THE PROVING GROUNDS of ARMAGEDDON) Copyright © 2010 by (TWIN FORKS PUBLISHING)
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Def Leppard – 02
DEF LEPPARD – 02. Juli 2019 – Berlin – Zitadelle Spandau – Support: EUROPE – JOHN DIVA and the Rockets of Love – Text und Fotos: Holger Ott Im Zeichen des Retro rufen die Bands der guten alten 80er Jahre und die Fans pilgern in die Zitadelle Spandau von Berlin. Das alte Gemäuer ist beliebt, gibt es neben sehr guter Akustik auch von allen Plätzen eine hervorragende Sicht auf die schöne große Bühne. Das Wetter spielt heute auch mit. Weder zu heiß noch zu kalt und bei einem kleinen Lüftchen lässt es sich einige Stunden aushalten. Dieses Stehvermögen braucht das Publikum, denn mit drei Bands stehen, abgesehen von den Umbaupausen, geschlagene drei Stunden Musik auf dem Programm Eröffnet wird der Abend von einer, mir bis dato, unbekannten Band. JOHN DIVA mit seinen 'Rockets of Love' geben sich die Ehre und präsentieren in dreißig Minuten eine beeindruckende musikalische und optische Darbietung unter dem Motto: „Mama said, Rock is dead". Frontman JOHN DIVA und seine Mannen turnen in extravagantem Outfit über die Bühne. Schön grell und bunt darf es sein und sieht man dazu DIVAS passenden Hüftschwung, weiß der Fan sofort, dass es hier nur um Sex, Drugs and Rock 'n' Roll geht. Ohne Zweifel, die Truppe ist gut und rockt auch richtig fett ab. Also, im Auge behalten. Ein gelungener Einstand in den heutigen Abend. Zu EUROPE muss man nicht viel sagen. JOEY TEMPEST ist in top Form und schmettert seine bekanntesten Songs in die Menge. Das Gedränge vor der Bühne wird größer und der Hype wächst mit jedem Song ihrer einstündigen Show. Leider fällt durch die Supporterstellung einiges unter den Tisch, aber Hits wie „Carrie", „Superstitius" und natürlich das abschließende "The Final Countdown" reißen wieder alles heraus. -
Heavy Karaoke
Heavy Karaoke Mood Media Finland Oy Väinö Tannerin Tie 3, 01510 Vantaa, FINLAND Vaihde: 010 666 2230 Helpdesk: 010 666 2233 fi.all@ moodmedia.com www.moodmedia .fi Kch = The Karaoke Channel Hevikaraoke KAPPALE ESITTÄJÄ ID TOIM. (OH) PRETTY WOMAN VAN HALEN 20917 Kch 18 AND LIFE SKID ROW 20331 18 AND LIFE SKID ROW 20510 Kch 2 MINUTES TO MIDNIGHT IRON MAIDEN 20135 5 MINUTES ALONE PANTERA 20277 A MAN I'LL NEVER BE BOSTON 20061 A NEW LEVEL PANTERA 20278 A VOICE IN THE DARK TACERE 20360 A WHITER SHADE OF PALE PROCOL HARUM 20306 ACE OF SPADES MOTÖRHEAD 20827 Kch ACES HIGH IRON MAIDEN 20136 ADDICTED TO LOVE ROBERT PALMER 20320 ADIDAS KORN 20695 Kch AENIMA TOOL 20662 Kch AERIALS (RADIO VERSION) SYSTEM OF A DOWN 20841 Kch AGAIN ALICE IN CHAINS 20512 Kch AIN'T TALKIN' 'BOUT LOVE VAN HALEN 20619 Kch ALIVE PEARL JAM 20294 ALL ALONG THE WATCHTOWER JIMI HENDRIX 20158 ALL FOR YOU CHEAT CODE 20068 ALL HALLOWS EVE TYPE O NEGATIVE 20689 Kch ALL MY LOVE LED ZEPPELIN 20637 Kch ALL RIGHT NOW FREE 20118 ALL THE SMALL THINGS BLINK 182 20048 ALMOST EASY (RADIO VERSION) AVENGED SEVENFOLD 20955 Kch ALONE AGAIN DOKKEN 20550 Kch AMARANTH NIGHTWISH 20433 AMORPHOUS EXLIBRIS 20964 AND IT STONED ME VAN MORRISON 20701 Kch AND THE CRADLE WILL ROCK VAN HALEN 20394 AND THE CRADLE WILL ROCK VAN HALEN 20786 Kch ANGRY AGAIN MEGADETH 20863 Kch ANIMAL DEF LEPPARD 20093 ANIMAL DEF LEPPARD 20767 Kch ANIMAL PEARL JAM 20295 ANIMAL (FUCK LIKE A BEAST) W.A.S.P. -
Def Leppard “Hysteria” By: Kyle Harman
Def Leppard “Hysteria” By: Kyle Harman Hysteria would be a fitting name for the album thought Def Leppard drummer Rick Allen, following his 1984 injury from a horrific car accident that resulted in the loss of his left arm, Hysteria was the perfect title to describe the worldwide media coverage that followed the band between the years of 1984 and 1987. The album was the last to feature the late Steve Clark and his role of lead guitarist due to an overdose in the year of 1992. In the very prime years of glam metal in the late 80’s at the dawn of grunge genre about to begin, Def Leppard delivered the bands bestselling album to date with selling 25 million copies worldwide and 12 million in the US alone. The three year recording process of Hysteria was painstaking with the accident of drummer Rick