC Bus. Weekly, 2006. Adriane Brune. “Taking Twister To The Mat,” The Hartford Courant, January.

22 2005 Britta Beli. “Naked Twister,” Fairfield County Weekly, November. 2002 L.P. Streitfeld. “Redemption of Symbolism in Art,” Stamford Advocate, November. 2002 Asante Green. “The Art of Noise,” Stamford Advocate, April. 2001 Patrick Verel. “Stamford’s Loft Artists Open Their Studios,” Stamford Advocate, Nov. 2001 Henry Urbach. “A Walk in the Clouds,” Interior Design Magazine, June. 2001 William Zimmer. “Prize Winners and a Point of View,” New York Times, May. 2001 Deidre Channing. “The Car and I and Carbour View,” Stamford Art-O-Mobiles, May. 2001 L.P. Streitfeld. “Silvermine Steps Toward An Exciting, Uncertain Future,” May. 2001 K. Steinberg. “The Fingerprint Project,” Manhattan Art Review, April. 2001 L.P. Streitfeld. “Creating in the Moment,” Stamford Advocate, January. 2000 Peyton Alexander. “DWG Group Show,” December. 2000 K. Steinberg. “DWG Art Space”, Gallery Watch, October. 2000 Jennifer Griffin. “Cow Print and The Cow and I”, Cow Parade New York. 1999 Mary Beth Faller. “Selected Works in Progress”, Stamford Advocate, November. 1999 Gloria Cole. “A Gift That Keeps On Giving”, Inside Fairfield County, November. 1997 L.P. Streitfeld. “Making The Journey”, Fairfield County Weekly, November. 1997 Beth Coonie. “Have Brush, Will Travel”, Stamford Advocate, November. 1994 Peyton Alexander. “A Fresh Talent Faces Pop”, Art Word, February.

AFFILIATIONS AND MEMBERSHIPS

2002 to Present Silvermine Art Guild Member, New Canaan, CT. 1994 to Present Loft Artist Association, Stamford, CT.

EDUCATION

Art and English Departments, St. Lawrence University, B.A., 1992. Self-Taught professional painter and sculptor since 1992.

AFFILIATIONS

2002 to Present Silvermine Art Guild Member, New Canaan, CT. 1994 to Present Loft Artist Association, Stamford, CT.

BOOKS - Garnett is the Owner & Publisher of Chelsea Press

2012 The First 1000 Paintings of Sandy Garnett, hardcover, 440 pages. ISBN 978-0-9822348-7-7 2012 Sandy Garnett Paintings and Sculptures Inventory, 282 pages. ISBN 978-0-9822348-4-6 2011 Baloney Express, written by Sandy Garnett, hardcover, 220 pages. ISBN 978-0-9822348-1-5 2009 The Rainbow Riders Childrens Books, written and illustrated by Sandy Garnett ISBN 978-0-9822348-1-3 34 pages, ISBN 978-0-9822348-5-6, ISBN 978-0-9822348-1-3 The Rainbow Riders ABC Safari ISBN 978-0-9822348-6-0, ISBN 978-0-9822348-2-1

23 GARNETT VISUALS - 20 years as a professional painter & sculptor

24 J O Y W U L K E

Fine Artist / Sculpture / Public Art / Installations JOY WULKE 26 Prospect Hill, Stony Creek CT 06405 Ph 203 215-2227 FAX 203 483 8379 [email protected] www.joywulke.com www.projects2k.org

Joy Wulke is a nationally recognized sculptor whose work bridges the boundary between visual art and architecture. Since receiving her Masters of Environmental Design degree from Yale in 1974, she has had numerous exhibitions and participated in group exhibitions in the U.S.A., Europe, and Japan. She has received numerous awards, including three Connecticut Arts Fellowships and a New England Foundation on the Arts Artist Grant. Her work is represented in numerous collections which include the Bienecke Library of Rare Books & Manuscripts at Yale & the DeCordova Muse- um. Her commissions span the country and include work for the Lincoln Center Film Forum in New York, Jewish Community Center in and the Louisiana World’s Fair. Her work has been widely published in books and periodicals including New Media Art by Michael Rush. Wulke was Project Coordinator for the Art in Public Spaces program from 1999-2004. She is founder of Project for a New Millennium, which has initiated collaborative multi-media projects and educa- tional programs in Connecticut, New York and Montana.

EDUCATION

Master of Environmental Design, Yale University Bachelor of Arts – Architecture, Washington State University

SELECTED COMMISSIONS

2012 Technical High School, C. Vedanta Center, Providence, RI; Illuminated Alter 2011 Barnard Environmental Magnet School, New Haven, CT; Solar Sculpture Seneka Meadows Environmental Center, NY; Design of interactive sculpture representing Carbon Footprint Sculptural Lighting – Washington Art Association 2010 Bridgeport Juvenile Courthouse, Bridgeport, CT. Illuminated atrium sculpture, CT Art in Public Spaces program Smilow Cancer Center, Yale University, Multi-floor window sculpture proposal, New Haven, CT. 2009 North Carolina State University, Raleigh, NC Art/Display cabinet & design of Creamery CT Aero Tech School, facade sculpture, Brainard Airport, Hartford CT, Connecticut Art in Public Spaces program. Goodwin College, East Hartford, CT signature atrium work. 2007 Housatonic Community College, School of Business, Bridgeport, CT.

