AFRAMER 131Y: Enslaved Black Women Narratives and the 21St Century #Metoo Movement: a Conversation Dr

Total Page:16

File Type:pdf, Size:1020Kb

AFRAMER 131Y: Enslaved Black Women Narratives and the 21St Century #Metoo Movement: a Conversation Dr AFRAMER 131Y: Enslaved Black Women Narratives and the 21st Century #MeToo Movement: A Conversation Dr. Linda Chavers Barker Center, 114 Mondays, 12-2:45pm Note: we will not usually use all 165 minutes of class, I suggest blocking off 12-2 as absolute Contact: [email protected] Office Hours: By Appointment Office Location: 12 Quincy Street Communication Policy: If you email me on a weekday (Monday thru Thursday) I should respond within 24 hours. Any emails sent during the weekend or on holidays will be answered within 72 hours Course Description: What would happen if we genuinely paid attention to the history of American slavery? What threads could we pull from it about gender, sex and power? This course examines the current discourse around sexual harassment and assault from the #MeToo movement through the informed lens of Harriet Jacobs’s slave narrative Incidents in the Life of a Slave Girl. Both “texts” involve navigating spaces of subjugation and supremacy and yet one voice has remained steadily ignored in mainstream audiences. We will also look at the intersection of race and gender that Incidents reveals and trace how these remain intact or not through today. While there isn’t yet a week to week schedule you should know that we will generally be reading a 50-100 page book per week with smaller secondary articles, there will be required weekly blog posts, three open book quizzes, leading class discussion and no final. **Explicit Content Statement** Over the course of the semester you will be introduced to texts that may be explicit in nature (i.e. cursing, sexual content). Students should be fully aware that these types of texts, though offensive, should still be discussed with respect to the opinions of peers, the instructor, and creator of the text in question. A Note on Civility: I will not tolerate disruptive language nor disruptive behavior. Disruptive language includes, but is not limited to, violent and/or belligerent and/or insulting remarks, including sexist, racist, homophobic or anti-ethnic slurs, bigotry, and disparaging commentary, either spoken or written (offensive slang is included in this category). While I do not disagree that you each have a right to your own opinions, inflammatory language founded in ignorance or hate is unacceptable and will be dealt with immediately. Disruptive behavior includes the use of cell phones, pagers or any other form of electronic communication during the class session (e-mail, web-browsing). Disruptive behavior also includes whispering or talking when another member of the class is speaking or engaged in relevant conversation (remember that I am a member of this class as well). This classroom functions on the premise of respect, and you will be asked to leave the classroom if you violate any part of this statement on civility. ADA: Students with disabilities needing academic accommodations should in the FIRST WEEK OF CLASS register with and provide documentation to Accessible Education Office (if you haven’t done so already). It is incumbent upon you, the student, to confirm that your instructor(s) have received proper notice of your accommodations. Conflict Resolution: Should you have a concern about my teaching or policies, please schedule a meeting with me first. I am happy to meet and discuss your concerns. Attendance: You should always inform me, ahead of time when possible, about why you miss class. You have a total of two (2) absences without penalty. Three (3) absences will result in the lowering of your final grade by one (1) letter grade. Four (4) absences will result in your failure of the class. Save your absences for when you get sick or for family emergencies. All Readings are listed under the Library Reserves Tab in Canvas or provided by the instructor. Evaluation and Distribution**: Your grade for this course is based on a one thousand (1,000) point grade scale: 15% Attendance and Participation 35%: Discussion Prompts and Leading Class Discussion (Group Work) -15% - Discussion Prompts -20% - Leading Class Discussion 50%: Quizzes -50% - Quizzes Grade Scale: 900 – 1000 = A 800 – 899 = B 700 – 799 = C 699 – 600 = D 600 and below = E ** I understand you are anxious about your grades in this course. Please do not wait until the last day of class to express these concerns. I am happy to meet and discuss your progress in the course but will not consider extra credit. Late Work Policy: Late work will not be accepted unless under excruciating and documented circumstances. Each assignment has a concrete due date that you will be aware of well in advance (as in the first day of class, folks). Tweet lectures and discussions are performed in class and cannot be made up. Quizzes, once the deadline has passed, cannot be re-opened. Leading Class Discussion: From your group you and your fellow speaker will lead class