Allen, and with producers coming and going left the band with the perfect example of sometimes patience truly does pay off. A unique recording process took place where each member recorded their own recordings at separate times, allowing each member to focus on their own performance on the album. The original intent of the album was to be a rock version of Michael Jackson’s Thriller, with the desire of having every song off the album as a possible hit single. The end result of the album was impressive to say the least with 7 singles released off the single album alone. The album recording sessions were painstaking at times, “Animal” consisted of 2 and a half years to produce its final product, where “Pour Some Sugar On Me” was finished within two weeks. -
Mau Mau Crucible of War: Statehood, National Identity and Politics in Postcolonial Kenya
Graduate Theses, Dissertations, and Problem Reports 2014 Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya Nicholas Kariuki Githuku Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Githuku, Nicholas Kariuki, "Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya" (2014). Graduate Theses, Dissertations, and Problem Reports. 5677. https://researchrepository.wvu.edu/etd/5677 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. MAU MAU CRUCIBLE OF WAR: STATEHOOD, NATIONAL IDENTITY AND POLITICS IN POSTCOLONIAL KENYA by Nicholas Kariuki Githuku Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Approved by Dr. Robert Maxon, Committee Chairperson Dr. Joseph Hodge Dr. Robert Blobaum Dr. Jeremia Njeru Dr. Tamba M’bayo Department of History Morgantown, West Virginia 2014 Keywords: war, statehood, stateness, security, mentalité, national identity, psychosociological anxieties Copyright 2014 Nicholas Kariuki Githuku Abstract The postcolonial African state has been the subject of extensive study and scrutiny by various scholars of great repute such as Colin Legum, Crawford Young, Robert H. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, SECOND SESSION Vol. 164 WASHINGTON, TUESDAY, MARCH 6, 2018 No. 39 House of Representatives The House met at 10 a.m. and was And guess what? The cynics were brought to him and he rejected them, called to order by the Speaker pro tem- right, and Congress has taken no ac- saying that he wanted to eliminate pore (Mr. HARPER). tion. There have been a few attempts, various types of legal immigration ave- f but the reality is that Congress has not nues used by people, especially people passed a bill, and the opportunities for of color and people from the developing DESIGNATION OF SPEAKER PRO us to pass a bill are dwindling. world. Without these massive cuts to TEMPORE How did we get here? How is it that legal immigration, the President just The SPEAKER pro tempore laid be- we always end up here when it comes wasn’t interested. fore the House the following commu- to immigration? And we offered him money for his nication from the Speaker: Well, it has been a failure of both silly, mindless, stupid, dimwitted, rac- WASHINGTON, DC, parties to act, to compromise, and to ist wall, but he rejected that, too. March 6, 2018. legislate. But let’s be honest, the Presi- In the end, this is not about Dream- I hereby appoint the Honorable GREGG dent doesn’t want these immigrants in ers, it is not about the wall, it is not HARPER to act as Speaker pro tempore on this country, and Republicans in Con- about border security. -
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51. -
I Don T Wanna Miss a Thing Armageddo
I don t wanna miss a thing armageddo Continue 1998 single Aerosmith For 1999 Mark Chesnutt album, see I don't want to miss a thing (album). I Don't Want to Miss a ThingSingle by Aerosmith from Armageddon: The AlbumB-side Animal Crackers Taste of India released on August 18, 1998 (USA) august 31, 1998 (UK) Genre Hard Rock Rock (1) Length4:59Label Columbia Hollywood Epic Songwriter (s)Diane Warren (s)Matt SerleticAerosmith singles chronology Taste of India (s)19 98) I Don't Want to Miss a Thing (1998) What Love Are You on (1998) Audio samplefilehelp I Don't Want to Miss The Thing Is a Power Ballad performed by American hard rock band