25 & 08 Needham High School, MA; Atrium & outdoor work utilizing solar & wind power w/ artist residency Public Art. 2006 North Carolina State University, Light Sculpture for Library addition. Greenway Project, Urban Arts, Boston, MA, Finalist 2005 Milwaukee Historical Society, Milwaukee, WI Finalist 2004 Middlesex Community Hospital, Middletown, CT Fountain, Albuquerque, NM. 2003 Jewish Community Center of San Francisco Bar Association – Design for John Adams Award 2002 Illuminated park entry atrium, Walnut Hill Park (Fredrick Law Olmsted), City of New Britain, CT. Glass Garden Screen, Wilber-King Gardens, Guilford, CT. 2001 Atrium Sculpture, Eastern Connecticut State University, CT. 2000 Southern Connecticut State University, New Haven, CT. 1998 National Shopping Centers, Cermack Plaza, , IL. 1997 Bermant collection, Santa Barbara, CA. 1996 Montana State University, Business Administration Building, Missoula, MT Design for garden ornament as part of the Children’s Garden, Central Park, NYC 1994 Middlesex Hospital, Middletown, CT. 1993 Norwalk Community College, Norwalk, CT , Connecticut Art in Public Spaces program 1991 Lincoln Center Film Forum, NYC, NY. Santa Barbara Corporate Center, Santa Barbara, CA. Collaborations with Charles Moore, FAIA $5,000.00 to $120,000.00 1990 Atrium sculpture for the Oceanside Civic Center, Oceanside, CA; Charles Moore, FAIA. Fountain and lighting fixtures for the Brillstein Residence, Malibu, CA; Charles Moore, FAIA (on cover of May 1991 Architectural Digest) 1989 Sculpture for National Shopping Centers, Chicago, IL. Sculpture for National Shopping Centers, Harrison, NY. Atrium sculpture for United Technologies Research Center, Hartford, CT. Sculpture for National Shopping Centers, Pittsfield, MA. 1986 Sculpture for Connecticut Bank and Trust, Hartford, CT. Sculpture for Centerbrook Architects, Essex, CT. 1984 Sculptures for the “Wonder Wall”, Louisiana World’s Fair, , LA; Charles Moore, FAIA.

AWARDS

2012 New England Foundation for the Arts: Meet the Composer for performance w/light works. Jamie A, Hulley Art Fund – w/Barnard Environmental Magnet School, New Haven, CT Community Foundation of Greater New Haven – Meet the Composer matching grant 2011 Corinne Levin Fund - Partnership with Barnard Environmental Magnet School, New Haven, CT. First place-Sculpture-Connecticut Academy of Fine Arts 100th Annual Juried Exhibition 2010 Finca La Amistad- Residency, Sculpture of and for the Landscape Watershed Fund, CT; LuminAqua performance & educational program about the history of Connecticut waters.

26 Jamie A, Hulley Art Fund – w/Barnard Environmental Magnet School for History of Carbon Footprint w/6th grade. Corinne Levin Fund - Partnership with Barnard Environmental Magnet School, New Haven, CT 2008 Connecticut Commission on Culture & Tourism – Partnership Grant with ACES -10 (Area Cooperative Educational Services) New Haven. “Literacy through the Arts” Pre-k through first grade professional development & integration with the Educational Center for the Arts integrating high school art students with early childhood multi-sensory learning. 2009 Women of Innovation-Leadership in the Community Award, Connecticut Technical Council Rhode Island School of Design Professional Development Grant – travel to Iceland (new location) 2008 Artist Fellowship Grant – Sculpture, Connecticut Commission on Culture and Tourism 2006 Achievement Award for Environmental Education; Guilford Art Center, CT New Alliance Foundation, New Haven, CT, Capacity Building Connecticut Commission on Culture & Tourism, Artistic Excellence Community Foundation of Greater New Haven, Projects2k organization grant 2005 Connecticut Commission on Culture & Tourism, Artistic Excellence, “Terra Mirabila” event & educational program. 2004 Connecticut Commission on the Arts, Artistic Excellence, “Izzy in Lumina Land” installation & education program. 2003 Connecticut Commission on the Arts, Artistic Excellence, “Terra Lumina” Series 2002 Connecticut Department of Tourism, Projects for a New Millennium 2002-2003 programming promotion. 2001 Connecticut Commission on the Arts, Artistic Excellence, “Terra Lumina 2002” a epic multi media event illustrating the story of light through laser, theatrical light, original score, water, fire, rock climbers, and dance. 2000 Connecticut Commission on the Arts, Artistic Excellence, “Marvels Continued” Workshop series to accompany. “Continuum Marvels” and publication for national distribution. State of Connecticut for “Navigation in Time” presented at OpSail2000, New London 1999 Connecticut Commission on the Arts, Organization Challenge Grant, to Projects for a New Millennium, Inc. “Continuum Marvels”, an international traveling art and science presentation program. Connecticut Commission on the Arts, Partnership, to Projects for a New Millennium, Inc. 1998 Connecticut Commission on the Arts, Artistic Excellence, “Terra Continuum”, Projects for a New Millennium. Montana Arts Council, Arts Are Central to Our Communities, “Shapes of the Wind”; Partnership with Projects for a New Millennium, Lincoln School Foundation and Park County Friends of the Arts. Montana Arts Council, Artists in Schools/Communities Special Project, “Shapes of the Wind”; Partnership with Projects for a New Millennium, Lincoln School Foundation and Park County Friends of the Arts. 1997 Connecticut Commission on the Arts, Partnership, to Projects for a New Millennium, Inc., Branford Land Trust and The Blackstone Library. 1996 Community Foundation of Greater New Haven, Arts Initiative Grant to Projects for a New Millennium. Connecticut Commission on the Arts, Artistic Excellence,

27 to Projects for a New Millennium, Inc. Connecticut Commission on the Arts, Partnership, to Projects for a New Millennium, Inc. 1994 Weissman Visiting Artist, Connecticut College New England Foundation for the Arts, New Forms Grant, to Wulke/Taccani collaboration Connecticut Commission on the Arts, Projects Grant, to Projects for a New Millennium, Inc. Weir Farm Artist in Residence. 1993 Selected to design Pro Bono Publico Award for the American Bar Association 1992 Connecticut Commission on the Arts, Projects Grant, Projects for a New Millennium and New Haven Artist’s Theater. International Sculpture Center, International Contemporary Art Fair, Japan. 1991 International Design Magazine, Annual Design Review, Wulke selected in Environments category. Selected to design Commission on Women in the Profession Award for the American Bar Assoc. Works in the collections of Hillary Rodham Clinton, Madeleine K. Albright, Ruth Bader Ginzberg, and others. 1990 National Art Award Nominee, SCCA, Winston-Salem, NC. 1989 New Art New Material; First place in national competition, North Carolina State University, Raleigh, NC. Ragdale Fellow, Forest Hills, IL. 1987 Polaroid Corporation, Polarizer Division, Materials Grant onnecticut Commission on the Arts, Individual Artist Grant 1986 Artist’s Showcase Invitational, Hartford “350”; Award for “City of Precarious Balance”. International Award for Excellence in Interior Design. 1981 Montana State Arts Council; Exhibition Grant. Connecticut Commission on the Arts, Individual Artist Grant. 1975 The Teacher Center, Inc.; member of team receiving a -76 National Endowment for the Arts grant to study and work environments in education. 1972 Member of team receiving a Title III grant to develop special preschool programs and to build -76 learning Environments for children with learning disabilities in Cheshire, CT. 1974 Collegiate Schools of Architecture Grant, Yale School of Architecture.

