The Early Court of Queen Victoria
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Médicos Paulistas Examinaram Jânio E Afirmam: É Louco
ícação Regime deUrgencia Classif*. Estadual em *•' B(UH SA PAOINA 2), SOBRE O NOVO SALÁRIO-MÍNIMOWeQoàata de Lacerda PÁGINA Deputada Estadual Ontem Aos Cariocas Renderá 300 Milhões 2Marílimos Poderão Parar Depois de Amanhã (LEIA NA MÉDICOS PAULISTAS Rio Sem Táxis a 3Partir de Zero Hora de Sexta-Feira EXAMINARAM JÂNIO IL E I A NA Bancários Encerraram E AFIRMAM: É LOUCO! /l Assembléia Nacional: F_ 1 ando ontem à nolU rm «m programa da — — TV-ContlaenUI, a Deputada. Concriçáu da ANO X Rio da Janeiro, Tèrça-Feira, 13 d« Setembro d« 1960 N.» 3.134 Coita Neves mostrou aoi cariocas vário» as- pectos da personalidade c do caráter do Sr. Jânio Quadro» • fia a «ensacfonal revelação: Aumento "Médico* ou Greve dio-no como (50$) Jânio que eiamlnarara louco". (LEIA NA PAGINA t.) (LEIA NA PÁGINA 8) PARA JK PRESENTE D UJUmalkAa ANIVERSÁRIO í VOTAR ___L ^^^^^^fliZ~x&m\ VIOLENTO INCÊNDIO NA PENHA: mm_ ^M'.^'m fl ___________________a___________ ^^^^^^^^^^H__________________________s*"'-'< -^"ve?b______i ^SB _¦ ______ flfl'~-"2l^H '*iáÉÈÊem NA CHAPA LOTT-JANGO TRINTA MILHÕES DE PREJUÍZOS ^L-H W^mwT^r¦¦ æ..um. i iini i ni _.. i.i ¦.ni—. i mii\ii\aMwmmÊiMmÊÊmmÊÊÈÊÊKÊmmÊÊmamimmÊmmiÊmaitmaimmm LJ I' •' i.iã*^fl '¦ .u _TSFfllÇ i^';^vÜ^.^' "*> \ T y^t^^^^^T^^ j *""**¦'?<- f **~*ií3* 5*r_rí__""* "**" -"LiüJr ._¦ ¦S^^^H ••¦;;.^' == ¦%>£k *'. - ™rj32&m J.K.. 0 pa *> «*¦ T"~ 8BSMBB— "1¦ ||t|^^'* ¦'.'' ^^23 m '«'"'^iy*^»' _• ^i&j^H ^^^¦Mri_aM^^|^| *^>^Lt-i__S__i_lJ^riLiL^t.? j*i rV^^^r^^r-i^fcV-Vk f-__d /VAIf _? WJ [_¦æ¦ nl t^B fl ' fl -t4»_i_í**,___ft."'3___'>' ^_____9_______¦ _j^_________É______P____r^jbBB^Sé ____.sjatrKÊ^^ .-mt^ffjf^A JK_W5flB R^___Hi jTj wE_w_^b£i^jy^T^ÍM fli^^ flB' -i^i"'v^H^H SI^^Lmm^H' ** Inaugurando o.lançamento de . -
Confronting Antisemitism in Modern Media, the Legal and Political Worlds an End to Antisemitism!
