Awesome Coca-Cola & Estate Collection 06/17/2017

Total Page:16

File Type:pdf, Size:1020Kb

Awesome Coca-Cola & Estate Collection 06/17/2017 Auction - AWESOME COCA-COLA & ESTATE COLLECTION 06/17/2017 9:35 PM EDT Lot Title/Description Lot Title/Description 1 BEFORE YOU BID, OPEN THIS LOT AND READ ALL 1009 VINTAGE METAL / PORCELAIN SINGLE-SIDED RC ROYAL CROWN INSTRUCTIONS! (see description box below) COLA SIGN 1) DEBIT OR CREDIT PAYMENTS ONLY! We will only be accepting credit card or debit card payments for this sale. A 13% buyer's premium 1010 VINTAGE METAL / PORCELAIN NICHOL KOLA SINGLE-SIDED SIGN plus any applicable tax will be added to each item. All winners will be charged upon completion of the sale, so your invoice will already be 1011 LARGE VINTAGE METAL / PORCELAIN COCA-COLA SIGN paid when you arrive to pick up your items.If you believe that you have won items, but you do not see a paid invoice in your email by the early 1012 NICELY FRAMED VINTAGE COCA-COLA ENJOY FOOD morning following auction close, please check your spam folder, and ADVERTISEMENT make sure you are checking the email address listed in your profile. Also, if you need to contact us, DO NOT REPLY TO YOUR INVOICE 1013 VINTAGE METAL / PORCELAIN ROYAL CROWN COLA SIGN WITH EMAIL, as you will be replying to an automated system and not an MENU AREA individual. If you need to contact us about this auction by email, please email [email protected]) WHY INSPECT? All items are sold AS 1014 LARGE VINTAGE METAL / PORCELAIN COCA-COLA SIGN IS WHERE IS. L.W. Benton does not guarantee any statements contained herein or statements made by the seller. The buyer must rely 1015 VINTAGE COCA-COLA BUTTON THERMOMETER, SIGN OF GOOD on his or her own judgment as to quality and condition of any item listed TASTE in our auctions. Please attend our inspection to judge for yourself.3) BRING BOXES & HELP! We will not have staff or boxes available to 1016 VINTAGE COCA-COLA BUTTON THERMOMETER, DRINK help you load items. Please plan accordingly!4) LIMITED 3rd PARTY COCA-COLA IN BOTTLES SHIPPING: If you let us know within 24 hours of auction close by emailing [email protected], we will be glad to transfer SMALL 1017 VINTAGE METAL / PORCELAIN THERMOMETER, DRINK FROSTIE ITEMS to THE UPS STORE in Macon for shipping. SMALL ITEMS MEANS ANYTHING WITHOUT ANY DIMENSION OVER 20" (which will 1018 ROUND ENJOY COCA-COLA WALL CLOCK require a 24" box to make room for packing material), AND NO LARGE GROUP LOTS. Please enlarge the 2nd photo in this lot to review the 1019 VINTAGE METAL / PORCELAIN DRINK COCA-COLA BUTTON SIGN, associated packing fees from this 3rd party shipper.IF YOU DO NOT 24" CONTACT US WITHIN 24 HOURS OF RECEIVING YOUR INVOICE WITH YOUR SHIPPING REQUEST BY CALLING 404-978-2249 OR 1020 LARGE SQUARE METAL / PORCELAIN COCA-COLA SIGN EMAILING [email protected], WE WILL NOT SHIP, AND YOUR ITEMS WILL BE FORFEITED WITHOUT REFUND. IF YOU DO NOT 1021 VINTAGE PEPSI-COLA METAL COOLER RETURN THE UPS STORE EMAILS OR TELEPHONE CALLS REQUESTING YOUR SHIPPING AND PAYMENT INFORMATION ON 1022 LARGE VINTAGE METAL / PORCELAIN SIGN, COCA-COLA, SIGN THEIR FORM FOR THEIR CHARGES WITHIN 1 WEEK, THEY WILL OF GOOD TASTE RETURN THE ITEMS TO US, AND YOUR ITEMS WILL BE FORFEITED WITHOUT REFUND.The UPS Store location & phone for 1023 5 SEMI-CLEAR ONE-WAY RETAIL COCA-COLA