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KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
Curators' Colloquium on Knitted Textiles
Fleece to Fashion Economies and Cultures of Knitting in Modern Scotland Curators’ Colloquium on Knitted Textiles Friday 29 January 2021 1.30 - 4.00 pm on Zoom PROGRAMME 1.30 Welcome and Introduction (Lynn Abrams, Carol Christiansen) 1.40-2.30 Acquisition, Identity and Interpretation Chair: Roslyn Chapman The Challenges of a ‘Living’ Knitwear Collection (Carol Christiansen, Shetland Museum and Archives) Scottish and European Knitted Textiles at National Museums Scotland: collecting, interpretation and display' (Helen Wyld, National Museums of Scotland) 2.30-3.00 Care and Conservation Chair: Sally Tuckett The Care and conservation of Knit Collections (Frances Lennard, University of Glasgow) 3.00-3.05 Leg stretch 3.05-3.50 Interpretation and Display – Conventional and Digital Chair: Lin Gardner Colour Revolution: Bernat Klein and the post-war market for handknitting (Lisa Mason, National Museum of Scotland) Glorious Ganseys: a glance at the Scottish Fisheries Museum’s collection of fishermen’s jumpers with particular focus “Knitting the Herring” and the creation of a National Database (Jen Gordon and Federica Papiccio, Scottish Fisheries Museum) 3.50-4.00 Summing Up and Next Steps Chair: Marina Moskowitz Speaker Biographies Carol Christiansen is Curator and Community Museums Officer at Shetland Museum and Archives. As curator, her main responsibility is the Museum’s nationally recognised textiles collection, which has a large knitted textile component. She holds a PhD from the University of Manchester in Archaeology with a specialisation in Textiles and has worked and published in the specialism with colleagues in the UK and Nordic countries. She is the author of Taatit Rugs: the pile bedcovers of Shetland (2015) and numerous articles on Shetland’s textile heritage. -
Bronwen Sleigh
Last Updated: October 2015. Please contact CYDONIA for more information. ! BRONWEN SLEIGH Born in 1980 Birmingham, UK Lives and works in Glasgow, UK EDUCATION 2008 MA Fine Art Printmaking, Royal College of Art, London, UK 2002 BA Hons Design (Illustration), Glasgow School of Art, Glasgow, UK 1999 Diploma in Foundation Studies, Art and Design, University of Wales, Cardiff, UK AWARDS 2015 Creative Scotland ‘Professional Development’ Award, Edinburgh, UK The Bet Low Trust Funding Award, Quebec, Canada The Leif School of Art Prize, VAS Open Exhibition 2014 Professional Development, Creative Scotland, Edinburgh, UK The Bet Low Trust, Quebec, Canada 2013 Murray Beith Murray Prize, Murray Beith Murray, Edinburgh, UK 2010 Printmaking Today Award, Printmaking Today, Witney, UK School of Art Purchase Prize, Aberystwyth University, Wales, UK 2009 V&A Print Prize, Northern Print Biennale, Newcastle upon Tyne, UK 2008 Alf Dun Award, Royal College of Art, London, UK Davis Langdon Award, Royal College of Art, London, UK RCA Society/ Thames & Hudson Book Prize, London, UK 2007 Tim Mara Calgary Exchange, Royal College of Art, London, UK 2005 Strathclyde University Purchase Prize, Glasgow Print Studio, Glasgow, UK 2002 On Site Drawing Prize, Glasgow School of Art, Glasgow, UK SOLO EXHIBITIONS 2015 Northern Form, CYDONIA, Dallas, Texas, USA 2014 Re-Construct, & Collective, Bridge of Allan, UK Bronwen Sleigh, Glasgow Print Studio, Glasgow, UK 2013 Construct, Edinburgh Printmakers, Edinburgh, UK 2011 Bronwen Sleigh, Eye Two, Edinburgh, UK 2010 Bronwen Sleigh, -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
The Unlearning Organisation: Cultural
Edinburgh Research Explorer The Unlearning Organisation Citation for published version: Mulholland, N 2018, 'The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967- 2017', Paper presented at The Scottish Society for Art History’s Study Day 2018 , Glasgow, United Kingdom, 10/02/18 - 10/02/18. Link: Link to publication record in Edinburgh Research Explorer Document Version: Version created as part of publication process; publisher's layout; not normally made publicly available Publisher Rights Statement: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License By exercising the Licensed Rights (Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License ("Public License"). To the extent this Public License may be interpreted as a contract, You are granted the Licensed Rights in consideration of Your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Download Craft Scotland Celebrates... Wood PDF 6 Feb 2019
