COURSE SYLLABUS and INSTRUCTOR PLAN BRITISH
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MODERN BRITISH LITERATURE (C. 1900 to 1950) READING LIST
MODERN BRITISH LITERATURE (c. 1900 to 1950) READING LIST Please note that there are two lists below. The first is the full list with the core readings in bold; the second is the core list separated out. You are responsible for all core readings and may incorporate readings from the full list into your tailored list. Unless otherwise noted, selections separated by commas indicate all works students should know. A. FICTION Beckett, Samuel. One of the following: Murphy, Watt, Molloy Bennett, Arnold. Clayhanger Bowen, Elizabeth. The Heat of the Day Butler, Samuel. The Way of All Flesh Chesterton, G.K. The Man Who Was Thursday Conrad, Joseph. Heart of Darkness AND one of: Lord Jim, The Secret Agent, Nostromo, Under Western Eyes Ford, Ford Madox. The Good Soldier Forster, E. M. Howards End, A Passage to India (plus the essays “What I Believe” and “The Challenge of Our Times” in Two Cheers for Democracy) Galsworthy, John. The Man of Property Greene, Graham. One of: Brighton Rock, The Power and the Glory, The Heart of the Matter Huxley, Aldous. Brave New World Joyce, James. Dubliners, A Portrait of the Artist as a Young Man, Ulysses Kipling, Rudyard. Kim Lawrence, D. H. Two of: Sons and Lovers, Women in Love, The Rainbow, The Plumed Serpent Lewis, Wyndham. Tarr, manifestos in BLAST 1 Mansfield, Katherine. “Prelude,” “At the Bay,” “The Garden Party,” “The Daughters of the Late Colonel” (in Collected Stories) Orwell, George. 1984 (or Aldous Huxley, Brave New World) Wells, H. G. One of the following: Ann Veronica, Tono-Bungay, The New Machiavelli West, Rebecca. -
Introduction to British Literature By: Patrick Mccann V 1.0 INTRODUCTION to BRITISH LITERATURE
Introduction to British Literature By: Patrick McCann v 1.0 INTRODUCTION TO BRITISH LITERATURE INSTRUCTIONS Welcome to your Continental Academy course “Introducti on to British Literature”. It is m ade up of 6 individual lessons, as listed in the Table of Contents. Each lesson includes practice questions with answers. You will progress through this course one lesson at a time, at your own pace. First, study the lesson thoroughly. Then, complete the lesson reviews at the end of the lesson and carefully che ck your answers. Sometimes, those answers will contain information that you will need on the graded lesson assignments. When you are ready, complete the 10-question, multiple choice lesson assignment. At the end of each lesson, you will find notes to help you prepare for the online assignments. All lesson assignments are open-book. Continue working on the lessons at your own pace until you have finished all lesson assignments for this course. When you have completed and passed all lesson assignments for this course, complete the End of Course Examination. If you need help understanding any part of the lesson, practice questions, or this procedure: Click on the “Send a Message” link on the left side of the home page Select “Academic Guidance” in the “To” field Type your question in the field provided Then, click on the “Send” button You will receive a response within ONE BUSINESS DAY 2 INTRODUCTION TO BRITISH LITERATURE About the Author… Mr. Patrick McCann taught English (Language and Literature) 9 through 12 for the past 13 years in the Prince Georges County (MD) school system. -
Study Material for Ba English History of English Literature
STUDY MATERIAL FOR B.A ENGLISH HISTORY OF ENGLISH LITERATURE - II SEMESTER - IV, ACADEMIC YEAR 2020 - 21 UNIT CONTENT PAGE NO I AGE OF JHONSON-EIGHTEENTH CENTURY PROSE 02 AGE OF WORDSWORTH- EARLY NINTEENTH CENTURY II 04 POETS (THE ROMANTICS) AGE OF TENNYSON- NINETEENTH CENTURY NOVELISTS III 05 (VICTORIAN NOVELISTS) IV AGE OF HARDY 07 V THE PRESENT AGE 09 Page 1 of 12 STUDY MATERIAL FOR B.A ENGLISH HISTORY OF ENGLISH LITERATURE - II SEMESTER - IV, ACADEMIC YEAR 2020 - 21 UNIT - I EIGHTEENTH CENTURY PROSE DANIEL DEFOE (1659-1731) Daniel Defoe wrote in bulk. His greatest work is the novel Robinson Crusoe. It is based on an actual event which took place during his time. Robinson Crusoe is considered to be one of the most popular novels in English language. He started a journal named The Review. His A Journal of the Plague Year deals with the Plague in London in 1665. Sir Richard Steele and Joseph Addison worked together for many years. Richard Steele started the periodicals The Tatler, The Spectator, The Guardian, The English Man, and The Reader. Joseph Addison contributed in these periodicals and wrote columns. The imaginary character of Sir Roger de Coverley was very popular during the eighteenth century. Jonathan Swift (1667-1745) is one of the greatest satirists of English literature. His first noteworthy book was The Battle of the Books. A Tale of a Tub is a religious allegory like Bunyan‟s Pilgrim’s Progress. His longest and most famous work is Gulliver’s Travels. Another important work of Jonathan Swift is A Modest Proposal. -