WINDOW / DISPLAY direct shipping quotes:3780 Northside Drive, Suite 140Macon, GA SIGNS 31210Phone: 478-474-88475) THERE ARE MULTIPLE PHOTOS OF Can't get pictures that really show what these look like in real life. They EACH LOT: Be sure to click on either the photo or the description for are pieces that are hung in a window or glass door so that you can see each lot in which you are interested in order to see more pictures and out without seeing the advertisement, but you see the advertisement more information. Some lots may have as many as 15 or more photos, when looking in. and photos can be enlarged by clicking on them again. Please note that 1024 PAIR OF BUTTON STYLE CORRUGATED COCA-COLA RETAIL some photos may have items in the background which are NOT DISPLAY SIGNS included with the lot unless mentioned in the description.6)QUESTIONS?: Contact auctioneer Scott Meyer by 1025 SET OF COCA-COLA CORPORATION DELIVERY TRUCK DECALS emailing [email protected]. Consignor states these were used on Coke delivery trucks while he was 2 LOCATION FOR THIS AUCTION (see description box below) working for the company a couple of decades ago. 107 Oak Valley Drive, Macon, GA 31217 1026 VINTAGE DIET RITE COLA RETAIL DISPLAY SIGN, CARDBOARD 3 LIVE INSPECTION TIMES (see description box below) Friday, 6/16/17: 1:00 - 5:00 PMSaturday, 6/17/17: 1:00 - 5:00 PM 1027 VINTAGE PEPSI COLA RETAIL DISPLAY SIGN, BE SOCIABLE, 4 DYNAMIC CLOSING TIME (see description box below) SERVE PEPSI, CARDBOARD Lots will BEGIN closing Saturday, June 17 at 9:00 PM. 100 LOTS WILL CLOSE SEQUENTIALLY EVERY 5 MINUTES UNTIL ALL LOTS HAVE 1028 VINTAGE DR. PEPPER RETAIL DISPLAY SIGN, FROSTY, MAN - CLOSED OUT. Also, if there is a bid placed on any individual lot within FROSTY!, CARDBOARD WITH PLASTIC WRAP the last 5 minutes of that particular lot's scheduled ending time, the lot will be extended for another 5 minutes until all extended bidding is 1029 VINTAGE 7UP RETAIL DISPLAY SIGN, WHERE'S THE ACTION!, finished. CARDBOARD 5 PICK UP TIMES (see description box below) Sunday, 6/18/17: 1:00 - 5:00 PMMonday, 6/19/17: 1:00 - 5:00 1030 VINTAGE 7UP RETAIL DISPLAY SIGN, FRESH UP WITH 7UP, PMWinners of large furniture items, Coca-Cola shelving units, and other CARDBOARD items on which other items are resting will be better served if they can wait until later in this pick-up time frame so as to give other winners a 1031 VINTAGE 7UP RETAIL DISPLAY SIGN, THE MORE 7UP THE chance to get their things out of the way. MERRIER, CARDBOARD 1001 LARGE VINTAGE METAL / PORCELAIN COCA-COLA SLEIGH SIGN, INCLUDES MOUNTING BRACKETS 1032 VINTAGE BORDEN'S ICE CREAM RETAIL DISPLAY SIGN, PIE ALA MODE, CARDBOARD WITH PLASTIC WRAP 1002 VINTAGE COCA-COLA RETAIL DISPLAY SIGN FRAME WITH ORIGINAL DOUBLE-SIDED CARDBOARD ADVERTISING 1033 VINTAGE BORDEN'S ICE CREAM RETAIL DISPLAY SIGN, STRAWBERRY SUNDAE, CARDBOARD WITH PLASTIC WRAP 1003 VINTAGE COCA-COLA RETAIL DISPLAY SIGN FRAME WITH ORIGINAL DOUBLE-SIDED CARDBOARD ADVERTISING 1034 VINTAGE BORDEN'S ICE CREAM RETAIL DISPLAY SIGN, CHERRY SUNDAE MADE WITH BORDEN'S ICE CREAM, CARDBOARD WITH 1004 OLD PEPSI THERMOMETER PLASTIC WRAP 1005 VINTAGE METAL / PORCELAIN DR. PEPPER SIGN 1035A VINTAGE CHOCOLATE MILK SHAKE MADE WITH BORDEN'S ICE CREAM SIGN, CARDBOARD 1006 VINTAGE METAL / PORCELAIN COCA-COLA SIGN 1035B VINTAGE BORDEN'S ICE