FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 10, No2, 2011, pp. 173 - 194 THE REPRESENTATION OF THE OBJECT AS THE OTHER IN MODERNISM/POSTMODERNISM: A PSYCHOANALYTIC PERSPECTIVE UDC 159.964.2 Slobodanka Vladiv-Glover Monash University, Australia E-mail:
[email protected] Abstract. This paper deals with the complex relationship of the modern psychoanalytic subject to his object which is both a material embodiment of the subject in representation (art and literature) and a metaphysical form of the subject as absence. The space of the subject in the world of objects is illustrated through an analysis of Surrealist art and poetry and the continuation of the paradigm in postmodern forms of representation, for which Andrei Voznesensky's poem "Oza" serves as an example. Key words: Materiality of the object in Surrealism, desire, Voznesensky's Oza, the represented object as substitution for the Lacanian ‘real" and the Freudian Id, the unrepresentable objet-petit-a, the Self as difference and ‘lost' object. I THE OBJECT IN MODERNISM/POSTMODERNISM From the beginning of the 20th century, the European arts have been focused on the representation of the object, which eclipsed or de-centred the solipsistic subject of 19th century Realism. The 'bizarre,' 'surrealist' object of Andre Breton reveals the 'marvellous'1 in everyday reality. Giorgio de Chirico's cryptic objects in The Evil Genius of a King (1914)2 reverberate with an uncanny presence. Magritte's The Object-Lesson (1947), along with the later film script The Lesson of Objects (1960),3 establishes the principle Received September 12, 2011 1 Compare Haim N.