MELA Notes 84 (2011)
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Chapter VI Conclusions
Chapter VI Conclusions Trade and commerce of Adil Shahi Sultanate was gradually increasing through various stages, but it reached to a height after the fall of Barid Shahi and Vijaynagar. The establishment of Bahmani rule had removed Bijapur’s status as a remote frontier post, however, under the Bahamanis Bijapur never possessed the economic or political importance of Gulbarga and Bidar, the two Bahmani capitals. Bijapur’s de facto independence (1490), from Bahmani authority could not suddenly transform the city into a notable centre of Islamic civilization. One political city had to fall or decline so that a new political city rose and grew in its stead. Bidar was declined in the last quarter of 15th century and Vijaynagar was destroyed by confederate Muslim states of the Deccan in the battle of Talikota in 1565 and on its ashes raised the glory of Bijapur. By the end of sixteenth century Bijapur had emerged as one of the major Islamic urban centres. The early seventeenth century saw the peak growth of the city’s population, on the basis of the estimation of James Campbell, two million of population was resided within and outside of fort of Bijapur. Under the aegis of Ibrahim II and Muhammad Adil Shah, Bijapur’s significance in all respects grew further and it became an important city of the Deccan. Migration of Qadiri Sufis into the Bijapur during this period could be seen as an important indicator of urbanization. After the fall of Vijaynagar the resources of sultanate increases and Karwar, Honawar and Bhatkal came in their possession which helps to boost up their trade and 548 J.D.B., Gribble, History of the Deccan, op. -
Dynastic Lists and Genealogical Tables
DYNASTIC LISTS AND GENEALOGICAL TABLES (1) The Bahamani Dynasty of the Deccan. (2) The Nizam Shahi Dynasty of Ahmadnagar. (3) The Adil Shahi Dynasty of Bijapur. (4) The Imad Shahi Dynasty of Berar. (5) The Qutb Shahi Dynasty of Golconda. (6) The Barid Shahi Dynasty of Bidar. (7) The Faruqi Dynasty of Khandesh. 440 DYNASTIC LISTS AND GENEALOGICAL TABLES THE BAHAMANI DYNASTY OF THE DECCAN Year of Accession Year of Accession A. H. A. D. 748 Ala-ud-din Bahman Shah 1347 759 Muhammad I 1358 776 Mujahid 1375 779 Daud 1378 780 Mahmud (wrongly called Muhammad II) . 1378 799 Ghiyas-ud-din 1397 799 Shams-ud-din 1397 800 Taj-ud-din-Firoz 1397 825 Ahmad, Vali 1422 839 Ala-ud-din Ahmad 1436 862 Humayun Zalim 1458 865 Nizam 1461 867 Muhammad III, Lashkari 1463 887 Mahmud 1482 924 Ahmad 1518 927 Ala-ud-din 1521 928 Wali-Ullah 1522 931 Kalimullah 1525 944 End of the dynasty 1538 DYNASTIC LISTS AND GENEALOGICAL TABLES 441 THE BAHAMANI DYNASTY OF THE DECCAN GENEALOGY (Figures in brackets denote the order of succession) 442 DYNASTIC LISTS AND GENEALOGICAL TABLES THE NIZAM SHAHI DYNASTY OF AHMADNAGAR Year of Accession Year of Accession A. H. A. D. 895 Ahmad Nizam Shah 1490 915 Burhan Nizam Shah I 1509 960 Husain Nizam Shah I 1553 973 Murtaza Nizam Shah I 1565 996 Husain Nizam Shah II 1588 997 Ismail Nizam Shah 1589 999 Burhan Nizam Shah II 1591 1001 Ibrahim Nizam Shah 1594 1002 (Ahmad-usurper) 1595 1003 Bahadur Nizam Shah 1595 1007 Murtaza Nizam Shah II 1599 1041 Husain Nizam Shah III 1631 1043 End of the Dynasty 1633 DYNASTIC LISTS AND GENEALOGICAL TABLES 443 444 DYNASTIC LISTS AND GENEALOGICAL TABLES THE ADIL SHAHI DYNASTY OF BIJAPUR Year of Accession Year of Accession A. -
Turtles Can Fly Won Glass Bear and Peace Film Award at the Berlin International Film Festival and the Golden Shell at the San Sebastian International Film Festival