CREAM RETAIL DISPLAY SIGN, 1007 VINTAGE DOUBLE-SIDED METAL / PORCELAIN COOKS BEER SIGN BORDEN'S GOLDEN VANILLA ICE CREAM BRINGS BACK GOLDEN MEMORIES, CARDBOARD WITH PLASTIC WRAP 1008 VINTAGE METAL / PORCELAIN SINGLE-SIDED GRAPETTE SIGN Page 1 Auction - AWESOME COCA-COLA & ESTATE COLLECTION 06/17/2017 9:35 PM EDT Lot Title/Description Lot Title/Description 1036 1982 WORLD'S FAIR COCA-COLA SERVING TRAY IN ORIGINAL 1064 VINTAGE COCA-COLA BOTTLE RADIO AND FRESCA CAN RADIO PLASTIC Never saw a Fresca radio before! 1065 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD 1037 PAIR OF MATCHING VINTAGE COCA-COLA SERVING TRAYS COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1038 6 MATCHING VINTAGE COCA-COLA SERVING TRAYS 1066 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1039 3 MATCHING VINTAGE COCA-COLA SERVING TRAYS 1067 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD 1040 VINTAGE COCA-COLA SERVING TRAY COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1041 OLD COCA-COLA SERVING TRAY, BOY FISHING CALENDAR ART 1068 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD 1935, NORMAN ROCKWELL COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1042 VINTAGE COCA-COLA SERVING TRAY, 75TH ANNIVERSARY, 1069 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD CIRCA 1975 COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1043 COCA-COLA SERVING TRAY, THROUGH THE YEARS, II, CIRCA 1070 MATCHBOX COLLECTIBLES COKE AROUND THE WORLD 1996 COLLECTION TRACTOR AND TRAILER IN ORIGINAL PACKAGING 1044 COCA-COLA SERVING TRAY, THROUGH THE YEARS, CIRCA 1985 1071 OLD METAL COCA-COLA SIX-PACK BOTTLE CARRIER 1045 COCA-COLA SERVING TRAY, WHAT A GLORIOUS DAY, CIRCA 1072 OLD METAL COCA-COLA SIX-PACK BOTTLE CARRIER 2000 1073 VINTAGE COCA-COLA DRINK STRAWS IN ORIGINAL BULK BOX BY 1045B MORE INFORMATION TO COME! SWEETHEART DRINKING STRAWS 1046 COCA-COLA SERVING TRAY, OFFICIAL BULLDOG TRAY, 1980 1074 OLD COCA-COLA THE STARR BOTTLE OPENER CAP CATCHER IN NATIONAL CHAMPIONS, VINCE DOOLEY ET AL, CIRCA 1981 ORIGINAL BOX 1047 VINTAGE OLD SUNNYBROOK KENTUCKY STRAIGHT BOURBON 1075 OLD COCA-COLA STAR X BOTTLE OPENER, MADE IN USA WHISKEY BOX BAR LIGHT 1076 OLD COCA-COLA STARR BOTTLE OPENER MADE BY BROWN MFG 1048 VINTAGE OLD CROW KENTUCKY STRAIGHT BOURBON WHISKEY CO, MADE IN USA BAR BOX LIGHT 1077 OLD ROYAL CROWN COLA CHURCH KEY BOTTLE OPENERS 1049 VINTAGE COCA-COLA COIN BAGS INCLUDING DUBLIN AND MILLEDGEVILLE 1078 OLD ROYAL COLA BOTTLE OPENERS 1050 OLD WOODEN PEPSI-COLA CRATE 1079 PAIR OF OLD COCA-COLA BOTTLE OPENERS AND RECENT COKE BOTTLE DESIGN BOTTLE OPENER 1051 LARGE ANTIQUE GLASS JUG 1080 COCA-COLA BRAND STATIONARY BOTTLE OPENER IN ORIGINAL 1052 LARGE GROUP OF COCA-COLA COLLECTOR CARDS BOX 1053 1953 COCA-COLA DELIVERY TRUCK COLLECTIBLE DIECAST 1081 3 VINTAGE ONE GALLON COCA-COLA GLASS JUGS METAL BANK IN ORIGINAL BOX, CIRCA 1995 1082 VINTAGE COCA-COLA DIXIE CUPS AND CENTENNIAL 1054 1956 COCA-COLA COLLECTIBLE DELIVERY TRUCK DIECAST CELEBRATION ATLANTA COCA-COLA BOTTLING COMPANY METAL BANK IN ORIGINAL BOX, CIRCA 1997 NAPKINS 1055 VINTAGE COCA-COLA BRAND DIECAST METAL TOY VEHICLES 1083 6 VINTAGE COCA-COLA GLASSES 1966 VW KOMBI VAN IN ORIGINAL BOX It looks like the van has separated from its base Inside the Box, and 1084 3 VINTAGE COCA-COLA HEAVY GLASS MUGS there is one bumper guard floating in box.