MUSEUM COLLECTIONS

Beinecke Library of Rare Books and Manuscripts-Western Americana Collection, Yale University, Hew Haven, CT DeCordova Museum, Lincoln, MA Polaroid Collection, MA

AFFILIATIONS

2006-present America Institute of Architects – Associate member 1993-present Founder/Creative Director - Projects for a New Millennium, Inc., a non-profit organization creating educational programs and events focusing on the environment, arts, and technology in collaboration. 1995-present Advisory Board for the School of Architecture, Washington State University

28 1998-2004 Project Coordinator for Art in Public Spaces with the Connecticut Commission on the Arts 1996-2000 Cultural Planning Council, Regional Cultural Plan for Greater New Haven. 1989-1997 Board of Directors, David Bermant Foundation: Color, Light, Motion.

TEACHING PAPERS LECTURES

2012 Community College, CT; Art in Public Places 5th Annual Global Environmental Sustainability Symposium – Designing Sustainable Food Systems: Aesthetics, Intention, and Engagement, Central Connecticut State University Connecticut Outdoor Environmental Education Association – Terra Forma-learning Geology through the Arts 2011 Naylor School, Hartford, CT; Coordination with k-8th grade integrating CT watershed & ecology curriculum/projects/presentations. 2006 Barnard Environmental Magnet School, New Haven, CT; -12 Geology through the Arts – 3rd grade; 2010 Barnard Environmental Magnet School, New Haven, CT; History of Carbon Footprint ceramic murl-6th grade. 2008 Davis Street School, New Haven, CT; -10 Literacy through the Arts PreK-1sst grade; Teacher training; in-class programs; collaboration w/Educational Center for the Arts high school students. Creation of take home art/literacy for local libraries. 2010 Center for Art & Technology Symposium paper - Luminata 2005-9 Rhode Island School of Design, Public Art, Providence, RI 2007 Invited Presenter “Cross Roads II” Collaborative Research for Social Justice, Hartford, CT 2006 Needham High School, MA. Initiation of a Public Art Course to include -08 Professional Development for Art & Science Teachers. 2006-9 Peabody Museum, Yale, Terra Firma Summer Camp for 3rd-5th graders 2006 Terra Forma- learning Geology through the Arts, -09 Barnard Environmental Magnate School, New Haven, CT. 1996-8 Art and Technology Symposium, Connecticut College, New London, CT, paper presentations 2005 Rhode Island School of Design, Presentation on work to Alumni, Providence, RI 2004-5 Massachusetts College of Art; Spring Course, Art Public Places/Art for the Public, Boston, MA. Roger Williams University School of Architecture, Rhode Island, guest critic. 2003 University of New Haven, Contemporary Art Survey, New Haven, CT. Public Art Fund; Boston, MA; Juror 2004. 2002 ArtSci 2001 symposium, CUNY Graduate Center, NYC. Session leader “ArtSci Collaborations”. Feedback, Art and Technology Symposium, Connecticut College, New London, CT, Paper presentation. HOT School Summer Institute “Navigation Through Time” Teacher training program, Connecticut College. 2000 Discovery Museum, Bridgeport, CT, “Marvels Continued” family workshops. 1998 Grounds for Sculpture, Hamilton, NJ

29 1997 Lyman Allyn Museum of Art, New London, CT. 1995-7 Massachusetts College of Art, Boston, MA. Broward Community College, Coconut Creek, FL. Wesleyan University, Middletown, CT, Graduate Student Advisor. 1995 Washington State University, Pullman, WA. 1994 Connecticut College, New London, CT, Weissman Visiting Artist. Yale University, New Haven, CT Master of Environmental Design Studio critic. Parsons School of Design, NYC, NY, Furniture Design critic 1989 University of Idaho, Moscow, ID; Centennial Scholar; guest critic for studios of Fine Arts and Architecture. 1988 School of Art, Scotland, UK; guest faculty for Art in Pubic Places studio in preparation for Glasgow’s Designation as 1989 International City of Culture. 1986 Rhode Island School of Design, Providence, RI; adjunct faculty; -87 created and taught color and light course; Sophomore, junior, and senior design studios 1984 Collegiate Schools of Architecture, annual Meeting, New Orleans, LA; photographic studies in Vernacular Architecture project selected for presentation. Tulane University, New Orleans, LA; guest critic for sculpture studio including projects designed for 1984 World’s Fair. 1981 Montana State University, Bozeman, MT; Assistant Professor on tenure track; -84 taught fine art foundation courses, 3-D design, drawing, color and light, sophomore, junior and senior design studios; organized exhibitions and seminars; organized and administered a national symposium on art and architecture; student advisor; participated in departmental and university governance. 1979 Yale University, New Haven, CT; guest critic for undergraduate foundation 3-D design projects Parsons School of Design, New York, NY; guest critic for studios in Interior Design. 1975 Southern CT State U., New Haven, CT; -76 adjunct faculty for lecture and studio series on Aesthetics in the Environment. 1974 Yale University, New Haven, CT; Created and taught Davenport Seminar/Studio studying growth forms and Vernacular architecture, and created sculptural/architectural works.

PUBLIC PROGRAMS & CURATED EXHIBITIONS

2011 “Water” co-curator for exhibition and educational program for Hartford, CT schools addressing the health of the worlds water supply, Central Connecticut State U. Pecha Kucha International on-line presentation “Intersection of Nature and Art? 2010 “LuminAqua” light performance illustrating the history of Connecticut Waters w/accompanying education programs. 2009 “Branford Luminata” A collaboration with Branford, CT -10 for a light performance illustrating details of the town history 2007 “The Great Alone” National Traveling Exhibition of a 22 year photo essay -10 of a MT School House, the Beinecke Library of Rare Books and Manuscripts Western Americana Collection at Yale. 2007 “With Dream Awakened Eyes” Stage & Media design w/Ellen W. Kaplan-Smith College, Springfield Museum, MA. 2005 “Terra Mirabila”, A collaboration with Yale Geologist to present the history of Stony Creek

