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External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish
東京外国語大学論集 第 100 号(2020) TOKYO UNIVERSITY OF FOREIGN STUDIES, AREA AND CULTURE STUDIES 100 (2020) 43 External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」の対外普及 ̶̶ バスク語とカタルーニャ語 の事例をスペイン語の事例と比較しつつ HAGIO Sho W o r l d L a n g u a g e a n d S o c i e t y E d u c a t i o n C e n t r e , T o k y o U n i v e r s i t y o f F o r e i g n S t u d i e s 萩尾 生 東京外国語大学 世界言語社会教育センター 1. The Historical Background of Language Dissemina on Overseas 2. Theore cal Frameworks 2.1. Implemen ng the Basis of External Diff usion 2.2. Demarca on of “Internal” and “External” 2.3. The Mo ves and Aims of External Projec on of a Language 3. The Case of Spain 3.1. The Overall View of Language Policy in Spain 3.2. The Cervantes Ins tute 3.3. The Ramon Llull Ins tute 3.4. The Etxepare Basque Ins tute 4. Transforma on of Discourse 4.1. The Ra onale for External Projec on and Added Value 4.2. Toward Deterritorializa on and Individualiza on? 5. Hypothe cal Conclusion Keywords: Language spread, language dissemination abroad, minority language, Basque, Catalan, Spanish, linguistic value, linguistic market キーワード:言語普及、言語の対外普及、少数言語、バスク語、カタルーニャ語、スペイン語、言語価値、 言語市場 ᮏ✏䛾ⴭసᶒ䛿ⴭ⪅䛜ᡤᣢ䛧䚸 䜽䝸䜶䜲䝔䜱䝤䞉 䝁䝰䞁䝈⾲♧㻠㻚㻜ᅜ㝿䝷䜲䝉䞁䝇䠄㻯㻯㻙㻮㼅㻕ୗ䛻ᥦ౪䛧䜎䛩䚹 https://creativecommons.org/licenses/by/4.0/deed.ja 萩尾 生 Hagio Sho External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」 の対外普及 —— バスク語とカタルーニャ語 の 事 例をスペイン語の事例と比較しつつ 44 Abstract This paper explores the value of the external projection of a minority language overseas, taking into account the cases of Basque and Catalan in comparison with Spanish. -
Works on Giambattista Vico in English from 1884 Through 2009
Works on Giambattista Vico in English from 1884 through 2009 COMPILED BY MOLLY BLA C K VERENE TABLE OF CON T EN T S PART I. Books A. Monographs . .84 B. Collected Volumes . 98 C. Dissertations and Theses . 111 D. Journals......................................116 PART II. Essays A. Articles, Chapters, et cetera . 120 B. Entries in Reference Works . 177 C. Reviews and Abstracts of Works in Other Languages ..180 PART III. Translations A. English Translations ............................186 B. Reviews of Translations in Other Languages.........192 PART IV. Citations...................................195 APPENDIX. Bibliographies . .302 83 84 NEW VICO STUDIE S 27 (2009) PART I. BOOKS A. Monographs Adams, Henry Packwood. The Life and Writings of Giambattista Vico. London: Allen and Unwin, 1935; reprinted New York: Russell and Russell, 1970. REV I EWS : Gianturco, Elio. Italica 13 (1936): 132. Jessop, T. E. Philosophy 11 (1936): 216–18. Albano, Maeve Edith. Vico and Providence. Emory Vico Studies no. 1. Series ed. D. P. Verene. New York: Peter Lang, 1986. REV I EWS : Daniel, Stephen H. The Eighteenth Century: A Current Bibliography, n.s. 12 (1986): 148–49. Munzel, G. F. New Vico Studies 5 (1987): 173–75. Simon, L. Canadian Philosophical Reviews 8 (1988): 335–37. Avis, Paul. The Foundations of Modern Historical Thought: From Machiavelli to Vico. Beckenham (London): Croom Helm, 1986. REV I EWS : Goldie, M. History 72 (1987): 84–85. Haddock, Bruce A. New Vico Studies 5 (1987): 185–86. Bedani, Gino L. C. Vico Revisited: Orthodoxy, Naturalism and Science in the ‘Scienza nuova.’ Oxford: Berg, 1989. REV I EWS : Costa, Gustavo. New Vico Studies 8 (1990): 90–92. -
Janson. History of Art. Chapter 16: The
16_CH16_P556-589.qxp 12/10/09 09:16 Page 556 16_CH16_P556-589.qxp 12/10/09 09:16 Page 557 CHAPTER 16 CHAPTER The High Renaissance in Italy, 1495 1520 OOKINGBACKATTHEARTISTSOFTHEFIFTEENTHCENTURY , THE artist and art historian Giorgio Vasari wrote in 1550, Truly great was the advancement conferred on the arts of architecture, painting, and L sculpture by those excellent masters. From Vasari s perspective, the earlier generation had provided the groundwork that enabled sixteenth-century artists to surpass the age of the ancients. Later artists and critics agreed Leonardo, Bramante, Michelangelo, Raphael, Giorgione, and with Vasari s judgment that the artists who worked in the decades Titian were all sought after in early sixteenth-century Italy, and just before