Confronting Antisemitism in Modern Media, the Legal and Political Worlds An End to Antisemitism! Edited by Armin Lange, Kerstin Mayerhofer, Dina Porat, and Lawrence H. Schiffman Volume 5 Confronting Antisemitism in Modern Media, the Legal and Political Worlds Edited by Armin Lange, Kerstin Mayerhofer, Dina Porat, and Lawrence H. Schiffman ISBN 978-3-11-058243-7 e-ISBN (PDF) 978-3-11-067196-4 e-ISBN (EPUB) 978-3-11-067203-9 DOI https://10.1515/9783110671964 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/ Library of Congress Control Number: 2021931477 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2021 Armin Lange, Kerstin Mayerhofer, Dina Porat, Lawrence H. Schiffman, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com Cover image: Illustration by Tayler Culligan (https://dribbble.com/taylerculligan). With friendly permission of Chicago Booth Review. Printing and binding: CPI books GmbH, Leck www.degruyter.com TableofContents Preface and Acknowledgements IX LisaJacobs, Armin Lange, and Kerstin Mayerhofer Confronting Antisemitism in Modern Media, the Legal and Political Worlds: Introduction 1 Confronting Antisemitism through Critical Reflection/Approaches -
Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Myth, the Marvelous, the Exotic, and the Hero in the Roman D'alexandre
Myth, the Marvelous, the Exotic, and the Hero in the Roman d’Alexandre Paul Henri Rogers A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (French) Chapel Hill 2008 Approved by: Dr. Edward D. Montgomery Dr. Frank A. Domínguez Dr. Edward D. Kennedy Dr. Hassan Melehy Dr. Monica P. Rector © 2008 Paul Henri Rogers ALL RIGHTS RESERVED ii Abstract Paul Henri Rogers Myth, the Marvelous, the Exotic, and the Hero in the Roman d’Alexandre Under the direction of Dr. Edward D. Montgomery In the Roman d’Alexandre , Alexandre de Paris generates new myth by depicting Alexander the Great as willfully seeking to inscribe himself and his deeds within the extant mythical tradition, and as deliberately rivaling the divine authority. The contemporary literary tradition based on Quintus Curtius’s Gesta Alexandri Magni of which Alexandre de Paris may have been aware eliminates many of the marvelous episodes of the king’s life but focuses instead on Alexander’s conquests and drive to compete with the gods’ accomplishments. The depiction of his premature death within this work and the Roman raises the question of whether or not an individual can actively seek deification. Heroic figures are at the origin of divinity and myth, and the Roman d’Alexandre portrays Alexander as an essentially very human character who is nevertheless dispossessed of the powerful attributes normally associated with heroic protagonists. -
Report of the Royal Trustees on the Sovereign Grant Review 2016
Sovereign Grant Act 2011: Report of the Royal Trustees on the Sovereign Grant Review 2016 November 2016 Sovereign Grant Act 2011: Report of the Royal Trustees on the Sovereign Grant Review 2016 Presented to Parliament pursuant to section 7(4) of the Sovereign Grant Act 2011 November 2016 This document is available in large print, audio and braille on request. Please call +44 (0)20 7270 5000 or email public. [email protected] © Crown copyright 2016 You may re-use this information (excluding logos) free of charge in any format or medium, under the terms of the Open Government Licence v.3.0. To view this licence visit www.nationalarchives.gov.uk/doc/open-government- licence/version/3/ or email [email protected] Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is available at www.gov.uk/government/ publications Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-911375-36-4 PU1988 Printed on paper containing 75% recycled fibre content minimum Contents Page Chapter 1 Introduction 3 Chapter 2 Sovereign Grant Act 2011 5 Chapter 3 Sovereign Grant Review 2016 7 Chapter 4 Review of the financial management of the Sovereign Grant 9 2012-2016 Chapter 5 Expected costs for the next 5 year period 2016-2021 11 Chapter 6 Buckingham Palace reservicing 13 Chapter 7 Conclusions of the Sovereign Grant Review 19 Annex A Summary of Sovereign Grant income and expenditure 2012- 21 2016 1 1 Introduction 1.1 Since 1760, when George III agreed to surrender the net income of the Crown Estate to the Exchequer in return for a fixed annual payment, the government has provided financial support to the Sovereign. -
The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18
