DOCSLIB.ORG

I Don T Wanna Miss a Thing Armageddo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Don T Wanna Miss a Thing Armageddo I don t wanna miss a thing armageddo Continue 1998 single Aerosmith For 1999 Mark Chesnutt album, see I don't want to miss a thing (album). I Don't Want to Miss a ThingSingle by Aerosmith from Armageddon: The AlbumB-side Animal Crackers Taste of India released on August 18, 1998 (USA) august 31, 1998 (UK) Genre Hard Rock Rock (1) Length4:59Label Columbia Hollywood Epic Songwriter (s)Diane Warren (s)Matt SerleticAerosmith singles chronology Taste of India (s)19 98) I Don't Want to Miss a Thing (1998) What Love Are You on (1998) Audio samplefilehelp I Don't Want to Miss The Thing Is a Power Ballad performed by American hard rock band Aerosmith for film about the 1998 film Armageddon, which starred the daughter of the vocalist Steven Tyler Liv Tyler. It's one of four songs performed by the band for the film, the other three of them What Love You're On, Come Together and Sweet Emotion. Written by Diane Warren, the song debuted at number one on the Us Billboard Hot 100, giving the band their first and only number one single in their home country. The song remained in its first week, from September 5 to September 26, 1998. It also peaked at number one in a matter of weeks in several other countries including Australia, Ireland and Norway. More than a million copies have been sold in the UK and reached number four on the UK Singles Chart. The song was covered by American country music singer Mark Chesnatt for his album of the same name. In early 1999, it reached the top 20 billboard Hot 100 and topped the Billboard Hot Country Songs chart. Inspiration In 1997, Diana Warren watched Barbara Walters interview James Brolin and Barbra Streisand. Brolin said he missed Streisand while they were sleeping, and Warren recorded the words I Don't Want to Miss a Thing Before There Was Even a Song. When I first heard it, recalled drummer Joey Kramer, it was just a demo with piano and singing. It was hard to imagine what touch Aerosmith could put on it and make it his own... As soon as we started playing him as a band, he instantly became an Aerosmith song. The song became Aerosmith's biggest hit, debuting at number one on the US Billboard Hot 100, where it stayed for four weeks in September, reaching first worldwide, including Australia, Germany, Greece, Ireland, Austria, Norway, Italy, the Netherlands and Switzerland. The song helped introduce Aerosmith to a new generation and remains a slow dance staple. It was one of many songs written by Warren at that time. The original version was a collaboration between Chicago musician Phil Comche of the Paris Treaty and Super Happy Fun Club, as well as the writer's nephew Lou Bega. Bega submitted two, and they wrote the original track, but eventually Kosh was not listed in the credits. The song was nominated for both The Academy Award for Best Original Song and the Golden Raspberry Award for Worst Original Song, but lost both When You Believe from Prince of Egypt and I Want to Be Mike Ovitz! from Alan Smithy's film Burn Hollywood Burn, respectively. In 2015, boxer Tyson Fury sang the song I Don't Want to Miss Anything after defeating reigning world heavyweight champion Wladimir Klitschko in Dusseldorf, Germany. Fury then sang the song again after defeating Tom Schwartz in 2019 at the MGM Grand Arena in Las Vegas. The music video for the song was filmed at the Minneapolis Armory and was shot by Francis Lawrence. In it, the band plays a song intertwined with scenes from the film Armageddon. It shows the appearance of Steven Tyler's daughter Liv, who plays Grace Stamper in the film. Steven Tyler injured his knee the day before shooting, so they used a lot of close-up shots because of his limited movement. The video begins with images of the moon in orbit and several asteroids passing by safely