A Study on the Distribution of Korean Ancient Books: Focused on Myongsimbogam
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Perempuan Korea Dalam Film Serial Drama Korea “Jewel in the Palace”
Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace” SKRIPSI Diajukan sebagai Salah Satu Syarat untuk Mendapatkan Gelar Sarjana Ilmu Sosial dalam Bidang Antropologi Oleh : Indri Khairani 130905027 DEPARTEMEN ANTROPOLOGI SOSIAL FAKULTAS ILMU SOSIAL ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2018 1 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS Perempuan Korea dalam Film Serial Drama Korea“Jewel in The Palace” SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari ditemukan adanya kecurangan atau tidak seperti yang saya nyatakan di sini, saya bersedia menerima sanksi sesuai dengan peraturan yang berlaku. Medan, Januari 2018 Penulis Indri Khairani i Universitas Sumatera Utara ABSTRAK Indri Khairani, 2018. Judul skripsi: Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace”. Skripsi ini terdiri dari 5 BAB, 113 halaman, 18 daftar gambar, 57 daftar pustaka Tulisan ini berjudul Perempuan Korea dalam Film Serial Drama ―Jewel in The Palace”, yang bertujuan untuk mengetahui bagaimana perjuangan sosok seorang perempuan Korea yang tinggal di dalam istana “Gungnyeo” pada masa Dinasti Joseon di anad 15 dalam sebuah drama seri Jewel in The Palace Penelitian ini bersifat kualitatif. Metode yang digunakan adalah analisis wacana, dan model analisis yang digunakan adalalah analisis wacana dari Sara Mills yang merupakan model analisis wacana yang menaruh titik perhatian utama pada wacana mengenai feminisme. -
UU Study Abroad Report Form
UU Study Abroad Report Form faculty/college Physics level bachelor’s master’s name study programme Physics and Astronomy destination city & country Seoul (Suwon campus), South-Korea name university abroad Sungkyunkwan University start date 03 / 09 / 2018 (dd/mm/yyyy) end date 23 / 12 / 2018 (dd/mm/yyyy) You are requested to write on the following topics. Text boxes will expand automatically while typing! PREPARATION exchange application process Very easy application process. Gather the documents you need and upload them online. However, watch your spam folde. My emails from SKKU went to the spam folder of my UU email. counselling & support at Utrecht University The people from the exchange office were very helpful and if you had any questions you could always ask them. academic preparation Nothing needed really. language preparation I studied some Korea at home. Not super useful, but can come in handy, however the basic Korean class will be very boring. Learning to read hangul is recommended though. finances 4000 euros was required beforehand and it is certainly doable with 4000 euros. STUDY ABROAD PERIOD study programme (content and organisational issues) I took 18 credits. You can select courses online before the semester starts, however, don’t expect all of them to be your final choice. A few of my courses were cancelled because there were not enough people. In the first two weeks you can go to any course, and with a form you can still apply for them. I recommend going to a lot of courses your first two weeks, to find courses that fit you. -
The History of Division in the Conception of National Literature
1 The History of Division in the Conception of National Literature Seong-su Kim (Sungkyunkwan University) 1. The purpose of this article is to analyze the how the conception of the term Minjok Moonhak (national literature) has been perceived differently in South and North Korea. In other words, this article will examine how the modern concept of ‘Moonhak,’ Korean equivalent for ‘literature,’ which was shared by both Koreas during the colonial period, is now perceived differently due to ideological differences under the ‘socialist vs. liberal democracy’ system on the Korean Peninsula after division. The discussion of the division of the conception of national literature is conversely based on the premise that both Koreas have historically shared the same concept. Notwithstanding the system of division, which has lasted for more than 70 years, the speech community composed of spoken (Korean/Joseon- eo) or written (Hangul/Joseon-mun) language 1 is still viable; each language does not require interpretation and translation. This is fortunate, given that there is a high possibility that the Korean Peninsula will be reunited someday. When discussing the national literature of South and North Korea, academic discussion will be impossible if one side is consistently regarded as orthodox and disparages the other. If each country does not recognize the value of the writers and works of its counterpart because the two Koreas are caught up in the realms of ideology, Korean cultural heritage that encompasses both North and South Korea will be greatly reduced. From the perspective of Conceptual History [Begriffsgeschichte], which historically analyzes certain concepts and terms, ‘Korean literature and Joseon literature’ are not synonyms for ‘national literature,’ but are rather antonyms. -
Optimal Radiation Dose for Patients with One to Three Lymph Node
