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Bishop Miege SUMMER READING LIST
Bishop Miege SUMMER READING LIST All students are required to read the selections AdditionAl optionAl reAding suggestions listed for their grades and levels of English. Testing over summer reading will take place the first week To encourage reading throughout the summer, the Bishop Miege English Department has put together a list of titles that students should have read before they go to college. of school. Students will not be responsible for Novels that will be required reading throughtout the students’ four years at Miege are taking notes along with their reading. However, indicated by an asterisk (*). The list is intended not only to prepare students for college highlighting and annotating in your own book but also to encourage a lifelong reading habit. We hope you make the rest of the list a goal is highly encouraged. for your own completion. Happy reading! Junior level AP students must write a paper based on their reading within the first quarter To Kill a Mockingbird, *Othello, William *The Scarlet Letter, of school. It is helpful to take chapter notes Harper Lee Shakespeare Nathaniel Hawthorne Of Mice and Men, The Old Man and the Sea, The Piano Lesson, marking specific quotes and literary devices to John Steinbeck Ernest Hemingway August Wilson be used in their paper. A notebook of summaries Lord of the Flies, Brave New World, The Joy Luck Club, Amy Tan might help note specific passages without having William Golding Aldous Huxley *The Glass Menagerie, *Night, Elie Weisel *Siddhartha, Tennessee Williams to review the entire text. *The Catcher in the Rye, Hermann Hesse Miracle Worker, J.D. -
Student Guide Table of Contents
GOODSPEED MUSICALS STUDENT GUIDE TABLE OF CONTENTS APRIL 13 - JUNE 21, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writers.....................................................................................................................................................................................6 Meet the Creative Team........................................................................................................................................................................8 Presents for Mrs. Rogers......................................................................................................................................................................9 Will Rogers..............................................................................................................................................................................................11 Wiley Post, Aviation Marvel..............................................................................................................................................................16 -
Three Angry Men: an Augmented-Reality Experiment in Point-Of-View Drama
Published in the Proceedings of the 1st International Conference on Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2003), Darmstadt, Germany (March 24-26). Three Angry Men: An Augmented-Reality Experiment in Point-of-View Drama Blair MacIntyre1, Jay David Bolter2, Jeannie Vaughn2, Brendan Hannigan1, Maribeth Gandy3, Emanuel Moreno2, Markus Haas1, Sin-Hwa Kang2, David Krum1 and Stephen Voida1 1 College of Computing 2 Wesley Center for Media Center, School of Literature, Comunication and Culture 3 Interactive Media Technology Center Georgia Institute of Technology, Atlanta, Georgia, USA 30332 Abstract. “Three Angry Men” is an augmented reality experience, in which the user becomes a character in a radically abridged version of the play “Twelve Angry Men.” The other characters in this experience appear to the user as texture-mapped video mixed with the physical sur- roundings. At any time, the user may change seats to occupy a different character’s point of view and experience a different interpretation of the play. “Three Angry Men” suggests that augmented reality can be used in a new class of entertainment and informal education applications. 1 Background Augmented Reality (AR) is a relatively young technology. Over the past decade, AR has been used or proposed for the delivery of information at the appropri- ate time and place in the physical environment. AR has been tested to support workers assembling wiring bundles on a Boeing 747 [1]. Various prototypes have shown how a tourist might walk around a city wearing some lightweight and relatively unobtrusive headset and receive just-in-time information about sights, restaurants, or hotels as she passes (e.g., [2]). -
Table of Contents