discussion twice this term. You will meet with me at least a week in advance to discuss. Discussion Prompt Assignment: Your participation in this class counts! You will help me facilitate the class discussion on the topic of the week through submitting critical questions. In order to be eligible for full credit, your submission must execute ALL of the following components of the assignment: Ø You and your group scribe will post questions or prompting statements to help lead the week’s discussion twice this term. These questions should reflect your grappling with the text(s) for the week and demonstrate your knowledge of the subject. These are DUE the SUNDAY NIGHT BEFORE CLASS via email (11:59:59PM). Quizzes (700 points) Quizzes will be based on class readings and occasionally class discussions. The questions range from the straightforward who/what/where fact-based context to the loftier intellectual mini-essay-type questions pushing you to put the readings and discussion into your own articulate thoughts and arguments. Please read to make sure you stay on top of class readings and participate in class lectures to do well on quizzes! Quizzes are assigned Monday and due by the following Thursday 11:59:59PM EST. And Lastly…. I. Please do not feel you have nothing to contribute if you are unfamiliar with or do not engage popular culture on a regular basis. Your perspective is welcome and necessary to complicate what popular means! II. The tone and language used in this course will not be sugarcoated. I will intentionally provoke you in order to stimulate conversation and challenge your comfort zones. This is by no means a way to attack your personal beliefs or character; rather, my intentions are to force you to think about issues and concerns from various viewpoints outside your own. III. Please do not view me as inaccessible. Schedule appointments so I can be of assistance. IV. Do not –I repeat DO NOT – turn in writings and critical analyses that you think are “safe.” The purpose for scholarship is to challenge, stimulate conversation, and be as innovative as possible. Write fluidly and openly. Push it to the limit! Do not restrict your observations in fear of retaliation. That will not happen here. Schedule Every week there will be a forum on CANVAS for you to post a prompt for class discussion. Each of you are required to do this at least FOUR times in the term Secondary articles will be mentioned or handed out physically to be read for the following class. The idea behind the paired readings is to read the contemporary with the past. January 28th • Introductions and Context Setting: a timeline of the #MeToo Movement, how did we get here? • Homework: Read the first third of INCIDENTS by Harriet Jacobs (pp. 1-60) and Read Salamishah Tillet and Scheherazade Tillet. After the “Surviving R. Kelly” Documentary, #MeToo Has Finally Returned to Black Girls: Let’s Keep It There. The New York Times, https://www.nytimes.com/2019/01/10/opinion/r-kelly-documentary- metoo.html. (January 10, 2019) February 4th • Homework: Read the second third of INCIDENTS by Jacobs (pp. 61-120) and Read Allyson Hobbs. One Year of #MeToo: The Legacy of Black Women’s Testimonies. The New Yorker/ Conde Nast, https://www.newyorker.com/culture/personal-history/one- year-of-metoo-the-legacy-of-black-womens-testimonies. (Oct. 10, 2018) February 11th • Discussion of contrasts between Jacobs narrative and today • Homework: Read the final third of INCIDENTS by Jacobs (pp. 121-176) FEBRUARY 14TH FIRST QUIZ DUE ON CANVAS by 11:59PM February 18th (Holiday – no class) • Homework: Read selections from NARRATIVE OF SOJOURNER TRUTH by Truth February 25th • Discussion: compare and contrast Truth with Jacobs in 21st-century context • Homework: continue reading TRUTH selections and secondary article March 4th • Homework: Begin KINDRED by Octavia Butler, Prologue through The Fall, pp. 1-107 March 11th • Discussion: storytelling – movement from nonfiction to fiction – what stays true – what gets to be lied about – place in conversation with nonfiction predecessors and future narratives • Homework: Continue KINDRED, Chapters The Fight through Epilogue, pp. 108-264 MARCH 14TH SECOND QUIZ DUE ON CANVAS by 11:59PM SPRING BREAK (March 16-March 24) March 25th • Continue discussion of movement into fiction and science fiction and the story Butler is telling and its place in the 21st century with #MeToo • Homework: Read first third of CORREGIDORA by Gayl Jones, pp. 1-60 April 1st • Homework: Continue CORREGIDORA, pp. 61-120 April 8th • Homework: Finish CORREGIDORA, pp. 121-192 April 15th • Homework: Begin CITIZEN by Claudia Rankine April 22nd • Homework: Finish CITIZEN by Rankine APRIL 25th THIRD QUIZ DUE ON CANVAS by 11:59PM April 29th LAST CLASS/Reflections There is NO FINAL. Required Reading Incidents in the Life of a Slave Girl, Harriet Jacobs (1861) Narrative of Sojourner Truth, Sojourner Truth (1850) Kindred, Octavia Butler (1974) Corregidora, Gayl Jones (1975) Citizen, Claudia Rankine (2014) Secondary Readings to be Assigned Weekly (linked via CANVAS) ZAHARA HILL.