and then a view of the Earth before zooming in to show Steven Tyler singing. Shots exchanged between the group and the Flight Control watching the group singing through their monitors. As the video progresses it shows the band playing in front of what appears to be the fictional Space Shuttle Liberty. Along with Aerosmith, the orchestra plays in sync with the melody with its full hand. Smoke then surrounds the orchestra and members of Aerosmith as freedom takes off from the launch pad. Finally, the screen comes out as Grace's tearful touches one of the monitors to reach out to her father (real-life father Steven Tyler in the video; on-screen father Harry Stamper, played by Bruce Willis, in the film). The video was very successful and greatly contributed to the song's success, gaining a heavy airwaves on MTV and becoming the second most popular video of 1998, only after Brandi and Monica The Boy is Mine. He also received the MTV Video Music Award for Best Video from a Movie, and Best Video at the Boston Music Awards. Track listing CD single I Don't Want to Miss a Thing - 4:57 I Don't Want to Miss a Thing (Rock Mix) - 4:30 Taste of India (Rock Remix) - 5:52 Animal Crackers - 2:35 Song appeared on the Argentine version and European re-hit version of the album Nine Lives. He also appeared on the Japanese version of Just Push Play. CD single 2 I Don't Want to Miss a Thing (Pop Mix) - 5:03 Pink (live) - 3:48 Crash - 4:30 Crash and original Pink appeared as tracks 9 and 11, respectively, on all versions of Nine Lives. CD single 3 I don't want to miss a thing - 4:57 I don't want to miss a thing (Rock Mix) - 4:30 Crash - 4:30 Animal Crackers - 2:35 Charts Chart (1998) Pickposion Australia (ARIA) 1 Austria (No3 Austria Top 40) 1 Belgium (Ultratop 50 Flanders) 4 Канада Верхний Одиночный разряд (RPM) 2 Канада Взрослый Современник (RPM) 6 Дания (IFPI) 8 Европа (Европейский Hot 100 Одиночный разряд) 1 Финляндия (Suomen virallinen lista) 1 Исландия (Асленски Листинн Топп 40) 1 Ирландия (ИРМА) 1 Италия (Musica e dischi) 1 Нидерланды (Голландский Топ 40) 3 Испания (AFYVE) 4 Швеция (Sverigetopplistan) »29» 2 Швейцария (Schweizer Hitparade) »30» 1 UK Singles (OCC) » 4 США Billboard Hot 100 »32» 1 взрослый современник США (Billboard) США Горячие латинские песни (Billboard) » 35 » 14 США Mainstream Rock (Billboard) » 4 США Mainstream Top 40 (Billboard) » 1 США Ритмический (Billboard) »38» 25 Диаграмма (2012) Пикпозиция Японии (Япония Горячая 100) » 96 Диаграмма (1998) Позиция Австралия (ARIA) Ö3 Austria Top 40)[41] 6 Belgium (Ultratop 50 Flanders)[42] 13 Belgium (Ultratop 50 Wallonia)[43] 27 Canada Top Singles (RPM)[44] 19 Canada Adult Contemporary (RPM)[45] 27 Europe (European Hot 100 Singles)[46] 3 France (SNEP)[47] 58 Germany (Official German Charts)[48] 14 Iceland (Íslenski Listinn Topp 40)[ 49] 1 Netherlands (Dutch Top 40)[50] 18 Netherlands (Single Top 100)[51] 23 Sweden (Sverigetopplistan)[52] 4 Switzerland (Schweizer Hitparade)[53] 5 UK Singles (Official Charts Company)[54] 17 US Billboard Hot 100[55] 23 Chart (2007) Position UK Singles (Official Charts Company)[56] 164 Chart (2008) Position UK Singles (Official Charts Company)[57] 163 Chart (1990– 1999) Position US Billboard Hot 100[58] 73 Certifications Region Certification Certified units/sales Australia (ARIA)[59] 2× Platinum 140,000^ Austria (IFPI Austria)[60] Gold 25,000* Belgium (BEA)[61] Platinum 50,000* Denmark (IFPI Denmark)[62] Platinum 90,000 France (SNEP)[63] Gold 250,000* Germany (BVMI)[64] Platinum 500,000^ Italy (FIMI)[65] Платина 50,000 Япония (RIAJ) »Платина 100,000» Нидерланды (NVPI) » Золото 50,000» Норвегия (IFPI Норвегия×) »68» Платиновая Швеция (GLF) Швейцария) ( Platinum 50,000) Соединенное Королевство (BPI) 71 х 2× Платина 1 200 000 США (RIAA) потоковое цифры , основанные на сертификации только Марк Chesnutt версия Я не хочу пропустить вещьSingle Марк Chesnuttfrom альбом я не хочу