30 Granite from the beginning of geological time. Presented in the Stony Creek Quarry, CT illustrated by laser, light, music, water, steam, & more. “Luminata”, Guilford Handcraft Center, Guilford, CT. 2004 “The Planets”; A collaboration with the New Haven Symphony Orchestra creating a revolutionary experience of classical music, visual art and technology. Woolsey Hall, Yale University, New Haven, CT 2002 “Where Earth Meets Sky, Architecture in Fabric”, Creative Arts Workshop, New Haven, CT “Izzy in Lumina Land”, A collaboration with Biologists to present an evening of ecology & antics of frogs in the Bluefish Baseball Stadium in Bridgeport, CT accompanied by family programs at the Beardsley Zoo and a fine art exhibition at the Housatonic Museum all focused on frogs their transformation and place in the larger echosystems. “Terra Alchemica”; A daytime journey through the Stony Creek Quarry revealing the geological story of the formation of the granite from the beginning of geological history. 2001 “Terra Lumina”; light, sound, laser performance visualizing the quest for the explanation for the phenomenon of light; laser light, original score, dance and light performance in the Stony Creek Quarry, CT. 2000 “Navigation Through Time”, light, sound, laser performance visualizing the Geological and Archeological history of the coastline of Connecticut during the OPSAIL2000 CT celebration of tall ships in Groton, CT. “Continuum Marvels” in collaboration w/ Discovery Museum, ridgeport, pilot traveling art/science program. 1997-9 “Terra Continuum”, Opera, performance, light, sound, laser performance for the Millennium, a pre-event for International Festival of Arts and Ideas. 1997-8 “Tempus Continuum”, student competition and professional exhibition, Hastings, NY 1997 “Shapes of the Time & Tide”, International invitational exhibition with art/science public programming, Mystic Art Association. “Sun Wind Tide”, International competition for art/science collaborative proposals for public art in New London, CT. “Celebration of Branford Waters”; Library, children’s and seniors program and environmental awareness day with working boat parade, pirates, star & sun gazing and a laser light and sound spectacle. 1995 “Visualization of Time” – Quarry Sundial & Laser Chronometer, a major performance event including hour markers by twelve individual sculptors, a cantor, an orator, a lighting designer, laser light designer, composer, and community involvement to create an evening of theatrical light, sound, and poetry in an abandoned quarry. 1993-4 “Foirades/Fizzles” – Performance presented at the LaMama Theater in New York and the Mattatuck Museum in Waterbury CT. A collaboration with Michael Rush adapted from the Samuel Beckett and Jasper Johns collaboration.

SELECTED EXHIBITIONS

2011 “FLOW” University of Connecticut-Avery Point solo “The Great Along” Northcutt Steel Gallery, Montana State University, Billings, MT “The Great Along” Custer County Art & Heritage Center, Great Falls, MT “I Think It’s Conceptual” John Slade Ely House, New Haven, CT

31 2010 “Vernal Pools” University of Southern Maine “Bone Memory Myth” University of North Dakota “The Great Alone” Fort Collins Museum of Contemporary Art solo “Izzy the Frog in LuminaLand”, Central Connecticut State U., New Britain, CT solo 2009 “Smoke & Mirrors” 2 person, 195 Church St. Gallery, New Haven, CT “Sustainable?” Central Connecticut State University in conjunction with Climate Change summit. “Seduced”, Guilford Art Center, CT 2008 “Sublime Climate” Thompson Gallery, Weston, MA 2007-8 “Train Show”, DeCordova Museum, Lincoln, MA 2006 “Landscapes of Dark & Light” Moria Fitsimmons Gallery, New Haven, CT, solo “Morphology” Chappell Gallery, Chelsea-New York, NY, solo 2005 “Can’t get there from Here”, RISD Museum, Providence, RI 2004 “Izzy the Frog in Lumina Land”, Housatonic Museum, Bridgeport, CT solo “Space Time & the Built Environment”, Sasaki, Boston, MA, solo “Celebration of Connecticut Forests”, Curator and Artist, Connecticut Environmental Protection 2005 “Evanescent Environs – Fields & Frogs”, University of New Haven, CT, solo w/catalogue “Unbuilt”, Massachusetts College of Art, Boston, MA 2002 “Ancient Sea Beds – Current Coastlines”, Willoughby Wallace Memorial Library, Stony Creek, CT, solo. 2001 John Slade Eli House, New Haven, CT 2000 “Spirit Landscapes”, Manchester Community College, CT, solo 1999 “Up From Under Before Going Down”, Rockville Arts Place, Rockville, MD solo 1998-9 Grounds for Sculpture, “Glass Artists”, Hamilton, NJ 1998 “Inside In-Search”, Botanica, Bozeman, MT, solo 1997 “Forest for the Trees”, Stephen Gang Gallery, NYC, NY solo A.I.R., NYC, NY, 25th Anniversary Exhibition 1995 “Life Games”, Washington State University, School of Architecture, Pullman, WA, solo “Exploration into the Visualization of Time”, Washington State University, School of Art, Pullman, WA, solo 1996 “People in Glass Houses”, Urban Glass, NYC, NYcurated by Alison Sky 1995 “Dance of the Day” Weir Farm, Wilton, CT, solo “Death & Transformation” Delaware Center for Contemporary Art, Wilmington, DE, 2 person Aldrich Museum, Ridgefield, CT, “1995 Weir Farm Visiting Artists” 1994 Connecticut College, Manwaring Gallery, New London, CT “Millennium Garden”, solo “New Millennium Garden”, University of Connecticut, Storrs, CT, solo “New Millennium City Plan”, University of California, David, CA, solo “Nature Time & the Built Environment”, Discovery Museum, Bridgeport, CT exhibition & performance, solo. 1993 “Ambiance of Entrance”. Mattatuck Museum, Waterbury, CT, solo “Ghost Lights of Invented Pasts”, American Institute of Architects, Albuquerque, NM solo San Bernardino County Museum, CA Fine Arts Institute 28th Exhibition, juried by Peter Frank. Holter Museum of Art, Helena, MT, ANA 22 1992 “Breathless”, Samuel S.T. Chen Art Center, Central Connecticut State University, New Britain, CT solo