Aerosmith for film about the 1998 film Armageddon, which starred the daughter of the vocalist Steven Tyler Liv Tyler. It's one of four songs performed by the band for the film, the other three of them What Love You're On, Come Together and Sweet Emotion. Written by Diane Warren, the song debuted at number one on the Us Billboard Hot 100, giving the band their first and only number one single in their home country. The song remained in its first week, from September 5 to September 26, 1998. It also peaked at number one in a matter of weeks in several other countries including Australia, Ireland and Norway. More than a million copies have been sold in the UK and reached number four on the UK Singles Chart. The song was covered by American country music singer Mark Chesnatt for his album of the same name. -
Of 30 Everything That Rocks a to Z
Everything That Rocks A To Z Page 1 of 30 Title Artist A Face In The Crowd Tom Petty A Girl Like You Smithereens A Man I'll Never Be Boston A Woman In Love Tom Petty About A Girl Nirvana Ace Of Spades Motorhead Achilles Last Stand Led Zeppelin Addicted Saving Abel Aeroplane Red Hot Chili Peppers After Midnight Eric Clapton Again Alice In Chains Ain't My Bitch Metallica Ain't Talkin' About Love Van Halen Alabama Song (Whiskey Bar) The Doors Alive P.O.D. Alive Pearl Jam All Along The Watchtower Jimi Hendrix All Apologies Nirvana All I Want For Christmas Dread Zeppelin All Mixed Up 311 All My Life Foo Fighters All My Love Led Zeppelin All Night Long Joe Walsh All Over You Live All Right Now Free All Summer Long Kid Rock All The Small Things Blink 182 Almost Hear You Sigh Rolling Stones Alone Again Dokken Already Gone Eagles Everything That Rocks A To Z Page 2 of 30 Always Saliva American Bad Ass Kid Rock American Girl Tom Petty American Idiot Green Day American Woman Lenny Kravitz Amsterdam Van Halen And Fools Shine On Brother Cane And Justice For All Metallica And The Cradle Will Rock Van Halen Angel Aerosmith Angel Of Harlem U2 Angie Rolling Stones Angry Chair Alice In Chains Animal Def Leppard Animal Pearl Jam Animal I Have Become Three Days Grace Animals Nickelback Another Brick In The Wall Pt. 2 Pink Floyd Another One Bites The Dust Queen Another Tricky Day The Who Anything Goes AC/DC Aqualung Jethro Tull Are You Experienced? Jimi Hendrix Are You Gonna Be My Girl Jet Are You Gonna Go My Way Lenny Kravitz Armageddon It Def Leppard Around -
Blues, Violence, and the Male Body in the Films of Spike Lee
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Beating Songs: Blues, Violence, and the Male Body in the Films of Spike Lee. Mikal J. Gaines College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Gaines, Mikal J., "Beating Songs: Blues, Violence, and the Male Body in the Films of Spike Lee." (2005). Dissertations, Theses, and Masters Projects. Paper 1593092170. https://dx.doi.org/doi:10.21220/m2-xm07-1r65 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BEATING SONGS: BLUES, VIOLENCE, AND THE MALE BODY IN THE FILMS OF SPIKE LEE A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Mikal J. Gaines 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Approved/by thejCommittee, June 2005 Arthur Knight, Chair Christy Bums Kimberls> L. Phillips To all my family, friends, and colleagues for their support throughout this process. iii TABLE OF CONTENTS Page Acknowledgements v Abstract vi Introduction 2 Chapter I. An Auteur’s Paradigm for Blues 5 Chapter II. A Song for Richie 10 Chapter III. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 106 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 106 CONGRESS, FIRST SESSION Vol. 145 WASHINGTON, TUESDAY, SEPTEMBER 14, 1999 No. 119 House of Representatives The House met at 9 a.m. half of the Nation's uninsured children, Vice President has proposed. Instead of f and we must not forget the other half. expanding the program to include Mr. Speaker, last week Vice Presi- MORNING HOUR DEBATES those at 250 percent of poverty, my bill dent GORE brought renewed attention will follow New Jersey's example and The SPEAKER. Pursuant to the to this issue, reminding everyone that expand it to families at 350 percent of order of the