пропустить ThingB-стороне Где бы вы ни находились » » » » » » , выпущенный ноября 1998Записанные1998GenreCountryLength4:10LabelDeccaSongwriter (s) Диана WarrenProducer (ы) Марк РайтМарк Чеснатт синглов хронология Где бы вы ни находились (1998) Я не хочу пропустить вещь (1998) This Heartache Never Sleeps (1999) В конце 1998 года кантри-музыки художник Марк Чеснатт записал кавер-версию песни. Его исполнение the first single and title track from his 1999 album of the same name. Chesnutt's cover spent two weeks at number one on the Billboard Hot Country Singles and Tracks (now Hot Country Songs) charts in early 1999, and is the last of its eight numbers on the chart. It is also the first of two singles in his career to reach the Billboard Hot 100, where he peaked at number 17 in early 1999. Chesnatt decided to cover the song at the suggestion of his producer Mark Wright, who heard a version of Aerosmith on his car radio. According to Wright, he and Chesnatt only listened to Aerosmith's performance twice before the recording to allow Chesnat to come up with a performance that was his. Because they thought his version had potential as a single, his label Decca Records withdrew his single Wherever You Are in late 1998 and began promoting I Don't Want to Miss a Thing instead. Chesnatt also said he decided to make the song because he thought it would help revive his then album sales and performance in the charts. Although Chesnatte was favored by the cover at the time, Chesnatt noted in 2016 that he didn't want to cut it and that, despite the fact that his version topped the country music charts and was successful on the radio, sales were bad for both the single and the album.
Load more

Recommended publications
  • Harem Fantasies and Music Videos: Contemporary Orientalist Representation
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient.
    [Show full text]
  • Song Pack Listing
    TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
    [Show full text]
  • MALIK H. SAYEED Director of Photography
    MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J.
    [Show full text]
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • Def Leppard – 02
    DEF LEPPARD – 02. Juli 2019 – Berlin – Zitadelle Spandau – Support: EUROPE – JOHN DIVA and the Rockets of Love – Text und Fotos: Holger Ott Im Zeichen des Retro rufen die Bands der guten alten 80er Jahre und die Fans pilgern in die Zitadelle Spandau von Berlin. Das alte Gemäuer ist beliebt, gibt es neben sehr guter Akustik auch von allen Plätzen eine hervorragende Sicht auf die schöne große Bühne. Das Wetter spielt heute auch mit. Weder zu heiß noch zu kalt und bei einem kleinen Lüftchen lässt es sich einige Stunden aushalten. Dieses Stehvermögen braucht das Publikum, denn mit drei Bands stehen, abgesehen von den Umbaupausen, geschlagene drei Stunden Musik auf dem Programm Eröffnet wird der Abend von einer, mir bis dato, unbekannten Band. JOHN DIVA mit seinen 'Rockets of Love' geben sich die Ehre und präsentieren in dreißig Minuten eine beeindruckende musikalische und optische Darbietung unter dem Motto: „Mama said, Rock is dead". Frontman JOHN DIVA und seine Mannen turnen in extravagantem Outfit über die Bühne. Schön grell und bunt darf es sein und sieht man dazu DIVAS passenden Hüftschwung, weiß der Fan sofort, dass es hier nur um Sex, Drugs and Rock 'n' Roll geht. Ohne Zweifel, die Truppe ist gut und rockt auch richtig fett ab. Also, im Auge behalten. Ein gelungener Einstand in den heutigen Abend. Zu EUROPE muss man nicht viel sagen. JOEY TEMPEST ist in top Form und schmettert seine bekanntesten Songs in die Menge. Das Gedränge vor der Bühne wird größer und der Hype wächst mit jedem Song ihrer einstündigen Show. Leider fällt durch die Supporterstellung einiges unter den Tisch, aber Hits wie „Carrie", „Superstitius" und natürlich das abschließende "The Final Countdown" reißen wieder alles heraus.