Recommended publications
  • Chelsea Boy Dies Friday Following 2-Car Crash Recycle Chelsea
    #m'**#**#*CAR-RT-!:>0RT**nR3 1476 10/1/89 U 23 McKune Memorial Library •$# 221 S. Main St, Che I sear MI 48118 QUOTE "A man travels the world c over in search #of what he 35 needs and returns home to find it." per copy y ONE HUNDRED-NINETEENTH YEAR—No. 7 CHELSEA, MICHIGAN, WEDNESDAY, JULY \% 1989 24 Pages This Week y Recycle Chelsea •am Alreadyin Danger as m. Funds Dry Up Chelsea's recycling program, which materials are being hauled away and level and should be up to the local began late last year, could be out of the distance from each station to, units of government. Look at it this business by the end of the month Recycle Ann Arbor. Glass and cans way, if you were going to continue a m unless local governmental agencies have become the most profitable recycling service with a big company, pi come to its rescue. items as the state is staring at a someone would have to pay for it. It's "Recycle Chelse'a," the village's newspaper glut, making newspaper got to be paid for one way or another. participation in the Washtenaw worth almost nothing, which in­ And it could cost as much or more to county-wide recycling program, ap­ creases the cost of the program even get rid of garbage through recycling parently will need an infusion of more. However, the newspaper sec­ than the way we've always done it." money in order to survive. The county tion of the bin is always the first to fill Village president Jerry Satter­ plans to stop picking up the recycling up and it would be hard to justify pick­ thwaite, who has strongly supported bin in Polly's Market, as well as in its ing up a bin that is mostly full of wor­ setting up a local, independent recycl­ other sites around the county, in­ thless newspaper.
    [Show full text]
  • This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
    “This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.
    [Show full text]
  • A Historical and Phonetic Study of Negro Dialect. T
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1937 A Historical and Phonetic Study of Negro Dialect. T. Earl Pardoe Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Speech and Rhetorical Studies Commons Recommended Citation Pardoe, T. Earl, "A Historical and Phonetic Study of Negro Dialect." (1937). LSU Historical Dissertations and Theses. 7790. https://digitalcommons.lsu.edu/gradschool_disstheses/7790 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. A Historioal and phonetic Study of Negro Dialect* A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Dootor of Philosophy in Louisiana State University* By T. Earl pardoe 1937 UMI Number: DP69168 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69168 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProOuest ProQuest LLC. 789 East Eisenhower Parkway P.O.