32 “Upstream Swimmers” Bradley International Airport, Windsor Locks, CT with Silvia Taccani “New Worlds” Mattatuck Museum, Waterbury, CT, “Resonance” Lyman Allyn Museum, New London, CT, 1991 New York University, Broadway Windows, NYC, NY “Evanescent City” solo. -92 Fine Arts Association, Austin, TX, “Beyond Photography” American Interfaith Council, , PA, “Kristallnacht” 1991 Hilles Gallery, Creative Arts Workshop, New Haven, CT “The Hoist Room”, solo. Aldrich Museum, Ridgefield, CT; Connecticut Artists, “From the Frying Pan into the Fire”, installation. Bruce Museum, Greenwich, CT; Connecticut Biennial, “Purgatorial Negotiation”, Installation. 1989 O.K. Harris, New York, NY “Breaking the Box” The Prichard Gallery, University of Idaho, Moscow, ID; “Montana Ghost Lights”, solo. Double Rocking G Gallery, , CA; “I Always Take the Fun Way Home”, solo. Selected Exhibitions continued – Page 6 Artifacts Gallery, San Francisco, CA; “Stories in Sculpture and Drawings”, solo Paul Mellon Art Center, Choate Rosemary Hall, Wallingford, CT; “Home, Hearth, and Other Follies”, solo John Lyman Center, Southern Connecticut State University, New Haven, CT; “About Light,” solo. 1986 Artist’s Showcase Invitational, Hartford “350”; Award for “City of Precarious Balance”, solo. Connecticut Commission on the Arts Artist Showcase, Hartford, CT; “City of Memory & Anticipation”, solo Interart De St. Amand Gallery, New York, NY; “3 Artists”. ArtWest Gallery, Jackson, WY; “National Competition”. 1984 Katonah Gallery, Katonah, NY; “Bloomer/Wulke - World’s Fair Wonders”.2 person 1982 School of Architecture, Montana State University, Bozeman, MT; “A New Light,” solo. 1981 American Thread Co. Building, New York, NY; “Shadow and Shelter”, solo. Wadsworth Athenaeum, Lions Gallery of the Senses, Hartford, CT; “Passage,” solo.

SELECTED PUBLICATIONS

Recent Media:

http://www.shorelinetimes.com/articles/2010/06/17/news/doc4c1a2b49ccaf5032192268.txt Inspiration Planet Earth - Creating Art in the Natural World http://www.coloradoan.com/article/20100624/ENTERTAINMENT01/6240309/1040/entertainment/Exhi bit+chronicles+two+decades+of+schoolhouse+s+life - Exhibition Chronicles Two Decades of Schoolhouse’s Life

Books:

Where Earth Meets Sky 2011 Catalogue of photographs purchased by the Beineke Library of Rare Books and Manuscripts at Yale for their Western Americana Collection available www.lulu.com

The Great Alone 2008 in the collection of the Beinecke Library, Yale and D.H. Hill Library, North Carolina State U.

33 Soft cover copy available www.lulu.com

Artist’s Next Door Edited by Cheever Tyler, 2006 New Media Art, Michael Rush, Thames & Hudson, 2004 New Media in Late 20th Century Michael Rush, Thames & Hudson, 1999 Architectural Ornamentalism, Jim Kemp, Running Heads Book,, 1989 Interior Spaces Designed by Architects, Charles K. Hoyt, Architectural Record, 1981 Space and Time, Cheshire Board of Education, 1979 Among others

Catalogues:

Terra Mirabila, Stony Creek Quarry, ST 2005 Art from Connecticut Forests, Six locations throughout CT 2004-2005 Evanescent Environs- Fields & Frogs, Seton Gallery, University of New Haven, CT 2003 Terra Lumina, Stony Creek Quarry, 2001 Navigation through Time, UConn, Avery Point, CT 2000 Forces of Nature-Earth, Air, Fire Water, Discovery Museum, 2000 Grounds for Sculpture, Hamilton, NJ 2001 Terra Continuum, Stony Creek Quarry, CT 1999 Breathless, Seton Gallery, Central Connecticut State University 1992 Ghost Herders with Flock, North Carolina State University, Raleigh, NC 1989 Connecticut Biennale, Bruce Museum, Greenwich, CT 1989 Among others

Periodicals:

Billings Gazette: October 14, 2011, “Nationally recognized photographer brings “Great Alone” exhibit to MSUB Coloradoan: June 24, 2010 “Exhibit chronicles two decades of schoolhouse’s life” Shoreline Times: June, 2010 “Artist & Observation – Joy Wulke” Shoreline Times: October 16, 2009 “Light on the Subject” The New York Times: October 2, 2009 “Schools Adopt Art as Building Block of Education Ctartscene.blogspot.com April 2009 New Haven Advocate: 3/31/2009 Yale Daily News: 2/3/2009 New Haven Register: 3/29/2009, 4/6/2003, 9/29/2002, 8/5/1990 Needham Times: 9/4/2008 Boston Globe: 11/19/2006 Glass Quarterly: 2002 Fabric in Architecture: 9/2002, 6/1989 The New York Times; 6/27/1999 , 11/5/1995, 5/9/1993, 3/26/1989 1999 NYC Review Magazine The Sun (New London, CT) 4/15/1997 Arts New England; 6/1995 The Davis Enterprise (CA): 2/24/1994

34 Theater Week: 5/2/1994 Hartford Advocate: 4/16/1992 Art Forum; 4/1991 Architectural Digest, 5/1991 International Design Review: 7-8/1991 Neu Glas 11 Sculpture; 1-2/1995 LA Architect, June 1989 Among others

JAMIE BURNETT

35 Owner, Luminous Environments LLC CT Electrical Contractor CT E-1 License #122093 [email protected] JAMIE BURNETT 203. 215. 6832 315 Stagecoach Road Durham, CT 06422 EIN # 06-1634071

Jamie Burnett is a graduate of Carnegie Mellon University in Theater Production Design. His Connecti- cut area resume includes tenure as Master Electrician at Long Wharf Theater followed by Technical Director/Lighting Designer for the Educational Center for the Arts in the 80s and 90s, designing 100s of productions in the Arts Hall and the Little Theater. He is a consultant, designer, producer, special events planner, and film/video Gaffer as well as an E-1 electrical contractor. Recent theater work includes Set and Lighting design for Evita at Guilford High School, Sets and Lights for The Green Bird at ECA. Lighting for Elm Shakespeare’s American Buffallo at Kehler lidel Gallery Westville New Haven.

As resident Set and Lighting Designer for the Elm Shakespeare Company for the past 15 years he designed the set and lighting for all past productions including lighting past summer’s production of Measure For Measure and the previous summers lighting for The Winters Tale in Edgerton Park New Haven.