GEVA THEATRE CENTER PRODUCTION HISTORY TH 2012-2013 SEASON – 40 ANNIVERSARY SEASON Mainstage: You Can't Take it With You (Moss Hart and George S. Kaufman) Freud's Last Session (Mark St. Germain) A Christmas Carol (Charles Dickens; Adapted/Directed by Mark Cuddy/Music/Lyrics by Gregg Coffin) Next to Normal (Music by Tom Kitt, Book/Lyrics by Brian Yorkey) The Book Club Play (Karen Zacarias) The Whipping Man (Matthew Lopez) A Midsummer Night's Dream (William Shakespeare) Nextstage: 44 Plays For 44 Presidents (The Neofuturists) Sister’s Christmas Catechism (Entertainment Events) The Agony And The Ecstasy Of Steve Jobs (Mike Daisey) No Child (Nilaja Sun) BOB (Peter Sinn Nachtrieb, an Aurora Theatre Production) Venus in Fur (David Ives, a Southern Repertory Theatre Production) Readings and Festivals: The Hornets’ Nest Festival of New Theatre Plays in Progress Regional Writers Showcase Young Writers Showcase 2011-2012 SEASON Mainstage: On Golden Pond (Ernest Thompson) Dracula (Steven Dietz; Adapted from the novel by Bram Stoker) A Christmas Carol (Charles Dickens; Adapted/Directed by Mark Cuddy/Music/Lyrics by Gregg Coffin) Perfect Wedding (Robin Hawdon) A Raisin in the Sun (Lorraine Hansberry) Superior Donuts (Tracy Letts) Company (Book by George Furth, Music, & Lyrics by Stephen Sondheim) Nextstage: Late Night Catechism (Entertainment Events) I Got Sick Then I Got Better (Written and performed by Jenny Allen) Angels in America, Part One: Millennium Approaches (Tony Kushner, Method Machine, Producer) Voices of the Spirits in my Soul (Written and performed by Nora Cole) Two Jews Walk into a War… (Seth Rozin) Readings and Festivals: The Hornets’ Nest Festival of New Theatre Plays in Progress Regional Writers Showcase Young Writers Showcase 2010-2011 SEASON Mainstage: Amadeus (Peter Schaffer) Carry it On (Phillip Himberg & M. -
Sherman Edwards Peter Stone
Artistic Director Nathaniel Shaw Managing Director Phil Whiteway 1776 SEASON SPONSORS AMERICA’S PRIZE WINNING MUSICAL MUSIC AND LYRICS BY SHERMAN E. Rhodes and Leona B. EDWARDS Carpenter Foundation BOOK BY PETER STONE BASED ON A CONCEPT BY SHERMAN EDWARDS ORIGINAL PRODUCTION DIRECTED BY PETER HUNT ORIGINALLY PRODUCED ON THE BROADWAY STAGE BY STUART OSTROW STAGE MANAGEMENT Laura Hicks* SET DESIGN COSTUME DESIGN Rich Mason Sue Griffin LIGHT DESIGN SOUND DESIGN BJ Wilkinson Derek Dumais MUSIC DIRECTION Sandy Dacus DIRECTION Debra Clinton 1776 is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com CAST MUSICAL NUMBERS AND SCENES ACT I MEMBERS OF THE CONTINENTAL CONGRESS For God’s Sake, John, Sit Down ............................... Adams & The Congress Piddle, Twiddle ............................................................. Adams President Delaware Till Then .......................................................... Adams & Abigail John Hancock............ Michael Hawke Caesar Rodney ........... Neil Sonenklar The Lees of Old Virginia ......................................Lee, Franklin & Adams Thomas McKean ..... Andrew C. Boothby New Hampshire But, Mr. Adams — .................. Adams, Franklin, Jefferson, Sherman & Livingston George Read ................ John Winn Dr. Josiah Bartlett ......Joseph Bromfield Yours, Yours, Yours ................................................ Adams & Abigail Maryland He Plays the Violin ........................................Martha, -
Twelve Angry Men: a Twenty-First Century Reflection of Race, Art, and Incarceration
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2021 Twelve Angry Men: A Twenty-First Century Reflection of Race, Art, and Incarceration Mackenzie A. Gross Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Africana Studies Commons, Dramatic Literature, Criticism and Theory Commons, Legal Studies Commons, Performance Studies Commons, Race and Ethnicity Commons, Social Control, Law, Crime, and Deviance Commons, and the Social Justice Commons Recommended Citation Gross, Mackenzie A., "Twelve Angry Men: A Twenty-First Century Reflection of Race, Art, and Incarceration" (2021). Honors Theses. 557. https://digitalcommons.bucknell.edu/honors_theses/557 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. i ii Twelve Angry Men: A Twenty-First Century Reflection of Race, Art, and Incarceration By Mackenzie A. Gross A Proposal Submitted to the Honors Council For Honors in Department/Program 10/20/20 Approved By: Advisor signature: John Hunter Co-advisor or 2nd Reader: Carl Milofsky Co-advisor or 3rd Reader: Bryan Vandevender Department Chairperson: John Hunter Honors Council Representative: Ken Eisenstein iii Acknowledgments This paper is dedicated to Joel Carl, Tito McGill, Derrick Stevens, Rich Woodward, Tony Gomez and Rob Beckelback for opening my eyes to the work I want to dedicate my life to. I would not be here without you. Knowing you is a gift. Thank you to President John Bravman for being so present for your students. -
Protecting the American Playwright John Weidman