and after 1500 attained a perfection in their art worthy the two who lived beyond 1520, Michelangelo and Titian, were of admiration and emulation. internationally celebrated during their lifetimes. This fame was For Vasari, the artists of this generation were paragons of their part of a wholesale change in the status of artists that had been profession. Following Vasari, artists and art teachers of subse- occurring gradually during the course of the fifteenth century and quent centuries have used the works of this 25-year period which gained strength with these artists. Despite the qualities of between 1495 and 1520, known as the High Renaissance, as a their births, or the differences in their styles and personalities, benchmark against which to measure their own. Yet the idea of a these artists were given the respect due to intellectuals and High Renaissance presupposes that it follows something humanists. -
Become a Member
Dante Alighieri Society of Pueblo New and Renewal Application for Calendar Year 2021 The Dante Alighieri Society was formed in Italy in July 1889 to “promote the study of the Italian language and culture throughout the world…independent of political ideologies, national, or ethnic origin or religious beliefs. The Society is the free association of people -not just Italians- but all people everywhere who are united by their love for the Italian language and culture and the spirit of universal humanism that these represent.” The Society was named after Dante Alighieri (1265-1321), a pre-Renaissance poet from Florence, Italy. Dante, the author of The Divine Comedy, is considered the father of the Italian language. The Dante Alighieri Society of Pueblo, Colorado was founded by Father Christopher Tomatis on October 24, 1977 and ratified by the Dante Alighieri Society in Rome, Italy on December 3, 1977. Mission Statement The mission of the Dante Alighieri Society of Pueblo, Colorado is to promote and preserve the Italian language, culture, and customs in Pueblo and the Southern Colorado Region. ° Scholarships will be awarded to selected senior high students who have completed two or more years of Italian language classes in the Pueblo area high schools. ° Cultural and social activities will be sponsored to enhance the Italian-American community. Activities of the Society Cultural Dinner Meetings Regional Italian Dinner (November) Carnevale Dinner Dance (February) Annual Christmas Party (December) Scholarship Awards (May) Artistic Performances and Speakers Dante Summer Festa (August) Sister City Festival Participation Italian Conversation Classes Italian Language Scholarships To join the Dante Alighieri Society of Pueblo or to renew your membership, please detach and mail with your check. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Titian and Veronese Two Venetian Painters
Titian and Veronese Two Venetian Painters Titian Veronese Garry Law Sack of Rome 1527 – end of the Renaissance in Rome Timeline and Contemporaries / Predecessors Titian - ~1488-1576 • Born Tiziano Vecellio in Pieve di Cadrone – Small fortified town dating back to the Iron Age. • Father a soldier / local councilor / supplier of timber to Venice • Named after a local saint Titianus • Went to Venice aged 9, apprenticed to Zuccato then Gentile Bellini then Giovani Bellini • Partnership with Giorgione – shared workshop – ended with G’s early death • Together redefined Venetian painting • Their work so similar have long been disputes over authorship of some paintings They did undertake some joint works – frescoes Titian was asked to complete some unfinished works after Giorgione’s death – only one such is known for sure – otherwise we don’t know if he did finish others. The Pastoral Concert - Once considered Giorgione – now considered Titian – though some have considered as by both (Louvre). • Portraits - Royal and Papal commissions late in career • Cabinet Pictures • Religious art • Allegorical / Classical Isabella d’Este “La Bella” • Lead the movement to having large pictures for architectural locations on canvas rather than Fresco – which lasted poorly in Venice’s damp climate • Sought to displace his teacher Bellini as official state painter – declined, but achieved on B’s death. • Married housekeeper by whom he already has two children • Wife dies young in childbirth – a daughter modelled for him for his group pictures • Does not remarry – described as flirting with women but not interested in relationships • Ran a large studio – El Greco was one pupil • Of his most successful pictures many copies were made in the studio Penitent Mary Madelene Two of many versions Christ Carrying the Cross. -
