A Contribution to Number Theory Within Lacanian Psychoanalytic Theory
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Objet Petit A,” Once Socialist-Modernist City Square Into a Theatrical Backdrop
She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you? – Norman Bates in Psycho This essay is an galma dedicated to the Macedonian government’s project “Skopje 2014,” 01/09 which recently turned Skopje, the capital of the Republic, into a memorial park of “false memories.”1 Over the last five years, a series of unskillfully casted figurative monuments have appeared throughout Skopje, installed over the night, as if brought into public space by the animated hand from the opening credits of Monty Python’s Flying Circus.2 Figures from the Suzana Milevska national past (some relevant, some marginal), buildings with obvious references to Westernized aesthetic regimes (mere imitations of styles from çgalma: The periods atypical for the local architecture), and sexist public sculptures have transformed the ‟Objet Petit a,” once socialist-modernist city square into a theatrical backdrop. Alexander the ÊÊÊÊÊÊÊÊÊÊMore than ninety years ago, in a kind of a manifesto of anti-monumental architectural and artistic revolution, Vladimir Tatlin challenged 4 Great, and 1 both the “bourgeois” Eiffel Tower and the Statue 0 2 of Liberty with his unbuilt tower Monument to the e j p Third International (1919–25). Since then, Other Excesses o k S discourses on contemporary monuments have f o flourished elsewhere in Europe (“anti- s of Skopje 2014 e monuments,” “counter-monuments,” “low- s s e budget monuments,” “invisible monuments,” c x E “monument in waiting,” “participatory r 3 e monuments” ) but this debate has completely h t O a bypassed the Macedonian establishment. k d s n v ÊÊÊÊÊÊÊÊÊÊThe government’s promise that the Skopje a e l , i t 2014 project would attract tourists and a M e a r journalists to Macedonia has been realized, but n G a e z for all the wrong reasons – in many articles, h u t S r Ê Skopje’s city center is depicted as a kind of e 4 d 1 “theme park,” and some of the newly built n 0 a 2 x r museums are referred to as “chambers of e l e 4 b A horrors.” In short, Skopje 2014 has become a m ” , e a t laughing stock for the foreign press. -
Lacan's Objet Petit a Between Visibility and Invisibility
Cont Philos Rev (2013) 46:251–269 DOI 10.1007/s11007-013-9263-z ‘‘The object in the mirror of genetic transcendentalism: Lacan’s objet petit a between visibility and invisibility,’’ Adrian Johnston Published online: 4 June 2013 Ó Springer Science+Business Media Dordrecht 2013 Abstract One of the more superficially perplexing features of Lacan’s notion of objet petit a is the fact that he simultaneously characterizes it as both non-specu- larizable (i.e., incapable of being captured in spatio-temporal representations) and specular (i.e., incarnated in visible avatars). This assignment of the apparently contradictory attributes of visibility and invisibility to object a is a reflection of this object’s strange position at the intersection of transcendental and empirical dimensions. Indeed, this object, which Lacan holds up as his central psychoanalytic discovery, raises important philosophical questions about the transcendental- empirical distinction, arguably short-circuiting in interesting, productive ways this dichotomy and many of its permutations. This article seeks to achieve two aims: one, to clarify how and why Lacan situates object a between the specular and the non-specular; and, two, to extract from the results of this clarification a preliminary sketch of a post-Lacanian transcendentalism that is also thoroughly materialist. Keywords Lacan Á Mirror stage Á Object a Á Transcendentalism Á Materialism Á Hegel The object of Jacques Lacan’s thirteenth seminar of 1965–1966, entitled ‘‘The Object of Psychoanalysis,’’ is, unsurprisingly, none other than his (in)famous objet petit a, the object for which he takes the credit of discovering.1 In the opening session of this academic year, a session written-up and published separately as the e´crit ‘‘Science and Truth,’’ Lacan establishes a sharp contrast between scientific 1 Lacan (1973–1974, April 9th, 1974). -
Egoism and the Post-Anarchic: Max Stirner's New Individualism