Brooklyn Law Review Volume 72 | Issue 2 Article 5 2007 THE SEVENTH ANNUAL MEDIA & SOCIETY LECTURE: Protecting the American Playwright John Weidman Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Recommended Citation John Weidman, THE SEVENTH ANNUAL MEDIA & SOCIETY LECTURE: Protecting the American Playwright, 72 Brook. L. Rev. (2007). Available at: https://brooklynworks.brooklaw.edu/blr/vol72/iss2/5 This Article is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. THE SEVENTH ANNUAL MEDIA AND SOCIETY LECTURE Protecting the American Playwright John Weidman† I want to begin by clarifying something which is going to become stunningly clear whether I clarify it now or not. I am not an attorney. I did in fact graduate from law school. I did in fact take and pass the New York Bar Exam. But to give you a sense of how long ago that was, when I finished the exam I celebrated by picking up a six pack of Heineken and going home to watch the Watergate Hearings. I have never practiced law. But as President of the Dramatists Guild of America for the last eight years I have found myself in the middle of a number of legal collisions, the most important of which I’m going to talk about today, not from a lawyer’s perspective—although I may attempt to dazzle you with a couple of actual citations—but from the perspective of the playwrights, composers, and lyricists whose interests the Guild represents. -
Tennessee Repertory Theatre's by Peter Stone and Sherman Edwards
2005-2006 Season for Young People Teacher Guidebook Tennessee Repertory Theatre’s by Peter Stone and Sherman Edwards 2005- Thank You Tennessee Performing Arts Center gratefully acknowledges the generous support of corporations, foundations, government agencies, and other groups and individuals who have contributed to TPAC Education in 2005-2006. American Express Philanthropic Program The Hermitage Hotel Anderson Merchandisers Ingram Charitable Fund Aspect Community Commitment Fund Jack Daniel Distillery at Community Foundation Silicon Valley Juliette C. Dobbs 1985 Trust Baulch Family Foundation LifeWorks Foundation Bank of America Lyric Street BMI-Broadcast Music Inc. The Memorial Foundation Capitol Grille Gibson Guitar Corp. The Coca-Cola Bottling Company The HCA Foundation The Community Foundation of Middle Ingram Arts Support Fund Tennessee Lifeworks Foundation Creative Artists Agency Metro Action Commission Crosslin Vaden & Associates Martha & Bronson Ingram Foundation Curb Records Nashville Gas Company HCA/TriStar Neal & Harwell, PLC General Motors Corporation Mary C. Ragland Foundation Adventure 3 Properties, G.P. Pinnacle Financial Partners American Airlines RCA Label Group BellSouth Richards Family Advised Fund Bridgestone Firestone Trust Fund Rogan Allen Builders Davis-Kidd Booksellers Inc. Southern Arts Federation DEX Imaging, Inc. Starstruck Entertainment Dollar General Corporation SunTrust Bank, Nashville The Frist Foundation Fidelity Investments Earl Swensson Associates, Inc. Charitable Gift Fund Target Stores Patricia C. & Thomas F. Frist Designated Fund The Tennessean Gaylord Entertainment Company Ticketmaster Corporation General Motors Corporation Trauger, Ney, and Tuke The Joel C. Gordon & Bernice W. Gordon United Way of Metropolitan Nashville Family Foundation Universal South Glover Group Vanderbilt University Hecht's Vanderbilt University and Medical Center This project is funded under an agreement with the Tennessee Arts Commission, and the National Endowment for the Arts. -
ELA English IIIC Unit 2 Teacher Resources.Pdf
Twelve Angry Men by REGINALD ROSE The following play was written for television. It begins with a list of characters, but on television you would not have the benefit of that list (although, of course, you would be able to tell something about each character from his appearance on the screen). Imagine, then, on the screen of your mind the scene described at the start: a courtroom, with the area, or box, in the foreground for the twelve members of the jury. The kinds of men they are will become clear as the play unfolds. One suggestion, though: pay particular attention to juror NO. 8: And it might be helpful to fix your mind the equation: 7+3=10. For jurors 7, 3, and 10 also play extremely important parts. CHARACTERS FOREMAN: A small, petty man who is impressed with the authority he has and handles himself quite formally. Not overly bright, but dogged. JUROR NO. 2: A meek, hesitant man who finds it difficult to maintain any opinions of his own. Easily swayed and usually adopts the opinion of the last person to whom he has spoken. JUROR NO. 3: A very strong, very forceful, extremely opinionated man within whom can be detected a streak of sadism. He is a humorless man who is intolerant of opinions other than his own and accustomed to forcing his wishes and views upon others. JUROR NO. 4: Seems to be a man of wealth and position. He is a practiced speaker who presents himself well at all times. He seems to feel a little bit above the rest of the jurors. -
The WKNO-TV Collection