Vita Nuova Il Mondo in Italiano Bollettino Bilingue Della Dante Alighieri Society of South Australia Inc
Dante Alighieri Society of South Australia Inc. No 10 December 2012 Vita Nuova Il Mondo in Italiano Bollettino bilingue della Dante Alighieri Society of South Australia Inc. From the President Chi siamo? As we approach the festive season, I am happy to report that the Dan- La «Dante Alighieri» ha lo te Alighieri Society has completed another successful year. Along with scopo di tutelare e our now well established activities such as the Cineforum and Opera diffondere la lingua e la Club over the past 12 months we have a achieved some notable cultura italiana nel breakthroughs. For example: mondo ... We transferred our office and classrooms to the new more acces- (Articolo 1 dello Statuto sible inner-City location. della Società Dante We launched the first annual commemorative Dante lecture on 21 Alighieri) May. We offered a monthly radio program in Italian on RTI We joined forces with it.sa We established a firm footing as providers of quality Italian lan- guage classes for adults. Inside this issue It goes without saying that all this would not be possible without the From the President ............ 1 commitment and dedication of a group of hardworking individuals Conferenza nazionale...... 3 who generously give of their time to help the Society achieve its objec- tives. In particular, I would like to thank Vice President, Luciana d’Ar- Pasta Night ......................... 5 cangeli and her husband Alessandro Vecchiarelli who prepare and pre- Quiz Italia ........................... 6 sent a half hour radio program on 5RTI 531AM every last Tuesday of Notizie da Roma ............... 7 the month at 10.30 am. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Cultural promotion and imperialism: the Dante Alighieri Society and the British Council contesting the Mediterranean in the 1930s van Kessel, T.M.C. Publication date 2011 Link to publication Citation for published version (APA): van Kessel, T. M. C. (2011). Cultural promotion and imperialism: the Dante Alighieri Society and the British Council contesting the Mediterranean in the 1930s. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 TABLE OF CONTENTS PREFACE VII INTRODUCTION 1 Cultural foreign politics contesting the centre of the world 1 Europe divided by crises and ideology 1 Cultural promotion: a tool in international politics 6 Cultural foreign politics from a transnational perspective 7 National identity constructed from abroad 8 Clashing empires and political systems in the Mediterranean 10 Modelling modernity 11 Citizenship, race and religion 13 Outline of the chapters 14 1. -
Spatial Vision Anomalies in Renaissance Art: Raphael, Giorgione, Dürer
Spatial Vision, Vol. 21, No. 3–5, pp. 363–377 (2008) Koninklijke Brill NV, Leiden, 2008. Also available online - www.brill.nl/sv Spatial vision anomalies in Renaissance art: Raphael, Giorgione, Dürer ROBERT WEALE ∗ University College London Hospital Eye Department, 235 Euston Rd., London NW1 2BU, and Institute of Gerontology, King’s College London, 46 Aldwych, London WC2B 4LL, UK Received 15 March 2006; accepted 10 March 2007 Abstract—Two-dimensional views of three-dimensional space are based on conventions. Renais- sance perspectival drawing invented by Brunelleschi is one of them. It caused difficulties to fifteenth and sixteenth century and later artists, although readily taken up by those understanding mathemat- ics. Raphael was amongst those who did not seem to have understood some of its elements: this is illustrated in the first section. The second addresses the question of whether a squint may manifest in an artist’s work. Giorgione’s ocular anomaly was well documented by several of his self-portraits, and reference is made to some of his paintings with a special analysis of The Tempest. The final sec- tion deals with chromatic stereoscopy, with particular reference to the work of Dürer. His apparently anomalous spatial sense is tentatively explained with the suggestion that he may have suffered from a defect of colour vision (protanomaly). Keywords: Perspective; squint; chromatic stereoscopy. 