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESLS SIGNATURE PAGE Tl IESIS SUBMITTED IN PARTIAL FULFILLMENT OF Tl IE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERA TUR.E AND WRITING STUDIES THESIS TJTLE: Egoism and the Post-Anarchic: Max Stimer's New Individualism AUTHOR: Kristian Pr'Out DATE OF SUCCESSFUL DEFEN E: May 911' 2019 --- THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. Oliver Berghof August 5, 2019 TIIESIS COMMITTEE CHAIR DATE Francesco Levato 8/5/19 TIIESIS COMMITTEE MEMBER DATE Heidi Breuer �-11 THESIS COMMITTEE MEMBER DATE Pr’Out 1 Egoism and the Post-Anarchic: Max Stirner’s New Individualism Kristian Pr’Out Pr’Out 2 Table of Contents Preface 3 Chapter 1 Max Stirner: Biographers and Interpreters 13 Stirner and The Dialectic: A Genealogy of Liberalism 23 Fichte and the Unique One: Speaking the Intangible 32 Chapter 2 Stirner and the Case for Anarchism 39 Stirner’s Egoism Meets Classical Anarchism 48 Welsh’s Dialectical Egoism and Post-Anarchist Individualism 64 Chapter 3 May 1968 and Its Impact 67 Post-Anarchism: A Contemporary Theoretical Model 82 Narrative and the Critique of Modernity 89 ‘Ownness,’ Power, and The Material 92 Conclusion: A Revenant Returns 102 Bibliography 104 Pr’Out 3 Preface In the 19th century, the influence of Georg W. F. Hegel was widespread. His works influenced anarchists, communists, the moderately liberal, and the staunchly traditional. In Hegel’s Phenomenology of Spirit (1977), history operates in certain movements - namely, that of a world spirit that ushers in new and different epochs (6-7). -
Inside out Guattari’S Anti-Oedipus Papers
Inside out Guattari’s Anti-Oedipus Papers Daniel W. Smith Félix Guattari met Gilles Deleuze in Paris shortly after written between 1969 and 1972, addressed to Deleuze, the events of May 1968, through a mutual friend. Over and they constitute the basis for much of the material the next twenty-five years, he would co-author five in Anti-Oedipus (a few of the papers were written after books with Deleuze, including, most famously, the the publication of Anti-Oedipus in March of 1972, and two volumes of Capitalism and Schizophrenia – Anti- anticipate A Thousand Plateaus). The manuscripts Oedipus (1972) and A Thousand Plateaus (1981). Their were never meant to be published in their own right, collaboration, a kind of French version of Marx and and no doubt some will question their significance, Engels, sparked enormous interest and curiosity: what much as the value of Nietzscheʼs vast Nachlass has had led them to undertake their joint labour? How been disputed. Authors are indeed assessed by their exactly did they work and write together? In 1972, fruits, not their roots. Yet there is new and informative Guattari had not yet written a book of his own; his material here, at least for readers with the patience to first book, Psychoanalysis and Transversality, would toil through Guattariʼs jottings. The papers, as one be published shortly after Anti-Oedipus, with an intro- might expect, vary widely in style, content and tone, ductory essay by Deleuze. Deleuze, by contrast, was ranging from fairly developed theoretical proposals already a well-known figure in French philosophy to scattered notes on diverse topics to early chapter and the author of ten influential works, including the outlines for A Thousand Plateaus. -
Suspense and Film: a Lacanian View”
DIPLOMARBEIT Titel der Diplomarbeit “SUSPENSE AND FILM: A LACANIAN VIEW” Verfasserin Katarína Kubová angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 190 344 353 Studienrichtung lt. Studienblatt: UF Englisch Betreuerin: Univ.- Prof. Dr. Eva Müller-Zettelmann DECLARATION OF AUTHENTICITY I confirm to have conceived and written this paper in English all by myself. Quotations from other authors and any ideas borrowed and/or passages paraphrased from the words of other authors are all clearly marked within the text and acknowledged in the bibliographical references. Vienna, in April 2011 ____________________________________ ACKNOWLEDGEMENTS Thanks to my family for their support, especially my mother. Thanks to my boyfriend Joe, without You, this paper will never see the light of the day. Thanks to my supervisor, Univ.-Prof. Dr. Eva-Müller Zettelmann for guidance. Dedicated to Babaj CONTENTS 1. Introduction .............................................................................................................. 1 2. Lacanian psychoanalysis .......................................................................................... 4 2.1. Imaginary Symbolic and Real ........................................................................... 5 2.1.1. Mirror stage ................................................................................................ 9 2.1.2. The “fort-da” game ................................................................................... 12 2.2. -