www.impactjournals.com/oncotarget/ Oncotarget, 2017, Vol. 8, (No. 1), pp: 1796-1804 Clinical Research Paper Optimal radiation dose for patients with one to three lymph node positive breast cancer following breast-conserving surgery and anthracycline plus taxane-based chemotherapy: A retrospective multicenter analysis (KROG 1418) Haeyoung Kim1, Won Park2, Jeong Il Yu2, Doo Ho Choi2, Seung Jae Huh2, Yeon- Joo Kim3, Eun Sook Lee3, Keun Seok Lee3, Han-Sung Kang3, In Hae Park3, Kyung Hwan Shin4, Kyubo Kim5, Kyung Ran Park5, Yong Bae Kim6, Sung Ja Ahn7, Jong Hoon Lee8, Jin Hee Kim9, Mison Chun10, Hyung-Sik Lee11, Jung Soo Kim12 and Jong- Young Lee13 1 Department of Radiation Oncology, Hallym University Dongtan Sacred Heart Hospital, Hwaseong, Gyeonggi, South Korea 2 Department of Radiation Oncology, Samsung Medical Center, Sungkyunkwan University School of Medicine, Seoul, South Korea 3 Center for Breast Cancer, Research Institute and Hospital, National Cancer Center, Goyang, South Korea 4 Department of Radiation Oncology, Seoul National University College of Medicine, Seoul, South Korea 5 Department of Radiation Oncology, Ewha Womans University Mokdong Hospital, Ewha Womans University School of Medicine, Seoul, South Korea 6 Department of Radiation Oncology, Yonsei Cancer Center, Yonsei University College of Medicine, Seoul, South Korea 7 Department of Radiation Oncology, Chonnam National University Medical School, Gwangju, South Korea 8 Department of Radiation Oncology, St. Vincent’s Hospital, The Catholic University of Korea College of Medicine, -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Embodiments of Korean Mask Dance (T'alch'um) from the 1960s to the 1980s: Traversing National Identity, Subjectivity, Gender Binary Permalink https://escholarship.org/uc/item/9vj4q8r2 Author Ha, Sangwoo Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Embodiments of Korean Mask Dance (T’alch’um) from the 1960s to the 1980s: Traversing National Identity, Subjectivity, Gender Binary A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Sangwoo Ha June 2015 Dissertation Committee: Dr. Linda J. Tomko, Chairperson Dr. Anthea Kraut Dr. Jennifer Doyle Copyright by Sangwoo Ha 2015 The Dissertation of Sangwoo Ha is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to take this opportunity to thank several people who shared their wisdom and kindness with me during my journey. First, Dr. Linda J. Tomko, who offered to be my advisor, introduced me to notions about embodying dances past, critical thinking, and historical research approaches. Not only did she help guide me through this rigorous process, she also supported me emotionally when I felt overwhelmed and insecure about my abilities as a scholar. Her edits and comments were invaluable, and her enthusiasm for learning will continue to influence my future endeavors. I offer my sincere gratitude to my committee members, Dr. Anthea Kraut, Dr. Priya Srinivasan, and Dr. Jennifer Doyle. They all supported me academically throughout my career at the University of California, Riverside. -
Generational Or Technological? the Gaps Within the Modern South Korean Society Tomasz Sleziak Adam Mickiewicz University, Polan
The Asian Conference on Arts & Humanities 2013 Official Conference Proceedings Osaka, Japan Generational or Technological? The Gaps within the Modern South Korean Society Tomasz Sleziak Adam Mickiewicz University, Poland 0104 The Asian Conference on Arts & Humanities 2013 Official Conference Proceedings 2013 Abstract The modern South Korean society, having its cultural roots in Joseon-period (1392 – 1910) orthodox interpretation of Neo-Confucianism, naturally displays a high degree of hierarchism. The socio-economic transformation, brought by the end of feudalism during Japanese occupation period (1910 – 1945) and the post-World War II period, caused the re-alignment of the traditional social setting. Furthermore, the quick urbanization transformed Korea from a predominantly agricultural society into a technology-based one, which not only resulted in the typical city – village antinomy, but also became the main factor contributing to new types of social divisions. In the 1970s it was apparent that the elderly people living in rural areas – many of them direct descendants of the former Yangban (scholar – nobility) clans – could not keep with the rapidly changing world and processes of globalization, compared to the younger generations living in urban areas, who not only had access to newest technologies, but in fact were the main driving force behind democratization of the state and toppling of authoritarian rule of Park Chung-Hee and his followers. In the latter 1990s, it were young Koreans who spread the popular culture of their country worldwide and started utilizing internet technologies to form communities. Meanwhile, both the elderly living in rural areas and the former employees of the Chaebol conglomerates, many of them lacking sufficient education and economic funds, were often displaced in the new socio-economic system. -
Exchange/Visiting Student