SOVEREIGN GRANT ACT 2011 The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18 Presented to Parliament pursuant to Section 2 and Section 4 of the Sovereign Grant Act 2011 Ordered by the House of Commons to be printed 27 June 2018 HC 1153 © Crown copyright 2018 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us using the contact details available at www.royal.uk ISBN 978-1-5286-0459-8 CCS 0518725758 06/18 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK on behalf of the Controller of Her Majesty’s Stationery Office. Produced by Impress Print Services Limited. FRONT COVER: Queen Elizabeth II and The Duke of Edinburgh visit Stirling Castle on 5th July 2017. Photograph provided courtesy of Jane Barlow/Press Association. CONTENTS Page The Sovereign Grant 2 The Official Duties of The Queen 3 Performance Report 9 Accountability Report: Governance Statement 27 Remuneration and Staff Report 40 Statement of the Keeper of the Privy Purse’s Financial Responsibilities 44 The Certificate and Report of the Comptroller and Auditor General to the Houses of 46 Parliament and the Royal -
Mrs Brown by Jeremy Brock Ext. the Grounds Of
MRS BROWN BY JEREMY BROCK EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Begin on black. The sound of rain driving into trees. Something wipes frame and we are suddenly hurtling through a forest on the shoulders of a wild-eyed, kilted JOHN BROWN. Drenched hair streaming, head swivelling left and right, as he searches the lightening-dark. A crack to his left. He spins round, raises his pistol, smacks past saplings and plunges on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT Close-up on BROWN as he bangs against a tree and heaves for air. A face in its fifties, mad-fierce eyes, handsome, bruised lips, liverish. He goes on searching the dark. Stops. Listens through the rain. A beat. Thinking he hears a faint thump in the distance, he swings round and races on. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN tears through the trees, pistol raised at full arm's length, breath coming harder and harder. But even now there's a ghost grace, a born hunter's grace. He leaps fallen branches, swerves through turns in the path, eyes forward, never stumbling once. EXT. THE GROUNDS OF WINDSOR CASTLE, FOREST - NIGHT BROWN bursts into a clearing, breaks to the centre and stops. With his pistol raised, he turns one full slow circle. His eyes take in every swerve and kick of the wildly swaying trees. There's a crack and a branch snaps behind him. He spins round, bellows deep from his heart: BROWN God save the Queen!! And fires. Nothing happens. The trees go on swaying, the storm goes on screaming and BROWN just stands there, staring into empty space. -
Queen Victoria: the Mother of Modem Celebrity
Queen Victoria: the Mother of Modem Celebrity. An Honors Thesis (Honors 499) By Emily M. Rohrs Thesis Advisor Dr. Alves Ball State University April 2007 Graduation: May 5, 2007 Abstract '; Celebrity culture has become a pervasive multi-million dollar industry. Our daily lives are saturated with media coverage of celebrities through magazines, newspapers, television news, talk shows, advertisements, and the internet. It is difficult to imagine a time before Hollywood, but by tracing the roots of modem celebrity, we can better understand this global phenomenon. By providing information on the changing status of the British monarchy, the growth of the media and advertising industries, the development of consumerism and by documenting advances in technology, I demonstrate that modem celebrity traces its roots to the reign of Queen Victoria. Acknowledgments - I would like to express my sincere gratitude to Dr. Abel Alves, without whom this project could not have been completed. His guidance and support as my advisor have been invaluable throughout this process. He has been an inspirational teacher who cultivated my interest in the study of history. - I would also like to thank Dr. Carolyn Malone for her willingness to provide source suggestions and for contributing ideas during the brainstorming process. She has been an exceptional teacher. I credit her with stimulating and encouraging my interest in this particular area of history. - It is also appropriate to thank Reesa Rohrs for proofreading my drafts for spelling and grammatical errors and for supporting me throughout my educational career. Images Figure 1 Grant, Charles. "The Field Marshall of the British Empire." The Penny Satirist, 29 July 1837, 1. -
The Elizabethan Court Day by Day--1578