House of January 19, 1999, the job is not done. In Los Angeles, he poverty. States that elect to increase the Chair will now recognize Members announced a plan he will be pursuing the eligibility level to 350 percent from lists submitted by the majority to make health insurance available to would receive increased Federal funds and minority leaders for morning hour every child in the country by the year to help meet the costs. debates. The Chair will alternate rec- 2005. ognition between the parties, with each I think it is important to note that In addition, my bill will include two party limited to not to exceed 30 min- the Vice President's observation that provisions to help boost enrollment in utes, and each Member except the ma- the State health insurance program the program. The first will provide in- jority leader, the minority leader or needs to be expanded is a view shared centives for States to pass laws by a the minority whip limited to not to ex- by many, if not every State in the date certain to authorize hospitals to ceed 5 minutes each, but in no event country. -
Def Leppard When Love & Hate Collide Mp3, Flac
Def Leppard When Love & Hate Collide mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: When Love & Hate Collide Country: Japan Released: 1995 Style: Hard Rock, Arena Rock, Pop Rock MP3 version RAR size: 1510 mb FLAC version RAR size: 1595 mb WMA version RAR size: 1235 mb Rating: 4.3 Votes: 224 Other Formats: MP3 MPC DMF AHX AC3 DXD MMF Tracklist Hide Credits When Love & Hate Collide 1 Arranged By [Strings] – Michael KamenBacking Vocals [Additional] – Stevie VannPiano – 4:16 Randy KerberProducer – Def LeppardProducer, Engineer – Pete Woodroffe Rocket (Remix) 2 7:06 Engineer – Nigel GreenProducer – Robert John "Mutt" Lange* Armageddon It (Remix) 3 7:43 Engineer – Nigel GreenProducer – Robert John "Mutt" Lange* When Love & Hate Collide (Original Demo) 4 6:09 Guitar [Final Solo] – Steve Clark Companies, etc. Manufactured By – Mercury Music Entertainment Co., Ltd. Distributed By – Mercury Music Entertainment Co., Ltd. Credits Written-By – Elliott*, Collen* (tracks: 2, 3), Savage*, Lange* (tracks: 2, 3), Clark* (tracks: 2, 3) Notes Tracks 2 and 3 never before released on CD. Barcode and Other Identifiers Barcode (OBI): 4 988011 347337 Rights Society: JASRAC Matrix / Runout: PHCR-8338- 2K V IFPI L237 Mastering SID Code: IFPI L237 Mould SID Code: IFPI 4011 Other versions Category Artist Title (Format) Label Category Country Year Bludgeon LEPCD 14, When Love & Hate LEPCD 14, Def Leppard Riffola, UK 1995 852 401-2 Collide (CD, Single) 852 401-2 Mercury When Love & Hate Mercury, CDP 1515 Def Leppard Collide (CD, Single, Bludgeon CDP 1515 -
NATIONAL:YOUTH GANG INFORMATION CENTER If You
If you have issues viewing or accessing this file contact us at NCJRS.gov. 147234 u.s. Department of Justice National Institute of Justice Thh document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official posilion or policies of the Nalionallnstitute of Justice. Permission to reproduce this FSfg..,-ri material has been granted by Public Domain/U S Senate u.s. Department of Justjcp to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the...., owner. NATIONAL:YOUTH GANG INFORMATION CENTER 4301 North Fairfax Drive, Suite 730 Arlington, Virginia 22203 t 1-800-446-GANG • 703-522-4007 NYGIC Document Number: \:) oo'1l- Permission Codes: ~tpartmtnt n~ ~ufititt STATEMENT OF .. .. ROBERT S. MUELLER, III ASSISTANT ATTORNEY GENERAL CRIMINAL DIVISION UNITED STATES DEPARTMENT OF JUSTICE BEFORE THE SENATE PERMANENT SUBCOMMITTEE ON INVESTIGATIONS COMMITTEE ON GOVERNMENTAL AFFAIRS UNITED STATES SENATE REGA.RDING ASIAN ORGANIZED CRIME NOVEMBER 6, 1991 Mr. Chairman and Members of the Subcommittee, I am pleased to discuss with you today what the Department of &Justice is doing to respond to the threat posed by Asian organized crime groups. We appreciate the interest this Subcommi t'tee has in this important topic and in the support that you have provided to our program on Asian Organized Crime. We were delighted that your staff was able to participate recently at our Asian organized Crime Conference in San Francisco.