Academic Year Calendar Semester I2011-2012 R

Total Page:16

File Type:pdf, Size:1020Kb

Academic Year Calendar Semester I2011-2012 R Academic Year Calendar Introduction ᮣ Semester I 2011-2012 Fri. Aug. 26 New students arrive 1 Mon. Aug. 29 Classes begin Mon. Sept. 5 No classes—Labor Day Fri. Oct. 21 Fall Break begins after last class Wed. Oct. 26 Classes resume Tues. Nov. 22 Thanksgiving Break begins after last class Mon. Nov. 28 Classes resume Wed. Dec. 7 Classes end Fri. Dec. 9 Final exams begin Wed. Dec. 14 Christmas Break begins after last exam Semester II 2011-2012 Wed. Jan. 11 Classes begin Mon. Jan. 16 No classes—Martin Luther King Day Thurs. Feb. 16 No classes—Student Research Conference Fri. Mar. 2 Spring Break begins after last class Mon. Mar. 19 Classes resume Thurs. Apr. 5 Easter Break begins after last class Tues. Apr. 10 Classes resume Wed. May 2 Classes end Fri. May 4 Final exams begin Wed. May 9 Final exams end Sat. May 12 Graduate Commencement Sun. May 13 Baccalaureate and Undergraduate Commencement ᮣ Summer 2012 Mon. May 21 Term 1 classes begin Fri. June 22 Term 1 classes end Mon. June 25 Term 2 classes begin Fri. July 27 Term 2 classes end Mon. May 21 Term 3 classes begin Fri. July 27 Term 3 classes end Sources of Information HEIDELBERG UNIVERSITY, Tiffin, Ohio 44883-2462 2 TELEPHONE SUBJECT OFFICE AREA CODE: 419 Admission Vice President for Enrollment 448-2330 Adult Programs Vice President for Academic Affairs 448-2216 Alumni Affairs Director of Alumni Relations 448-2059 Arrowhead Campus Director of Arrowhead Park 893-4000 Athletics Athletic Director 448-2019 Business Matters Vice President for Administration 448-2000 Career Placement, Employment Director of Academic and Career Support 448-2301 Employment of Teachers Teacher Placement Bureau 448-2125 Financial Aid Director of Financial Aid 448-2293 General Information University Operator 448-2000 General Matters The President 448-2202 Graduate Studies Office of Graduate Studies 448-2288 Institutional Advancement Vice President for Institutional Advancement 448-2383 Payment of Tuition, Fees Business Officer 448-2183 Publications, Publicity Director of University and Media Relations 448-2031 Student Affairs Dean of Student Affairs 448-2062 Study Abroad Office of International and Multicultural Academic Programs 448-2207 Summer School Academic Affairs 448-2216 Transcripts, Grades Registrar 448-2090 University Relations Director of University Relations 448-2031 Individual Rights From its founding, Heidelberg University has believed in the dignity of the individual, and it is an affirmative action, equal opportunity institution. Heidelberg does not discriminate on the basis of race,color, national and ethnic origin, religion, age, political affiliation, socioeconomic status, student orientation or disability in the administration of its admission policies, educational policies and programs, financial aid programs, employment practices and athletic and other school-administered programs and activities. Heidelberg University Rights The provisions of this Catalog are not to be regarded as a contract between any student and the University. Course content and regulations are under constant review and revision. The University reserves the right in its sole judgment to change any course, program, provision, regulation or requirement set forth herein. The foregoing changes may include, without limitation, the elimination of programs, departments or courses, the modification of tuition, fees, admission standards, degree and course requirements, and the contents of any course or program, and the cancellation or rescheduling of classes or other academic activities. Heidelberg University Table Of Contents Introduction Introduction Academic Year Calendar ................................................................................................. 1 3 Sources of Information ...................................................................................................2 Table of Contents ...........................................................................................................3 The University Accreditation and Affiliation ...........................................................................................6 Campus Buildings and Facilities ......................................................................................6 History .........................................................................................................................5 Academic Policies and Resources Policies ........................................................................................................................11 Resources ................................................................................................................... 27 Academic Programs .....................................................................................................30 Programs of Study Accounting Major ........................................................................................................44 Anthropology Major ....................................................................................................80 Archaeology Minor ......................................................................................................80 Art Minor ................................................................................................................... 37 Athletic Training Major................................................................................................. 37 Biology Major and Minor ............................................................................................. 