Knowledge and Desire in the Consulting Room – Are Neutrality and Abstinence Empty Concepts? Christian Murphy
Sitegeist 10: 8–34 (2015) Knowledge and Desire in the Consulting Room – Are Neutrality and Abstinence Empty Concepts? Christian Murphy I cannot advise my colleagues too urgently to model themselves during psycho-analytic treatment on the surgeon, who puts aside all his feelings, even his human sympathy, and concentrates his mental forces on the single aim of performing the operation as skilfully as possible (Freud 1912(b): 115). It is certainly possible to forfeit this first success if from the start one takes up any standpoint other than one of sympathetic understanding, such as a moralizing one, or if one behaves like a representative or advocate of some contending party – of the other member of a married couple, for instance (Freud 1913(a): 140). Transference provides the impulse necessary for understanding and translating the language of the unconscious; where it is lacking, the patient does not make the effort or does not listen when we submit our translation to him. Essentially, one might say, the cure is effected by love (Freud 1906: 12). I have already let it be understood that analytic technique requires of the physician that he should deny to the patient who is craving for love the satisfaction she demands. The treatment must be carried out in abstinence (Freud 1915: 164). I am not saying anything else when I say that love is the sign that one is changing discourses (Lacan 1998 [1973]: 16). What does an analyst know? What does an analyst want? What does an analyst do? The relational school has often been described as a postmodern turn within Anglo-American psychoanalysis and as a corrective to the modernism and objectivism of the American classical school. -
The Representation of the Object As the Other in Modernism/Postmodernism: a Psychoanalytic Perspective Udc 159.964.2
FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 10, No2, 2011, pp. 173 - 194 THE REPRESENTATION OF THE OBJECT AS THE OTHER IN MODERNISM/POSTMODERNISM: A PSYCHOANALYTIC PERSPECTIVE UDC 159.964.2 Slobodanka Vladiv-Glover Monash University, Australia E-mail: [email protected] Abstract. This paper deals with the complex relationship of the modern psychoanalytic subject to his object which is both a material embodiment of the subject in representation (art and literature) and a metaphysical form of the subject as absence. The space of the subject in the world of objects is illustrated through an analysis of Surrealist art and poetry and the continuation of the paradigm in postmodern forms of representation, for which Andrei Voznesensky's poem "Oza" serves as an example. Key words: Materiality of the object in Surrealism, desire, Voznesensky's Oza, the represented object as substitution for the Lacanian ‘real" and the Freudian Id, the unrepresentable objet-petit-a, the Self as difference and ‘lost' object. I THE OBJECT IN MODERNISM/POSTMODERNISM From the beginning of the 20th century, the European arts have been focused on the representation of the object, which eclipsed or de-centred the solipsistic subject of 19th century Realism. The 'bizarre,' 'surrealist' object of Andre Breton reveals the 'marvellous'1 in everyday reality. Giorgio de Chirico's cryptic objects in The Evil Genius of a King (1914)2 reverberate with an uncanny presence. Magritte's The Object-Lesson (1947), along with the later film script The Lesson of Objects (1960),3 establishes the principle Received September 12, 2011 1 Compare Haim N. -
Symptomatology of Spirit : the Curve of Intentionality and Freedom