    [Show full text]
  • Beverage / Drinks
    BEVERAGE LIST HOT BEVERAGES CHOICE OF TEA N 1,500 Black Earl Grey English Assam Green Jasmine Gold Iced COFFEE Freshly Brewed N 1,900 Decaffeinated N 1,900 Single Espresso N 1,500 Double Espresso N 3,000 Cappuccino N 3,000 Café Latte N 2,200 Hot Chocolate N 2,200 MILK SHAKES AND SMOOTHIES Chocolate, Banana, or Strawberry Milk Shake N 2,800 Fruits Smoothie N 2,800 SOFT DRINKS Fruit Juice N 2,200 Pineapple, Apple, Orange, Cranberry Fresh Orange juice N 2,750 Malt N 1,300 Coca Cola Zero N 1,300 Sprite N 1,300 Fanta Orange N 1,300 7up N 1,300 Pepsi Cola N 1,300 Mirinda N 1,300 Soda Water N 1,300 Tonic Water N 1,300 Teem Bitter Lemon N 1,300 Aquafina Water 750Ml N 1,600 Aquafina Water 1500Ml N 2,000 Perrier Sparkling Water N 2,600 ENERGY DRINKS Red Bull N 2,600 Power Horse N 2,600 BEER Star 600Ml N 1,900 Gulder 600Ml N 1,900 Heineken 600Ml N 2,600 Heineken 330Ml N 1,800 Guiness Stout 330Ml N 2,000 Guiness Stout 600Ml N 2,600 CLASSIC COCKTAILS Margarita N 5,000 Mexican cocktail consisting of tequila with cointreau and a lime juice Mojito N 6,000 Refreshing Cuban cocktail featuring rum, fresh mint and lime Cosmopolitan N 5,000 Combination of vodka, triple sec, cranberry juice and lime juice Manhattan N 5,000 A true classic made with whiskey, sweet vermouth and bitters. Martini Cocktail N 5,000 Made with gin and vermouth, garnished with an olive Bloody Mary N 5,000 Spicy tomato juice with vodka and a celery stick Pinacolada N 5,000 Traditional cocktail made with rum, cream of coconut and pineapple juice Americano N 5,000 Classic aperitif cocktail
    [Show full text]
  • Post-War and Contemporary Art Evening Sale at Christie’S New York Realizes $325 Million
    For Immediate Release November 13, 2007 Contact: Bendetta Roux 212 636 2680 [email protected] POST-WAR AND CONTEMPORARY ART EVENING SALE AT CHRISTIE’S NEW YORK REALIZES $325 MILLION New York – Christie’s Evening Sale of Post-War and Contemporary Art totaled $325,006,000 this evening, the second highest ever for a sale in the field. Sixteen new world auction records were set including for artists such as Jeff Koons, Lucian Freud, Ed Ruscha, Richard Prince and Gerhard Richter. The sale was 94% sold by value and 93% by lot. Buyers were 51% American, 26% European, 7% Asian and 16% others. “Tonight’s auction surpassed all of our expectations. It was a robust, sophisticated and well-edited auction, which established multiple records for the most significant artists of the 20th and 21st centuries. The sale realized the second highest total ever for the field and it provided excitement, awe and energy,” said Marc Porter, President Christie’s Americas. “In a market as watchful and alert as today’s, this sale was a clear and resounding vote of confidence of a deep and global client base, which is willing to spend millions of dollars on great works of art.” Mark Rothko’s superbly magical and reflective work never fails to stun one in its serene but almost tangible power. Untitled (Red Blue Orange) realized $34,201,000, second only to the Rockefeller Rothko which sold for $72 million in May of this year, and No.7 (Dark Over Light), 1954 fetched $21,041,000. Both derive from Rothko’s classic period and they reflect the artist’s spare but emotive vocabulary of luminous rectangles stacked and set afloat within a radiantly hued ground.
    [Show full text]
  • Reese Man Killed in Train-Car Crash
    -- -- -_. Am- _-- *, i- .Or\JICLE VOLUME 83, NUMBER 35 CASS CITY MICHIGAN -WEDNESDAY,DECEMBER 6,1984 _- -- 1 MIK 1 Y LkN1.S-- ~ , 16 PAGES PLUS SUPPLEMENT CASS CITY I- -_ Dee. 19 petition Reese man killed deadline - -’- -- Area residents interested in running for village office in train-car crash. have about 2 weeks left to file nominating petitions. A 22-year-old Reese man dragged down the tracks ‘ vehicle in front of her went just south of CasCity Satur- The deadline for filing is 4 was killed Monday night approximately 600 feet be- rightjust prior to the impact. day - p.m. Dec. 19. Primary when the vehicle he was fore coming to a stop. Hosner and a passenger in Troopers said Carlysle F. elections, if necessary, will driving slammed into a CSX Another motorist, Ray- her vehicle, Irene M. Periso, May hew, 68,6430 Third S t., be held Feb. 19, and the train about 2 miles south of mond G.Roy, 52, of Vassar, 22, 6665 Lincoln St., Cass City, was northbound General Election will be Richville in Tuscola Town- also was injured at the same Gagetown, were wearing on Cemetery Road north of conducted March 12. ship. location in what authorities seat belts when the 6:45 pm. River Road at about 8:45 The railroad crossing, believe may have been a crash occurred, reports p.m. when his vehicle began In Cass City, peutions can which is marked by a yield related accident. be picked up at the village state. to fishtail. The driver lost sign and railroad crossarms, Roy, who also was north- They and Luther, who was control and the vehicle left municipal building during is the same location where 2 bound on Hart Road, appar- regular business hours, 8 not wearing a seat belt, were the roadway and struck a persons were killed and 2 ently saw the train and transported to Car0 Com- .m.