Recommended publications
  • Fellowship, Spring 2018
    feThe Newsletterll of the Woodrowow Wilson National Fellowshipsh Foundationip SPRING 2018 New Fellowship Program Focusing on Excellence in Teaching xceptional teaching has the ability to change the lives of Estudents from elementary school through college—bringing subjects alive and opening doors to new understandings and life- long interests. At the university level, teaching plays a central role in students’ path to graduation and life success. In an effort to support rising postsecondary education “stars” who love teaching, demonstrate excellence as educators, and are making their mark as exceptional researchers, poised to shape their fields, the Woodrow Wilson National Fellowship Foundation is administering a new Fellowship program through the support of the online learning library Course Hero. The Course Hero-Woodrow Wilson Fellowship for Excellence in Teaching is designed for scholars working toward tenure. Conceived as a “genius grant,” the Fellowship supports the importance of balancing scholarly excellence and outstanding undergraduate teaching practices. “Course Hero-WW Fellows will be the emerging heroes in their Neil Garg is a professor of organic fields,” Course Hero CEO and Co-Founder Andrew Grauer said. chemistry at UCLA and a Course “Educators are regularly recognized for their research and Hero Master Teacher. publications but not nearly as frequently or to the same extent for their classroom teaching. Being an exceptional educator requires more than being the leading research mind; it also requires a “The Woodrow Wilson Foundation was built on a commitment unique ability to engage, inspire, and build student confidence and to provide educators with the encouragement, supports, and mastery. The selected Fellows will be up and coming academics guidance to succeed in the academy,” said Stephanie J.
    [Show full text]
  • Fellowship: the Newsletter of the Woodrow Wilson National
    NON-PROFIT ORGANIZATION U.S. POSTAGE PAID P.O. Box 5281 PRINCETON, NJ Princeton, NJ 08543-5281 FEFALL 2011 LLOWTHE NEWSLETTER OF THESHIP WOODROW WILSON NATIONAL FELLOWSHIP FOUNDATION PERMIT #315 INSIDE WW SPEARHEADS INNOVATIVE TEACHING THE WOODROW WILSON PARTNERSHIP IN DETROIT TEACHING FELLOWSHIP WW Ohio Teaching Fellowship Expands . .3 Teaching Fellows Receive Early Accolades . .4 WW Hosts Second Teaching Fellows’ Convening . .5 The Game Changers . .5 Salamishah Tillet MN ’99, CEF ’10: The Arts: Weapon of Change, Tool of Healing . .6 DIGITAL INTELLECTUALS Edward Tenner WF ’65 . .7 Alycia Meriweather of DPS guides discussion at a late August session with new mentors and the WKKF-WW Michigan Teaching Alice Dreger CN ’94 . .8 Fellows in Detroit. Photo: Woodrow Wilson Foundation JOIN A VIRTUAL COMMUNITY OF FELLOWS BOOK SPOTLIGHT . .10 “ o matter what university you’re from,” says clinical placement,” says Constance K. Bond, the Follow the Woodrow Wilson Foundation Online! Rachel Brownstein WF ’58 NAlycia Meriweather, “you’re part of this De- Foundation’s Vice President for Teaching Fellowships. “It would be a distraction that none of us could afford, Stephanie Coontz WF ’66 troit project. I have to feel comfortable that you’re working with my kids. I have to see the evidence of or manage. o make the most of the remarkable network of Woodrow Wilson Fellows, the Foun- Carol Gilligan WF ’58 your effectiveness. If Fellows from one campus fail, Tdation has expanded its online presence. Please come join our virtual community. “Beyond that, Detroit really needs these teachers—every Mary Beth Norton WF ’64 everyone fails—and we cannot afford to fail.” The Woodrow Wilson Foundation has Facebook pages for both the Foundation as a whole one of them—to be fully prepared to make a significant impact in some challenging classrooms,” Dr.