Alice Hsu Agatha Pai Debby Lin Ellen Hsiao Jocelyn Lin Shirley Fang Tony Huang Xray Du Outline Introduction to the Director --Agatha Historical Background of the film –Ellen Main Argument Themes (4) The Mysterious Center (Debby), (1) Ironies (Tony), (2) US Invasion (Shirley) (3) Survival= Fly (Jocelyn) (5) Agrin Questions Agatha Pai Director Bahman Ghobadi ▸ Born on February 1, 1969 (age 42) in Baneh, Kurdistan Province. ▸ Receive a Bachelor of Arts in film directing from Iran Broadcasting College. ▸ Turtles Can Fly won Glass Bear and Peace Film Award at the Berlin International Film Festival and the Golden Shell at the San Sebastian International Film Festival. Turtles Can Fly ▸ Where did the story of the film come from and how did it take shape in your mind? ▸ With inexperienced children who had never acted before, how did you manage to write the dialogues? Ellen Hsiao Historical Background Kurdistan History: up to7th century ♦ c. 614 B.C.: Indo- European tribe came from Asia into the Iranian plateau ♦ 7th century: Conquered by Arabs many converted to Islam Kurdistan History: 7th – 19th ♦ Kurdistan is also occupied by: Seljuk Turks, the Mongols, the Safavid dynasty, and Ottoman Empire (13th century) ♦ 16th-19th: autonomous Kurdish principalities (ended with the collapse of Ottoman Empire) Kurdistan History: after WWI Treaty of Sevres (1920) ♦ It proposed an autonomous homeland for the Kurds ♦ Rich oil in Kurdistan Treaty of Sevres is rejected ♦ Oppression→ from the host countries Kurdish Inhabited Area Kurdish population mainly spread in: ♦ Turkey (12-14 million) ♦ Iran (7-10 million) ♦ Iraq (5-8 million) ♦ Syria (2-3 million) ♦ Armenia (50,000) Kurdistan ♦ Georgia (40,000) Operation Anfal (1986-1989) ♦ Genocide campaign against Kurdish people ♦ 4,500 villages destroyed ♦ 1.1 – 2.1 million death: 860,000 widows Greater number of orphans → → Halabja (Halabcheh) Massacre ♦ March 16, 1988: aka. -
Global Cinema
GLOBAL CINEMA Edited by Katarzyna Marciniak, Anikó Imre, and Áine O’Healy The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politi- cally challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nation- alist or hegemonic frameworks. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, dis- tribution, exhibition, study, and teaching of film. Dedicated to global aspects of cinema, this pioneering series combines original perspectives and new method- ological paths with accessibility and coverage. Both “global” and “cinema” remain open to a range of approaches and interpretations, new and traditional. Books pub- lished in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization; it is mindful of reposi- tioning “the global” away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of “globalizing film studies.” Katarzyna Marciniak is a professor of Transnational Studies in the English Depart- ment at Ohio University. Anikó Imre is an associate -
Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi
Journal of Religion & Film Volume 15 Issue 2 October 2011 Article 4 October 2011 Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi Michael Pittman Albany College of Pharmacy and Health Sciences, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Pittman, Michael (2011) "Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi," Journal of Religion & Film: Vol. 15 : Iss. 2 , Article 4. Available at: https://digitalcommons.unomaha.edu/jrf/vol15/iss2/4 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi Abstract Over the past several decades, Iranian Cinema, through the use of themes and stories, shots and pacing, has developed a narrative style outside of Western-dominated cinematic forms. The work of Iranian director Majid Majidi reflects some of the many themes of Sufi poetry. In particular, Jalāl al-Dīn Rūmī’s poetry characteristically and repeatedly expresses the beauty of the spiritual poverty that results in the struggle with the nafs, or the lower soul. Through the lens of the work of Rumi on spiritual poverty, this article shows how the themes and filmic techniques used by Majidi in the 2000 film Baran reveal a rich and compelling narrative of cinema. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol15/iss2/4 Pittman: Majid Majidi and Baran: Iranian Cinematic Poetics Iranian Cinema has developed a thriving, compelling poetics of film in the past few decades – and this new cinema of Iran has been frequently cited to have begun with the 1969 Mehrjuri film The Cow (Gav). -
Selection of Iranian Films 2020
In the Name of God PUBLISHER Farabi Cinema Foundation No. 59, Sie Tir Ave., Tehran 11358, Iran Management: Tel: +98 21 66708545 / 66705454 Fax: +98 21 66720750 [email protected] International Affairs: Tel: +98 21 66747826 / 66736840 Fax: +98 21 66728758 [email protected] / [email protected] http://en.fcf.ir Editor in Chief: Raed Faridzadeh Teamwork by: Mahsa Fariba, Samareh Khodarahmi, Elnaz Khoshdel, Mona Saheb, Tandis Tabatabaei. Graphics, Layout & Print: Alireza Kiaei A SELECTION OF IRANIAN FILMS 2020 CONTENTS Films 6 General Information 126 Awards 136 Statistics 148 Films Film Title P.N Film Title P.N A BALLAD FOR THE WHITE COW 6 NO PLACE FOR ANGELS 64 ABADAN 1160 8 PLUNDER 66 AMPHIBIOUS 10 PUFF PUFF PASS 68 ATABAI 12 RELY ON THE WIND 70 BANDAR BAND 14 RESET 72 BECAME BLOOD 16 RIOT DAY 74 BONE MARROW 18 THE NIGHT 76 BORN OF THE EARTH 20 THE BLACK CAT 78 CARELESS CRIME 22 THE BLUE GIRL 80 CINEMA SHAHRE GHESEH 24 THE ENEMIES 82 CROWS 26 THE FOURTH ROUND 84 DAY ZERO 28 THE GOOD, THE BAD,THE INDECENT 2 86 DROWN 30 THE GREAT LEAP 88 DROWNING IN HOLY WATER 32 THE INHERITANCE 90 EAR RINGED FISH 34 THE LADY 92 EXCELLENCY 36 THE MARRIAGE PROJECT 94 EXODUS 38 THE RAIN FALLS WHERE IT WILL 96 FATHERS 40 THE REVERSED PATH 98 FILICIDE 42 THE SKIN 100 FORSAKEN HOMES 44 THE SLAUGHTERHOUSE 102 I’M HERE 46 THE STORY OF FORUGH’S GIRL 104 I’M SCARED 48 THE SUN 106 IT’S WINTER 50 THE UNDERCOVER 108 KEEP QUIET SNAIL 52 THE WASTELAND 110 KILLER SPIDER 54 TITI 112 LIFE AMONG WAR FLAGS 56 TOOMAN 114 LUNAR ECLIPSE 58 WALKING WITH THE WIND 116 NARROW RED LINE 60 WALNUT TREE 118 NO CHOICE 62 A BALLAD FOR THE WHITE COW (Ghasideye Gaveh Sefid) Directed by: Behtash Sanaeeha Synopsis: Written by: Behtash Sanaeeha, Maryam Mina’s husband has just been executed Moghadam, Mehrdad Kouroshnia for murder. -
University of Florida Thesis Or Dissertation Formatting
VOICES OF A REBELLIOUS GENERATION: CULTURAL AND POLITICAL RESISTANCE IN IRAN’S UNDERGROUND ROCK MUSIC By SHABNAM GOLI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2014 © 2014 Shabnam Goli I dedicate this thesis to my soul mate, Alireza Pourreza, for his unconditional love and support. I owe this achievement to you. ACKNOWLEDGMENTS Completion of this thesis would not have been possible without the help and support of many people. I thank my committee chair, Dr. Larry Crook, for his continuous guidance and encouragement during these three years. I thank you for believing in me and giving me the possibility for growing intellectually and musically. I am very thankful to my committee member, Dr. Welson Tremura, who devoted numerous hours of endless assistance to my research. I thank you for mentoring me and dedicating your kind help and patience to my work. I also thank my professors at the University of Florida, Dr. Silvio dos Santos, Dr. Jennifer Smith, and Dr. Jennifer Thomas, who