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Small Episodes, Big Detectives
Small Episodes, Big Detectives A genealogy of Detective Fiction and its Relation to Serialization MA Thesis Written by Bernardo Palau Cabrera Student Number: 11394145 Supervised by Toni Pape Ph.D. Second reader Mark Stewart Ph.D. MA in Media Studies - Television and Cross-Media Culture Graduate School of Humanities June 29th, 2018 Acknowledgments As I have learned from writing this research, every good detective has a sidekick that helps him throughout the investigation and plays an important role in the case solving process, sometimes without even knowing how important his or her contributions are for the final result. In my case, I had two sidekicks without whom this project would have never seen the light of day. Therefore, I would like to thank my thesis supervisor Toni Pape, whose feedback and kind advice was of great help. Thank you for helping me focus on the important and being challenging and supportive at the same time. I would also like to thank my wife, Daniela Salas, who has contributed with her useful insight, continuous encouragement and infinite patience, not only in the last months but in the whole master’s program. “Small Episodes, Big Detectives” 2 Contents Introduction ...................................................................................................................... 4 1. Literature Seriality in the Victorian era .................................................................... 8 1.1. The Pickwick revolution ................................................................................... 8 -
DRAFT Staff Report
COMMISSION FOR HISTORICAL & ARCHITECTURAL PRESERVATION Brandon M. Scott Tom Liebel, Chairman Chris Ryer Mayor Director STAFF REPORT February 9, 2021 REQUEST: Construct rear/rooftop addition with front deck/balcony ADDRESS: 223 E. Churchill Street (Federal Hill Historic District) APPLICANT: Jim Shetler, AIA, Trace Architects OWNER: Andrew Germek STAFF: Walter W. Gallas, AICP RECOMMENDATION: Approval with final details to be reviewed and approved by CHAP staff SITE/HISTORIC DISTRICT General Area: The property is located in the Federal Hill Historic District on the south side of E. Churchill Street in a block bounded by William Street on the west, Warren Avenue on the south, and Battery Street on the east. (Images 1-2). Comprising about 24 city blocks with street names retained from its original colonial settlement, Federal Hill is located just south of the Inner Harbor. At its northeast corner, Federal Hill Park rises steeply from Key Highway overlooking the downtown skyline. The neighborhood retains intact streets of largely residential properties reflecting the eras in which they were built and the economic status of their early residents. Site Conditions: The existing property is a narrow two-bay two-story masonry house with a shallow side-gabled roof. The three windows at the façade are 6/6. The first floor window and the front door with transom have jack arches. Along the east side of the house is a narrow walkway accessing the rear, and which has an easement enabling access to the rear yards of houses on Warren Avenue (Images 3-5). The house appears on the 1890 Sanborn map, looking like the smallest house on the block, with two stories and a one-story rear addition (Image 6). -
Notes for an Unwritten Biography of William Trevor
Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67). -
Panelist Bios
PANELIST BIOGRAPHIES CATE ADAIR Catherine Adair was born in England, spent her primary education in Switzerland, and then returned to the UK where she earned her degree in Set & Costume Design from the University of Nottingham. After a series of apprenticeships in the London Theater, Catherine immigrated to the United States where she initially worked as a costume designer in East Coast theater productions. Her credits there include The Kennedy Center, Washington Ballet, Onley Theater Company, The Studio and Wolf Trap. Catherine then moved to Los Angeles, joined the West Coast Costume Designers Guild, and started her film and television career. Catherine’s credits include The 70s mini-series for NBC; The District for CBS; the teen film I Know What You Did Last Summer and Dreamworks’ Win a Date with Tad Hamilton. Currently