As a founding Member of Projects for a New Millennium, (projects2k.org), he was Producer/Lighting Designer/Production Manager for the smash hits Terra Continuum (1999) and 2001’s Terra Lumina, and 2005’s Terra Mirabila the grand multimedia extravaganzas performed in the Stony Creek Granite Quarry. He also designed PNM’s Branford Luminata 2010 lighting the town hall on the Branford Green. Planning is underway for a 2013 production in Stony Creek Quarry.

Jamie owns his own electrical contracting and special event business, Luminous Environments LLC, specializing in consulting, design and installation of numerous theater and TV studio lighting and dim- ming systems. Many of these projects are in partnership with Supertech inc, of Hamden. Permanent Public Lighting installations have included: The Old Stone Church spire, East Haven Ct. Illuminated by 20- 3 color LED Fixtures Programmed for seasonal effect.

Glass Floor Art installation at Kaynor Tech School in Waterbury CT, by sculptor Gar Waterman, De- signed and installed the lighting and interaction system, The Floor Square colors interact with pedestri- ans as they cross the thresholds. Dinosaur State Park Museum, Installation of Lighting System and programming BAR, New Haven nightclub lighting system design and install Bradley Airport Hanging Maps by Lela Daw, Installed and designed lighting system to illuminate the hanging artwork above the ticket counters.

Mr. Burnett has a long relationship as technical consultant for lighting conferences: Live Design, Entertainment lighting and staging conference, Held in .

36 Broadway Lighting Master Class, Held in NYC. Has received The New Haven Arts Council Award 2005

STEVEN HAMELIN

www.supertech-inc.com [email protected] 79 Rossotto Drive Hamden, CT 06514 STEVEN HAMELIN Fax: (203) 288-3978 Telephone: (203) 288-3900 CT E - 1 License #122093

SUPERTECH PROFILE AND CREDENTIALS

Supertech, Inc. has operated as a dealer/distributor, system integrator of theatrical dimming / lighting systems, motorized and manual theatrical rigging systems, including rigging and drapery installations since 1992.

Our Hamden, CT facility has 5,000 square feet of office and warehouse space, as well as, a fully configured service center. We are a dealer/distributor for multiple theatrical and architectural lighting, dimming and control lines including ETC, Strand, Leviton, EDI, Altman Stage Lighting, Color Kinetics, Chauvet, Interactive Technologies, Brightline, Osram/Sylvania, Wybron, and others. Supertech is an authorized service center for ETC, Strand, EDI, and others. Supertech is a dealer and service center for Vortek motorized rigging, Thern Stage Equipment, Desisti Rigging, ADC, and stage draperies from Rose Brand and Northeast Stage.

Personnel:

Steven Hamelin, President

Steve Hamelin started and has owned and operated the business since 1992. Hamelin began his ca- reer as a lighting crew chief for touring acts the likes of Bruce Springsteen, Michael Jackson and Elton John before taking the position as director of operations for Theater Techniques Inc. (TTI). Two years later he started Supertech, and twenty years goes by in a flash. Mr. Hamelin is also an authorized ser- vice technician for ETC, Strand.

Todd Paskin, Project Manager

Todd Paskin has been a Supertech employee since the company was founded in 1992. He graduated

37 from the Connecticut School of Electronics in 1997. He is a certified CompTIA A+ computer technician and N+ network technician. Todd has completed factory training and is an authorized service technician for ETC and High End Systems. He has had many years of field service and on-site experience, prior to becoming a Super- tech project manager. He has been project manager on numerous jobs including the Basketball Hall of Fame, Bushnell, Belden Theater, Weston High School, Middletown HS, Hartford Classical Magnet School, Regional Center for the Arts, Yale’s Sprague Hall, North Haven High School, Hamden Middle School and others.

Robert Grenier, Rigging Manager

Robert Grenier has been a Supertech employee since 1992. He is also the owner and operator of a professional rigging company, Ocean State Rigging Systems. He is involved with and supervises various rigging projects including major concert touring acts, major auto shows and permanent rigging installations and fall protection systems.

Tony Stubbs, Purchasing

Tony Stubbs started as warehouse manager, coordinating delivery of materials on all Supertech projects. Since 2005 he has handled all purchasing for the company.

Since 1992, Supertech has successfully completed many lighting and rigging projects, including the following:

Bushnell Center for the Performing Arts - Belding Theater • Installation of ETC lighting control and dimming system, stage distribution system. Basketball Hall of Fame • Exhibit lighting and full control system for all interior and exterior LED fixtures. Mohegan Sun Casino • Lighting, lighting control and dimming systems. Hartford Civic Center (XL Center) • Updated lighting control systems. • Upgraded arena lighting to energy efficient fixtures. Quinnipiac University TD Athletic Center • Provided Crestron lighting control systems. University of Rhode Island • Installation TV studio grid and studio lighting systems. United Technologies • Installation of corporate TV studio lighting system in Gold Building, Hartford, CT. Philadelphia Community Access TV • Installation TV studio grid and studio lighting systems. Fairfield University – Regina Quick Center for The Arts • Installation of ETC dimming system. • Installation of Vortek rigging system, fully motorized rigging system with twenty-two line sets. Weston High School • Installation of ETC lighting system. • Installation of Vortek rigging system, stage drapes,

38 and removable staging platforms for orchestra pit.Wesleyan University • Installation of ETC lighting control and dimming system. • Installation of Vortek rigging system, new stage distribution system. Katharine Hepburn Theater • Installation of ETC lighting control and dimming system. Choate Rosemary Hall • Installation of ETC lighting controls and dimming systems. Greenwich Country Day School • Installation of ETC lighting control and dimming system. Pomperaug High School • Installation of Strand lighting control and dimming system. • Installation of Vortek rigging system, new stage distribution system. CES Regional Center for the Arts • Installation of Strand lighting control and dimming system. Trumbull High School • Renovation of theater, new dimming system and new lighting system. Plainville High School • Installation of ETC lighting control and dimming system, stage distribution system. • Upgrade of counterweight rigging system, upgrade of catwalk system to code. Middletown High School • Installation of ETC lighting control and dimming system, stage distribution system. University of Connecticut / Nafe Katter Theater • ETC lighting control, dimming, and distribution system. Walnut Hill Community Church • Design consultant for church expansion. • Installation of ETC lighting control and dimming system, stage distribution system. • Installation of counterweight rigging system and stage drapes. Farmington High School • Installation of ETC lighting control, dimming, and distribution system. University of Hartford / Lincoln Theater • ETC lighting control, dimming, and distribution system. • Upgrades to electrical services. Loomis Chaffee School • ETC lighting control, dimming, and distribution system. • Installed Thern line shaft drive system.