SAMSUNG DIGITAL LIBRARY Exchange/Visiting Student HHAANNDDBBOOOOKK 2019 SPRING 1 Table of Contents Page Important Dates VP’s Greetings Pre-Reading Highlights • Notification • Participation Agreement • Glossary • Reader’s Comments 6 • [Experience SKKU] Program • University History and Motto 7 • OIR Information • Dormitory Office Information Before and After Entry • Visa Application • Foreigner/Alien Registration 8 • Re-Entry Permission 9 • Immigration Office Information • Insurance • Orientation&Welcome Reception 10 • Program Registration • Checklist 11 Academic Programs (1) International Exchange Course (IEC) 12 (2) Korean Studies Program 13 (3) Korean Language Program 13 (4) International Summer Semester (ISS) 14 Academic Information (1) General Information • Grading, Credit Transfer, Transcript and Evaluation 15 • Course Information 16 • Restrictions on Course Selection 1, 2, 3 17-8 • Maximum Credits 18 (2) Online System • ID and Password / Online System • Lecture Types • Accessibility/Compatibility of SKKU Online System 19 (3) Course Registration and Change • General Information • Course Sign-up Approval Form • Course Change and Confirmation 20 (4) Others • Extension of Study • Checklist 21 2 Accommodation • Overview • Dormitory Office • Facilities and Amenities 22 • Early Arrival 23 • Move-in and Move-out • Application and Payment 24 • Dormitory Assignment • Room Assignment/Changes 25 • Dormitory Policy, Rule and Regulations • Resident’s Agreement Form • Chest X-Ray Submission 26 • Baggage Storing • Contact Information & Off-Campus -
Nomination Form Asia/Pacific Memory of the World Register
Nomination Form Asia/Pacific Memory of the World Register Name Boards and Verse Plaques on Royal Architecture of the Joseon Dynasty National Palace Museum of Korea Cultural Heritage Administration of Republic of Korea Nomination Form Asia/Pacific Memory of the World Register Name Boards and Verse Plaques on Royal Architecture of the Joseon Dynasty (Republic of Korea) Part A: Essential information 1 Summary (Max 100 words) In the royal architecture of the Joseon Dynasty (1392–1910), names carried extraordinary significance. They underlined the rulers’ political philosophy and ideology, and signified status. Composed in the handwriting of kings and crown princes, eminent calligraphers, or literati scholars, name boards engraved by skilled artisans were hung on building exteriors, and inside were plaques inscribed with royal edicts, memorials or rosters of officials. Columns held tablets inscribed with verses bestowing blessings or words of wisdom. The nominated heritage comprises these documentary sources of vital information on Joseon’s rulers and royal structures and the spirit, values and aesthetics of their times. 2 Nominator 2.1 Name of nominator (person or organization) Kim Yeon-soo, Director, National Palace Museum of Korea, Cultural Heritage Administration 2.2 Relationship to the nominated documentary heritage Custodian (All items constituting the nominated heritage are held in the collection of the National Palace Museum of Korea, which is responsible for their preservation and management.) 2.3 Contact person(s) Seo Jun, Researcher, -
The Advent of the First Indoor Stage in Korean Theatre: Impacts, Consequences and Implications Jungman Park, Hankuk University
The Advent of the First Indoor Stage in Korean Theatre: Impacts, Consequences and Implications Jungman Park, Hankuk University of Foreign Studies, Republic of Korea The Asian Conference on Cultural Studies 2016 Official Conference Proceedings Abstract It is widely agreed that the modern Korean theatre began with the opening of the Hyeopyulsa, the first western-style theatre building, in December 1902. The reason for calling this theatre ‘modern’ is multifold, but the primary stress should be put on the fact that it introduced indoor stage, which was the first case in the history of Korean theatre. Outdoor performance in found places was one of the paradigmatic elements in traditional Korean performance and play forms, including Pansori (one- man singing-drama) and Talchum (mask dance). In this respect, the establishment of the indoor stage in the Hyeopyulsa was a sea change, predicting a shift in paradigm and environment that would divide Korean theatre thereafter from the previous. This modern stage needed a new play from to present, which resulted in the appearance of Changgeuk, well known as Korean opera to the West. This new play form is often regarded as ‘new theatre movement’ in that it attempted to extend the theatricality immanent in Pansori in positive way. At the same time, the modern gadgets of stage and play form foreshadowed a series of infringements on Korean theatre tradition. Revisiting the historical moment in the beginning of the twentieth century, this paper examines the impacts, consequences, and implications the advent of the modern stage had on Korean theatre. Keywords: Korean theatre, Hyeopyulsa, modernity, Westernized stage, Changgeuk, Pansori iafor The International Academic Forum www.iafor.org Introduction It is widely agreed that the modern Korean theatre began with the opening of the first indoor-stage theatre, Hyeopyulsa(協律社), in December 1902. -
The Roots and Create New Prospects, Creating a New Era of Cultural Cooperation Between China and South Korea Li Li Kunsan National University, South Korea