taught me how to think and how to prosper in my academic life. Furthermore, I express my sincere gratitude to all the informants who agreed to participate in several hours of online and telephone interviews despite all their difficulties, and generously shared their priceless knowledge and experience with me. I thank Alireza Pourreza, Aldoush Alpanian, Davood Ajir, Ali Baghfar, Maryam Asadi, Mana Neyestani, Arash Sobhani, ElectroqutE band members, Shahyar Kabiri, Hooman Ajdari, Arya Karnafi, Ebrahim Nabavi, and Babak Chaman Ara for all their assistance and support. -
Iranian Cinema Syllabus Winter 2017 Olli Final Version
Contemporary Iranian Cinema Prof. Hossein Khosrowjah [email protected] Winter 2017: Between January 24and February 28 Times: Tuesday 1-3 Location: Freight & Salvage Coffee House The post-revolutionary Iranian national cinema has garnered international popularity and critical acclaim since the late 1980s for being innovative, ethical, and compassionate. This course will be an overview of post-revolutionary Iranian national cinema. We will discuss and look at works of the most prominent films of this period including Abbas Kiarostami, Mohsen Makhmalbaf, Bahram Beyzaii, and Asghar Farhadi. We will consider the dominant themes and stylistic characteristics of Iranian national cinema that since its ascendance in the late 1980s has garnered international popularity and critical acclaim for being innovative, ethical and compassionate. Moreover, the role of censorship and strong feminist tendencies of many contemporary Iranian films will be examined. Week 1 [January 24]: Introduction: The Early Days, The Birth of an Industry Class Screenings: Early Ghajar Dynasty Images (Complied by Mohsen Makhmalbaf, 18 mins) The House is Black (Forough Farrokhzad, 1963) Excerpts from Mohsen Makhmalbaf’s Once Upon a Time, Cinema (1992) 1 Week 2 [January 31]: New Wave Cinema of the 1960s and 1970s, The Revolution, and the First Cautious Steps Pre-class viewing: 1- Downpour (Bahram Beyzai, 1972 – Required) https://www.youtube.com/watch?v=m-gCtDWHFQI 2- The Report (Abbas Kiarostami, 1977 – Recommended) http://www.veoh.com/watch/v48030256GmyJGNQw 3- The Brick -
The Role of India's Adil Shahi Dynasty in Spreading Persian Language
INTERNATIONAL JOURNAL OF ENVIRONMENTAL & SCIENCE EDUCATION e-ISSN: 1306-3065 OPEN ACCESS 2018, Vol. 13, No. 2, 211-220 The Role of India’s Adil Shahi Dynasty in Spreading Persian Language Mansour Nikpanah 1* 1 Higher educational complex of Saravan, Sistan and Baluchestan, IRAN * CORRESPONDENCE: [email protected] ABSTRACT Iran and India are countries with a common language, culture, race, religion, etc. But they have been away from each other for different local and foreign causes so that these people having the same root in the past have become strangers today. By returning to the Indian history we can clarify that the center of Persian language and mores was located in this land. This case is not only exclusive to the northern areas of the Indian peninsula but also included the southern states and some prominent poets among the natives there started to talk in Persian. Bijapur is one of these areas receiving myriads of writers and scholars following the policies of Bahmani and Adil Shahi dynasties. In this article this region’s position is going to be investigated regarding its attention toward Persian language and poetry in the tenth and eleventh centuries. Keywords: Bijapur, Adil Shahi Dynasty, Ibrahim Adil Shah, Persian language INTRODUCTION Poetry has been a perpetual companion of human since the advent of history and has brought about unique and exceptional moments for mankind with its appearance. So, according to Sir Philip Sydney: “Nature never depicts the world with so many colorful patters as different poets have created” (Yousefi, 1992, p. 312). Although poetry is the result of poet’s self-development, by taking a glance at the literary past we will realize that some rulers of those times have paid attention to poets and poetry. -