Catherine is the costume designer for the new ABC hit series Desperate Housewives. ROSE APODACA As the West Coast Bureau Chief for Women's Wear Daily (WWD) and a contributor to W, Rose Apodaca and her team cover the fashion and beauty industries in a region reaching from Seattle to Las Vegas to San Diego, as well as report on the happenings in Hollywood and the culture-at-large. Apodaca is also instrumental in the many events and related projects tied to WWD and the fashion business in Los Angeles, including the establishment of LA Fashion Week, and has long been a champion of the local design community. Before joining Fairchild Publications in June 2000, Apodaca covered fashion and both popular and counter culture for over a decade for the Los Angeles Times, USA Today, Sportswear International, Detour, Paper and others. -
Social Justice Themes in Literature
Social Justice Themes in Literature Access to natural resources Agism Child labour Civil war Domestic violence Education Family dysfunction Gender inequality Government oppression Health issues Human trafficking Immigrant issues Indigenous issues LGBTQ+ issues Mental illness Organized crime Poverty Racism Religious issues Right to freedon of speech Right to justice Social services and addiction POVERTY Title Author Summaries The Glass Castle Jeannette Walls When sober, Jeannette’s brilliant and charismatic father captured his children’s imagination. But when he drank, he was dishonest and destructive. Her mother was a free spirit who abhorred the idea of domesticity and didn’t want the responsibility of raising a family. Angela’s Ashes Frank McCourt So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy — exasperating, irresponsible, and beguiling — does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father’s tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Buried Onions Gary Soto For Eddie there isn’t much to do in his rundown neighborhood but eat, sleep, watch out for drive-bys, and just try to get through each day. His father, two uncles, and his best friend are all dead, and it’s a struggle not to end up the same way. -
See 2019 Festival Program for Review
Celebrating 10 years in the Media Capital of the World September 5th - 9th September 5, 2018 Dear Friends: On behalf of the City of Los Angeles, welcome to the 2018 Burbank International Film Festival. Since 2009, the Burbank International Film Festival has promoted up-and-coming filmmakers from around the world by providing a gateway to expand their careers in the entertainment industry. I applaud the efforts of the Festival’s organizers and sponsors to create an event that generates an appreciation of storytelling through film. Thank you for your contributions to the vibrant artistic culture of Los Angeles. Congratulations to all the Industry Icon honorees. I send my best wishes for what is sure to be a successful and memorable event. Sincerely, ERIC GARCETTI Mayor September 5, 2018 Dear Friends, Welcome to the 2018 Burbank International Film Festival as we celebrate 10 successful years in "The Media Capitol of the World." The Burbank International Film Festival has given a platform to promising filmmakers, sharing their hard work with an eager audience and providing the means to expand their budding careers. As champions of independent filmmaking, the Festival organizers represent true benefactors to the colorful Los Angeles arts scene that we all enjoy. Congratulations to all the Festival honorees at this pivotal point in their careers. We appreciate your dedication and the contribution it makes to our arts culture. Sincerely, ANTHONY J. PORTANTINO Senator 25th Senate District Board of Directors Jeff Rector President / Festival Director Jeff is an award-winning filmmaker and working actor. His feature film “Revamped” which he wrote, directed and produced, is currently being distributed worldwide. -
Sophie Turner Reveals a Big Secret Post Her Marriage with Joe Jonas Britney Spears, Sam Asghari Having Great Time in Miami