    [Show full text]
  • The Role of Artivism in Exposing the Sexist-Ableist Nexus in Campus Rape Culture
    Acts of Public Survival: The Role of Artivism in Exposing the Sexist-Ableist Nexus in Campus Rape Culture Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Tess Elizabeth Cumpstone, MA Graduate Program in Women’s, Gender, and Sexuality Studies The Ohio State University 2018 Thesis Committee: Dr. Guisela Latorre, Advisor Dr. Margaret Price Copyright by Tess Elizabeth Cumpstone 2018 2 Abstract “Acts of Public Survival” analyzes how community-based, anti-rape art projects on college campuses challenge the sexist-ableist rhetorical maneuvers that pathologize survivors and position them as outliers requiring special treatment. This violent rhetoric is evident in messages that have been circulated by prominent public figures, as well as entrenched in the policies and administrative responses addressing sexual violence on college campuses. The impact of such rhetoric is the perpetuation and affirmation of the sub-humanization of survivors of sexual trauma. In this thesis, I put disability studies scholarship in conversation with feminist theories on sexual violence and public art in order to highlight the interconnected history of sexism-ableism in the U.S. and the function of anti-rape art projects as artivist practices on college campuses. Specifically, I will be considering Duke University’s Breaking Out Campaign, the University of Chicago’s Clothesline Project, and Emma Sulkowicz’s Mattress Performance (undertaken at Columbia University). I use grounded theory and discourse analysis to interpret digital articles written in reaction to the art projects and to track three common trends in sexist-ableist campus community responses: the narrative of special treatment, the narrative of pathology, and the narrative of willful ignorance.
    [Show full text]
  • Soyica Diggs Colbert
    Theatre Survey 57:3 (September 2016) © American Society for Theatre Research 2016 doi:10.1017/S0040557416000314 Soyica Diggs Colbert BLACK RAGE:ON CULTIVATING BLACK NATIONAL BELONGING In performances in Atlanta; Philadelphia; Washington, DC; Los Angeles; Rio de Janeiro; Chicago; and Denver in 2012, Ms. Lauryn Hill carved out space to voice black rage.1 In videos uploaded to YouTube, Hill sings, raps, talks, and riffs varied renditions of the song “Black Rage (Sketch),” a remix of Richard Rodgers and Oscar Hammerstein II’s “My Favorite Things.” During her November performance at the Electric Factory in Philadelphia, drumbeats punctu- ated Hill’s rapping and singing. Her performance took the audience on a journey meant to leave no one behind; it moved from the highly choreographed rendition of the song with musical accompaniment and Hill acting as lead vocalist and band conductor to her slowly speaking the lyrics of the song and occasionally offering analysis of her words over the shouts and applause of audience members. She explains the line “when I’m feeling sad,” saying “that’s a depressive mood.”2 As the title of her song suggests, in each reiteration Hill issues a different draft of the song, sketching her sound, mood, tempo, and emphasis with each new au- dience. Although renditions of the song shift, the lyrics consistently recount the physical, psychic, economic, and environmental vulnerability of black people in the United States. The lyrics transform the original song’s references to beloved objects—“blue satin sashes” and “snowflakes”—into ironic things such as “Black human packages tied up in strings,” which Hill described in her Philadelphia performance as a reference to bureaucracy but which also resonates with familiar images of lynching.3 Shifting from the original song’s depiction Soyica Diggs Colbert is an associate professor of African American Studies and Theater and Performance Studies at Georgetown University.