42 Broadcast Journalism Minor ..........................................................................................50 Business Administration Major ......................................................................................44 Business Administration, Master of ................................................................................45 Business, School of.......................................................................................................44 Chemistry Major and Minor ..........................................................................................46 Chinese ......................................................................................................................64 Communication and Theatre Arts Major .........................................................................47 Communication Minor .................................................................................................50 Computer Information Systems Major............................................................................ 51 Computer Science Major and Minor ............................................................................... 51 Counseling, Master of Arts in ........................................................................................82 Criminal Justice Major ..................................................................................................81 Cultural Anthropology Minor ........................................................................................81 Economics Major and Minor .........................................................................................45 Education, Master of Arts in ..........................................................................................56 Education Major .......................................................................................................... 51 English Language Institute ............................................................................................58 English, School of ........................................................................................................ 57 Environmental Science Major and Minor ........................................................................43 Film Studies Minor.......................................................................................................58 Forensic Science Program .............................................................................................60 French........................................................................................................................65 Geology-Earth Science .................................................................................................60 Geology Minor.............................................................................................................60 German Major and Minor ..............................................................................................65 Greek .........................................................................................................................65 Health & Physical Education .........................................................................................60 Health, Physical Education and Recreation Major ............................................................60 History Major and Minor ..............................................................................................62 Honors Program ..........................................................................................................62 International Studies Major and Minor ...........................................................................63 Intervention Specialist Licensure...................................................................................56 Japanese .....................................................................................................................66 Latin American Studies Minor .......................................................................................66
Recommended publications
  • Winter 2011-2012
    NNootteess The Newsletter of Readifolk Issue 12 Reading's folk song Winter 2011/12 and music club McKinnon & Anne Tarrant and Bob & Gill Berry for giving us Welcome two really enjoyable evenings. But on a sadder note, it was because of serious illness that to another Readifolk Johnny Silvo had to cancel his UK Autumn tour, which included an appearance at Readifolk. Reports indicate that his illness newsletter has now become terminal. Our thoughts are with Johnny and his family as we recall the many happy times shared with him. Rumblings from the Roots Looking forward to the new year, we have already booked Welcome to the Winter edition of Notes. With this edition we many excellent guests. You will see from the previews and the welcome in another New Year and we take this opportunity of listing on the back page that we have several newcomers to wishing you all a very happy and successful 2012. the club in the first quarter. Some of them are well­established artists and some are younger performers who we feel are We are delighted with the new format of Notes which Stewart destined for greater things. Do look up their details on their has compiled. As well as several interesting articles and news web sites etc., and you can listen to tracks from all of the items, we include previews of all the forthcoming artists in the artists in a special preview edition of The Readifolk Radio first quarter of the year. It was felt preferable to give previews Show, broadcast on Reading4U, Reading's community radio of artists rather than reviews of past performances, so that you station on www.reading4u.co.uk on Friday 30 December.