1578 1578 At HAMPTON COURT, Middlesex. Jan 1, Wed New Year gifts. Among 201 gifts to the Queen: by Sir Gilbert Dethick, Garter King of Arms: ‘A Book of the States in King William Conqueror’s time’; by William Absolon, Master of the Savoy: ‘A Bible covered with cloth of gold garnished with silver and gilt and two plates with the Queen’s Arms’; by Petruccio Ubaldini: ‘Two pictures, the one of Judith and Holofernes, the other of Jula and Sectra’.NYG [Julia and Emperor Severus]. Jan 1: Henry Lyte dedicated to the Queen: ‘A New Herbal or History of Plants, wherein is contained the whole discourse and perfect description of all sorts of Herbs and Plants: their divers and sundry kinds: their strange Figures, Fashions, and Shapes: their Names, Natures, Operations and Virtues: and that not only of those which are here growing in this our Country of England, but of all others also of sovereign Realms, commonly used in Physick. First set forth in the Dutch or Almain tongue by that learned Dr Rembert Dodoens, Physician to the Emperor..Now first translated out of French into English by Henry Lyte Esquire’. ‘To the most High, Noble, and Renowned Princess, our most dread redoubtful Sovereign Lady Elizabeth...Two things have moved me...to offer the same unto your Majesty’s protection. The one was that most clear, amiable and cheerful countenance towards all learning and virtue, which on every side most brightly from your Royal person appearing, hath so inflamed and encouraged, not only me, to the love and admiration thereof, but all such others also, your Grace’s loyal subjects...that we think no travail too great, whereby we are in hope both to profit our Country, and to please so noble and loving a Princess...The other was that earnest and fervent desire that I have, and a long time have had, to show myself (by yielding some fruit of painful diligence) a thankful subject to so virtuous a Sovereign, and a fruitful member of so good a commonwealth’.. -
On the National Debt
ON THE NATIONAL DEBT T the æra of the Revolution no national debt existed ; i. e. no debt debtA borrowed on Parliamentary security, for discharging the interest of which, national taxes were imposed and mortgaged. It is one of the most astonishing facts in all the records of history, that in the century which has elapsed since that memorable event, a debt has been contracted by the Government of this country, which cannot be estimated at less than two hundred and fifty millions sterling ; a sum so vast, that it probably exceeds the whole aggregate value of the precious metals actually in circulation throughout all the kingdoms of the globe. A political phenomenon so extraordinary could not fail to excite the attention, and employ the sagacity, of the ablest statesmen and philosophers, closely connected as it is with considerations of the utmost importance to the welfare, and even the exigence of the state. In opposition, however, to the most confident predictions, and indeed contrary to every apparently reasonable ground of expectation, we find by experience, that the kingdom is not only capable of sustaining the pressure of this immense load, but that it exhibits plain indications of internal vigour, and even of increasing wealth and prosperity. That there is a point, however, beyond which the accumulation of the public debt must prove destructive and fatal, cannot be doubted ; and to this general conviction we owe the late institution of a permanent fund for its gradual redemption. It is well known, that in the year 1716, Sir Robert Walpole established a fund, distinguished by the appellation of the Sinking Fund, which was appropriated, under the authority of Parliament, to the sole purpose of redeeming the national debt, at that time amounting to about fifty millions. -
Torrington, the Lord in Waiting to the Queen, Appointed by Her Majesty to Be in Attendance on the Shah and Will Meet His Majesty at Gravesend
Torrington, the Lord in Waiting to the Queen, appointed by Her Majesty to be in attendance on The Shah and will meet His Majesty at Gravesend. On arrival at Gravesend His Majesty will embark on board the Steamer “Duke of Edinburgh”, where He will be received by His Royal Highness. His Majesty’s Attendants and Baggage will be landed at Gravesend and sent from thence to Victoria Station and Buckingham Palace. The Steamer will then proceed to the Stairs at Westminster, where it will arrive at 6 o’Clock Field-Marshal His Royal Highness The Duke of Cambridge,K.G., will here await His Majesty’s arrival and accompany Him to Buckingham Palace. His Majesty will be received on landing at the Stairs at Westminster by the Master of the Horse, The Duke of Portland, and will be conducted by him to the Queen’s State Carriages, in which His Majesty accompanied by Their Royal Highnesses, will then proceed to Buckingham Palace, escorted by a Field Officers’ Escort of Life Guards by Whitehall, the Horse Guards, and the Mall, St James’s Park, which will be lined with Household Troops. A Guard of Honour will be stationed near the Landing Place. On arrival at Buckingham Palace, where a Guard of Honour will be stationed, The Shah will be received by Her Royal Highness The Princess of Wales, with Their Royal Highnesses The Princesses Louise,Victoria, and Maud of Wales, attended by Her Royal Highness The Princess Louise, Marchioness of Lorne, and the Marquis of Lorne, K.T., will also be present to receive His Majesty.