    [Show full text]
  • When Whispers Enter the Cloud
    University of Pennsylvania Carey Law School Penn Law: Legal Scholarship Repository Faculty Scholarship at Penn Law 2018 When Whispers Enter the Cloud Heidi H. Liu University of Pennsylvania Carey Law School Follow this and additional works at: https://scholarship.law.upenn.edu/faculty_scholarship Part of the Law and Gender Commons, Privacy Law Commons, and the Science and Technology Law Commons Repository Citation Liu, Heidi H., "When Whispers Enter the Cloud" (2018). Faculty Scholarship at Penn Law. 2528. https://scholarship.law.upenn.edu/faculty_scholarship/2528 This Article is brought to you for free and open access by Penn Law: Legal Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship at Penn Law by an authorized administrator of Penn Law: Legal Scholarship Repository. For more information, please contact [email protected]. HarvardJournal of Law & Technology Volume 31, Number 2 Spring 2018 WHEN WHISPERS ENTER THE CLOUD: EVALUATING TECHNOLOGY To PREVENT AND REPORT SEXUAL ASSAULT Heidi Liu* TABLE OF CONTENTS I. IN TR O D U CTIO N .............................................................................. 939 II. TECHNOLOGIES FOR SEXUAL MISCONDUCT PREVENTION ........... 942 A . P reven tion ................................................................................ 9 4 2 B. R esp o n se ................................................................................... 9 4 4 C. P redictio n ................................................................................. 9 4 6 III. EVALUATION
    [Show full text]
  • Tyler Mitchell
    513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY TYLER MITCHELL Born in 1995, Atlanta, GA Lives and works in Brooklyn, NY EDUCATION 2017 BFA, New York University Tisch School of the Arts SELECTED ONE AND TWO-ARTIST EXHIBITIONS 2021 Upcoming: Dreaming in Real Time, Jack Shainman Gallery, New York, Sept 9-Oct 30 Upcoming: I Can Make You Feel Good, Jack Shainman Gallery, New York, Sept 9-Oct 30 Upcoming: An Imaginative Arrangement of the Things Before Me, The Gordon Parks Foundation, Pleasantville, NY, September 25, 2021 - January 2, 2022 2020 I Can Make You Feel Good Pt. 2, The International Center of Photography, New York, NY 2019 I Can Make You Feel Good, Foam Fotografiemuseum Amsterdam, Amsterdam, NL SELECTED GROUP EXHIBITIONS 2019 The New BlaCk Vanguard, Aperture Foundation, October 24, 2019 -Jan 18, 2020. Traveled to: Arles, France as part of Recontres d'Arles, July 4, 2021 - September 26, 2021. 2018 The Way We Live Now, Aperture Foundation, New York, NY Labs New Artists II, Red Hook Labs, Brooklyn, NY 2016 D E E P: A Best of Vimeo ShowCase, Wish This Was Real, Brooklyn, NY WWW.JACKSHAINMAN.COM [email protected] 2015 I Feel You, Group Video Show, Wish This Was Real, Roll Gate, Brooklyn, NY Daydreamers, Alt Space, Brooklyn, NY SELECTED PRESS/BIBLIOGRAPHY 2021 Enuma Okoro, “Tyler Mitchell: visions of an American utopia” Financial Times: July 30 Amy Sherald and Tyler Mitchell, “The Epic Banal” Art in America: May 7 2020 Christiane Amanpour, “How Tyler Mitchell Creates His Black
    [Show full text]
  • I Never Called It Rape
    I NEVER CALLED IT RAPE UPDATED EDITION The Ms. Report on Recognizing, Fighting, and Surviving Date and Acquaintance Rape ROBIN WARSHAW Preface by Gloria Steinem Foreword to the 2019 Edition by Salamishah Tillet, PhD Afterword and Epilogue by Mary P. Koss, PhD Ms. Foundation/Sarah Lazin Books Previous editions of this book were published in 1988 and 1994 by Harper & Row, Publishers. I NEVER CALLED IT RAPE. Copyright © 1988, 1994, 2019 by the Ms. Foundation for Education and Communication, Inc., and Sarah Lazin Books. Foreword to the HarperPerennial edition copyright © 1994, 2019 by Robin Warshaw. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quota- tions embodied in critical articles and reviews. For information, address HarperCollins Publishers, 195 Broadway, New York, NY 10007. HarperCollins books may be purchased for educational, business, or sales pro- motional use. For information, please e-mail the Special Market Department at [email protected]. FIRST HARPER PERENNIAL EDITION PUBLISHED 1994, UPDATED 2019. Designer: Joan Greenfield Library of Congress Cataloging-in-Publication Data Warshaw, Robin I never called it rape. “Ms. magazine/Sarah Lazin Books.” Includes index. 1. Acquaintance rape—United States—Case studies. 2. Rape victims—United States—Case studies. 3. Rape—United States—Prevention. 1. Koss, Mary P. I. Ms. III. Title. HV6561.W38 1988 362.8’8 87-46180 ISBN 0-06-092572-8 ISBN 978-0-06-284430-9 19 20 21 22 23 LSC 10 9 8 7 6 5 4 3 2 1 RESOURCES Books Ask: Building Consent Culture by Kitty Stryker.