MEDIA RELEASE: Craft Scotland and VAS showcase material mastery in wood by Scotland based makers Three of Scotland's most exciting artists present their work in the third Craft Scotland celebrates... exhibition as part of ALIGHT at Royal Scottish Academy In the third of a planned series celebrating craft mediums Craft Scotland is delighted once again to be partnering with Visual Arts Scotland (VAS) to celebrate contemporary woodworking through a presentation of multidisciplinary works from gifted Scotland based makers. This year Craft Scotland has chosen to explore wood through the diverse work of three makers: Charlotte Barker, Beth Legg and Naomi Mcintosh. Their work is presented alongside hirta, a modular structure that acts as a focus for discussion around materiality, design and making. Challenging the common perceptions of wood, this year the Craft Scotland celebrates... wood showcase highlights the versatility of wood as a craft material, and the diversity of applications it can be adapted to. Selected by the VAS committee and representatives of Craft Scotland, the three invited artists will form the starting point for a wider celebration of the diverse discipline of contemporary woodworking throughout the ALIGHT exhibition. A sense of movement is offered by Charlotte Barker, the wood’s natural texture contrasting with the controlled markings of her ceramic vessels. Beth Legg’s objects and jewellery are rooted in the poetic nature of metal, wood and stone and her fascination with hinterlands while Naomi Mcintosh’s designs explore volume, pattern and movement. Speaking ahead of the exhibition opening Craft Scotland Director Irene Kernan said: “Our media-specific showcases were born out of Craft Scotland and Visual Arts Scotland's mutual ambition to exhibit high-quality craft, alongside works of fine art, in a venue fitting of its stature. -
Strickland, Fiona
TRICKLAND IONA 2008 S , F Flowers and Gardens, Annual Open Exhibition of the b. Edinburgh, Scotland Society of Botanical Artists, Lecture Hall, Central Hall Westminster, London, 2009 RESIDENCE: Scotland Judith Blacklock Flower Gallery, Knightsbridge, London, Email: [email protected] 2009 EDUCATION Autumn, Society of Botanical Artists, Palmengarten, Frankfurt, D.A. and Postgraduate Diploma, Drawing and Painting, 2010 Edinburgh College of Art, Edinburgh, 1974–1978, 1979 Botanical Paintings, Art Amatoria, Edinburgh, 2010 P.G.C.E., Secondary teaching qualification, Art and Design, Cumberland Lodge, Windsor Great Park, 2010 Moray House School of Education, Edinburgh, 1980 Gold Standard: An Exhibition of Botanical Art, Royal Horticultural Society and Fulham Palace, Fulham Palace, CAREER London, 2010 Art and Design Teacher, Bo’ness Academy, 1980–1991; Alloa Academy, 1991–1993; Art and Design Principal Teacher, HONOR(S)/AWARD(S) Bannockburn High School, Stirling, 1993–2006 Scholarship to Hospitalfield House, Edinburgh College of Botanical artist, 2008– Art, Arbroath, 1977 Traveling scholarship to Italy and France, Edinburgh College MEMBERSHIP of Art, 1978 Society of Botanical Artists Runner-Up, St. Cuthbert’s Mill Award, 2008; People’s Choice MEDIUM Award, 2008; Margaret Grainger Memorial Silver Bowl, Watercolor 2009; Certificate of Merit, Society of Botanical Artists, 2009 ONE-PERSON EXHIBITION(S) Dawn Jolliffe Botanical Art Bursary, 2008; Gold Medal, Royal Abstract Paintings, The Collective Gallery, Edinburgh, 1985 Horticultural Society, -
Latest CV Linda Green 2015
Linda Green MA (RCA) Education 2006 PG Certificate in Learning and Teaching. 1980 Royal College of Art, London M.A. Textiles 1978 Edinburgh College of Art. Post–Graduate Diploma with Distinction. Tapestry 1977 Edinburgh College of Art. D.A. Tapestry Awards and Sponsors 2015 Artists’ Bursary Creative Scotland 2014 Art Tapestry4 Award. Presented at opening in Rovaniemi 2013 Invited Artist, Visual Arts Scotland, RSA Galleries Edinburgh 2012 Inches Carr Trust Bursary Award 2010 Creative Scotland Award 2010 Theo Moorman Trust for Weavers Award 2003 The Scottish Arts Council Professional Development Award – SOFA Chicago 2002 The Scottish Arts Council Professional Development Award – Fresh Art London 1999 The Scottish Art Council. Visual Artists Award 1998 The Glasgow school of Art. Research Fellowship 1998 The Scottish Arts Council. Visual Artists Award 1997 The British Council, Scottish Courage, The Hope Scott Trust, The Great Britain Sasakawa Foundation 1996 Glasgow School of Art Research Award 1992 The British Council Travel Award 1985 Scottish Arts Council. Young Artists Award Solo Exhibitions 2013 ‘From Straw to Gold’ Thomson’s Tower, Dr Neils’ Garden, Edinburgh 2012 ‘From Straw to Gold’ The Herbarium, Royal Botanic Garden Edinburgh. 