Introduction to Victorian and Twentieth-Century Literature Heesok Chang
Introduction to Victorian and Twentieth-Century Literature Heesok Chang Unlike the preceding three volumes in this Companion to British Literature – the Medieval, Early Modern, and Long Eighteenth Century – the current one attempts to cover at least two distinct periods: the Victorian and the Twentieth Century. To make matters more difficult, the second of these hardly counts as a single period; it is less an epoch than a placeholder. In terms of periodization, the Victorian era is succeeded – or some might say, overthrown – by the Modern. But modernism is not capacious enough to encompass the various kinds of literary art that emerged in Britain following World War II, the postmodern and the postcolonial, for example. We could follow the lead of recent scholars and expand the modernist period beyond the “high” to include the “late” and arguably the “post” as well. But this conceptual as well as temporal expansion does not take in the vital British literature written from the 1970s onward, an historical era distinct from the “postwar” that critics refer to, for now, as the “contemporary” (see English 2006). Of course, all periods are designated after they have finished, including the Victo- rian, which was very much a modernist creation. Yet it is unlikely we will come to call the period stretching from the middle of the last century to the early decades of the new millennium, from the breakup of Britain’s empire to the devolution of Scotland, Wales, and Northern Ireland, “Elizabethan.” And this despite the Victo- rian longevity of the Windsor monarch’s reign. The queen is one and the same, but the national culture is anything but. -
The Influence of British and American Cultural Differences on English and American Literature Review Jiao
2016 4th International Conference on Advances in Social Science, Humanities, and Management (ASSHM 2016) ISBN: 978-1-60595-412-7 The Influence of British and American Cultural Differences on English and American Literature Review Jiao Lei1 Abstract In an era of globalization, cross-cultural communication is not strange to us with studying and travelling abroad, and even immigration becoming a part of our lives. In such an era of international communication being increasingly frequent, learning the culture of other countries will help us to do well in international communication. The paper is going to study, from the British and American history and culture, the differences of all kinds of their present acts in the world and impacts of the historical reasons on their own citizens, to not only let the reader understand the cultural differences between these two countries, but also to get the cause of the difference to better understand their cultures. Key words: British and American Culture; Religion; Literature Review 1 INTRODUCTION First of all, we are going to talk about the homology of British and American culture which is undeniable. British culture is the root and source of American culture with the United Kingdom people accounting for a very large proportion of the early settlers of the United States. Let nature take its course, they brought their culture, their personalities, ways of thinking to this new continent. Moreover, in the major historical events of modern times, many cooperation has occurred in these two countries which brought many common points in their cultural exchanges. However, there is a large difference between these two countries regarding to their own history: the history of Britain is longer than the United States’, because before the industrial revolution, Britain has a long period of agriculture civilization, and much British people's cultural life has been influenced by the upper class of French due to the French occupation. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Characteristics of Victorian Literature the Style of the Victorian Novel
Characteristics of Victorian Literature The literature of the Victorian age (1837 – 1901, named for the reign of Queen Victoria) entered in a new period after the romantic revival. The literature of this era expressed the fusion of pure romance to gross realism. Though, the Victorian Age produced great poets, the age is also remarkable for the excellence of its prose. The discoveries of science have particular effects upon the literature of the age. If you study all the great writers of this period, you will mark four general characteristics: 1. Literature of this age tends to come closer to daily life which reflects its practical problems and interests. It becomes a powerful instrument for human progress. Socially & economically, Industrialism was on the rise and various reform movements like emancipation, child labor, women’s rights, and evolution. 