    [Show full text]
  • The Wolfe Institute the Ethyle R
    The Wolfe Institute The Ethyle R. Wolfe Institute for the Humanities, in collaboration with the Departments of Africana Studies, English, and Puerto Rican and Latino Studies, the American Studies Program, the Women’s and Gender Studies Program, and the Office of Diversity and Equity Programs, presents Remixing Nina Simone: Myth, Meme, and Icon of a Movement Salamishah Tillet is an associate professor of English and Africana Studies at the University of Pennsylvania. Her research interests include twentieth-century African American literature, film, popular music, cultural studies, and feminist theory. Her book Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination (Duke University Press, 2012) examines why and how contemporary African American artists, writers, and intellectuals remember antebellum slavery within post-Civil Rights America. She co-edited Callaloo: A Journal of African Diaspora Arts and Letters Special Issue on Ethiopia and her work has appeared in American Quarterly, Callaloo, Novel, Research in African Literatures, Savoring the Salt: The Legacy of Toni Cade Bambara, Violence in the Lives of Black Women: Battered, Black, and Blue, and Women’s Review of Books. She is currently working on a book on the civil rights icon, Nina Simone. Tillet guest blogs for The Nation and has appeared on BBC, CNN, MSNBC, and NPR, and has written editorials for The Chicago Tribune and Washington Post magazine, The Root. In 2010, she wrote the liner notes for John Legend and The Roots’ three-time Grammy award-winning album, Wake Up! In 2013, she published Gloria Steinem: The Kindle Singles Interview and was a featured speaker at the TEDxWomen conference.
    [Show full text]
  • Girl/Friends Leadership Institutes in Chicago in 2009
    BACKGROUND The history of A Long Walk Home is based on the story of sisters and co-founders Scheherazade and Salamishah Tillet. Salamishah was sexually assaulted as a teenager; and in 1998, Scheherazade began to photo document the impact of sexual assault on Salamishah’s life, launching the awarding winning, Story of A Rape Survivor (SOARS) multimedia performance for college youth leaders and administrators. Over the last eleven years, ALWH's SOARS college campaign has presented at over 300 colleges and served as an essential bridge between traditional victims' advocacy groups and low- income students and students of color. Building on this model of art, advocacy, and survivor’s leadership, ALWH expanded the programming to include the Girl/Friends Leadership Institutes in Chicago in 2009. GIRL/FRIENDS LEADERSHIP INSTITUTE Girl/Friends Leadership Institutes has partnered with two different sites in Chicago: the charter school, North Lawndale College Preparatory High School (NLCP) and the residential treatment center, Mercy Home for Boys and Girls. At NLCP, teen girls can participate in Girl/Friends through: (1) a selective yearlong afterschool program (25 youth leaders per year) and receive college credit; or (2) credits classes in school curriculum (60 youth leaders per year). BACKGROUND ABOUT NLCP NLCP is located in one of the most under-resourced neighborhoods in Chicago. NLCP has two campuses and has 950 students. The North Lawndale neighborhood is in particular need of violence prevention programming because it has the 3rd highest number of reported criminal sexual assault among Chicago’s 77 neighborhoods. Despite the prevalence of sex crimes that affect young girls in North Lawndale, there are no mental health facilities to serve survivors of domestic and sexual violence in the community.