    [Show full text]
  • California State University, Northridge Exploitation
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE EXPLOITATION, WOMEN AND WARHOL A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art by Kathleen Frances Burke May 1986 The Thesis of Kathleen Frances Burke is approved: Louise Leyis, M.A. Dianne E. Irwin, Ph.D. r<Iary/ Kenan Ph.D. , Chair California State. University, Northridge ii DEDICATION This thesis is dedicated to Dr. Mary Kenon Breazeale, whose tireless efforts have brought it to fruition. She taught me to "see" and interpret art history in a different way, as a feminist, proving that women's perspectives need not always agree with more traditional views. In addition, I've learned that personal politics does not have to be sacrificed, or compartmentalized in my life, but that it can be joined with a professional career and scholarly discipline. My time as a graduate student with Dr. Breazeale has had a profound effect on my personal life and career, and will continue to do so whatever paths my life travels. For this I will always be grateful. ACKNOWLEDGEMENTS In addition, I would like to acknowledge the other members of my committee: Louise Lewis and Dr. Dianne Irwin. They provided extensive editorial comments which helped me to express my ideas more clearly and succinctly. I would like to thank the six branches of the Glendale iii Public Library and their staffs, in particular: Virginia Barbieri, Claire Crandall, Fleur Osmanson, Nora Goldsmith, Cynthia Carr and Joseph Fuchs. They provided me with materials and research assistance for this project. I would also like to thank the members of my family.
    [Show full text]
  • Geodesy. Latitude Observations with Photographic Zenith Tube At
    Serial No. 7 ^.DEPARTMENT OF COMMERCE ) U. S. COAST AND GEODETIC SURVEY HI E. LESTER JONES, Superintendent GEODESY LATITUDE OBSERVATIONS WITH PHOTOGRAPHIC ZENITH TUBE AT GAITHERSBURG, MD. BY FRAIfK K. ROSS, Ph. I>. IN COOPERATION WITH THE INTERNATIONAL GEODETIC ASSOCIATION SPECIAL PUBLICATIONNINO.I 27 1 WASHINGTON GOVERNMENT PRINTING OP1TOK 1913 Serial No. 7 DEPARTMENT OF COMMERCE U. S. COAST AND GEODETIC SUEVEY E. LESTER JONES, Superintendent GEODESY LATITUDE OBSERVATIONS WITH PHOTOGRAPHIC ZENITH TUBE AT GAITHERSBURG, MD. BY FRAJSTK TG. ROSS, Pli. D. IN COOPERATION WITH THE INTERNATIONAL GEODETIC ASSOCIATION SPECIAL PUBLICATION No. 27 WASHINGTON GOVERNMENT PRINTING OFFICE 1815 ADDITIONAL COPIES OF THIS PUBLICATION MAY BE PROCURED FROM THE SUPERINTENDENT OF DOCUMENTS GOVERNMENT PRINTING OFFICE WASHINGTON, D. C. AT 25 CENTS PER COPY V 137 CONTENTS. Pago. Introduction 7 Some considerations leading to a choice of instrument 9 Description of instrument and adjustments 16 Specimen measurement and reduction sheet 25 The Elizabeth Thompson comparator 27 Reseau 30 Adjustments of the zenith tube 33 Scale value 38 Temperature coefficient (semi-theoretical) 40 Film distortion '. 42 Position of the second Gaussian point 46 Investigation of the accuracy of the carriage motion 46 Program and latitude observations, photographic 49 Star program 49 Results of observations, photographic 51 Group differences and closing sum 70 Constant of aberration 72 Solar parallax 72 Daily mean latitudes, definitive 73 Comparison of photographic variation of latitude curve with the normal curve 76 The Kimura term 78 Discussion of errors 81 Probable errors 81 Temperature conditions 82 Probable errors arranged according to zenith distance 85 Probable error of the daily mean latitude 85 Relative accuracy of observations before and after midnight 86 Systematic and accidental errors in plate measurement 87 Probable error of the photographic impression of stellar images.
