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21 OCTOBER 1988 INDEPENDENT NEWSPAPER' Inside Students slam this week's Student Sampson LOANS UU students unanimously condemned Pro- ly to speak at a computers fessor GS Sampson for his contacts with and mathematical logic con- Is the end nigh? L South Africa at Tuesday's first OGM of term. ference at the University of 13.6 the Witwatersrand. Although The meeting passed an the University should also in accordance with Senate emergency motion submitted make a stand on the issue." policy he informed the Pro- by the Union executive, de- The motion instructs the Vice Chancellor of his inten- nouncing Professor Samp- Union Executive to take tion to travel to South Africa, son's actions in breach of the whatever action is necessary he refused to comply with HARD University boycott of South strong requests from the PVC Africa, and calling for an im- by not to go. mediate campaign of protest LEEDS STUDENT Yesterday the Union's cam- at his lectures and tutorials. REPORTER paign manifested itself for the This is• a matter of our first time with a mass picket SELL University and our Union's against Professor Sampson to of one of Professor Sampson's reputation," General Secre- convey the Union member- lectures (see report below). tary Dave Hampson told the ship's disgust at his dealings Further demonstrations are How the meeting. with the Apartheid regime. being planned, and signa- Government We have to make it quite Professor Sampson Is head tures for a petition to voice sold Sellafield clear that we untterly oppose of the University Linguistics student anger at the Pro- Professor Sampson's dealings and phonetics department. fessor's actions are being col- p.7 with South Africa and that He visited South Africa in Jo- lected now. plus NEWS SPORT Picket succeeds TV GUIDE BY ROBIN PERRIN and lecture by Leeds delivei the lecture. ions on; he told Leeds University lecturer No students arrived to hear Student. rofessor Sampson the lecture and Sampson was Sampson flattly refused to was succesfully boycotted left to reiterate his support for discuss the issue of the poll, yesterday lunchtime. the regime and to criticise tical situation in South Africa, A crowd of over 100 stud- the OGM motion passed on claiming it was not the time ents stood silently outside the Tuesday, for such a complex issue. lecture theatre inb the Roger 'The matter of staff travel His only comment was Stevens Building as an unrep- is not within the province of 'South Africa is not the most entant Sampson arrived to a student union to pass mot- evil regime in the world! MAGAZINE • Sundanese student Sadgi Kabollo blasts Professor Sampson Quentin CRISP LUU locks out rap fans Salt 'n' Shake on-student rap fans are to be banned from May has already categorically p.6 LUU as part of the Union's major security stated that outside security and operation for next month's Run DMC/Public the organisation's own staff will NEnemy Refectory concert. Admission to the Union be Inure than adequate to deal DEREK Building will be by Union card only, with no sign- with any trouble inside the Refectory. JAMESON ins for friends. Shivtiel claims that Union But ticket•holders for Roy Run DMC's current world lour. Council's only aim is to prevent Harper :s Riley Smith Hall gig of which LUU is the only col- p.9 confusion on the door of the — also on November 5th - will lege venue in the UK. It is also Union building on the night of AND he admitted to the building the Union's first ever hip hop the gig. even if they are not students, booking. despite accusations of double Finance secretary Dar Shiv- "We merely wanted to avoid GOOD TO standards when the decision tiel denied that the Union is having the same troubles that was made at Monday night's operating a similar unofficial we had when The Ram ones Union Council meeting. 