1. INTRODUCTION The manner in which artists picture space is a matter of convention. As some of their optical illusions show, the Romans were aware of the problem of rendering three-dimensional space on a two-dimensional surface, but, as shown in Pompeii, failed to solve it. -
The Narrowing of Giorgione's Masterpiece (To the Problem of The
International Journal of Art and Art History December 2017, Vol. 5, No. 2, pp. 13-18 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v5n2p2 URL: https://doi.org/10.15640/ijaah.v5n2p2 The Narrowing of Giorgione’s Masterpiece (To the Problem of the Hermitage Judith’s Original Measurements) Ivan Sablin1 The Judith in the museum of Hermitage is one of the few universally acknowledged works by Giorgionei, perhaps the last of them to achieve this standing, for the first time in the 18th century and then definitely, more than a hundred years ago. Such works are rare. Giorgione‟s authorship of even the Castelfranco Madonna has been (recently) contestedii, not to mention a much more complex case of Dresden Venusiii. The most rigorous approach to the size of Giorgione‟s œuvre leaves the artist with only the Three Philosophers in Vienna and the Tempest in Venice, along with the Judith (in spite of some earlier opinions, which have been rejected long ago). None of these attributions is based upon a documentary evidence, be that a verified signature or any archival source, for the only work documented in artist‟s lifetime is the one executed for Fondaco dei tedeschiiv, a fresco cycle long lost to a salty air of Serenissima, its pitiful remains (on show at Franchetti gallery) offering no chance to draw stylistic conclusions for the identification of the other works in question. Yet it is precisely the stylistic analysis that all accepted attributions to Giorgione rely upon, adding to the scarce historic testimonies of not always a trustworthy nature. -
Major in World Languages and Cultures
This is a copy of the 2021-2022 catalog. LCM 3106 Foreign Language Acquisition MAJOR IN WORLD LCM 3107 Spaces, Places, and Travel across World Cultures LANGUAGES AND CULTURES 3 course units from: 1 3 Units The Major in World Languages and Cultures will allow you to acquire ESP 4901 Advanced Study of Latin American Literature competency in one or more international languages and to gain a wide ESP 4940 The Acquisition of Spanish range of knowledge about cultures and intercultural realities. Besides LCM 4199 Capstone Seminar focusing on one or several linguistic and cultural areas, you will develop 3 course units from: 1 3 Units fundamental research and communication skills that are essential to AHL 4100 Seminar in Interdisciplinary Study in the Arts today’s workplace and wider world. These are introduced and reinforced AHL 4310 Entrepreneurship and Social Innovation Lab in courses at all levels, concluding with a capstone research seminar. AHL 4900 Seminar in Interdisciplinary Study in the Arts Gain important academic and professional experience by collaborating ESP 4902 Advanced Study of Spanish Literature with the Department’s various research groups or participating in the ESP 4903 Seminar on the Teaching of Spanish as a research of faculty members through the prestigious Undergraduate Foreign Language Research Opportunity Program (UROP). The Major’s experiential learning ESP 4933 Contrastive Grammar: Spanish and English component will allow you to integrate diverse opportunities to study and work abroad as well as volunteering experiences with embassies, LCM 4101 Advanced Theories of World Cultures international cultural institutes (e.g. Cervantes Institute, Goethe Institute, LCM 4991 Practicum Dante Alighieri Society), and community organizations in the National LCM 4992 Selected Topics in World Languages and Capital Region.