    [Show full text]
  • Joan Jett & the Blackhearts
    Joan Jett & the Blackhearts By Jaan Uhelszki As leader of her hard-rockin’ band, Jett has influenced countless young women to pick up guitars - and play loud. IF YOU HAD TO SIT DOWN AND IMAGINE THE IDEAL female rocker, what would she look like? Tight leather pants, lots of mascara, black (definitely not blond) hair, and she would have to play guitar like Chuck Berry’s long-lost daughter. She wouldn’t look like Madonna or Taylor Swift. Maybe she would look something like Ronnie Spector, a little formidable and dangerous, definitely - androgynous, for sure. In fact, if you close your eyes and think about it, she would be the spitting image of Joan Jett. ^ Jett has always brought danger, defiance, and fierceness to rock & roll. Along with the Blackhearts - Jamaican slang for loner - she has never been afraid to explore her own vulnerabilities or her darker sides, or to speak her mind. It wouldn’t be going too far to call Joan Jett the last American rock star, pursuing her considerable craft for the right reason: a devo­ tion to the true spirit of the music. She doesn’t just love rock & roll; she honors it. ^ Whether she’s performing in a blue burka for U.S. troops in Afghanistan, working for PETA, or honoring the slain Seattle singer Mia Zapata by recording a live album with Zapata’s band the Gits - and donating the proceeds to help fund the investigation of Zapata’s murder - her motivation is consistent. Over the years, she’s acted as spiritual advisor to Ian MacKaye, Paul Westerberg, and Peaches.
    [Show full text]
  • SUZI QUATRO & Band 2019 Veranstaltungsort Halle 2 Einlass
    28.09.2019 SUZI QUATRO & Band 2019 Veranstaltungsort Halle 2 Einlass 19:00 Beginn 20:00 Uhr Veranstalter Goldrush Productions GmbH Liebe Besucher, wir möchten Sie darauf hinweisen, dass die Halle 3A inzwischen Halle 2 heißt. Bitte folgen Sie am Veranstaltungstag der entsprechenden Ausschilderung auf unserem Gelände. Zur weiteren Orientierung können Sie unter dem Reiter „Gelände“ auch den neuen Geländeplan einsehen. Hinweis: Aufgrund mehrerer Parallelveranstaltungen wird mit einem erhöhten Verkehrsaufkommen gerechnet. Auch können die Parkplätze in ummittelbarer Nähe zu den Westfalenhallen frühzeitig ausgebucht sein. Wir empfehlen daher eine rechtzeitige Anreise, wenn möglich mit öffentlichen Verkehrsmitteln. SUZI QUATRO & Band 2019 Suzi wurde am 03.Juni 1950 in Detroit/ USA als Susan Kaye Quatro geboren – und dies ist Ihr richtiger Name. Da man den Namen Quatroki Ihres von Italien in die USA eingewanderten Großvaters nur schwer aussprechen konnte, änderte man ihn kurzerhand in Quatro. 1970 fand Suzi Quatro ihren Weg nach England, wo Sie einen Plattenvertrag bei Michie Most unterschrieb. In der Plattenszene machte die 1,57 Meter kleine und als weibliche „Elvis- Presley- Kopie“ bezeichnete Suzi Quatro erstmals 1973 auf sich aufmerksam: Gleich Ihre erste Single „Can The Can“ schoss im Mai an die Spitze der britischen Charts und sorgte weltweit für Aufsehen. Ihr Support für die legänderen „Grand Funk Railroad“ in Amerika und Australien zog eine eigene US- In der Plattenszene machte die 1,57 Meter kleine und als weibliche „Elvis- Presley- Kopie“ bezeichnete Suzi Quatro erstmals 1973 auf sich aufmerksam: Gleich Ihre erste Single „Can The Can“ schoss im Mai an die Spitze der britischen Charts und sorgte weltweit für Aufsehen.
