A Science-Based Guide to Afro-Textured Hair Care from Nylah’S Naturals
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AFRO-AMERICAN ART the METROPOLITAN MUSEUM of ART Selections of Nineteenth-Century Afro-American Art
<^ ? AFRO-AMERICAN ART THE METROPOLITAN MUSEUM OF ART Selections of Nineteenth-Century Afro-American Art Selections of Nineteenth-Century Afro-American Art June 19-August 1,1976 Catalogue by Regenia A. Perry The Metropolitan Museum of Art, New York ON THE COVER: Ashur Moses Nathan and Son by Jules Lion. Pastel on canvas, ca. 1845. Lent by Francois Mignon, Natchitoches, Louisiana. Pho tograph by Don R. Sepulvado, Natchitoches, Louisiana. Copyright © 1976 by The Metropolitan Museum of Art 1 he Metropolitan Museum is pleased to present the ex hibition Selections of Nineteenth-Century Afro-American Art as part of our observance of the nation's Bicentennial celebration. We are grateful for the generosity of the lenders, whose cooperation made the exhibition possible, and we congratulate Dr. Regenia A. Perry, who or ganized the show. It is fitting at this time not only to ex amine this important aspect of our national heritage but to view it in the broader context of the history of Ameri can art as represented in the collection of The Metropoli tan Museum of Art. THOMAS HOVING Director ACKNOWLEDGMENTS I would like to express my gratitude to the School of the Arts at Virginia Commonwealth University for granting me a leave of ab sence to work on this project during the academic year 1975—1976, to the Andrew W. Mellon Foundation for funding the fellowship at The Metropolitan Museum of Art which I received during this year, to The Metropolitan Museum of Art for working with me in present ing this exhibition, and to the numerous institutions and private col lectors who have generously lent their works. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication. -
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8 HR. CONTINUING EDUCATION FOR NORTH CAROLINA NATURAL HAIR CARE Complete All 8 Hrs. ONLINE For $10.00 ww.ceuapproved.com Regular Price ($25.00) If Completed By Mail. (See Page 15) Find this course for a lower price we will match that price plus give you an additional $3.00 off CEU APPROVED CONTINUING EDUCATION P.O. BOX 35606 FAYETTEVILLE NC 28303 1-888-534-2747 WWW.CEUAPPROVED.COM Do you or another Natural Hair Care Specialist need 8 hrs. of continuing Education to satisfy North Carolina Continuing Education requirement?? Please follow the instructions listed below to complete this 8 hr. program: 1. Read the course material. Answer the test Questions. 2. Go to WWW.CEUAPPROVED.COM 3. Select the test name to begin. 4. Pass the Test, Register and Make Payment. 5. Instantly print your certificate or pay an additional $2.00 for a copy of your certificate to be mailed to you. 6. A copy of your certificate will be maintained on file for five years. Your certificate is proof of completion of the continuing education course(s) required for renewal of your license during an audit. Always Keep A Copy of Your Certificate for your records. Other ways to submit this course: Internet-Online WWW.CEUAPPROVED.COM Fax 1-877-290-5183 (An additional $4.00 processing fee will be added if test is completed by fax.) Complete All 8 Hrs. ONLINE For $10.00 8 HR. NATURAL STYLES AND BRAID CARE Course Number 20172NH 1 8 HR NATURAL STYLES AND BRAID CARE o The Comb Technique Course Outline: o The Palm Roll 1. -
{Download PDF} Good Hair : the Essential Guide to Afro, Textured
GOOD HAIR : THE ESSENTIAL GUIDE TO AFRO, TEXTURED AND CURLY HAIR PDF, EPUB, EBOOK Charlotte Mensah | 288 pages | 29 Oct 2020 | Penguin Books Ltd | 9780241423523 | English | London, United Kingdom Good Hair : The Essential Guide to Afro, Textured and Curly Hair PDF Book Buy from…. Please sign in to write a review. Picture Information. Report item - opens in a new window or tab. We are temporarily unable to accept orders for delivery to destinations on Royal Mail's suspension list see below. Featuring case studies of clients who came to her looking for a 'hair fix', and informed by her own story from apprentice to business-owner, this book will dispel common hair myths and give you the knowledge and tools to attain good hair health. Reserve online, pay on collection. If you have any issues or concerns, please contact our customer service team within 60 days of purchase and they will be more than happy to help. With millions of satisfied customers who enjoy low prices on a huge range of books, we offer a reliable and trusted service and consistently receive excellent feedback. Return policy. Any international shipping is paid in part to Pitney Bowes Inc. Special financing available Select PayPal Credit at checkout to have the option to pay over time. Gorgeous Wedding Hairstyles. Item description Please note, the image is for illustrative purposes only, actual book cover, binding and edition may vary. We offer a huge range of over 8 million books; bestsellers, children's books, cheap paperbacks, baby books, special edition hardbacks, and textbooks. Happy and other ridiculous aspirations. -
Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape
Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape By Angela C. Erickson July 2016 Barriers to Braiding Barriers to Braiding How Job-Killing Licensing Laws Tangle Natural Hair Care in Needless Red Tape By Angela C. Erickson July 2016 Barriers to Braiding Barriers to Braiding Table of Contents Executive Summary . 1 Introduction . 3 Barriers to a Traditional Art . 7 Methods . 10 Results . 13 Discussion . 18 Implications . 22 Appendix A . 25 Appendix B . 27 Appendix C . 28 Endnotes . .29 Barriers to Braiding Executive Summary African-style hair braiding is a traditional art and a time-tested way of caring for tightly coiled Afro-textured hair naturally, without scissors, heat or chemicals. Yet, in most states, people who wish to braid for a living must first obtain a government permission slip—an occupational license requiring up to 2,100 hours of training. This study investigates whether the natural craft of braiding poses risks that justify occupational licensing and whether braiding licenses create barriers that keep people out of work. 1 Barriers to Braiding This report finds: Braiding is safe—in states with strict licensing and in states without. • Complaints against braiders are extremely rare. Licensing boards in nine states and the District of Columbia turned up just 130 complaints in seven years—and the vast majority concerned whether braiders were properly licensed, not health or safety. Only six complaints raised questions of consumer harm, none of them verified by boards. • Complaints against braiders are so rare that a person is 2.5 times more likely to get audited by the IRS (8.6 in 1,000) than a licensed or registered braider is to receive a complaint of any kind (3.4 in 1,000). -
INFORMATION PAPER Department of the Army, G-1 15 Nov 19 SUBJECT
INFORMATION PAPER Department of the Army, G-1 15 Nov 19 SUBJECT: DACOWITS December 2019 RFI 9: Effect of Grooming Standards on Women’s Health 1. Purpose: To reply to the DACOWITS Effect of Grooming Standards on Women’s Health for December 2019 Quarterly Business Meeting. Military grooming standards ensure Service members are able to meet their occupational demands and maintain a professional appearance. However, sometimes these standards can unmask or exacerbate various skin conditions. According to the American Academy of Dermatology, traction alopecia is hair loss that is caused by repeat pulling on the hair due to tight hairstyles. Servicewomen can develop this condition if they wear their hair in a tight ponytail, bun, or braids, especially in combination with the use of chemicals or heat. Servicewomen have expressed to DACOWITS that specific grooming standards are causing them non-reversible hair loss. The Committee is concerned about the potential unintended consequences and impact of grooming standards on women’s long term health. Question 9a: Provide policies, regulations, and other directive sources that describe grooming standards for servicewomen. Include specifics that may be required for certain military specialties or working conditions, as well as any variances or allowances for racial or ethnic groups Response 9a: Army Regulation (AR) 670-1 Wear and Appearance of Army Uniforms and Insignia, paragraph 3-2 a. (3) “The requirements for hair regulations are to maintain uniformity within a military population for female Soldiers while in uniform, or in civilian clothes on duty, unless otherwise specified. Female hairstyles may not be eccentric or faddish and will present a conservative, professional appearance. -
List of Hairstyles
List of hairstyles This is a non-exhaustive list of hairstyles, excluding facial hairstyles. Name Image Description A style of natural African hair that has been grown out without any straightening or ironing, and combed regularly with specialafro picks. In recent Afro history, the hairstyle was popular through the late 1960s and 1970s in the United States of America. Though today many people prefer to wear weave. A haircut where the hair is longer on one side. In the 1980s and 1990s, Asymmetric asymmetric was a popular staple of Black hip hop fashion, among women and cut men. Backcombing or teasing with hairspray to style hair on top of the head so that Beehive the size and shape is suggestive of a beehive, hence the name. Bangs (or fringe) straight across the high forehead, or cut at a slight U- Bangs shape.[1] Any hairstyle with large volume, though this is generally a description given to hair with a straight texture that is blown out or "teased" into a large size. The Big hair increased volume is often maintained with the use of hairspray or other styling products that offer hold. A long hairstyle for women that is used with rich products and blown dry from Blowout the roots to the ends. Popularized by individuals such asCatherine, Duchess of Cambridge. A classic short hairstyle where it is cut above the shoulders in a blunt cut with Bob cut typically no layers. This style is most common among women. Bouffant A style characterized by smooth hair that is heightened and given extra fullness over teasing in the fringe area. -