'anti-rap' policy to that follow- appeared here last year:. he The controversial move ed by many London venues. said. comes in the wake of "There hands are known for -The Exec of that time (rd newspaper scare stories claim- violent incidents on their tours which Shivtiel was a member) GO ing that hip-hop groups attract in the USA and in Britain," he decided to close all the Union a violent crowd. Public told Leeds Student. building to outside visitors with what's going Enemy's recent Brixton shows "We don't want our about a day's notice: conse- ended in a mini-riot against the members intimidated into sign- quently many people arrived Dill in Leeds police. ing in people they dont expecting to be able to get a know... these people could drink and were annoyed when And a man was stabbed to • Public Enemy — block steel in the hour of chaos death at a previous date on wreck the Union:' Ents boss they couldn't get in:" TV — p2 NEWS— p3,4,5 LEADER—p6 FEATURES—p6&7 THE FAN—p9 CLASSIFIED—p10 SPORT—p11&12 16.00 ?oo 15.50 Children's TV All those 14.15 Sport on Friday! irTv ScoobV C 4 16.20 Conflict - old faves, Ewoks(?) The Russian Freetime Satellite Show (?), 2 animated 1 Blockbusters Newsround (Yawn), 18.00 Fraternally Yours - Laurel matchboxes have a fight i7 45 ITN News Record Breakers (Roy and Hardy. Personally I hate them, 16.30 Fifteen to One: Quiz Castle, yeah) but each to his own 18.00 Calendar 17.00 Scarecrow & Mrs. King 17.35 Neighbours Yes, you 19.05 Bilko This is FUNNY. 18.00 Baseball guessed 19.30 On the House Smiling people 18.30 Living It Up. Family Fortunes - aargh 19.00 Channel 4 News this a 18.00 Six O'Clock News doing DIY. 19.00 Me and My Girl. more intellectual news Regional News 20.00 Lovat Roat (sic) 19.30 18.35 Beauty & the Beast 19.55 Book Choice 19.00 Wogan 21.00 A Gentleman's Club 20.00 A Taste for Death made 20.00 Irish Reel - Ireland today. 19.40 Blankety Blank Boredom 21.30 Protectin the Children - Be 21.00 from a P D James drama. 21.00 The Golden Girls - a 20.15 Two Ronnies Omnibus generous surprisingly funny American Extremely middle class Newsnight 22.00 News, again. 22.45 sets in trouble with TV prog humour 23.30 International Snooker 22.35 Benson a dog. 21.30 Village Show 21.00 Nine O'Clock News - 00.20 Six from Europe 22.00 Whose Line Is It surprisingly the same as at 6 23.05 International Darts, mate Anyway? no, this is not a 21.30 Casualty Tension & drama squabble about who's cake in a hospital.. 00.30 News, News, News The Ray Bradbury that is... 22.20 Omnibus 00.30 Theatre - The Crowd. 22.30 The Last Resort East End 23.20 Late Film: Spring and Port generally cool-dude Wine 01.00 The James Whale Radio Show. If you like him, watch 23.20 Halfway To Paradise. - 1.00 Weather it, If you hate him, as most do groovy new music programme then don't. 00.20 Baseball - obviousoly a 02.00 Nnnnnight Nnnetwork fvvillearters Film - trendy radicalism into the 01.20 Dark night. 09.00 Pages from Ceefax 1 08.20 Saturday starts 06.00TyANinc:saurcaySp0 c 4 09.30 How Does Your here inc. Bananaman, 2 Sport Garden Grow? Egg'n'Baker and Going 12.15 Open University Y T V and Widea 10.00 4 What It's Live! with Phillip Schofield 14.05 Network East Exclusive wake (sic) Worth and plucky Sarah interview with '60s Hindi Film 09.25 Motormouth inc She-Ra 10.30 The Story of Alexander Greene, featuring Yazz star Mumtaz. Princess Of Power. Graham Bell Biopic thing. and the Plastic Population 14.45 Saturday Cinema: Return 11,30 America's Top Ten. 12.20 Le Rove de Pygmalion and The Christians of the GunfighterDog-end Casey Kasem anyone?. French animated short. 12.15 Grandstand '60s TV movie western. 12.00 UFO Classic Gerry Anderson 12.25 Film: Bataan After fighting 17.00 News; Weather; Sport 16.20 The Sky At Night with boss space-alien prog. an heroov rearguard action to 17.15 The Flying Doctors space cadet Patrick Moore. 13.00 ITN News then Saint cover the evacuation of the featuring the Queen of the 16.40 International Snooker and Greaysie Early bath island of Bataan, 13 US Outback competition 18.50 Newsview time is well overdue for this soldiers wait for the Japanese 18.00 Noel Edmond's 19.30 Dancemakers New series duo of buffoons. to close in for the kill. Well Saturday Roadshow opens with the Rombert Dance 13.35 Wrestling scary Russian spesh company's crock at Richard 14.15 Darts. 15.05 Channel 4 Racing. 18.45 'Alio 'Alto Aiston's Pulcinello. Score by 16,15 Return of the Antelope 1T05 Brookside. 