ASPS 2015 Program
THE SEVENTH BIENNIAL CONVENTION OF THE ASSOCIATION FOR THE STUDY OF PERSIANATE SOCIETIES (ASPS) ASPS/Istanbul 2015 September 8-11, 2015 Istanbul, Turkey VENUE MIMAR SINAN FINE ARTS UNIVERSITY, FINDIKLI CAMPUS Address: Meclis-i Mebusan Caddesi No: 24 Fındıklı 34427, Beyoğlu, İstanbul Website: http://www.msgsu.edu.tr/tr-TR/findikli/606/Page.aspx Telephone: 0212 252 16 00 THE ASSOCIATION FOR THE STUDY OF PERSIANATE SOCIETIES PRESIDENT Saïd Amir Arjomand State University of New York, Stony Brook VICE PRESIDENT Jo-Ann Gross The College of New Jersey ACTING TREASURER Pooriya Alimoradi University of Toronto PAST-PRESIDENTS Parvaneh Pourshariati Institute for the Study of Ancient World (ISAW/NYU and CUNY) Rudi Matthee University of Delaware FOUNDER & PAST-PRESIDENT Saïd Amir Arjomand State University of New York Stony Brook BOARD OF DIRECTORS Pooriya Alimoradi University of Toronto Sussan Babaie The Courtauld Institute of Art Kathryn Babayan University of Michigan 2 Houchang Chehabi Boston University Ghazzal Dabiri University of Ghent Rudi Matthee University of Delaware Jawid Mojaddedi Rutgers University Judith Pfeiffer University of Oxford 3 REGIONAL OFFICE DIRECTORS ARMENIA Garnik Asatrian Caucasian Center for Iranian Studies, Yerevan BALKANS Ahmed Zildžić, The Oriental Institute, Sarajevo COUNCIL FOR EURASIA Florian Schwarz Austrian Academy of Sciences GEORGIA George Sanikidze Institute of Oriental Studies, Tbilisi INDIA Isthtiyaq Ahmad Zilli Aligarh Muslim University IRAN Kourosh Kamali Fars Encyclopedia, Shiraz, Iran PAKISTAN Muhammad Saleem -
Persian Manuscripts
: SUPPLEMENT TO THE CATALOGUE OF THE PERSIAN MANUSCRIPTS IN THE BRITISH MUSEUM BY CHARLES RIEU, Ph.D. PRINTED BY ORDER OF THE TRUSTEES Sontion SOLD AT THE BRITISH MUSEUM; AND BY Messrs. LONGMANS & CO., 39, Paternoster Row; R QUARITCH, 15, Piccadilly, W.j A. ASHEE & CO., 13, Bedford .Street, Covent Garden ; KEGAN PAUL, TRENCH, TRUBNER & CO., Paternoster House, Charing Cross Eoad ; and HENEY FROWDE, Oxford University Press, Amen Corner. 1895. : LONDON printed by gilbert and rivington, limited , st. John's house, clerkenwell, e.g. TUP r-FTTY CFNTEf ; PEE FACE. The present Supplement deals with four hundred and twenty-five Manuscripts acquired by the Museum during the last twelve years, namely from 1883, the year in which the third and last volume of the Persian Catalogue was published, to the last quarter of the present year. For more than a half of these accessions, namely, two hundred and forty volumes, the Museum is indebted to the agency of Mr. Sidney J. A. Churchill, late Persian Secretary to Her Majesty's Legation at Teheran, who during eleven years, from 1884 to 1894, applied himself with unflagging zeal to the self-imposed duty of enriching the National Library with rare Oriental MSS. and with the almost equally rare productions of the printing press of Persia. By his intimate acquaintance with the language and literature of that country, with the character of its inhabitants, and with some of its statesmen and scholars, Mr. Churchill was eminently qualified for that task, and he availed himself with brilliant success of his exceptional opportunities. His first contribution was a fine illuminated copy of the Zafar Namah, or rhymed chronicle, of Hamdullah Mustaufi (no.