14 WEDNESDAY, JUNE 12, 2019 Bradley Cooper and Irina Shayk Sophie Turner reveals Kevin Hart sued a big secret post her by woman marriage with Joe Jonas Los Angeles Los Angeles mer- Aican t seems that Sophie Turner before secretly tying comedian the knot with Joe Jonas, had a soft corner in her Kevin Hart Iheart for Matthew Perry and wanted to go on a is facing a Kevin Hart date with the star. lawsuit from On Friday, the 23-year-old ‘Game of Thrones’ ac- a woman who claims that tor appeared on ‘Twitter’s Behind The Tweets’ se- she was injured by a mem- ries, where she confronted her several old tweets, ber of his security team. including one that mentioned Perry’s char- Suing harts, Carmen acter on ‘Friends’, reported People. Marrero alleged that one In the tweet from 2016, Turner of his security guards, who wrote about when she encountered Bradley Cooper, Irina Shayk’s relationship she referred to as John ‘Chanandler Bong’, a fan-known “changed” during ‘A Star Is Born’: Source Doe, caused her “to fall reference of Perry’s character and sustain serious per- Chanandler Bing on the long-run- Los Angeles Earlier this year, accepting the sonal injuries” while Hart ning sitcom. award for best original music, Cooper was being escorted out of a The newly-wed actor who radley Cooper and Irina Shayk thanked Shayk for “putting up” with building in New York City was vocal about her feelings for were unable to pull their rela- him throughout the creative process. -
The Public Buildings of Pensacola, 1818
Florida Historical Quarterly Volume 16 Number 1 Florida Historical Quarterly, Vol 16, Article 7 Issue 1 1937 The Public Buildings of Pensacola, 1818 Andrew Jackson Part of the American Studies Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/fhq University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Florida Historical Quarterly by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Jackson, Andrew (1937) "The Public Buildings of Pensacola, 1818," Florida Historical Quarterly: Vol. 16 : No. 1 , Article 7. Available at: https://stars.library.ucf.edu/fhq/vol16/iss1/7 Jackson: The Public Buildings of Pensacola, 1818 45 THE PUBLIC BUILDINGS OF PENSACOLA, 1818 * Description and conditions of the public buildings in the town of Pensacola, delivered to Lieut. A. L. Sands of the U. S. Corps of Artillery, agreeably to the articles of capitulation, en- tered into at the Barrancas on the 28th day of May, 1818, between his excellency the Gov- ernor of the Province of West Florida, and Major Gen. Andrew Jackson of the U. S. Army - Viz: One Brick Guard house, with prisons 931/2 feet long, by 19 feet wide; with a wooden shed in the rear, 331/2 feet long, by 131/2 feet wide the whole in bad order. One Church two stories high, 85 feet long, 34 feet wide, & 18 feet high, with Brick floor and foundation, the whole out of repair. -
Danger, Danger
FINAL-1 Sat, Apr 27, 2019 6:22:37 PM tvupdateYour Weekly Guide to TV Entertainment For the week of May 5 - 11, 2019 Emily Watson stars in “Chernobyl” INSIDE Danger, •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 Hollywood Q&A Page14 danger • On Monday, May 6, join Soviet scientist Valery Legasov (Jared Harris, “The Terror”), nuclear physicist Ulana Khomyuk (Emily Watson, “Genius”) and head of the Bureau for Fuel and Energy of the Soviet Union Boris Shcherbina (Stellan Skarsgård, “River”), as they seek to uncover the truth behind one of the world’s worst man-made catastrophes in the premiere of “Chernobyl,” on HBO. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 40 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, PARTS & ACCESSORIESBay 4 (978) 946-2375 Group Page Shell We Need: SALES & SERVICE Motorsports 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE1 x 3” We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 27, 2019 6:22:38 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 10:30 p.m. NESN Red Sox Final Live ESPN Softball NCAA ACC Tournament NESN Baseball MLB Seattle Mariners Salem Sunday Sandown Windham (60) TNT Basketball NBA Playoffs Live Women’s Championship Live at Boston Red Sox Live GUIDE Pelham, 10:55 a.m. -
Reported in the Court of Special Appeals Of