    [Show full text]
  • Name, a Novel
    NAME, A NOVEL toadex hobogrammathon /ubu editions 2004 Name, A Novel Toadex Hobogrammathon Cover Ilustration: “Psycles”, Excerpts from The Bikeriders, Danny Lyon' book about the Chicago Outlaws motorcycle club. Printed in Aspen 4: The McLuhan Issue. Thefull text can be accessed in UbuWeb’s Aspen archive: ubu.com/aspen. /ubueditions ubu.com Series Editor: Brian Kim Stefans ©2004 /ubueditions NAME, A NOVEL toadex hobogrammathon /ubueditions 2004 name, a novel toadex hobogrammathon ade Foreskin stepped off the plank. The smell of turbid waters struck him, as though fro afar, and he thought of Spain, medallions, and cork. How long had it been, sussing reader, since J he had been in Spain with all those corkoid Spanish medallions, granted him by Generalissimo Hieronimo Susstro? Thirty, thirty-three years? Or maybe eighty-seven? Anyhow, as he slipped a whip clap down, he thought he might greet REVERSE BLOOD NUT 1, if only he could clear a wasp. And the plank was homely. After greeting a flock of fried antlers at the shevroad tuesday plied canticle massacre with a flash of blessed venom, he had been inter- viewed, but briefly, by the skinny wench of a woman. But now he was in Rio, fresh of a plank and trying to catch some asscheeks before heading on to Remorse. I first came in the twilight of the Soviet. Swigging some muck, and lampreys, like a bad dram in a Soviet plezhvadya dish, licking an anagram off my hands so the ——— woundn’t foust a stiff trinket up me. So that the Soviets would find out.
    [Show full text]
  • Stanford Symphony Orchestra Stanford Symphonic Chorus Stanford University Singers
    Stanford Symphony Orchestra Stanford Symphonic Chorus Stanford University Singers Paul Phillips and John Mauceri, Conductors WHEN: VENUE: Saturday, March 10 BInG 7:30 PM cOncErt haLL Sunday, March 11 2:30 PM Photo: Jan Malý Artists Notes Stanford Symphony Orchestra Leonard Bernstein (1918-1990) Paul Phillips, Music Director and Conductor On the Waterfront – Symphonic Suite From the Film (1954/5) Stanford Symphonic Chorus Stephen M. Sano, Director “I heard music as I watched: that was enough.” the 36-year-old Bernstein was Stanford University Singers in a screening room watching a rough- robert huw Morgan, Director cut of a hard-hitting movie exposing corruption and exploitation on the new york city docks. the screening was Program enough to fire Bernstein’s imagination: “day after day I sat at a movieola, Leonard Bernstein: On the Waterfront – Symphonic Suite from the Film (1954/5) running the print back and forth, Paul Phillips, conductor measuring in feet the sequences I had chosen for the music, converting feet Danny Elfman: Concerto for Violin and Orchestra, Eleven Eleven (2017) into seconds by mathematical formula, I. Grave; Animato. Lento making homemade cue sheets.” II. Spietato. allegro furioso Scoring the movie took Bernstein from III. Fantasma. adagio espressivo February to May 1954. his flourishing IV. Giocoso; Lacrime. allegro brillante career as a composer of symphonies, scores for Broadway, as a leading Sandy cameron, violin soloist conductor, pianist and teacher at home John Mauceri, guest conductor and abroad, and other aspects of the life of an increasingly omnipresent —INTERMISSION— musician, were put on hold. the finished movie On the Waterfront, written William Walton: Belshazzar’s Feast (1930–31, rev.
    [Show full text]
  • Issue 124.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 124 November Oxford’s Music Magazine 2005 TwizzTwizzTwizz twangle &&& pppaaatststsyyy decline The method in their madness - interview inside Also inside - news, reviews and six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] SEXY BREAKFAST have split up. The band, who have been a mainstay of the local scene for almost ten years, bowed out with a gig at the Zodiac supporting The Paddingtons last month. Frontman Joe Swarbrick is set to form a new band; in the interim he will be playing a solo gig at the Port Mahon on Saturday 26th November. The Barn at The Red Lion, Witney THE EVENINGS head off on a UK tour Live Music November Programme this month to promote their new ‘Louder In the Dark’ EP on Brainlove Records. The Fri 4th RUBBER MONKEYS THE YOUNG KNIVES head out on their new EP is officially released on November th th Sat 5 SLEEPWALKER biggest ever UK tour this month to 7 ; the band play at the Cellar on th rd Sun 6 DEAD MEN’S SHOES promote new single, ‘The Decision’, on Thursday 3 November with support th Transgressive Records. The new single is a from Applicants, Open Mouth and Fri 11 THE WORRIED MEN th re-recording of 2004’s release on Hanging Napoleon III. The Evenings’ ‘Let’s Go Sat 12 GATOR HIGHWAY th Out With the Cool Kids, which topped Remixed’ album is now set to be released Sun 13 MICHAEL Nightshift’s end of year Top 20 chart.
