A Primer to Natural Hair Care Practices in Black Patients
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A Science-Based Guide to Afro-Textured Hair Care from Nylah’S Naturals
FOR IMMEDIATE RELEASE A Science-Based Guide to Afro-Textured Hair Care from Nylah’s Naturals. This vegan hair care brand shares their top five tips on how to care for Black hair. Afro-textured hair requires special care, as the hair unique structure is prone to extra dryness and therefore are more fragile and susceptible to breakage. Kam Davis, Founder and CEO of Nylah’s Naturals, shares some expert advice on how to care for Black hair. Since ancient times, afro-textured hair has been an integral part of Black culture. From the Ancient Nile Valley civilizations to the establishment of Western African empires, hair has maintained a spiritual, social, cultural and aesthetic significance in the lives of African people. It was a part of a person’s social and cultural identity, signifying personal status. Unfortunately, in recent centuries, Black women and men were forced to follow the standards of beauty industries that did not accept natural afro-textured hair, forcing many to chemically straighten their hair or wear wigs. Encouragingly, over the past few years, the tendency started shifting in a different FOR IMMEDIATE RELEASE direction, with natural afro-textured hair being more and more widely accepted, celebrating its curly nature and uniqueness. “At Nylah’s Naturals, we realize that our mission goes way beyond creating natural, high-quality products catering to afro-textured hair. For so many years Black women were fighting the very nature of their hair, so now we feel there is a need to educate and share the best practices on how to care for Black hair in such a way that it highlights its health and beauty,” - shares Kam Davis, Nylah’s Naturals CEO and Founder. -
The American Trend of Female Pubic Hair Removal: Exploring A
THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION by BETH A. WEIGLE (Under the Direction of José Blanco F.) ABSTRACT Various cultures have used constructed knowledge, social standards, and aesthetic preferences to determine how to manipulate and treat each type of hair on a person‟s body, including pubic hair. Depilation and/or trimming of pubic hair, increasingly being used by contemporary western cultures, could be considered a highly normative practice (Toerien, Wilkinson & Choi, 2005). The purpose of this study was to explore factors that influence the recent development of American women‟s decision to depilate and/or trim the pubic region. Twenty American women between the ages of 18 and 57 participated in an online survey. Data was analyzed using a grounded theory approach, which consisted of a two-step process involving coding and memo- writing. The study determined that depilation of pubic hair is a growing practice amongst American women. This change in pubic hair grooming practices is related with an increased presence of pubic hair discussion among individuals as well as in popular culture. INDEX WORDS: Pubic hair, Depilation, Dress, Media THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION by BETH A. WEIGLE B.S., The University of Georgia, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE ATHENS, GEORGIA 2009 © 2009 Beth A. Weigle All Rights Reserved THE AMERICAN TREND OF FEMALE PUBIC HAIR REMOVAL: EXPLORING A POPULAR CULTURE BODY MODIFICATION By BETH A. -
SELF Previously Reported
If the coronavirus pandemic has obliterated your grooming routine, you’re not alone. Among many other quandaries, you might be grappling with how to shave your pubic hair these days—particularly if your usual grooming technique isn’t really possible while social distancing. Now, obviously summer’s going to look a lot different this year than it normally does, but you might still find some safe opportunities to get into a swimsuit. If removing the hair around your vulva is usually part of that process for you, we get why you’re interested in figuring out how to shave down there. Of course, no one is obligated to remove their pubic hair (or any other body hair), but if it’s part of your normal routine that makes you feel great, we’re not going to tell you to stop. We are, however, going to help you handle this DIY hair care situation as safely as possible. So, in case you’re interested in how to shave your pubic hair, we asked a dermatologist to give us the low-down on how to do it safely. Why do you even have pubic hair? It’s not entirely clear why people have pubic hair. When it comes to people with vaginas, there is some thought that it might provide protection against dirt entering the vagina, as well as against friction from exercise or sex, SELF previously reported. There is also the (unproven) theory that pubic hair carries pheromones that signal when you have reached reproductive maturity (and, in turn, possibly help you attract a partner to reproduce with). -