ISSN 1751-8229 Volume Three, Number Three Symptomatology of Spirit : the Curve of Intentionality and Freedom. Raoul Moati (University of Paris Panthéon-Sorbonne (Paris 1)) My paper will tackle a concept which Lacan reinterrogated in his Seminar in such a way that he radically displaced not only its meaning, but also its relevance. This concept is intentionality. Intentionality, which stems from phenomenology, is the object of nearly constant criticism in Lacan’s work. His critical attitude can be explained historically by Lacan’s suspicion where phenomenology was concerned, particularly in its Sartrean version where the Imaginary Ego and the illusions of consciousness were always only a step away. But not only was there a historical explanation, there also was a conceptual one. In fact, as we will see, while Lacan gave some credence to the notion of the object of desire as the object of a desiring aim in Seminar VIII, he became much more cautious in Seminar X, as his thought evolved, about the possibility of placing the objet petit a in the coordinates of an intentional correlation. Although Lacan decided against the model of correlation, relegating it to the illusions of the Imaginary, he did preserve the idea and the structure of the aim. The question remains, however, of what became of the idea of aim in Lacan’s work, once it was no longer linked to the objet petit a as its correlated object, as it may have been in the first phase of Lacan’s thinking. It will become clear that this question in fact allows us to understand Lacan’s theoretical evolution regarding the 1 notion of the objet petit a which, after 1964 and numerous transformations, was to become the definitive name for a pure logical consistency which could be situated topologically. -
Dr. Duane Rousselle 120 Hunter Street East (Upper) Peterborough, Ontario K9H 1G6 – Canada [email protected]
Dr. Duane Rousselle 120 Hunter Street East (Upper) Peterborough, Ontario K9H 1G6 – Canada [email protected] Education PhD (2015) Cultural Studies – Trent University Dissertation: “Lacanian Realism: A Clinical and Political Investigation” Special Field: Psychoanalysis, Political Theory, Continental Philosophy Committee: Dr. Charmaine Eddy, Dr. Davide Panagia, Dr. Elaine Stavro, Dr. Jonathan Bordo, Dr. Clive Thomson PhD (2012) (ABD) Philosophy, Media & Communications – European Graduate School MA (2011) Sociology – University of New Brunswick Dissertation: “Kropotkin is Dead: A Second Order Reading of Ethics in Post- Anarchism and the Philosophy of Georges Bataille” Committee: Dr. Deborah Harrison, Dr. Richard J. F. Day, Dr. Isher-Paul Sahni BA (2007) (Hons) Sociology, Psychology – University of New Brunswick Thesis: “Post-structuralism, Anarchism, and the Newest Social Movements” Committee: Dr. Gary Bowden, Dr. Deborah Harrison Dipl (2002) Electronic Game Design / Computer Programming New Brunswick Community College, Miramichi Refereed Books Duane Rousselle. (2016) Lacanian Realism: Clinical and Political Psychoanalysis. New York, NY: Bloomsbury Publishing. Contract Signed on January 2016. Projected Publication on January 2017. Overview: A reconstruction of the Lacanian theory of the real for the purposes of rethinking its implications for psychoanalytic and political theory. Simon Critchley, Jacob Blumenfeld, Chiara Bottici, Duane Rousselle, Eds. (2013) The Anarchist Turn. London: Pluto Press. 264 pages. Overview: An edited collection of contemporary anarchist political theory from the vantage point of continental theory. Duane Rousselle, Sureyya Evren., Eds. (2011) Post-Anarchism: A Reader. London: Pluto Press. 320 pages. Overview: A ground-breaking book that introduced the new political theory of post-anarchism. Includes chapters on literary criticism, political theory, cultural theory, flm studies, gender theory, social movement studies, and more. -
Film Theory After Copjec Anthony Ballas
Film Theory after Copjec Anthony Ballas Canadian Review of American Studies, Advance Online, (Article) Published by University of Toronto Press This is a preprint article. When the final version of this article launches, this URL will be automatically redirected. For additional information about this preprint article https://muse.jhu.edu/article/760435/summary [ Access provided at 18 Feb 2021 01:07 GMT from Auraria Library (UC Denver, Metro State, CCD) ] Film Theory after Copjec Anthony Ballas Abstract: The importation of Lacanian psychoanalysis into film theory in the 1970s and 1980s ushered in a new era of cinema scholarship and criticism. Figures including Raymond Bellour, Laura Mulvey, and