2. Moral Purpose: The Victorian literature seems to deviate from "art for art's sake" and asserts its moral purpose. Tennyson, Browning, Carlyle, Ruskin - all were the teachers of England with the faith in their moral message to instruct the world. 3. Idealism: It is often considered as an age of doubt and pessimism. The influence of science is felt here. The whole age seems to be caught in the conception of man in relation to the universe with the idea of evolution. 4. Though, the age is characterized as practical and materialistic, most of the writers exalt a purely ideal life. It is an idealistic age where the great ideals like truth, justice, love, brotherhood are emphasized by poets, essayists and novelists of the age. -
Scottish Literature and Periodization Juliet Shields University of Washington
Studies in Scottish Literature Volume 43 | Issue 1 Article 2 5-1-2017 Introduction: Scottish Literature and Periodization Juliet Shields University of Washington Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Shields, Juliet (2017) "Introduction: Scottish Literature and Periodization," Studies in Scottish Literature: Vol. 43: Iss. 1, 3–7. Available at: https://scholarcommons.sc.edu/ssl/vol43/iss1/2 This Symposium is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. INTRODUCTION: SCOTTISH LITERATURE AND PERIODIZATION Juliet Shields The way we organize the study of literature is changing. Until comparatively recently, it was normative for scholars to specialize in the literature of a particular time and place—for instance Victorian Britain or Colonial America—and for English majors to take survey courses that traced the development of a national literature over time, in addition to classes on genres, topics, or methodological approaches. Diminishing budgets and increasingly globalized campuses, among other factors, have begun to challenge this diachronic model of disciplinary organization. Periodization has also come under theoretical scrutiny, with Ted Underwood and others arguing that it is neither a natural nor an inevitable way to organize our discipline. As just one alternative to periodization among many, Underwood points to “the discipline of history itself, where the looser concept of ‘area’ occupies the institutional role that periods occupy in literary studies.”1 This symposium examines the role that periodization plays in shaping our understanding of Scottish literary history. -
English Literature Major and Minor Revised: 06/2019
English Literature Major and Minor www.English.Pitt.edu Revised: 06/2019 Your love of reading and the infinite worlds that books contain might be the door to a future full of possibilities. English Literature majors work closely with faculty to develop versatile skills in critical thought and problem solving by exploring the literary past and present— from Harry Potter to Hamlet and from Sherlock Holmes to Katniss Everdeen. Prepare yourself for an increasingly globalized world of professional employment and cultural interaction through an immense variety of course offerings, which can also be complemented by electives in English composition, creative writing, and film. Choose from among five subject areas, or “concentrations,” and take charge of your preparation for post-graduate career paths while immersing yourself in and analyzing many of the greatest works ever written. The skills you master as an English Literature major will go with you to classrooms, boardrooms, or operating rooms. Required courses for the English Literature Advanced courses major ENGLIT 1900 Project Seminar ENGLIT 1910 Senior Seminar The English literature major requires the completion of 36 credits distributed as follows. Students must choose one of the concentrations described as follows. Students who declare this Grade requirements major after April 1, 2016 must follow the requirements laid out in A GPA of 2.0 in departmental courses is required for graduation. this document. Satisfactory/No Credit option Introductory courses There is no limit on the number of courses in the major that can be ENGLIT 0506 Literary Field Studies taken on an S/NC basis. Two period courses, to be selected from the list of Writing (W) requirement approved courses for the student’s chosen English literature majors automatically fulfill both of the Dietrich concentration. -
African American Transformations of Victorian Literature