    [Show full text]
  • Contemporary Alt-Folksong and Articulations of Place Type the Sis URL Dat E 2 0 1 4 Citation Lamb, John R
    Title I Cannot Sing You Here, But For Songs of Where: Contemporary Alt-folksong and Articulations of Place Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/7765/ Dat e 2 0 1 4 Citation Lamb, John R. B. (2014) I Cannot Sing You Here, But For Songs of Where: Contemporary Alt-folksong and Articulations of Place. PhD thesis, University of the Arts London and Falmouth University. Cr e a to rs Lamb, John R. B. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author I Cannot Sing You Here, But For Songs of Where: Contemporary Alt-folksong and Articulations of Place. A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy By John R. B. Lamb University of the Arts London. Submitted April 2014. 1 Acknowledgements The first and largest thanks must go to Dr David Prior and Professor John Hall for their constant support, advice and generosity during my research. It could not have been completed without them, and I could not have wished or hoped for a more thorough and understanding pair of supervisors. My heartfelt thanks to you both. Thanks too to my family, with special mention for my brother, whose kindly shadow remains over me, always. I would also like to thank all of those who contributed either verbally, musically, or both, to my thesis: Jen Macro, Mary Hampton, Darren Hayman, Chris T-T, Al Nero, Gris Sanderson, Stacey Sewell, Helen Sharp, Scott Maple, Stephen Burch, Seamus Harahan and my old friend Laurence Collyer.
    [Show full text]
  • Issue 192.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 192 July Oxford’s Music Magazine 2011 BellowheadBellowheadBellowhead Staying out for the summer The official Best Live Band on the planet prepare for Cornbury and Truck plus Introducing Prospekt Dee D Jackson remembered and local music news, previews and reviews photo: David Angel NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 jericho NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net out this month. The annual live music mini-festival, takes place at the Red Lion and the Wheatsheaf in Drayton on Saturday 30th July. The event is organised by Drayton- based indie starlets Dead Jerichos. Acts set to play across three stages include Secret Rivals, Dead Jerichos, Tamara & The Martyrs, STORNOWAY celebrate playing Black Hats, Samuel Zasada, The their most prestigious headline Anydays, Charly Coombes & The show to date at Somerset House, New Breed, Alphabet Backwards by releasing a limited edition EP of and Vixens. acoustic tracks the band recorded A warm-up show for the festival for their label, 4AD, in the rotunda takes place on Saturday 9th July, of Graham Greene’s old house last featuring Dead Jerichos with The year. The EP, which features DB Band, Braindead Collective and specially hand-made artwork by Hooks. drummer Rob Steadman, features four songs: ‘Fuel Up’, ‘Here BACK & TO THE LEFT, who Comes The Blackout’, ‘On The publish the quarterly Oxfordshire Rocks’ and ‘Watching Birds’ and is Music Scene magazine, have THE HORRORS return to Oxford later this year.