Christian Metz are often considered the pioneers of applying Lacanian psy- choanalysis in the context of film theory, most notably through their writings inScreen Journal. However, where French and British scholarship on Lacan and film reached its limits, American Lacanianism flourished. When Joan Copjec’s now classic essay “The Orthopsychic Subject: Film Theory and the Reception of Lacan” was published in 1989, the trajectory of Lacanian film theory would become radically altered; as Todd McGowan recently put it, the “butchered operation” on Lacan committed by Mulvey and (quoting Copjec) the “Foucaultianization” of Lacan under the auspices of Screen Journal were finally indicted in one gesture through Copjec’s critique. Copjec and McGowan’s unique American view of Lacan marks a pivotal point in the convergence of psychoanalytic theory and cinema studies; by seeking to wrest Lacan from his- torist/deconstructionist theories of the subject, and by revisiting Lacan beyond the mirror stage, Copjec and McGowan can be said to have instantiated a resuscitation or even a renaissance of Lacanian theory in film studies in particular and in American scholarship more generally. -
The Analyst's Tools
Volume 13, Nº 1, Year 2015 The analyst’s tools Latin American Journal of Psychoanalysis | Previous issues Vol. 10, Nº 1 Vol. 11, Nº 1 Vol. 11, Nº 2 Tradition/Invention Time Excess Vol. 12, Nº 1 Vol. 12, Nº 2 Realities & Fictions Realities & Fictions II Latin American Journal of Psychoanalysis Contents| 1 Latin American Journal of Psychoanalysis Federation of Volume 13, Nº 1, Year 2015 Psychoanalytic Societies ISSN 2304-5531 of Latin America Official publication of FEPAL (Federation of Psychoanalytic Societies of Latin America) Board Committee Luis B. Cavia 2640 Apartment 603 corner Av. Brazil, President Montevideo, 11300, Uruguay. Luis Fernando Orduz Gonzalez (Socolpsi) [email protected] Substitute: José Carlos Calich (SPPA) Tel.: 54 2707 7342. Fax: 54 2707 5026. www.facebook.com/RevistaLatinoamericanadePsicoanalisis General Secretary Andrea Escobar Altare (Socolpsi) Substitute: Cecilia Rodríguez (APG) Editors Treasury • Mariano Horenstein (Argentina), Chief Editor Liliana Tettamanti (APdeBA) • Laura Veríssimo de Posadas (Uruguay), Substitute Chief Editor Substitute: Haidee Zac (APdeBA) • Raya Angel Zonana (Brazil), Associate Editor • Lúcia Maria de Almeida Palazzo (Brazil), Substitute Associate Editor Scientific Coordinator • Andrea Escobar Altare (Colombia), Associate Editor Leticia Neves (SBPRJ) Substitute: Inés Bayona (Socolpsi) Executive Committee Office Director Marta Labraga de Mirza (Uruguay – Editor of Invisible Cities), Sandra Laura Veríssimo de Posadas (APU) Lorenzon Schaffa (Brazil – Editor of By Heart), Lucía María de Almeida -
Herramientas Del Analista
Volumen 13, Nº 1, Año 2015 Herramientas del analista Volumen 12, Nº 1, Año 2014 Revista Latinoamericana de Psicoanálisis | Números anteriores Vol. 10, Nº 1 Vol. 11, Nº 1 Vol. 11, Nº 2 Tradición / Invención Tiempo Exceso Vol. 12, Nº 1 Vol. 12, Nº 2 Realidades & Ficciones Realidades & Ficciones II Revista Latinoamericana de Psicoanálisis Índice| 1 Revista Latinoamericana de Psicoanálisis Federación Volumen 13, Nº 1, Año 2015 Psicoanalítica ISSN 2304-5531 de América Latina Publicación oficial de FEPAL Comisión Directiva (Federación Psicoanalítica de América Latina) Presidente Luís B. Cavia 2640 apto. 603 esq. Av. Brasil, Luis Fernando Orduz González (Socolpsi) Montevideo, 11300, Uruguay. Suplente: José Carlos Calich (SPPA) [email protected] Tel: 54 2707 7342. Telefax: 54 2707 5026. Secretaria General www.facebook.com/RevistaLatinoamericanadePsicoanalisis Andrea Escobar Altare (Socolpsi) Suplente: Cecilia Rodriguez (APG) Tesorería Editores Liliana Tettamanti (APdeBa) • Mariano Horenstein (Argentina), Editor en jefe Suplente: Haydee Zac (APdeBA) • Laura Veríssimo de Posadas (Uruguay), Editora en jefe suplente • Raya Angel Zonana (Brasil), Editora asociada Coordinadora Científica • Lúcia Maria de Almeida Palazzo (Brasil), Editora asociada suplente Leticia Neves (SBPRJ) • Andrea Escobar Altare (Colombia), Editora asociada Suplente: Inés Bayona (Socolpsi) Directora de Sede Comisión Ejecutiva Laura Veríssimo de Posadas (APU) Marta Labraga de Mirza (Uruguay - Editora de Ciudades Invisibles), San- Suplente: Carolina García (APU) dra Lorenzon Schaffa