REPORTED IN THE COURT OF SPECIAL APPEALS OF MARYLAND No. 1949 September Term, 1999 KENDRICK ORLANDO CHARITY v. STATE OF MARYLAND Moylan, Wenner, Byrnes, JJ. OPINION BY MOYLAN, J. Filed: June 8, 2000 If there is a lesson to be learned from this case, it is that when the police are permitted a very broad but persistently controversial investigative prerogative,1 they would be well advised, even when not literally required to do so, to exercise that prerogative with restraint and moderation, lest they lose it. In Whren v. United States, 571 U.S. 806, 116 S. Ct. 1769, 135 L. Ed. 2d 89 (1996), the Supreme Court extended law enforcement officers a sweeping prerogative, permitting them to exploit the investigative opportunities presented to them by observing traffic infractions even when their primary, subjective intention is to look for narcotics violations. The so-called “Whren stop” is a powerful law enforcement weapon. In utilizing it, however, officers should be careful not to attempt to “push out the envelope” too far,2 for if the perception should ever arise that ”Whren stops” are being regularly and immoderately abused, courts may be sorely tempted to withdraw the weapon from the law enforcement arsenal. Even the most ardent champions of vigorous law enforcement, therefore, would urge the police not to risk “killing the goose that lays the golden egg.” 1 See Whitehead v. State, 116 Md. App. 497, 500, 698 A.2d 1115 (1997). See also David A. Harris, Whren v. United States: Pretextual Traffic Stops and “Driving While Black,” The Champion, March 1997, at 41. -
William and Margaret Mecum House
7NPS Form 10-900-a (Rev. 8/2002) OMB No. 1024-0018 United States Department of the Interior William and Margaret MecumPut Here House National Park Service Name of Property Salem, New Jersey County and State National Register of Historic Places Patterned Brick Houses of New Jersey Continuation Sheet Name of multiple listing (if applicable) Section number 7 Page 1 Description Narrative Summary paragraph The William and Margaret Mecum House (Photo 1) consists of a two-story, three-bay, patterned brickwork house, built in 1737 and enlarged about 1770, featuring a Flemish checker brick façade and vitrified brick initials and construction date in the southwest gable peak. The house has been expanded several times, most recently in 1958 when a single-story in-law suite was added to its southwest end. The nominated property, encompassing 20.5 acres north of Lighthouse Road in Pennsville Township, Salem County, includes the area immediately surrounding the house and a long, tree-lined driveway (Photo 2) extending to the house from the road. In addition to the house, the property includes several early 20th century abandoned agricultural outbuildings none of which contribute to the architectural significance of the property and none of which is enumerated in this nomination. The property also contains the sites of eighteenth and nineteenth century farm outbuildings of which archaeological deposits can be considered likely. Property Details The house presently consists of four major sections and a rear shed-roofed porch addition (Photo 3). The core of the house is the 1737 two-story, patterned brickwork block (Plate 4). A second brick block, two bays wide and matching in height, lacking patterning is attached to the northeast end of the original block. -
Forty Stories New Writing From
Forty Stories New Writing from HARPER P ERENNI AL A Fifty-Two Stories Production with fiction by Jess Walter • Lindsay Hunter • Shane Jones • Blake Butler Catherine Lacey • Roxane Gay • Matthew Norman • Jamie Quatro Kyle Minor • Kayden Kross • Ben Greenman • Greg Bardsley and more . FOREWORD BY CAL MORGAN 40_Stories_Final.indd 3 6/18/12 5:38 PM FORTY STORIES. Copyright © 2012 by HarperCollins Publishers. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets Department, HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. FIRST EDITION “Ambivalence” © by Ben Greenman. “Amy Having a Heart Attack” © by Sharon Goldner. “The Anarchist of Darwin” © by Michael Ramberg. “Another Terrible Thing” © by Catherine Lacey. “Barnacles of the Fuzz” © by D. Foy. “Basslines” © by Adam Wilson. “Because You Asked” © by Karon Luddy. “Before the Trip” © by Adetokunbo Abiola. “The Beginning of the Summation of Our Dead” © by Blake Butler. “Birthright City” © by Eliezra Schaffzin. “Can a Corn” © by Jess Walter. “Confluence” © by Mesha Maren. “Djeser Djeseru (Splendor of Splendors)” © by Paula Younger. “Eighty-six Ways to Cross One Desert” © by Alexander Lumans. “Everyone Loves a Person Who Doesn’t Give a Fuck About Anything” © by Laura Jane Faulds. “Fire Weather” © by Brady Hammes. “A Girl” © by Lindsay Hunter. “Glossola- lia” © by Kyle Minor.