    [Show full text]
  • October 2016 New Releases What’S Featured Exclusives PAGE Inside
    October 2016 New Releases what’s featured exclusives PAGE inside Music 3 RUSH Releases Available Immediately! 71 DVD & Blu-ray Music Video DVD & Blu-ray 3 FEATURED RELEASES Non-Music Video DVD & Blu-ray 9 Vinyl MORPHINE - JOURNEY BRIDE OF RE-ANIMATOR PORTLANDIA: SEASON 6 Audio 29 OF DREAMS PAGE 12 PAGE 23 CD PAGE 5 Audio 35 MVD Distribution Independent Releases 63 Order Form 76 Deletions and Price Changes 74 ARCHERS OF LOAF - VAN DER GRAAF ELECTRIC SIX - FRESH 800.888.0486 CURSE OF THE LOAF: GENERATOR - DO NOT BLOOD FORTIRED LIMITED EDITION 2LP... DISTURB... VAMPYRES LIMITED VINYL 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com PAGE 28 PAGE 34 PAGE 43 MORPHINE - THE TUBES - DON MCLEAN - JOURNEY OF DREAMS LIVE AT GERMAN TELEVISION: THE STARRY STARRY NIGHT Mr. Sandman, bring me a JOURNEY OF DREAMS! MUSIKLADEN CONCERT 1981 ‘Low rock’ legends MORPHINE lead the MVD charge in October with the quintessential DVD documentary of the band JOURNEY OF DREAMS. Witness numbing live performances and see and hear the story of the iconic group, told by surviving members and notable fans like Henry Rollins and Joe Strummer. JOURNEY OF DREAMS tracks Morphine’s meteoric rise from club band to international icons. Getting progressively better with age are VAN DER GRAAF GENERATOR with their brand new album DO NOT DISTURB, available on CD and limited edition 180 gram vinyl! Ethereal and excellent! Legendary theatrical rock band THE TUBES get their due on DVD and CD in October with LIVE AT GERMAN TELEVISION: THE MUSIKLADEN CONCERT 1981. Taped at the band’s zenith, this release features the album THE COMPLETION BACKWARDS PRINCIPLE, featuring the hits “Talk to Ya Later” and “Don’t Want to Wait Anymore.” Re-connect with the organic adventures of Fred and Carrie with the latest installment of the comedy series PORTLANDIA! Season 6 features guest stars Danzig, The Flaming Lips, Louis C.K.
    [Show full text]
  • UNIVERSAL MUSIC • Sharon, Lois & Bram – 1234 Live! • Edward Sharpe
    Sharon, Lois & Bram – 1234 Live! Edward Sharpe And The Magnetic Zeros – PersonA Royce Da 5’9” – Layers Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-14 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final February 22nd 2016 / 22 février 2016 To: All Universal Music Commercial Partners/ À tous les partenaires commerciaux de Universal Music Please note these discontinued selections from the Universal Music domestic catalogue. We have prepared an alphabetical listing (by artist) as well as a numeric listing. All partners must be in current standing with Universal Music in order to receive full credit. Please forward all discontinued return requests to your local Universal Music Sales Representative by Friday, June 3rd 2016. All authorized discontinued products must be returned to our distribution centre no later than Thursday, June 30th 2016. A complete list of titles is available at http://www.umcreleasebooks.ca Please contact your local Universal Music Canada representative should you have any questions. Veuillez prendre note que la liste suivante représente les sélections discontinuées du catalogue domestique de Universal Music. Nous avons préparé une liste par ordre alphabétique (par artiste) ainsi qu’une liste par ordre numérique. Tous les partenaires se doit d’avoir un crédit courant en bonne et due forme avec Universal afin d’être admissible à ce crédit. Veuillez faire parvenir toutes les demandes de retour des produits discontinués à votre représentant chez Universal Music avant le vendredi 3 juin 2016.
    [Show full text]
  • Shifting Sands Angus Willson
    Shifting Sands my music www.pannage.com Angus Willson Contents LPs recorded on tape in the summer of 1973 Dodgy tapes Bob Dylan, Neil Young, Nils Lofgren Pre-recorded tapes 1973-74 Musical influences Melanie to Adele Music of the late 70s Rolling Stones and Pink Floyd Music of the eighties Greatest albums of the past 20 years Music of the nineties Music of the noughties Reaching Back Blues, Soul and World Now that’s what I call music Music of the tens Open for comments at www.pannage.com/my-music 21 December 2013 Updated Nov 2016 Angus Willson 2 | Angus Willson LPs recorded on tape in the summer of 1973 Like many people a key part of my mis-spent youth was enjoyed listening to music. Unfortunately, this included the crucial spell prior to my A' Level exams when I realised the access to a range of my friend's music would be coming to an end. There was only one thing for it and that was to buy a dozen C90 cassette audio-tapes and get recording. Eighteen hours of music recorded from LPs in the summer of 1973: The Jimi Hendrix Experience – Electric Ladyland Jimi Hendrix – Band of Gypsys Jimi Hendrix – In the West Rolling Stones – Exile on Main Street Rolling Stones – Get Yer Ya-Yas Out! Simon and Garfunkel – Bookends Simon and Garfunkel – Bridge Over Troubled Water Paul Simon – Paul Simon Jeff Beck – Truth Allman Brothers – Eat A Peach Led Zeppelin – II Emerson, Lake and Palmer – ELP The Nice – Five Bridges Bob Dylan – Highway 61 Revisited Bob Dylan – Bringing It All Back Home Part of Concert for Bangladesh James Taylor – Sweet Baby James Carole King – Tapestry King Crimson – In the Court of the Crimson King Pink Floyd – Atom Heart Mother Melanie – Candles In The Rain Francoise Hardy – Sings in English Francoise Hardy – Sings About Love That's a class selection, except ELP, I reckon.