“GOOD HAIR” STUDY: Perception Institute
textured hairstyles smooth hairstyles or or Pleasant Unpleasant When the items belong to a category on the left, press the E key. When the items belong to a category on the right, press the I key. Alexis McGill Johnson THE “GOOD HAIR” STUDY: Perception Institute Rachel D. Godsil EXPLICIT AND IMPLICIT Perception Institute Seton Hall University ATTITUDES TOWARD School of Law Jessica MacFarlane, MPH BLACK WOMEN’S HAIR Perception Institute Linda R. Tropp, Ph.D. February 2017 University of Massachusetts Amherst Phillip Atiba Goff , Ph.D. John Jay College of www.goodhairstudy.com Criminal Justice REPORTTHE “GOOD AUTHORS HAIR” STUDY: AlexisExplicit McGill and Implicit Johnson Attitudes Toward Black Women’s Hair Executive Director, Perception Institute Rachel D. Godsil Director of Research, Perception Institute Eleanor Bontecou Professor of Law Seton Hall University School of Law Jessica MacFarlane, MPH Research Associate, Perception Institute Linda R. Tropp, Ph.D. Professor, Department of Psychological and Brain Sciences University of Massachusetts Amherst Phillip Atiba Goff, Ph.D. President, Center for Policing Equity Franklin A. Thomas Professor in Policing Equity John Jay College of Criminal Justice PERCEPTION INSTITUTE Alexis McGill Johnson, Executive Director Rachel D. Godsil, Director of Research Jessica MacFarlane, Research Associate Research Advisors Joshua Aronson, New York University Emily Balcetis, New York University Matt Barreto, University of Washington DeAngelo Bester, Workers Center for Racial Justice Ludovic Blain, Progressive Era Project Sandra (Chap) Chapman, Little Red School House & Elizabeth Irwin High School Camille Charles, University of Pennsylvania Nilanjana Dasgupta, University of Massachusetts Amherst Jack Glaser, University of California, Berkeley Phillip Atiba Goff, John Jay College of Criminal Justice Kent Harber, Rutgers University at Newark Dushaw Hockett, SPACEs Jerry Kang, University of California, Los Angeles, School of Law Jason Okonofua, University of California, Berkeley john a. -
314.966.8888 Esthetician Clinic Menu of Services
Grabber School ESTHETICIAN CLINIC TO SCHEDULE A SALON OR SPA SERVICES APPOINTMENT, CALL MENU OF SERVICES 314.966.8888 Email: [email protected] FACIALS HAIR REMOVAL Visit: grabberschool.edu Facial Service (60 min) ......................$35 Derma Planing (30 min) ......................$40 Hair Removal with RF Laser (45 min) ..........$50 ESTHETICIAN SERVICES HOURS FACIAL ADD-ONS Microdermabrasion (30 min) .................$35 BROW AND LASH MONDAY: Closed Hydro Therapy (30 min) ......................$35 Lash Tint (30 min) .........................$10.50 TUESDAY: 10:30am - 3:00pm Rejuvenation and Acne (45 min) ..............$40 Lash Perm (30 min) .........................$25 WEDNESDAY: 10:30am - 3:00pm Ultra Lift Face (45 min) .......................$40 Brow Tint (30 min) ........................ $10.50 5:45pm - 9:00pm Corrective Chemical Peel (30 min) ............$40 Lash Strips (20 min) .........................$10 THURSDAY: 10:30am - 3:00pm Lash Tabs (20 min) ..........................$15 5:45pm - 9:00pm Complimentary 3-D Skin Analysis will be available FRIDAY: 9:00am - 3:00pm to all our Spa Services clients 30 minutes before BODY TREATMENTS SATURDAY: 9:00am - 4:00pm each facial service. By identifying skin conditions Stone Therapy (90 min) ......................$50 SUNDAY: Closed and problem areas, we will be able to customize your Aromatherapy Cupping (90 min) ..............$50 treatment to achieve optimal results. The 3-D visual Acne - Back “Facial” (60 min) .................$30 GET THE TRAINING YOU NEED TO SUCCEED: representation will also allow you and the students Sugar Scrub (60 min) ........................$25 COSMETOLOGY | ESTHETICIAN | MANICURING the ability to see the benefits of skin treatments plus Mud Hydration - Full Body (60 min) .......... $30 Grabber School is committed to exceeding track progress and outcomes over time. -
Kobena Mercer in Black Hair/Style Politics
new formations NUMBER 3 WINTER 1987 Kobena Mercer BLACK HAIR/STYLE POLITICS Some time ago Michael Jackson's hair caught fire when he was filming a television commercial. Perhaps the incident became newsworthy because it brought together two seemingly opposed news-values: fame and misfortune. But judging by the way it was reported in one black community newspaper, The Black Voice, Michael's unhappy accident took on a deeper significance for a cultural politics of beauty, style and fashion. In its feature article, 'Are we proud to be black?', beauty pageants, skin-bleaching cosmetics and the curly-perm hair-style epitomized by Jackson's image were interpreted as equivalent signs of a 'negative' black aesthetic. All three were roundly condemned for negating the 'natural' beauty of blackness and were seen as identical expressions of subjective enslavement to Eurocentric definitions of beauty, thus indicative of an 'inferiority complex'.1 The question of how ideologies of 'the beautiful' have been defined by, for and - for most of the time - against black people remains crucially important. But at the same time I want to take issue with the widespread argument that, because it involves straightening, the curly-perm hair-style represents either a wretched imitation of white people's hair or, what amounts to the same thing, a diseased state of black consciousness. I have a feeling that the equation between the curly-perm and skin-bleaching cremes is made to emphasize the potential health risk sometimes associated with the chemical contents of hair-straightening products. By exaggerating this marginal risk, a moral grounding is constructed for judgements which are then extrapolated to assumptions about mental health or illness. -
19Th JUDICIAL DISTRICT COURT for the PARISH of EAST BATON ROUGE STATE of LOUISIANA\
19th JUDICIAL DISTRICT COURT FOR THE PARISH OF EAST BATON ROUGE STATE OF LOUISIANA\. ASHLEY-ROXANNE NDAKPRI, SUIT NO. LYNN SCHOFIELD, and EVANGELA MICHELLE ROBERTSON, SECTION" Plaintiffs, DMSION "CIVIL" v. LOUISIANA STATE BOARD OF COSMETOLOGY; STEVE YOUNG; in his official capacity as executive director of the Board, and FRANCES HAND; WILLIAM MICHAEL GRAYSON; EDWINH. NEILL, III; JAMES WILLIAMS; MELINDA TILLEY; MELLA BROWN; DEIDRE DELPIT; and ELIZA JILL HEBERT, in their official capacities as members of the Board, Defendants. PETITION FOR DECLARATORY AND INJUNCTIVE RELIEF NOW INTO COURT, through undersigned counsel, come Plaintiffs Ashley Roxanne N'Dakpri, Lynn Schofield, and Evangela Michelle Robertson, who file this Petition for Declaratory and Injunctive Relief against Defendants: the Louisiana State Board of Cosmetology; Steve Young, in his official capacity as executive director; and Frances Hand; William Michael Grayson; Edwin H. Neill, III; James Williams; Melinda Tilley; Mella Brown; Deidre Delpit; and Eliza Jill Hebert, in their official capacities as members of the Board. INTRODUCTION 1. This lawsuit seeks to vindicate Plaintiffs' rights to economic liberty, equal protection of the laws, and the guarantee of separation of powers under the Louisiana Constitution. Plaintiffs are engaged in the business of natural hair braiding-an ancient haircare technique practiced widely in African and African- American communities. Plaintiffs wish to continue providing hair-braiding services in Louisiana for compensation, as they have done-and done safely-for years or decades. 2. To practice the straightforward technique of hair braiding, the Louisiana State Board of Cosmetology requires that Plaintiffs-and all other braiders-stop working and obtain a minimum of 500 hours of training in a private cosmetology school, pass a practical examination, and pay a substantial amount of money to both the school and the Board before exercising their right to pursue their chosen occupation. -
Being in Afro-Brazilian Families by Elizabeth Hordge
Home is Where the Hurt Is: Racial Socialization, Stigma, and Well- Being in Afro-Brazilian Families By Elizabeth Hordge Freeman Department of Sociology Duke University Date: _____________________ Approved: ________________________________________ Eduardo Bonilla-Silva, Co-Supervisor _________________________________________ Linda George, Co-Supervisor _________________________________________ Lynn Smith-Lovin _________________________________________ Linda Burton __________________________________________ Sherman James Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Sociology in the Graduate School of Duke University 2012 ! ABSTRACT Home is Where the Hurt Is: Racial Socialization, Stigma, and Well- Being in Afro-Brazilian Families By Elizabeth Hordge Freeman Department of Sociology Duke University Date: _____________________ Approved: ________________________________________ Eduardo Bonilla-Silva, Co-Supervisor _________________________________________ Linda George, Co-Supervisor _________________________________________ Lynn Smith-Lovin _________________________________________ Linda Burton __________________________________________ Sherman James An abstract submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Sociology in the Graduate School of Duke University 2012 ! ! Copyright by Elizabeth Hordge Freeman 2012 ! Abstract This dissertation examines racial socialization in Afro-Brazilian families in