    [Show full text]
  • Salamishah Tillet
    Manager, Student Inform From: CMC_Students Subject: FW: "Listening to Nina Simone: Myth, Meme, and the Icon of a Movement" On Behalf Of Amy Emmert Scripps College Humanities Institute invites you to an evening with Salamishah Tillet, associate professor of English at the University of Pennsylvania and co-founder of the nonprofit A Long Walk Home, as part of our spring 2014 series "Feminisms and the Radical Imagination." Tuesday, February 4, 7:30 p.m. Garrison Theater, Scripps College Performing Arts Center “Listening to Nina Simone: Myth, Meme, and the Icon of a Movement” SALAMISHAH TILLET Associate Professor of English at the University of Pennsylvania and co-founder of the nonprofit A Long Walk Home Generously co-sponsored by the Alexa Fullerton Hampton Fund Ten years after her death, Nina Simone is more popular today than when she was alive. In 2013, Beyonce name-dropped Simone as her sole predecessor in her documentary, Life is but a Dream. This same year, a character based on Simone appeared in the Broadway musical, Soul Doctor, while actress Zoe Saldana set off an Internet firestorm when she was cast in the title role in the upcoming biographical film, Nina. And no one has sampled her more than Kanye West, who has invoked her on all but one of his albums, including Yeezus’ most controversial track. In this talk, Professor Salamishah Tillet traces how Nina Simone, through her own act of self-fashioning and our subsequent reinventions of her, emerges as one of our most cherished and complicated symbols of "freedom." In 2003, Salamishah and her sister, Scheherazade Tillet, co-founded A Long Walk Home, Inc., a nonprofit that uses art therapy and the visual and performing arts to end violence against girls and women.
    [Show full text]
  • Salamishah Tillet's
    Salamishah Tillet’s The Penn alumna and English professor—survivor of two rapes while an undergraduate— has become a lauded scholar and teacher and a leading activist in the effort to end violence against women and girls. Byy Kathryn Leevyy Feldman an undergraduate at Penn in the 1990s, Salamishah the Edward W. Kane Professor of English and current department Tillet C’96 experienced some of the best and very chair. “We see her very much as the future of our department.” AS worst that a young person’s college years can offer. Much of Tillet’s work as an activist is channeled through A Long It was here that she made lasting friendships and found the Walk Home, a nonprofit she co-founded in 2003 with her sister inspiring classes and mentors that sparked her ambition to Scheherazade, which uses art therapy and the visual and perform- become a scholar and teacher herself. And it was also here that, ing arts to counter violence against girls and women. A Long Walk during her freshman year, she was sexually assaulted by a fel- Home’s programs include the multimedia performance Story of a low student—a trauma compounded by a second rape while she Rape Survivor (SOARS), based on her own story of healing. was on a study-abroad program in Kenya during her junior year. Tillet has appeared on the BBC, CNN, MSNBC, and NPR, written The rapes left her suffering from post-traumatic stress, but for The Chicago Tribune and The Root, and currently guest blogs for with the support of her family and friends, and successful The Nation.
    [Show full text]
  • The Protest Song: Bridge Leadership, Sonic Innovation, and the Long Civil Rights Movement
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 The Protest Song: Bridge Leadership, Sonic Innovation, And The Long Civil Rights Movement Julia Cox University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the African American Studies Commons, American Studies Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Cox, Julia, "The Protest Song: Bridge Leadership, Sonic Innovation, And The Long Civil Rights Movement" (2018). Publicly Accessible Penn Dissertations. 2951. https://repository.upenn.edu/edissertations/2951 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2951 For more information, please contact [email protected]. The Protest Song: Bridge Leadership, Sonic Innovation, And The Long Civil Rights Movement Abstract This dissertation tells a new story of the American Civil Rights Movement through the woman’s singing voice. The dissertation explores what is possible when political music is disentangled from patriarchal narratives of leadership and artistic genius. “The Protest Song” contends that women across the color line were pioneering new types of lyrical expressions, musical aesthetics, and performance practices that sought to articulate feminist identities inside the long black freedom movement, harnessing the power of music to push for a broader and simultaneous liberation from racial and gendered oppression. While the project prioritizes
    [Show full text]