AFRO-AMERICAN ART the METROPOLITAN MUSEUM of ART Selections of Nineteenth-Century Afro-American Art
<^ ? AFRO-AMERICAN ART THE METROPOLITAN MUSEUM OF ART Selections of Nineteenth-Century Afro-American Art Selections of Nineteenth-Century Afro-American Art June 19-August 1,1976 Catalogue by Regenia A. Perry The Metropolitan Museum of Art, New York ON THE COVER: Ashur Moses Nathan and Son by Jules Lion. Pastel on canvas, ca. 1845. Lent by Francois Mignon, Natchitoches, Louisiana. Pho tograph by Don R. Sepulvado, Natchitoches, Louisiana. Copyright © 1976 by The Metropolitan Museum of Art 1 he Metropolitan Museum is pleased to present the ex hibition Selections of Nineteenth-Century Afro-American Art as part of our observance of the nation's Bicentennial celebration. We are grateful for the generosity of the lenders, whose cooperation made the exhibition possible, and we congratulate Dr. Regenia A. Perry, who or ganized the show. It is fitting at this time not only to ex amine this important aspect of our national heritage but to view it in the broader context of the history of Ameri can art as represented in the collection of The Metropoli tan Museum of Art. THOMAS HOVING Director ACKNOWLEDGMENTS I would like to express my gratitude to the School of the Arts at Virginia Commonwealth University for granting me a leave of ab sence to work on this project during the academic year 1975—1976, to the Andrew W. Mellon Foundation for funding the fellowship at The Metropolitan Museum of Art which I received during this year, to The Metropolitan Museum of Art for working with me in present ing this exhibition, and to the numerous institutions and private col lectors who have generously lent their works. -
Ep 222: Confidence and Curly Hair Full Episode Transcript Jody Moore
Ep 222: Confidence and Curly Hair Full Episode Transcript With Your Host Jody Moore Better Than Happy with Jody Moore Ep 222: Confidence and Curly Hair I'm Jody Moore and this is Better Than Happy, episode 222, Confidence and Curly Hair. This podcast is for people who know that living an extraordinary life is not easy or comfortable. It's so much better than that. This is Better Than Happy, and I'm your host, Jody Moore. What’s happening, 222, isn’t that supposed to mean something when all the numbers line up like that, if you’re superstitious? I don’t know what it means, but I’m excited to be talking with you guys today. Let me give you an update in what’s happening in my life. At the time I record this, it’s the end of September, so kids are back in school, weather’s getting cold. In fact, it’s supposed to snow this weekend in Spokane. Not sure how I feel about that. Last week, I was in Utah, we did Better Than Happy Live, two days of it. So amazing. I love all of you who were there, thanks for coming. And then I met with my team for the day. I call them my team, but they’re pretty much all part time contractors, but I just claim them as my own. And we had an amazing day and we have so many fun things that we’re working on for you guys. So stay tuned because we have lots of goodies coming, lots of free classes, lots of kind of fun things that you might want to get in the mail. -
Hair Is Made of Strong Elastic Strands of Protein Called Keratin. the Sources of Hair Are Very Small Tiny Pockets in Our Skin and Scalp Known As Follicles