Scientific and Social Research Research Article Back to the Roots and Create New Prospects, Creating a New Era of Cultural Cooperation between China and South Korea Li Li Kunsan National University, South Korea Abstract: Back to the roots and creating new is used in Sino-Korean cultural cooperation, which prospects refers to the ideological theme of modern means returning to the historical origin of Sino- New Confucianism. "Back to the roots (fǎnběn)" Korean culture and creating a new era of cooperation refers to inheriting the Confucian orthodoxy based on cultural heritage and cultural identity. and promoting the Confucian teachings of inner sagehood; "creating new prospects (kāixīn)" refers 1 Getting to the Roots and Tracing the to the creation of a "new outer kingliness (xīn wài Origins, Sorting Out the Historical Origins wáng)", that is, creating a new teaching of science of Chinese and Korean Cultures and democracy. That is, to return to the origin of traditional culture and develop new prospects on the 1.1 The Historical Influences of the "Chinese Character Cultural Sphere" basis of cultural heritage. Civilization exchanges and mutual learning are important driving forces for the China and South Korea co-exist in the same region of advancement of human civilization and the peaceful East Asia, and a special and close cultural relationship development of the world. China and South Korea was born and developed in ancient times. Chinese are located next to each other and have historical characters have three elements, namely the form, and cultural ties since antiquity. Back to the roots pronunciation, and meaning, with the uniqueness and create new prospects, promoting deeper cultural of the character’s form dictating its meaning. -
Choosing Auspicious Dates and Sites for Royal Ceremonies in Eighteenth-Century Korea
Choosing Auspicious Dates and Sites for Royal Ceremonies 289 Chapter 9 Choosing Auspicious Dates and Sites for Royal Ceremonies in Eighteenth-century Korea Kwon Soo Park 1 Royal Ceremonies, the Bureau of Astronomy, and the Book of State Rituals As Confucian rulers, the Joseon 朝鮮 dynasty performed numerous rituals related to royal life and governmental affairs. The king and his subjects attended regular and irregular rituals such as sacrificial rites to dynastic ancestors in the royal shrine (Jongmyo 宗廟) and the royal tombs (Wangneung 王陵), sericul- ture ceremonies (Chingyengrye 親耕禮) and sericulture (Chinjamrye 親蠶禮) ceremonies, investiture rituals (Chaekbong-uisik 冊封儀式), state marriages (Garye 嘉禮), funerals (Gukjang 國葬), and others. Every phase of royal and governmental life was thus highly ritualized, and the king and his subjects were obliged to take part in the rituals and play the respective roles assigned to them. By organizing and performing these rites, the monarch and the govern- ment constantly imprinted the Joseon dynasty’s values—above all, the dignity of the royal court—in the minds of their servants and the common people. Joseon, then, was a true ‘ritual state,’ a country that placed great emphasis on ceremonies in order to strengthen national cohesion. In some of the rituals, thousands of people were mobilized for several months, and up to tens of thousands of ounces of silver (yang 兩) were spent. The Ministry of Rites (Yejo 禮曹) was responsible for regulating and overseeing the organization and execution of the various ceremonies. The Bureau of Astronomy (Gwansang-gam 觀象監), a third-grade office that was part of the Ministry, was in charge of determining locations and dates for the deployment of the considerable human and material resources involved. -
Chapter 2 the Po Liti Cal Context
chapter 2 Th e Po liti cal Context Before it was divided into northern and southern halves in 1945, Korea had existed within what were generally its current borders for more than a thousand years. Th e people living within those borders speak a com- mon language and share a unique phonetic writing system, which facili- tates mass literacy. Unlike many developing countries, the Korean na- tion and its borders were not the artifi cial creation of a colonial regime. Koreans have long had and continue to possess a strong sense of their com- mon culture and nationality. Until 1910 Korea was ruled by a king who was aided by bureaucrats selected on the basis of their formal education in the Confucian classics, per for mance on meritocratic state examinations, and family status. Th is po liti cal structure can be characterized as a “centralized oligarchy” rather than absolutist rule. Under ideal circumstances, a benevolent monarch supported by competent scholar- offi cials can mobilize resources for 1. Allied with the Chinese Tang dynasty, the Korean kingdom of Shilla defeated Baekje and Goguryeo (or Koguryo) in 660 and 668, respectively, but its territorial reach fell short of Pyongyang. Instead, Goguryeo’s former general worked with the Manchus to establish Balhae in the northern region. It was not until 936 that a unifi ed nation more or less within the Korean Peninsula was established, under the name Goryeo (or Koryo). 2. Hangul, the Korean alphabet, is a scientifi c writing system. Until the 1970s, han- gul supplemented Chinese characters in offi cial documents and reports, but since the 1980s hangul has increasingly supplanted Chinese characters, and now texts are written entirely in hangul with a few exceptions, such as homonyms.