1910 Bob's Full House Greed Igor Stravinsky 16,45 Results Service with 18.00 Right To Reply a-go-go 20.15 Rhythms of the World poison dwarf Elton Welsby. 18.30 Cities of Islam 3: Caio 19.45 The Russ Abbott Show Culture tourism with a soupcon 17.00 ITN News, then 19.00 News, then Hollywood with 20.15 All Creatures Great And of international Gypsy musics. Blockbusters James Mason. 4: Autocrats. Small 21.15 international Snooker. 17.45 New Faces of '88 20.05 Game, Set and Match 21.05 News and Sport 22.00 The Secret Life of Sergei 18.45 Blind Date The dream we Len Deighton thriller 21.20 Film: The Poseidon Eisenstein for Riga to all dream of..
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    Sounding Anti-Nuclearism in the Anarcho-Punk Movement in Britain, 1978-84

    “They’ve got a bomb”: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978-84 George McKay University of East Anglia, UK Who can say how much [the Bomb] changed all of us,… our music,… our art…? Crass (“Nagasaki nightmare” sleeve notes) This article explores the energetic links, contradictions and tensions in Britain between a musical subculture at its height of innovation and creative energy— anarcho-punk from around 1978 to 1984—and the anti-nuclear movement, including the social movement organization the Campaign for Nuclear Disarmament (CND), during these same years when CND was at the second peak of its national and international prominence (its first having been in the late 1950s and early 1960s). It identifies and interrogates the anti-nuclear elements of the musical package of anarcho-punk, looking at its leading band, Crass. Anarcho-punk was notable by its insistent political focus on war and the threat of nuclear destruction, and it presented a relentless cultural critique that drew on apocalyptic realities and drew post-apocalyptic imaginaries. The article offers a critical discussion of the often rich lyrical, visual, and performative texts Crass made, and explores key ways in which anarcho-punk also interrogated links between the nuclear and music industries. At the article’s centre is an exploration of the neglected question of the sounds of Crass’s music and singing voice—my term is Crassonics—in the very specific context of anti-nuclearism: if the bomb changed music and art, what did the new music (of
  • The Turntablist Texts of DJ Shadow and Cut Chemist

    The Turntablist Texts of DJ Shadow and Cut Chemist

    The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist Michael Phillips Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD degree in English Department of English Faculty of Arts University of Ottawa © Michael Phillips, Ottawa, Canada, 2012. ii ABSTRACT With new technology come new possibilities for the creation of artistic works. The invention of sound recording towards the end of the nineteenth century enabled musical performances to be “written” in the same manner as traditional, printed literature. The status of records as a form of writing and, moreover, as the material for further writing is demonstrated in the work of two hip hop artists, DJ Shadow and Cut Chemist, who assemble new, heteroglossic texts out of a wide array of sampled records. Two concerts by these artists, Product Placement (2004) and The Hard Sell (2008) – both of which have been memorialized on DVD – serve as fruitful examples of the potential for artistic production enabled by technology. Indeed, the genre of turntablism, which involves the live manipulation of vinyl records, requires the usage of technology in ways not intended by its original developers – a recurrent theme throughout the history of sound recording. By transforming the turntable from a passive playback device into an active compositional tool, turntablism, as exemplified by these performances, collapses the distance between consumption and production and so turns the listener into a performer. Furthermore, the exclusive usage of 45 rpm records as the source texts for the two sets dramatizes theories of intertextuality while simultaneously tracing the constraints placed on such artistic piracy by the copyright regime.