    [Show full text]
  • Understanding Others: Cultural and Cross-Cultural Studies and the Teaching of Literature. INSTITUTION National Council of Teachers of English, Urbana, Ill
    DOCUMENT RESUME ED 352 649 CS 213 590 AUTHOR Trimmer, Joseph, Ed.; Warnock, Tilly, Ed. TITLE Understanding Others: Cultural and Cross-Cultural Studies and the Teaching of Literature. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-5562-6 PUB DATE 92 NOTE 269p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 55626-0015; $15.95 members, $21.95 nonmembers). PUB TYPE Books (010) Collected Works General (020) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *Cross Cultural Studies; Cultural Awareness; Cultural Context; Cultural Differences; Higher Education; *Literary Criticism; *Literature Appreciation; *Multicultural Education IDENTIFIERS Literature in Translation ABSTRACT This book of essays offers perspectives for college teachers facing the perplexities of today's focus on cultural issues in literature programs. The book presents ideas from 19 scholars and teachers relating to theories of culture-oriented criticism and teaching, contexts for these activities, and specific, culture-focused texts significant for college courses. The articles and their authors are as follows:(1) "Cultural Criticism: Past and Present" (Mary Poovey);(2) "Genre as a Social Institution" (James F. Slevin);(3) "Teaching Multicultural Literature" (Reed Way Dasenbrock);(4) "Translation as a Method for Cross-Cultural Teaching" (Anuradha Dingwaney and Carol Maier);(5) "Teaching in the Television Culture" (Judith Scot-Smith Girgus and Cecelia Tichi);(6) "Multicultural Teaching: It's an Inside Job" (Mary C. Savage); (7) "Chicana Feminism: In the Tracks of 'the' Native Woman" (Norma Alarcon);(8) "Current African American Literary Theory: Review and Projections" (Reginald Martin);(9) "Talking across Cultures" (Robert S.
    [Show full text]
  • Volume 2, Issue 2: Winter 2017
    Volume 2, Issue 2: Winter 2017 I II I I I I I I I I I I I I I I ICSC Press JOURNAL OF GENIUS AND EMINENCE Editor Mark A. Runco Distinguished Research Fellow, American Institute for Behavioral Research and Technology Editorial Board Selcuk Acar James C. Kaufman International Center for Studies in Creativity, University of Connecticut, Storrs, Connecticut Buffalo State, State University of New York Arthur I. Miller Andrei Aleinikov University College, London, England International Academy of Genius, Monterey, California Robert Root-Bernstein Giovanni E. Corazza Michigan State University, East Lansing, Michigan University of Bologna, Marconi Institute for Creativity, Bologna, Italy Dean Keith Simonton University of California, Davis David Galenson Professor, University of Chicago Harriet Zuckerman Fellow, John Simon Guggenheim Memorial Foundation Senior Vice President, Andrew W. Mellon Foundation Academic Director of the Center for Creativity Economics, Professor Emerita, Columbia University. Universidad del CEMA I II I I I I I I I I I I I I I I ICSC Press Journal of Genius and Eminence (ISSN: 2334-1130 print, Permissions and submissions: Email [email protected] 2334-1149 electronic) is published semi-annually by ICSC Press, International Center for Studies in Creativity, Buffalo Copyright © 2017 by the International Center for Studies State, State University of New York, 1300 Elmwood Avenue, in Creativity. All rights reserved. No part of this publication Chase 248, Buffalo, NY 14222. ICSC Press Managing Editor: may be reproduced, stored, transmitted, or disseminated in Paul Reali, [email protected]. any form or by any means without prior written permission. ICSC Press grants authorization for individuals to photocopy Production, Advertising, and Subscription Office: ICSC copyright material for private research use on the sole basis Press, SUNY Buffalo State, 1300 Elmwood Avenue, Chase that requests for such use are referred directly to the requester’s 248, Buffalo, NY 14222.