Hair Hair is made of strong elastic strands of protein called keratin. The sources of hair are very small tiny pockets in our skin and scalp known as follicles. These follicles are found together in groups of two to five each. Every follicle follows a life cycle of its own producing about six inches of hair a year for as long as four years before it falls out and then starts all over again after a short period. The basal tip of the hair in the scalp is known as papilla which is a small out-growth of the skin shaped like a doorknob and lying at the tip of the follicle. The papilla contains the blood vessels to supply nourishment to the hair. During the active period the new cell growth pushes the older part of the hair away from the papilla until the hair falls out. It is the pattern of cell growth at the papilla which determines whether hair grow straight, wavy or curly. The growth pattern usually becomes uneven during the adolescence when the hair growth is at its peak. It declines as we grow older. Though hair strands look as singular fibres, each hair is constructed in three different layers: the cuticle, the cortex and the medulla. Cuticle The cuticle is the outermost layer of the hair which provides protection to the inner cortex layer. It is made up of flattened, hard, horny cells. Cortex The cortex is the second layer of hair. The qualitative properties of strength, elasticity, pliability, direction and growth pattern, width and the texture of hair depend on the composition of the cortex. -
Beauty Trends 2015
Beauty Trends 2015 HAIR CARE EDITION (U.S.) The image The image cannot be cannot be displayed. displayed. Your Your computer computer may not have may not have enough enough memory to memory to Intro open the open the With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the United States’ population and gain insight into this specific population’s behavior. In our Google Beauty Trends report, we are excited to bring forth the power of big data into the hands of the marketers, product developers, stylists, trendsetters and tastemakers. The goal of this report is to share useful data for planning purposes accompanied by curated styles of what we believe can make for impactful trends. We are proud to share this iteration and look forward to hearing back from you. Flynn Matthews | Principal Industry Analyst, Beauty Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Photo Credit: Blind Barber (Men’s Hair), Meladee Shea Gammelseter (Women’s Hair), Andrea Grabher/Christian Anwander (Colored Hair), Catface Hair (Box & Twist Braids), Maria Valentino/MCV photo (Goddess Braid) Proprietary + Confidential Methodology QUERY To compile a list of accurate trends within the Jan-13 Aug-13 Jan-14 Aug-14 Jan-15 Aug-15 beauty industry, we pulled top volume queries related to the beauty category and looked at their monthly volume from January 2013 to August 2015. We first removed any seasonal effect, and DE-SEASONALIZED QUERY then measured the year-over-year growth, velocity, and acceleration for each search query. -
Essential of Hair Care Cosmetics
cosmetics Review Essential of Hair Care Cosmetics Aurora Alessandrini * and Bianca Maria Piraccini Division of Dermatology, Department of Experimental, Diagnostic and Specialty Medicine, University of Bologna, Bologna 40138, Italy; [email protected] * Correspondence: [email protected]; Tel.: +39-051-214-3677; Fax: +39-051-214-4867 Academic Editors: Won-Soo Lee and Enzo Berardesca Received: 18 July 2016; Accepted: 20 September 2016; Published: 27 September 2016 Abstract: Nowadays, hair care and style play a very important role in people’s physical aspect and self-perception. Hair cosmetics can be distinguished into two main categories: cosmetics with temporary effect on the hair, for example shampoos, conditioners, sprays, and temporary colors; and cosmetics with permanent effect on the hair, such as permanent waves, relaxers, bleaches and permanent colors. These cosmetic procedures may induce hair abnormalities. We provide an overview on the most important characteristics of these procedures, analyzing components and effects on the hair. Finally, we evaluated new camouflage techniques and tattoo scalp. Keywords: hair; hair care; hair care cosmetics; hair care products; cosmetic ingredient; healthy hair 1. Introduction Hair is a complex structure composed by many components that act as a unit, with the biological purpose of protecting the scalp, as well as physical attractiveness to the self-perception of beauty. Nowadays, hair care and style play a very important role in people’s lives, both for men and women, so knowledge of hair products, mode of action, efficacy, ingredients and hair procedures has become more relevant in dermatologists’ medical practice. The amount of money spent to enhance the hair beauty is an indication of how much attention is given today to the hair appearance. -
Acne Keloidalis Nuchae