    [Show full text]
  • Nicholls Prelims
    the cambridge history of AMERICAN MUSIC The CambridgeHistory of American Musiccelebrates the richnessof America’s musical life. It is the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Na- tive,European, African, Asian, andother sources. TheHistory begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until1900. Other contributors examine the growth and influence of popular musics, includ- ing film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions. david Nichol l s is Professor of Music at the University of Southampton. He is the author of American Experimental Music, 1890--1940 (Cambridge, 1990) and contributing editor of The Whole World of Music: A Henry Cowell Symp osi um (1997), and The C ambridge Companion to John Cage (2002). He is also editor of the journal American Music.. the cambridge history of MUSIC The Cambridge History of Music comprises a group of reference works concerned with significant strands of musical scholarship. The indi- vidual volumes are self-contained and include histories of music ex- amined by century as well as the history of opera, music theory and American music. Each volume is written by a team of experts under a specialist editor and represents the latest musicological research.
    [Show full text]
  • AQA Aos6: Contemporary Traditional Music
    KSKS55 AQA AoS6: Contemporary traditional music Simon Rushby is a by Simon Rushby freelance teacher, writer and musician, and was a director of music and senior leader in secondary schools for many INTRODUCTION years. He is the author of books In this resource we will look at music by the artists and composers prescribed by AQA in Area of Study 6: and resources for Contemporary Traditional Music. The focus will be on providing background on these artists and exploring music education, an examiner and selected music, with suggested listening and essay questions that you can use with your AS and A level a songwriter, students. composer and performer. He has also been a principal examiner AQA’s Appraising Exam for A level music. AQA’s AS and A level qualifications in music have three components, the first of which is Appraising, worth 40% of each qualification’s total marks. Appraising is assessed in the form of an exam paper with three sections: Listening, Analysis and Essay. There are six Areas of Study (AoS) at AS level, and seven at A level. AoS 1 (the Western classical tradition 1650-1910) is compulsory for all students, and they must answer questions on one of the other six for AS, and two for A level. The format of the summer exam is quite complex, but essentially students will have to answer questions as follows: AS LEVEL Section A (Listening) One set of questions on AoS1, and another set of questions on their chosen AoS. A set of questions comprises listening questions on four excerpts of unfamiliar music by the artists specified by AQA, and one of these questions will require an extended answer.
    [Show full text]
  • From Serious Leisure to Serious Work, Or, When Folk Music Struck a Chord: Careers, Habermasian Rationality and Agency
    Citation: Henderson, S and Spracklen, K (2015) From Serious Leisure to Serious Work, or, When Folk Music Struck a Chord: Careers, Habermasian Rationality and Agency. Leisure/ Loisir, 38 (3-4). pp. 207-224. ISSN 2151-2221 DOI: https://doi.org/10.1080/14927713.2015.1042210 Link to Leeds Beckett Repository record: https://eprints.leedsbeckett.ac.uk/id/eprint/4293/ Document Version: Article (Accepted Version) The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis. Manuscript: LL-14.025 From serious leisure to serious work, or, when folk music struck a chord: careers, Habermasian rationality and agency Abstract This paper uses the English folk music scene to consider the career arc that can develop when leisure turns to work for folk musicians.
    [Show full text]