    [Show full text]
  • CPY Document
    THE COCA-COLA COMPANY 795 795 Complaint IN THE MA TIER OF THE COCA-COLA COMPANY FINAL ORDER, OPINION, ETC., IN REGARD TO ALLEGED VIOLATION OF SEC. 7 OF THE CLAYTON ACT AND SEC. 5 OF THE FEDERAL TRADE COMMISSION ACT Docket 9207. Complaint, July 15, 1986--Final Order, June 13, 1994 This final order requires Coca-Cola, for ten years, to obtain Commission approval before acquiring any part of the stock or interest in any company that manufactures or sells branded concentrate, syrup, or carbonated soft drinks in the United States. Appearances For the Commission: Joseph S. Brownman, Ronald Rowe, Mary Lou Steptoe and Steven J. Rurka. For the respondent: Gordon Spivack and Wendy Addiss, Coudert Brothers, New York, N.Y. 798 FEDERAL TRADE COMMISSION DECISIONS Initial Decision 117F.T.C. INITIAL DECISION BY LEWIS F. PARKER, ADMINISTRATIVE LAW JUDGE NOVEMBER 30, 1990 I. INTRODUCTION The Commission's complaint in this case issued on July 15, 1986 and it charged that The Coca-Cola Company ("Coca-Cola") had entered into an agreement to purchase 100 percent of the issued and outstanding shares of the capital stock of DP Holdings, Inc. ("DP Holdings") which, in tum, owned all of the shares of capital stock of Dr Pepper Company ("Dr Pepper"). The complaint alleged that Coca-Cola and Dr Pepper were direct competitors in the carbonated soft drink industry and that the effect of the acquisition, if consummated, may be substantially to lessen competition in relevant product markets in relevant sections of the country in violation of Section 7 of the Clayton Act, as amended, 15 U.S.C.
    [Show full text]
  • Soda Handbook
    Soda Openers A-1 BATHING GIRL, MERMAID OR SURF-GIRL, CLOTHED GIRL (BATHING GIRL), NUDE GIRL (MERMAID), CLOTHED GIRL (SURF- A-001-000 GIRL), MARKED “C.T.& O.CO. PATD.CHICAGO” OR “PATD.”, DESIGNED BY HARRY L. VAUGHAN, DESIGN PATENT NO. 46,762 (12/08/1914), 2 7/8”, DON BULL A-001-001 Drink A-1 (10-12) A-001-047 Acme Bottling Co. (2 Var (A) Clothed (B) Nude) (15-20) A-001-002 Avon More “Have One More” (10-12) A-001-003 Drink B-1 (10-12) A-001-062 Barrett's Soda Water (15-20) A-001-004 Bay View Bottling Works 305 Logan Avenue (10-12) A-001-005 Drink Burk's Soda Water (10-12) Drink Caton Ginger Ale Catonsville, Md. (2 Var (A) Caton Block Letters A-001-006 (15-20) (B) Caton Script Letters) A-001-007 Chero-Cola Bot. Co. Gainesville, Ga. (40-50) A-001-063 Chero Cola Bottling Works (20-25) A-001-008 Coca-Cola (Script) Bottling Co. Baltimore, Md. (175-200) A-001-009 Compliments Of Coca-Cola (Script) Bottling Co. Grand Island, Nebr. (175-200) A-001-010 Oriente Coca-Cola (Script) Bottling Co. (175-200) A-001-011 Sayre Coca-Cola (Block) Bottling Co. Sayre, Okla. (175-200) Compliments Cocheco Bottling Works, Inc. Rochester, N. H. (2 Var (A) A-001-064 (12-15) Text On 2 Lines (B) Text On 3 Lines) Compliments Of Cocheco Bottling Works, Inc. Rochester, N. H. (2 Var A-001-012 (10-12) (A) Clothed Girl (B) Surf Girl) A-001-065 Cola Pleez It's Sodalicious (15-20) A-001-013 Cream Of Cola St.
    [Show full text]