Dermatologic Therapy, Vol. 20, 2007, 128–132 Copyright © Blackwell Publishing, Inc., 2007 Printed in the United States · All rights reserved DERMATOLOGIC THERAPY ISSN 1396-0296 Blackwell Publishing Inc Acne keloidalis nuchae Acne keloidalis nuchae, also known as folliculitis its antimicrobial and antiinflammatory effect), nuchae, is a chronic scarring folliculitis charac- and a series of intralesional steroids (40 mg/cc of terized by fibrotic papules and nodules of the existing keloids). Education is the key to preven- nape of the neck and the occiput. It particularly tion. I discourage high-collared shirts, short hair- affects young men of African descent and rarely cuts, and close shaving or cutting the hair along occurs in women; in either case its occurrence the posterior hairline. In the long-term, patients has a significant impact on the patient’s quality benefit from laser hair removal using diode or of life. We’ve asked our experts to share their expe- Nd:YAG, which helps avoid disease progression. rience in helping patients with this cosmetically Early treatment decreases the morbidity that can disfiguring disorder. be associated with late-stage disease. Question Dr. Vause: I treat early acne keloidalis nuchae by instructing patients to wash the skin frequently Please describe your approach to the treatment of with a mild keratolytic like tar or an alpha hydroxy patients with early (less than 20 papules, pustules acid cleanser. Patients are instructed to apply and 1–2 < 2 cm nuchae keloids) acne keloidalis topical clindamycin with steroid in the morning nuchae. (1–3) and retinoid at bedtime. Dr. Brauner: An option is to treat all patients with Response chlorhexadine cleanser as a daily shampoo and minocycline 100 mg daily b.i.d. -
Demystifying Finishing for Guys What to Do If He Thinks Mousse Is Just a Girly Dessert
demystifying finishing for guys What to do if he thinks mousse is just a girly dessert. The same guy who wields a glue gun, a hockey stick or a corkscrew with massive confidence can become completely undone when faced with a styling product and a hairbrush. The fact is, anything beyond vigorous rubbing with a towel after the shower is a styling mystery to many men. But, says Thom, a little instruction and a few seconds of effort each morning can make a huge difference between grungy and well-groomed. the rocker-with- long-locks finish (John Mayer, Ryan Eggold, Michael Steger, Rod Stewart, the curly/wavy/ the Rolling Stones) Styles come and go but some guys frizzy finish will never part with their rocker locks. Whether he opts for a ‘70s glam effect (Ryan Philippe, or a more tousled and casual effect, the classic Adrian Grenier, Nick Jonas) it’s wise to break out the brush and the faux hawk blow dryer, says Thom, to help longer finish Curly hair is thirsty hair so moisture finish is critical. Start with a cocktail hair take shape. He tells guys to apply (George Clooney, of leave-in conditioner and hair a bit of straightening gel (if hair is (Ryan Seacrest) Matt Damon, those adorable crème and apply to damp hair. (If curly) or mousse (if it’s fine) to damp strands and then use a blow dryer All of the action takes place Ralph Lauren models) hair is super-dry and frizzy, add a after the hair is shampooed few drops of styling oil to the mix. -
ELSEVIER Mosby's Textbook for Long-Term Care Nursing Assistants, 6'H Edit 446 Chapter 21 I Grooming
. - .._ _---_.__._._------_ ......• Chapter 21 I Grooming 4 61. A resident with dementia is having problems dressing. 64. A person has an IV. When putting on the clean gown, YOl Which measure will not help? first put it A. Let the person dress himself or herself to the extent A. On the arm with the IV possible. B. On the ann without the IV B. Let the person choose what to wear from 2 or 3 outfits. C. Over the person's head C. Stack clothes in the order that they will be put on. D. So that the ties are in the front D. Complete the process as quickly as possible. 65. A resident has an IV in his right arm. He wears a standarc 62. A person has an IV. When changing the person's gown, you gown and has an IV pump. Which is correct? first A. Put his gown on the right arm first and then on the left ar A. Remove the gown from the arm with no IV B. Put his gown on the left ann first and then on the right ar B. Remove the gown from the arm with the IV C. His right arm is not put through the sleeve of the gown. C. Remove the IV D. TIle gown is put on so that the ties are in the front. D. Ask the person what he or she wants to wear 63. When changing the gown of a person with an IV, you keep the IV bag A. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication.