An American Geographer in Catalunya1
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THE VIVA GUIDE Barcelona Welcome To
THE VIVA GUIDE Barcelona Welcome to_ This guide was produced for you by the Viva Barcelona team. Graphic Design by Carmen Galán [carmengalan.com] BARCELONA Barcelona is the 10th most visited city in the world and the third most visited in Europe after London and Paris, with several million tourists every year. With its ‘Rambles’, Barcelona is ranked the most popular city to visit in Spain and it now attracts some 7.5 million tourists per year. Barcelona has a typical Mediterranean climate. The winter is relatively mild and the summer is hot and humid. The rainy seasons are the once in between autumn and spring. There are very few days of extreme temperature, heat or cold. Every 24th September, Barcelona celebrates it’s annual festival, La Mercè – corresponding to the day of its patron saint. It comprises of some 600 events, from concerts and all kinds of local, cultural attractions including the human tower building, els Castellers, erected by groups of women, men and children, representing values such as solidarity, effort and the act of achievement. Children are the real stars of this tradition, they climb to the very top of the human castell expressing strength over fragility. 4 5 Since 1987, the city has been Passeig de Gràcia being the most Districts divided into 10 administrative important avenue that connects the districts: Ciutat Vella, Eixample, central Plaça Catalunya to the old Sants- Montjuic, Les Corts, town of Gràcia, while Avinguda Sarriá-Sant Gervasi, Gràcia, Diagonal cuts across the grid Horta-Guinardò, Nou Barris, diagonally and Gran Via de les Corts Sant Andreu, Sant Martì. -
Peru's Musical Heritage of the Viceroyalty: the Creation of a National Identity
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2019 Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity Fabiola Yupari Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Yupari, Fabiola, "Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity" (2019). WWU Graduate School Collection. 887. https://cedar.wwu.edu/wwuet/887 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Peru’s Musical Heritage of the Viceroyalty: The Creation of a National Identity By Fabiola Yupari Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil Van Boer Dr. Ryan Dudenbostel Dr. Patrick Roulet GRADUATE SCHOOL Kathleen L. Kitto, Acting Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work, and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files. -
Uvic-Ucc | Universitat De Vic - Universitat Central De Catalunya
CONTENTS WHAT WE’RE LIKE BARCELONA AND BEYOND Pere Virgili Ruth Marigot WELCOME to our city, to our country and to our home! Working together with the newspaper ARA, at BCU we’ve prepared this guide to help you to enjoy Barcelona and Catalonia like Barcelona in 10 concepts ................................................................. 4-5 On foot, running and by bike ...................................... 18-19 a native. Our universities in figures ................................................................. 6-7 From Barcelona to the world ................................... 20-21 We aim to help you feel Secret Barcelona ................................................................................................... 8-9 Why did I decide to stay here? ........................................... 22 welcome and make things easier Instagram-worthy spots ......................................................................... 10 Where can I live? ........................................................................................................ 24 for you. So, in the following pages, Don’t miss out ......................................................................................................... 12-16 Catalonia: more than just a club ....................................... 26-27 you’ll find plenty of information TALENT CITY ROSES, FIRE AND... about what to do and see, and where and when to do and see it. Pere Tordera Francesc Melcion Because historically we’ve always been a land of welcome and we’re very happy that you’ve -
Catalonia Gastronomic Experiences INDEX
Catalonia Gastronomic experiences INDEX Catalonia, gastronomic tourism destination 3 Map of wine and food tourism 4 We are what we eat 7 What will you find in this publication? 7 Catalonia, European region of gastronomy 2016 9 Catalan gastronomy 10 Ten ways to experience Catalan gastronomy 12 Brief history of Catalan gastronomy 14 Scenery, product, cuisine 16 Scenery to feast on 18 Catalan products with distinction 20 A food for every moment of the year 22 Try seasonal dishes 24 The kingdoms of good food 26 Cuina Catalana Brand 27 The galaxy of the Michelin stars 28 Going back to the essence with Slow Food 29 Gastronomic proposals 30 The markets: the cradle of gastronomy 32 Learning to cook, the other side of the apron 36 The favourite dishes of Catalonia 38 Oil tourism, three thousand years of oil 40 Fish tourism, farmers of the sea 42 Wine tourism, the secrets of wine 44 Other craft drinks 48 Hotels for licking your fingers 50 The museums, the showcase of our culture 54 Events, fairs and gastronomic festivals 58 Welcome to my farm, the origins 62 The most sustainable gastronomic tourism 64 © Photographs by order of pages: ACT 2, 6, 8, 10-11, 12, 13, 16-17, 18,19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30-31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 61, 62, 63, 64, 65, 66-67, 68, 69, 70, 71, 73, 74, 75, 76, 77, 81, 82, 83, 85, 86, 87. -
Social Structure of Catalonia
THE SOCIAL STRUCTURE OF CATALONIA By SALVADOR GINER 1984 THE ANGLO-CATALAN SOCIETY THE ANGLO-CATALAN SOCIETY OCCASIONAL PUBLICATIONS No 1. Salvador Giner. The Social Structure of Catalonia. No 2. J Salvat-Papasseit. Selected Poems. Translated with an Introduction by D. Keown and T. Owen. © Salvador Giner, 1980. Printed by The University of Sheffield Printing Unit. Cover design by Joan Gili. ISSN No. 0144-5863 ISBN No. 09507137 08 IN MEMORIAM JOSEP MARIA BATISTA I ROCA (1895-1978) Dr. J. M. Batista i Roca, founder member of the Anglo-Catalan Society and its first Honorary Life President, always hoped that the Society would at some stage be able to publish some of the work of its members and guest speakers. Unfortunately this was never possible during his lifetime, but now that the Society, with the help of a grant from Omnium Cultural, is undertaking the publication of Occasional Papers it seems appropriate that this Series as a whole should be dedicated to the fond memory which the Society holds of him. CONTENTS Foreword 1 I. The historical roots of an open society. 4 II. Social classes and the rise of Catalan industrial capitalism. 15 III. A broken progress. 28 IV. The structure and change of Catalan society, 1939-1980. 38 V. The reconquest of democracy. 54 VI. The future of the Catalans. 65 Appendices. Maps. 75 A Select Bibliography. 77 FOREWORD A la memòria de Josep Maria Sariola i Bosch, català com cal The following essay is based on a lecture given at a meeting of the Anglo- Catalan Society in November 1979* Members of the Society's Committee kindly suggested that I write up the ideas presented at that meeting so that they could be published under its auspices in a series of Occasional Papers then being planned. -
Minority Cosmopolitanism: the Catalan Independence Process, the EU, and the Framework Convention for National Minorities
Journal on Ethnopolitics and Minority Issues in Europe Vol 15, No 2, 2016, 31-58. Copyright © ECMI 2016 This article is located at: http://www.ecmi.de/fileadmin/downloads/publications/JEMIE/2016/Lanz.pdf Minority Cosmopolitanism: The Catalan Independence Process, the EU, and the Framework Convention for National Minorities Tilman Lanz Rijksuniversiteit Groningen Abstract Minorities are often seen and portrayed as unable to successfully access and navigate the global domain. This article posits the notion of minority cosmopolitanisms as a viable alternative for minorities to articulate their collective identity in the globalized era. To show how this works in the specific case of Catalonia, I investigate how the Framework Convention on National Minorities (FCNM) and the European Union (EU) have interacted with various Catalan public and governmental bodies. In discussing Catalonia, for instance, I entertain a somewhat provoking hypothesis: Catalonia’s success in nearing independence might be due to the fact that it has not joined the FCNM and that Catalonia has instead chosen to develop its very own branch of minority cosmopolitanism. I begin by giving two pertinent and detailed examples from popular culture to illustrate the scope and trajectory of minority cosmopolitanism. I then trace minority cosmopolitanism through the history of the Spanish-Catalan conflict, dating back to 1714 but with a focus on the 20th and 21st centuries, when the older notion of Catalanism was gradually replaced by Independentism as a result of cosmopolitan practices. I conclude with possible lessons to be gained from Catalonia’s refusal to partake in the FCNM for reconsidering its role in the changing political landscape of Europe. -
Catalonia Vs Spain: a Desire for More Autonomy Has Led to a Surge of Independentism and a Divided Catalan Society
Department of Political Science Chair of Political Sociology Catalonia vs Spain: A desire for more autonomy has led to a surge of independentism and a divided Catalan society SUPERVISOR CANDIDATE Noé Meiler Prof. Michele Sorice Matr. 0792 ACADEMIC YEAR 2017-2018 Table of Contents 1 Introduction ......................................................................................................................................... 3 2 History .......................................................................................................................................................... 3 2.1 Early History of Catalan Institutions: ........................................................................................................... 3 The Generalities .......................................................................................................................................................................... 3 2.2 The rise of “Catalanism” ............................................................................................................................. 4 Republicanism and Federalism.................................................................................................................................................... 5 2.3 The Franco Regime ..................................................................................................................................... 6 Primo De Rivera .......................................................................................................................................................................... -
Critical Inquiries Into Catalan Cultures Syllabus
Critical Inquiries into Catalan Cultures NUMBER MEETING TIME ROOM NUMBER Instructor: Prof. Aurélie Vialette Office: Hagerty Hall 277 Phone number: 688 1482 Email: [email protected] Office hours: by appointment. COURSE DESCRIPTION The relationship between culture and politics in the development of Catalonia (or, better say, Catalan countries, “Països Catalans”) is not accidental, but fundamental. Therefore, this course examines this relationship, through critical analysis, of Catalan political history as it relates to its social and cultural history. The course will provide students with the basic intercultural skills and necessary knowledge to be able to understand the specificities of Catalan cultures. We will address the ideological, linguistic, and political difficulties of defining Catalan cultures as separate from other cultures of other autonomous communities in the Iberian Peninsula. We will also discuss the current political debate surrounding Catalonia’s independence. This debate will be presented through a variety of methods and activities designed to enhance cultural awareness and critical thinking in students. Classes will include lectures, discussions, audio-visual material, students presentations and guest speakers. READINGS Books that you need to buy Hughes, Robert. Barcelona. Vintage Books, 1992. Rodorera, Mercè. La plaza del diamante. Barcelona: Edhsa, 2008. El Hachmi, Najat. El último patriarca. Barcelona: Planeta, 2008. Riera, Carme. Con ojos americanos. Barcelona: Bruguera, 2009. Texts and documents on Carmen and on the Internet: Short stories and poetry (on Carmen) Susanna Rafat (selection) Lolita Bosch (selection). Quim Monzó (selection). Pere Calders (selection). Music, dance, painting, architecture (links on Carmen and/or syllabus) Luís Llach, Raimon, Concha Buika, Joan Manuel Serrat, the Sardana, the Nova Cançó, rock català, among others. -
Maria Del Mar Bonet I La Nova Cançó
La veu del mar Maria del Mar Bonet i la Nova Cançó IES Antoni Cumella 2n Batxillerat Granollers 2010/2011 IES Antoni Cumella 2 La veu del mar: Maria del Mar Bonet i la Nova Cançó A ma mare per la seva estima i pel seu suport. A la Maria del Mar per ser l’ànima d’aquest treball, pel seu bon fer en tots aquests anys, per gaudir tant als seus concerts aquí i arreu i per què segueixi molts anys més fent el que li agrada i ens agrada. A la Maria Mercè i en Ramon que són els culpables possiblement, de que hagi fet aquest treball. Pels nostres viatges, les nostres rialles i els quefers de la vida. A Lautaro Rosas, Juan Miguel Morales, i Miguel Gorostiza, per la seva gentilesa, dis- posició i les nostres xerrades a Palma. A Ivette Nadal, Jay Ansill, Biel Mesquida, Toni Catany i Sebastià Alzamora per la seva amabilitat. A la Lola, qui va ser la primera en veure-m’hi espurnes de músic. També als meus professors de música de l’Escola Ponent de Granollers. A tots els meus amics del Conservatori de Granollers i de l’IES Antoni Cumella. A tots els mestres i amics de la Societat Coral Amics de la Unió qui m’han convertit en la persona que sóc avui. En especial als germans Vila. A la meva tutora del treball, per la seva paciència i la seva implicació personal. A totes aquelles persones que d’alguna manera o altre m’han ajudat a que aquest treball anés agafant forma. -
Catalan Festival Culture, Identities, and Independentism
Número 19 (2) Any 2014 pp. 58-78 ISSN: 1696-8298 www.antropologia.cat Catalan Festival Culture, Identities, and Independentism Cultura catalana de la festa, identitats i independentisme REBUT: 13.10.2014 // ACCEPTAT: 06.11.2014 Nina Kammerer * Heller School for Social Policy and Management, Brandeis University Institut Català de Recerca en Patrimoni Cultural Abstract Resum Drawing on anthropological fieldwork based A partir de treball de camp antropològic basat primarily with the giant puppetry troupe of principalment amb la colla gegantera de Girona, Girona, this paper explores identities forged by aquest assaig explora les identitats forjades i and expressed in participation in this form of expressades en la participació en aquesta forma Catalan festival culture and links between de cultura festiva, així com els vincles entre la festival culture and the ongoing independence cultura festiva i el moviment independentista en movement in Catalonia (“the process”). To curs a Catalunya (denominat “el procés”). En assist in the analysis, a distinction is made l’anàlisi es fa una distinció entre la identitat com between identity as lived experience (the a experiència viscuda (el nivell etnogràfic) i la ethnographic level) and identity as analyzed identitat analitzada antropològicament. Les anthropologically. Analytical tools introduced eines analítiques introduïdes inclouen la include the multiciplity and diversity of multiplicitat i la diversitat de les identitats; el identities; the concept of intersectionality, concepte d’interseccionalitat (intersectionality), borrowed from critical race theory and black pres de la teoria crítica de la raça i el feminisme feminism, which posits that multiple identities negre, que postula que les identitats múltiples are mutually constituting; and embodiment, són mútuament constituents; i l’encarnació which points to the existential base of identities. -
Representative List
Representative List Original: English and French CONVENTION FOR THE SAFEGUARDING OF THE INTANGIBLE CULTURAL HERITAGE INTERGOVERNMENTAL COMMITTEE FOR THE SAFEGUARDING OF THE INTANGIBLE CULTURAL HERITAGE Fifth session Nairobi, Kenya November 2010 NOMINATION FILE NO. 00364 FOR INSCRIPTION ON THE REPRESENTATIVE LIST OF THE INTANGIBLE CULTURAL HERITAGE IN 2010 A. STATE(S) PARTY(IES) For multi-national nominations, States Parties should be listed in the order on which they have mutually agreed. Spain B. NAME OF THE ELEMENT B.1. Name of the element in English or French This is the official name of the element that will appear in published material about the Representative List. It should be concise. Please do not exceed 200 characters, including spaces and punctuation. The name should be transcribed in Latin Unicode characters (Basic Latin, Latin-1 Supplement, Latin Extended-A or Latin Extended Additional). Human towers B.2. Name of the element in the language and script of the community concerned, if applicable This is the official name of the element in the vernacular language corresponding to the official name in English or French (point B.1.). It should be concise. Please do not exceed 200 characters in Unicode (Latin or others), including spaces and punctuation. Castells LR10 – No. 00364 – page 1 B.3. Other name(s) of the element, if any In addition to the official name(s) of the element (B.1.) please mention alternate name(s), if any, by which the element is known, in Unicode characters (Latin or others). — C. CHARACTERISTIC OF THE ELEMENT C.1. Identification of the communities, groups or, if applicable, individuals concerned According to the 2003 Convention, intangible heritage can only be identified with reference to communities, groups or individuals that recognize it as part of their cultural heritage. -
Ritual and Contemporary Catalan Theater: the Work of La Fura Dels Baus
Journal of Catalan Studies 2015/2016 Ritual and contemporary Catalan theater: the work of La Fura dels Baus Duri Long Goergia Institute of Technology Introduction One only has to witness a few hours of La Mercè in Barcelona to experience the inherent theatricality involved in traditional Catalan rituals. From the pyrotechnics and demonic costumes in the correfoc to the enormous papier-mâché masks in the xambanga de gegants, performance is central to many Catalan festivities. Although there is a well-developed body of literature discussing contemporary Catalan theater (George & London 1996; Feldman 2009) as well as literature discussing traditional Catalan rituals (Hernández 2005; Noyes 2003) there is little that explores more than a surface level relationship between these two genres of performance. This essay will investigate this connection by identifying key thematic and symbolic elements that are present in Catalan rituals and examining how these elements have influenced theater in the period following the end of Franco’s regime. Focusing on elements such as non-verbal theatrical devices, motifs of teamwork and social union, and the use of theatrical catharsis, this essay will look at the work of Catalan theater company La Fura dels Baus in order to explore the presence of Catalan ritual in their work and investigate some of the possible implications of this presence on Catalan cultural identity. Catalan Identity From a theatrical point of view – and from the narrow perspective allowed by this focus – the main concern in this area relates not exclusively to history or politics but to the notion of civic or cultural national consciousness.