39 3.3.5 PRODUCT SPECIFICATIONS

• 1275’ LED Neon SMD RGB http://www.ledneonflex.com/led-neon-flex/led-neon-smd-rgb.html Exterior neon lines in existing grooves.

• 24 Color Kinetics ColorBlast Powercore http://www.colorkinetics.com/ls/rgb/colorblast12pc/ Exterior wash lighting.

3.36 References

Sandy Garnett References

John Tremaine CEO, The Emily Hall Tremaine Foundation, CT www.tremainefoundation.org [email protected]

Heidi Kelso Founder H.K. Media Group, NYC www.hkmediagroup.com/ [email protected]

Anne Marie Gonzalez Former President of Time Square Alliance NYC Founder, KMA Associates [email protected] kma-assoc.com

Joy Wulke References

Faith Middleton, WNPR Host/Executive Producer, The Faith Middleton Show 203 776-WNPRF [email protected]

40 Leisel Fenner Director – Public Art Network Americans for the Arts T 202.371-2830 [email protected]

Unk Daros First Selectman Town of Branford 203 315-0620 [email protected]

Jamie Burnett References Maryann Ott, Associate Director New Alliance Foundation (203) 859-6555 [email protected]

James Andreassi Artistic Director Elm Shakespeare Company (203) 393-1436 [email protected]

Lisa Hylwa – Principal Kaynor Technical High School (203) 596-4302 ex 302 [email protected]

Joan Mcafee, Ingrid Scheaffer: Theater Directors Educational Center for the Arts 55 Audubon Street, New Haven (203) 777-5451

Jim Motes, Cara Mulqueen-Teasdale: Theater Directors Guilford High School 605 New England Road Guilford CT, 06437 (203)980-3780

Steve Hamelin References

41 Doris Fiotakis Curriculum Instructional Leader Theatre Activities Supervisor Weston High School 115 School Road Weston, CT 06883 (203) 291-1641

Russ Nagy Technical Director Fairfield University Regina Quick Center for the Arts North Benson Road Fairfield, CT 06430 (203) 254-4000 ext. 2990

Scott McKenna Facilities Director Central Connecticut State University Welte Auditorium 1615 Stanley Street New Britain, CT 06050 (860) 832-1966

Brad Seymour Technical Director Choate Rosemary Hall Paul Mellon Arts Center 333 Christian Street, Wallingford, CT 06492 (203) 697-2189

Mark Murray Production Coordinator Wallace Performing Arts Center Greenwich Academy 200 North Maple Avenue Greenwich, CT 06830 (203) 625-8937

Current Projects Waterford High School - Lighting and Rigging Systems - Project Value - $450,000 ACES Little Theater - Lighting System - Project Value - $95,000 WCSU Performing Arts Center - Lighting Systems - Project Value - $650,000+ Gartner Studio 56 - Studio Lighting and Rigging Systems - Project Value - $95,000+ Sacred Heart University - Studio Lighting and Rigging Systems - Project Value - $75,000+ 3.4 FINANCIAL SUPPLEMENT FORMAT

42 SECTION 3: FINANCIAL CAPABILITIES

Supertech, Inc. is a twenty year old Connecticut corporation with annual sales of $1,500,000 - $2,000,000. The company is located in Hamden, CT.

The company has completed hundreds of successful projects in that time, in professional theaters, universities, schools, public venues, museums, amateur theaters, and studios. The company services all of the products it sells.

With a core of employees that have been with the company for more than ten to fifteen years, and professional installation subcontractors for electrical, rigging, production, and custom manufacturing, the company can design, create, produce, and source equipment and expertise necessary to envision and execute your project.

The company has it’s banking relationship with First Niagara Bank. Detailed financial information can be provided in a private document if the company is being considered for selection to commission this project.

43 SECTION 5: APPENDICES

3.5 FEE PROPOSAL(REVISED)

• 1275’ LED Neon SMD RGB $ 46,000.00 http://www.ledneonflex.com/led-neon-flex/led-neon-smd-rgb.html Exterior neon lines in existing grooves.

• 24 Color Kinetics ColorBlast Powercore $ 26,000.00 http://www.colorkinetics.com/ls/rgb/colorblast12pc/ Exterior wash lighting.

• Control components (originally on color cove budget line) $ 11,000.00

Total for Equipment/products/technology: $83,000.00

Costs for all services, including but not limited to, concept and content design, development, hardware/equipment, technology, project implementation/installation, and maintenance.

• Concept and content design/development/production monitoring $ 20,000.00

• All hardware/equipment./technology $ 83,000.00

• Project Implementation/Installation, programming, testing $ 38,000.00

• Maintenance – three years @ $2,000.00 annual fee $ 6,000.00

Total budget $147,000.00

DEDUCT - $5000.00

Deduct for equipment rental for lifts required to access the building. The City will provide all required lift and access equipment to access the exterior facade of the building. If the City does not provide the required equipment, we will provide the equipment at this cost.

Total Budget with Equipment Deduction Provision $142,000.00

44 SECTION 5: APPENDICES

3.6 APPENDICES

ONE HUNDRED FORTY-EIGHT THOUSAND DOLLARS $147,000.00

$ 20,000.00

$ 9250.00 $ 111,000.00

$ 6,000.00 (estimated)

$ 2,000.00 per year ($6000. total)

$ 750.00

19 July 2012

SANDY GARNETT

OWNER

SANDY GARNETT STUDIO INC. (est 1990)

32 PINE STREET #12, S. NORWALK, CT 06854

917-922-7213

203-853-0540 (please call first)

45 46 47 NORTHWEST FACADE EXAMPLES OF PROGRAMMED LIGHTING INSTALLATION WITH MOVEMENT

AND INFINITE VARIATIONS

48 SECTION 6: VISUALS

3.6.1 VISUALS

PHASE I (THIS PROPOSAL)

49 EAST FACADE

50 51 V I S U A L S - P H A S E I I (NOT INCLUDED IN THIS BUDGET P R O P O S A L

NORTHERN ELEVATOR CEILINGS

PROGRAMMED WITH COLOR VARIATIONS AND MOTION

52 V I S U A L S - P H A S E I I (NOT INCLUDED IN THIS BUDGET P R O P O S A L

NORTHERN ELEVATOR CEILINGS

PROGRAMMED WITH COLOR VARIATIONS AND MOTION

53 PHASE II VISUAL EXAMPLES (CONCEPT)

FUTURE PHASES

Light the South Facade and walkways above

FUTURE PHASES

VIDEO PROJECTION concept with curatorial programming with artists remotely around the world.