The Theatre Memphis Programs Collection Processed by Joan Cannon 2007 Memphis and Shelby County Room Memphis Public Library and Information Center 3030 Poplar Avenue Memphis, Tennessee 38111 Scope and Content The Theatre Memphis Programs Collection was donated to the Memphis Public Library and Information Center by many individual donors over several years. Consisting of programs from performances at Theatre Memphis between the years 1975 and 2007, the collection provides invaluable information on the operation of community theatre in Memphis. Each program includes the names of the director, cast and crew as well as information on the production. Theatre Memphis was established as the Little Theatre in 1921. For several years plays were performed in a variety of locations in Memphis including Germania Hall and the Nineteenth Century Club. In 1929 the Little Theatre was headquartered at the Pink Palace Museum Playhouse where they would remain until the mid-1970s. When the Pink Palace closed for renovations, the theatrical company opened their own venue on Perkins Extended in East Memphis. Changing their name to Theatre Memphis, productions resumed in 1975 and have continued until the present day. 2 THEATRE MEMPHIS PROGRAMS COLLECTION BOX 1 Folder 1 Items 6 1975-1976 (56th Season) SUNSHINE BOYS by Neil Simon. Directed by Sherwood Lohrey. Cast: Archie S. Grinalds, Jerry Chipman, Ed Cook, Frank B. Crumbaugh, III, Andy Shenk, James Brock, Holly Shelton, Patricia Gill, Sam Stock. n.d. DESIRE UNDER THE ELMS by Eugene O’Neill. Directed by Sherwood Lohrey. Cast: Jay Ehrlicher, Don Barber, Carl Bogan, John Malloy, Janie Paris, Merle Ray, Ralph Brown. -
Staging Poetic Justice
臺大文史哲學報 第六十五期 2006年11月 頁223~250 臺灣大學文學院 Staging Poetic Justice: Public Spectacle of Private Grief in the Musical Parade Wang, Pao-hsiang∗ Abstract This paper makes inquiries into the 1998 musical Parade by playwright Alfred Uhry and composer Jason Robert Brown, based on the historic case of Leo Frank, a Jewish industrialist from New York running a pencil factory in Atlanta and accused of murdering the 13-year-old girl Mary Phagan in 1913. How can the thorny case be represented with any fidelity on stage when all the facts have not come to light? What can a theatre researcher contribute to or comment on a controversial production of a reproduction of a historical incident that has never ceased to produce great furors over the past 90 years? In the absence of irrefutable legal evidence that could close the case and in the face of contending camps that claim justice on each side, the author will stay above the litigation fray and distance himself from any attempt to pass judgment on the innocence or guilt of people involved in the historic case. Rather, the paper first probes the context surrounding the case, including war, class, race, and to a lesser extent, sexuality by examining it from the perspective of historical legacy, such as the post-bellum South reeling from the repercussions of the Civil War defeat, the regional animosity between the highly industrialized North and New Industrial South, the class antagonism of management and labor in the pencil factory, the ethnic strife between blacks, whites, and Jews, and the conventional bias against the perceived sexual perversion of Jews and blacks. -
Angels in America
Angels in America Part One Millennium Approaches Part Two Perestroika Belvoir presents Angels in America A Gay Fantasia on National Themes Part One Millennium Approaches Part Two Perestroika By TONY KUSHNER Director EAMON FLACK This production of Angels in America opened at Belvoir St Theatre on Saturday 1 June 2013. It transferred to Theatre Royal, Sydney, on Thursday 18 July 2013. Set Designer With MICHAEL HANKIN The Angel / Emily Costume Designer PAULA ARUNDELL MEL PAGE Louis Ironson Lighting Designer MITCHELL BUTEL NIKLAS PAJANTI Roy M. Cohn Associate Lighting Designer MARCUS GRAHAM ROSS GRAHAM Harper Amaty Pitt Composer AMBER McMAHON ALAN JOHN Prior Walter Sound Designer LUKE MULLINS STEVE FRANCIS Rabbi Isidor Chemelwitz / Hannah Assistant Director Porter Pitt / Ethel Rosenberg / Aleksii SHELLY LAUMAN ROBYN NEVIN Fight Director Belize / Mr Lies SCOTT WITT DEOBIA OPAREI American Dialect Coach Joseph Porter Pitt PAIGE WALKER-CARLTON ASHLEY ZUKERMAN Stage Manager All other characters are played by MEL DYER the company. Assistant Stage Manager ROXZAN BOWES Angels in America is presented by arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd of London. Angels in America was commissioned by and received its premiere at the Eureka Theatre, San Francisco, in May 1991. Also produced by Centre Theatre Group/ Mark Taper Forum of Los Angeles (Gordon Davidson, Artistic Director/Producer). Produced in New York at the Walter Kerr Theatre by Jujamcyn Theatres, Mark Taper Forum with Margo Lion, Susan Quint Gallin, Jon B. Platt, The Baruch-Frankel-Viertel Group and Frederick Zollo in association with Herb Alpert. PRODUCTION THANKS José Machado, Jonathon Street and Positive Life NSW; Tia Jordan; Aku Kadogo; The National Association of People with HIV Australia.