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. IntroductIon t he african Americanization of victorian LiteratUre One muffled strain in the Silent South, a jarring chord and a vague and uncomprehended cadenza has been and still is the Negro. And of that muffled chord, the one mute and voiceless note has been the sadly expectant Black Woman, An infant crying in the night, An infant crying for the light; And with no language— but a cry. —a nna Julia cooPer, A Voice from the South Reprinting Charles Dickens’s Bleak House in an antislavery newspaper. Reimagining David Copperfield as a mixed- race youth in the antebellum South. Arguing that Alfred, Lord Tennyson plagiarized “The Charge of the Light Brigade” from an African war chant. Using George Eliot’s poetry to promote African American solidarity. Reading a poem by Dante Gabriel Rossetti as an allegory of African American literary history. These are some of the many unlikely and intriguing things African Amer- ican writers and editors did to and with Victorian works of literature in the second half of the nineteenth and early decades of the twentieth centuries. No marginal phenomenon or fringe practice, these transnational, cross- racial transpositions and repurposings were often the handiwork of major figures in the African American literary and intellectual tradition, including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pau- line Hopkins, and W.E.B. Du Bois. Yet almost all these deployments of and responses to Victorian literature remain little known; indeed, some of the most sustained and provocative instances have gone entirely unrecognized. -
Preview Unit Goals
Included in this unit: TEKS 1B, 1D, 1E, 2, 2A, 2C, 3, 4, 5A–D, 6, 7, 9B, 9C, 10A, 10B, 11A, 11B, 12A–D, 13A–E, 14, 14A, 14C, 15A, unit5 15C, 15D, 16, 17, 17A, RC-12(A), RC-12(B) Preview Unit Goals literary • Understand the historical and cultural context of the Victorian era analysis • Identify and analyze characteristics of realism and naturalism in fiction • Identify and analyze point of view, plot structure, and theme in fiction • Identify and analyze rhyme scheme and rhythm in poetry • Identify and analyze speaker, mood, and tone in poetry reading • Make inferences and draw conclusions • Identify a writer’s key ideas and supporting details • Identify, analyze, and evaluate persuasive techniques • Compare, contrast, and synthesize ideas writing and • Write an analytical essay grammar • Add descriptive details, choose effective settings, and establish voice • Use rhetorical questions and interrogative sentences vocabulary • Use context clues and affixes to help determine the meaning of unfamiliar words • Use a dictionary • Understand the history and development of the English language academic • analyze • impact • scheme vocabulary • dominate • resource media and • Evaluate the presentation of social and cultural messages in media viewing • Evaluate the interactions of different techniques used in multi- layered media • Evaluate how audience, bias, and purpose influence the representation of an issue or event, including changes in formality and tone • Create a power presentation Find It Online! Go to thinkcentral.com for the interactive version of this unit. 910 TX_L12PE-u05s00-uo.indd 910 9/11/09 12:20:38 PM The VICTORIANS 1832–1901 Elizabeth BarrETT BrOWNING an era of rapid change • The Influence of ROMANTICISM DVD-ROM • Realism in FICTION 'REAt'REAt STORIEs on FILMFILM • VICTorian VIEWPOINTS DISCOVEr how vISUAl aNd sOUNd tECHNIQUEs COMBINe to cAPTURe tHe drIVINg mOTIOn of BRITAIN’s INDUSTRIAl REVOLUTION. -
An Introduction to the Medieval English: the Historical and Literary Context, Traces of Church and Philosophical Movements in the Literature
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 8 No. 1; February 2017 Australian International Academic Centre, Australia F l o u r is h i ng Cr ea ti v it y & L it e r ac y An Introduction to the Medieval English: The Historical and Literary Context, Traces of Church and Philosophical Movements in the Literature Esmail Zare Behtash English Language Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Seyyed Morteza Hashemi Toroujeni (Correspondence author) English Languages Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Farzane Safarzade Samani English Language Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.8n.1p.143 Received: 19/10/2016 URL: http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.143 Accepted: 23/01/2017 Abstract The Transition from Greek to medieval philosophy that speculated on religion, nature, metaphysics, human being and society was rather a rough transition in the history of English literature. Although the literature content of this age reflected more religious beliefs, the love and hate relationship of medieval philosophy that was mostly based on the Christianity with Greek civilization was exhibited clearly. The modern philosophical ideologies are the continuation of this period’s ideologies. Without a well understanding of the philosophical issues related to this age, it is not possible to understand the modern ones well. The catholic tradition as well as the religious reform against church called Protestantism was organized in this age.