54 FUTURE PHASES

VIDEO PROJECTION concept with curatorial programming with artists remotely around the world.

FUTURE PHASES

VIDEO PROJECTION concept with curatorial programming with artists remotely around the world.

55 FUTURE PHASES VISUAL EXAMPLES

Run motion-sensored lighting into center of downtown along sidewalks to create an interactive light motion experience

56 FUTURE PHASES VISUAL EXAMPLES

Run motion-sensored lighting into center of downtown along sidewalks to create an interactive light motion experience

57 SECTION 5: ADDENDUM

“Art is as necessary to society as the sun to nature, for it sheds light, to paraphrase Gauguin, on who we are, where we come from and where we are going.”

John K. Grande “Balance: Art and Nature”

TEAM LIGHT WRANGLERS COMPANY: SANDY GARNETT STUDIO PRESENTED THROUGH JOY WULKE’S NON-PROFIT ORGANIZATION PROJECTS FOR A NEW MILLENNIUM, INC.

58 PHASE II VISUAL (NOT IN THIS BUDGET) PROPOSAL

59 NORTHERN ESCALATORS (EAST & WEST FACING I-95

NORTH FACE OF STAMFORD STATION

= ILLUMINATED

ANY COLOR COMBINATION OR BRIGHTNESS POSSIBLE

NORTHEAST FACE OF STAMFORD STATION

60 NORTHERN ART INSTALLATION FACE

NORTHWEST FACE OF STAMFORD STATION

61 RESPONSE DETAILS

TEAM LIGHT WRANGLERS:

STAMFORD ANSWERS – STAMFORD LUMINATA – A Creative Continuum

Q. What you get for The Budget? A- • A team of visionary artists and lighting designers/installers who can provide all services from concept to completion using state of the art green energy products to illuminate the Stamford Train Station. • Team Light Wranglers has looked at the architectural features of the Stamford Train Station and have chosen to design a lighting program that enhances the form and location of the station. This approach is within the Public Art tradition of creating site specific works that enhance existing architectural spaces to offer new experiences to communities. • The train station will be a state-of-the-art beacon representing Stamford’s forward-looking opportunities for visitors and businesses. • Team Light Wranglers offers, through partners Luminous Environments (Jamie Burnett) and Supertech, Inc. (Steve Hamelin), state of the art lighting technology to supply the maximum effect for the minimum power draw. • LED NeonFlex, LED Color Blasts wash lighting are under product warrantees for five years. • The project maintenance programs include programming updates for three years. • Light art will be on main North façade, Northeast & Northwest Facades of the Station. with programmable LED lights to bring the work into the presentation of Stamford Luminata and showcase the artwork (sculpture) that is currently onsite. • The installation of moving light with infinite programming possibilities will garner interest for travelers and new visitors to return to Stamford over time. • Programs for special events and holidays, potential for revenue. • Team Light Wranglers offers, through art partners Sandy Garnett and Joy Wulke, an installation that creates Cultural Capital – always a magnet to new visitors. We call it Creative Continuum. • Luminous Environment and Supertech, Inc. offer full services for designing lighting systems, efficient installation, programming and diligent maintenance. • Wulke, Founding Director of Projects2k has extensive experience and success with ARTS FUNDING from the state, regional, and national sources and will explore, with the City of Stamford project support for future Stamford light phases. • Maximum local, regional and national press through Faith Middleton NPR, Bonnie Grice, Long Island NPR, and the Americans for the Arts Public Art Network. • CT team is immediately available for ongoing programming and maintenance support. • We humbly acknowledge that our sum of team members is greater than the parts.

Summary:

TEAM LIGHT WRANGLERS Offers as an integrated team:

• Artistic Visionary Design • Turn-Key project to include: Artistic Design Technical Design Purchase of Equipment Installation of Equipment to achieve design effects. Programming options. Equipment maintenance. Ongoing support for new programming STAMFORD LUMINATA project will highlight Stamford as a city of future promise, embracing state of the art Green technologies to feature its Transportation Center.

62 SUPPORT OF ARTISTS = CULTURAL CURRENCY = SUPPORT OF CITY FROM CREATIVE COMMUNITY = VISITORS = GREAT FOR STAMFORD

ENDLESS LANGUAGE FROM ARTISTS

(REPEAT CYCLE)

63 PROPOSED PRODUCT DETAILS

64 65 66 JOY WULKE JAMIE BURNETT STEVEN HAMELIN SANDY GARNETT WHY US? MULTI-DISCIPLINARY CREATIVE PROFESSIONALS

2 PROFESSIONAL ARTISTS + 2 LIGHTING DESIGNERS/INSTALLATION EXPERTS WITH EXTENSIVE EXPERIENCE = WINNING TEAM

TURNKEY SOLUTION FROM ARTISTIC DESIGN = CREATIVE CAPITAL ART INSTALLATION WITH INFINITE COMBINATIONS UTILIZATION OF GREEN ENERGY EFFICIENT PRODUCTS FULL INSTALLATION PROVIDED BY OUR TEAM ONGOING PROGRAMMING AND MAINTENANCE FULL CREATIVE AND TECHNICAL SUPPORT 24/7

JOY67 WULKE JAMIE BURNETT STEVEN HAMELIN SANDY GARNETT REVISED PROPOSAL MAY 24, 2012 CLARIFICATION DOCUMENT A L I G H T I N G I N S T A L L A T I O N W I T H A M I L L I O N C O M B I N A T I O N S

ILLUMINATION-BASED MURAL PROJECT PROPOSAL 2 0 1 2

TEAM LIGHT WRANGLERS COMPANY: SANDY GARNETT STUDIO PRESENTED THROUGH JOY WULKE’S NON-PROFIT ORGANIZATION PROJECTS FOR A NEW MILLENNIUM, INC.

JOY WULKE JAMIE BURNETT STEVEN HAMELIN SANDY GARNETT

www.joywulke.com Luminous Environments Supertech Inc. sandygarnett.com [email protected] [email protected] [email protected] [email protected] Tel 203.68 215. 2227 Tel 203. 215. 6832 Tel 203. 288. 3900 Tel 917. 922. 7213 Fax 203. 288. 3978