    [Show full text]
  • Heavy Karaoke
    Heavy Karaoke Mood Media Finland Oy Väinö Tannerin Tie 3, 01510 Vantaa, FINLAND Vaihde: 010 666 2230 Helpdesk: 010 666 2233 fi.all@ moodmedia.com www.moodmedia .fi Kch = The Karaoke Channel Hevikaraoke KAPPALE ESITTÄJÄ ID TOIM. (OH) PRETTY WOMAN VAN HALEN 20917 Kch 18 AND LIFE SKID ROW 20331 18 AND LIFE SKID ROW 20510 Kch 2 MINUTES TO MIDNIGHT IRON MAIDEN 20135 5 MINUTES ALONE PANTERA 20277 A MAN I'LL NEVER BE BOSTON 20061 A NEW LEVEL PANTERA 20278 A VOICE IN THE DARK TACERE 20360 A WHITER SHADE OF PALE PROCOL HARUM 20306 ACE OF SPADES MOTÖRHEAD 20827 Kch ACES HIGH IRON MAIDEN 20136 ADDICTED TO LOVE ROBERT PALMER 20320 ADIDAS KORN 20695 Kch AENIMA TOOL 20662 Kch AERIALS (RADIO VERSION) SYSTEM OF A DOWN 20841 Kch AGAIN ALICE IN CHAINS 20512 Kch AIN'T TALKIN' 'BOUT LOVE VAN HALEN 20619 Kch ALIVE PEARL JAM 20294 ALL ALONG THE WATCHTOWER JIMI HENDRIX 20158 ALL FOR YOU CHEAT CODE 20068 ALL HALLOWS EVE TYPE O NEGATIVE 20689 Kch ALL MY LOVE LED ZEPPELIN 20637 Kch ALL RIGHT NOW FREE 20118 ALL THE SMALL THINGS BLINK 182 20048 ALMOST EASY (RADIO VERSION) AVENGED SEVENFOLD 20955 Kch ALONE AGAIN DOKKEN 20550 Kch AMARANTH NIGHTWISH 20433 AMORPHOUS EXLIBRIS 20964 AND IT STONED ME VAN MORRISON 20701 Kch AND THE CRADLE WILL ROCK VAN HALEN 20394 AND THE CRADLE WILL ROCK VAN HALEN 20786 Kch ANGRY AGAIN MEGADETH 20863 Kch ANIMAL DEF LEPPARD 20093 ANIMAL DEF LEPPARD 20767 Kch ANIMAL PEARL JAM 20295 ANIMAL (FUCK LIKE A BEAST) W.A.S.P.
    [Show full text]
  • The Food and Folklore Reader
    THE FOOD AND FOLKLORE READER Edited by Lucy M. Long Bloomsbury Academic An imprint of Bloomsbury Publishing Pic BLOOMS BURY 1.0:--:IJOI\ • 0:\FORD • \'Ell' YORK • NEll' DELHI • SYD\'EY Bloomsbury Academic An imprint of Bloomsbury Publishing Pic 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Pic First published 2015 ©Selection and Editorial Material Lucy M. Long, 2015 Lucy M. Long has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Editor of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB 978-0-8578-5723-1 PB 978-0-8578-5699-9 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Typeset by Deanta Global Publishing Services, Chennai, India Printed and bound in India CHAPTER 18 PLAYING TO THE SENSES: FOOD AS A PERFORMANCE MEDIUM Barbara Kirshenblatt-Gimblett Points of Contact: Performance, Food and Cookery, a conference organized by the Centre for Performance Research in Cardiff (13-16 January 1994) was a food event in its own right.
    [Show full text]
  • Def Leppard “Hysteria” By: Kyle Harman
    Def Leppard “Hysteria” By: Kyle Harman Hysteria would be a fitting name for the album thought Def Leppard drummer Rick Allen, following his 1984 injury from a horrific car accident that resulted in the loss of his left arm, Hysteria was the perfect title to describe the worldwide media coverage that followed the band between the years of 1984 and 1987. The album was the last to feature the late Steve Clark and his role of lead guitarist due to an overdose in the year of 1992. In the very prime years of glam metal in the late 80’s at the dawn of grunge genre about to begin, Def Leppard delivered the bands bestselling album to date with selling 25 million copies worldwide and 12 million in the US alone. The three year recording process of Hysteria was painstaking with the accident of drummer Rick Allen, and with producers coming and going left the band with the perfect example of sometimes patience truly does pay off. A unique recording process took place where each member recorded their own recordings at separate times, allowing each member to focus on their own performance on the album. The original intent of the album was to be a rock version of Michael Jackson’s Thriller, with the desire of having every song off the album as a possible hit single. The end result of the album was impressive to say the least with 7 singles released off the single album alone. The album recording sessions were painstaking at times, “Animal” consisted of 2 and a half years to produce its final product, where “Pour Some Sugar On Me” was finished within two weeks.
    [Show full text]
  • Glam Rock by Barney Hoskyns 1
    Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.
    [Show full text]