2011 ‘From Straw to Gold’ Weft, Pittenweem. Scotland 2005 Doors Open Day Exhibition. Innovative Crafts at 17 Royal Terrace Mews 2003 The Hub Edinburgh in association with The Scottish Gallery 2001 17 Royal Terrace Mews in association with Richard Murphy Architects 1998 17 Royal Terrace Mews in association with Richard Murphy Architects 1992 ‘Diary of a Journey’ Gallery Beni, Kyoto Japan 1992 The Scottish Gallery, Edinburgh 1985 The Northern Centre for Contemporary Art, Sunderland 1984 ‘Paper Constructions’ Artspace, Aberdeen Selected Exhibitions 2015 Invited Artist ‘Clothed by Plants’ Pittenweem Arts Festival. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
Michael Craik
MICHAEL CRAIK EDUCATION 1999 - 2000 MA European Fine Art, Winchester School of Art, Barcelona / Winchester 1992 - 1996 BA (Hons) Fine Art, Gray’s School of Art, Aberdeen SOLO AND JOINT EXHIBITIONS 2020 Solo exhibition, Echo, &Gallery, Edinburgh 2018 Continuum, (with Gisela Hoffmann), Galerie Schmidt & Schütte, Cologne Solo exhibition at Zembla, Hawick Percezione, (with Sonia Costantini), THECA Gallery, Milan Two person exhibition (with Jeffrey Cortland Jones), &Gallery, Edinburgh 2017 The Relative Medium (with Eric Cruikshank), Galleri Konstepidemin, Gothenburg 2016 Intime, Galerie Weissraum, Kyoto 2015 Ways of Seeing (with Eric Cruikshank), Howden Park Centre, Livingston 2013 Build (with Merja Herzog-Hellsten), Galerie Salon 13, BOK, Offenbach Im Spiegel des anderen (with Eric Cruikshank), Galerie Albrecht, Berlin 2007 Razed To The Ground, Amber Roome Contemporary Art, Edinburgh 2006 Plate Tectonics, Galería Alonso Vidal, Barcelona Solo exhibition, An Tuireann Arts Centre, Portree, Isle of Skye 2005 Solo exhibition, The Hallion Club, Edinburgh Solo exhibition, Amber Roome Contemporary Art, Edinburgh 2004 Solo exhibition, Gracefield Arts Centre, Dumfries 2003 Members Lounge, Collective Gallery, Edinburgh Solo exhibition, Friction Gallery, Edinburgh 2002 Solo exhibition, Habitat, Edinburgh Solo exhibition, Deutsche Bank, Edinburgh 2000 Gap, Panorama Gallery, Barcelona ELECTED GROUP EXHIBITIONS & FAIRS 2021 Tiny yet Mighty, &Gallery, Edinburgh 2020 Art Matters, online exhibition at Galerie Biesenbach, Cologne Winter Exhibition, &Gallery, -
Helen Flockhart CV
HELEN FLOCKHART Arusha Gallery | [email protected] | 0131 557 1412 BIOGRAPHY Following her attainment of a first-class undergraduate degree in painting at the Glasgow School of Art in 1984, Helen Flockhart took up postgraduate study with the British Council at the State Higher School of Fine Art in Poznan, Poland. Boasting an impressive resume of solo exhibitions, spanning both Scotland and England, as well as group shows in New York, Ontario, Rotterdam, London and Truro, Flockhart was recently awarded the Concept Fine Art Award (2016), the Royal Scottish Academy’s Maude Gemmel Hutchinson Prize (2012), and the Lyon and Turnbull Award presented by the Royal Glasgow Institute (2012). A fellow of the Glasgow Art Club (as of 1997), Flockhart’s works belong to such prestigious collections as the Fleming Collection, the Scottish Arts Council, Strathclyde University and the Lillie. Bill Hare, teaching fellow of Modern and Contemporary Scottish Art at the University of Edinburgh, praises her work. ‘Nobody paints like Helen Flockhart’, he writes: ‘here the mundane and the mythical are at one with each other’. Hers are works which break with established convention -- a blend of portrait and landscape, Flockhart’s paintings are verdant, fantastical paeans to that particularist genre of British myth making centered on pastures, mountains and divinity. Indeed, there is something Blakean about her work -- a warmth of vision borne of what appears simultaneous ancient and modern. EDUCATION 1985-1986 Studied painting at the State Higher School of -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer.