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MINNESOTA DANCER an Official Publication of USA Dance Minnesota Chapter #2011 - July 2014
MINNESOTA DANCER An official publication of USA Dance Minnesota Chapter #2011 - July 2014 Bye-Bye Bonnie! Instructor Bonnie Inveen and Pete Langworthy at Dancers Studio Showcase ________________________________________________________________________________ TCO Ad Here 2 MD / July 2014 www.usadance-minnesota.org ________________________________________________________________________________ Play hard! Join USA Dance! Join the FUN at USA Dance Minnesota Chapter #2011 today for $25! Get benefits valued at $333! Project Dance: Members, 48 Sunday afternoon free beginning group lessons: Value $240 Reduced cost of admission to all 12 USA Dance monthly dances: Value $36 American Dancer magazine: Value $25 Minnesota Dancer magazine: Value $22 If you join at a USA Dance Monthly Dance, free admission to that dance: Value $10 No chapter dues Total Value: $333 Join today! Sign up on-line: www.usadance.org/membership/ Visit: www.usadance-minnesota.org or [email protected] 3 MD / July 2014 www.usadance-minnesota.org ________________________________________________________________________________ Join us for USA Dance Minnesota’s DANCER’S NIGHT OUT UPCOMING DANCES Want to dance? Dancer's Night Out lists social dance events in Minnesota. Want to see your JOIN dance listed here? Email the details to [email protected]. USA DANCE MINNESOTA AT OUR DANCE AND GET IN FREE! www.usadance-minnesota.org Weds 7/2 Cinema Ballroom Practice Par- Thu 7/10 Twin Cities Open Ballroom ty, 8–9, 1560 St Clair Ave, St Paul, Championships, -
Tickets on Sale Now!
Media Contact: Haley Sheram BRAVE Public Relations 404.233.3993 [email protected] ‘DANCING WITH THE STARS: LIVE! PERFORMING LIVE AT THE FOX THEATRE, FEBRUARY 11TH All New Show to Feature “Dancing with the Stars” Season 27 Dancers Witney Carson, Artem Chigvintsev, Gleb Savchenko, Emma Slater, Sasha Farber, Alan Bersten, Jenna Johnson, Brandon Armstrong and More! Tickets on Sale Now! ATLANTA (October 2, 2018) TV’s biggest dance show returns to the Fox Theatre on February 11th. The show will feature fan favorite professional and troupe dancers in a brand-new production showcasing every type of dance style as seen on ABC’s hit show Dancing with the Stars, ranging from ballroom and jazz to modern and hip-hop. Choreographed and creative directed by Emmy© Award-winning choreographer Mandy Moore and Dancing with the Stars Executive Producer Ashley Edens-Shaffer, audiences will have the opportunity to experience the excitement, glamour and glitz they see in the ballroom every Monday night live at the Fox Theatre on Monday, February 11th. Tickets are on-sale now at FoxTheatre.org, the Fox Theatre Ticket Office, and 855-285-8499. Ticket prices start at $59.50, plus applicable fees. VIP packages will be available through foxtheatre.org and VIPNation.com, giving fans the chance to purchase premium tickets, meet and greet opportunities with the cast, exclusive merchandise and photo opportunities. Single-event access to the Marquee Club presented by Lexus will be available for purchase on top of your show ticket. Marquee Club passes are $65 per person and include an enhanced pre-show through post-show experience with complimentary food and non-alcoholic beverages. -
360 Degrees of Lloyd It ") and Nelly ( "Lose Control ")
IT SECOND SPIN DANCEHALL DAZE ON THE MOVE KEEP ON ROCKIN' THE THICKE OF moving UNKLE updates Show sponsors uneasy Three acts to watch in The Offspring enjoys New single for R &B star `X- Files' theme over lyric content Now Hear This top 10 debut quickly ance at New York's Knitting Factory. The performance chris- tened the Music to Go concert series sponsored by the club and mobile company Mozes. Billed as a "360- degree mobile concert experience," the campaign gave members of mobile fan club Lloyd's Mob the chance to obtain mobile tickets by calling the singer's Mozes voice line. Paper tickets weren't issued. Instead, the first 300 at the door with mobile tickets gained entry to the club. Tied in were additional incentives like fans being able to send text -to- screen messaging, an in -venue mobile contest (the best message wins a trip for two to Atlanta to hang with Lloyd) and the aforemen- tioned mobisodes wherein the concert is made available for viewing via mobile phone. "The mobisode acts as a souvenir to all those who attended the show plus a sneak peek for the mobile fan club members who didn't see him live," Mozes director of business develop- ment Patricia Dao says. "His high- energy performance and rabid fan base were key to creating the interactive fan -to- artist mobile experience we were looking for." Preceding this was Lloyd's Memorial Day weekend perform- ance in Las Vegas, where interactive online concert company DeepRockDrive, in tandem with Pepsi, launched its global free concert series. -
Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS and DISCOURSES
Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized. -
September 30, 2019 Proposed Tribe, STOFI, Seminole Gaming, Hard Rock 5G Projects Step up to Help Dorian Victims in Bahamas Can Be Reviewed by Tribes, Court Says
Skin Deep exhibit Natomah Robbins delves Kaleb Thomas excels debuts at museum into special make-up effects for OHS cross country COMMUNITY Y 8A EDUCATION Y3B SPORTS Y 3C www.seminoletribune.org 'SFF Volume XLIII • Number 9 September 30, 2019 Proposed Tribe, STOFI, Seminole Gaming, Hard Rock 5G projects step up to help Dorian victims in Bahamas can be reviewed by tribes, court says BY DAMON SCOTT Staff Reporter A recent federal court decision is being hailed as a win for Native American tribes, at least for now. In August, a U.S. Court of Appeals – D.C. Circuit decision pushed back on the Federal Communications Commission by reinstating environmental and historical review requirements for the construction of new 5G wireless facilities. The FCC has traditionally required a review of how such projects might affect the Courtesy Clint El-Ramey, Seminole Hard Rock Support Services (left)/Kevin Johnson (right) environment and historical sites before they In the wake of Hurricane Dorian’s destruction in the Bahamas, relief efforts were organized by the Seminole Tribe of Florida, Seminole Gaming and Hard Rock to help the victims. At left, Capt. Ignacio Fleites, can be constructed. Capt. Juan Laserna, airplane maintenance manager Jose Diazviana and cabin attendant Cheryl Russell load cases of bottled water onto the Seminole Tribe’s plane, which brought thousands of supplies to But the FCC had issued a policy change the Bahamas on multiple trips. At right, Hollywood Board Rep. Gordon Wareham and Seminole Wholesalers Distributors receiving clerk Antwan Jackson stand near thousands of bottles of drinking water in March 2018 to “exempt from the review donated by Seminole Tribe of Florida Inc. -
By Nathan Daniels & Scott Anderson, FMI: 763.545.8690
MINNESOTA DANCING TIMES A publication of the Minnesota Chapter 2011 of USA Dance September 2007 Minnesota’s National Champions Gordy & Linda Davis Nels Petersen & Theresa Senior III Amateur Kimler Open Amateur American Smooth American Smooth Photography by Neatshots Andy & Janie Nordberg USADance Open Amateur 9-Dance 2007 Photography by Tim McGhee National Championships See pages 14-17 for more on Nationals 2007! Inside this month’s issue… USADance National Championships and Twin Cities Open continued! Dancers Nite Out Dance into fall at the Mo 9/3 The Abdomen – Pop-Rock Band performing at Lake Harriett Band Shell @ 5:30 pm Fri 9/7 The Classic Big Band with the Nostalgics Vocal USA Dance’s Quartet performing at the Medina Entertainment Center, 500 W. Hwy. 55, Medina, FMI: 763.476.6661 Fri 9/14 All-Dance Showcase at Cinema Ballroom, 1560 St. Clair Avenue, St. Paul; FMI: 651.699.5910 September Sat 9/15 USADance Beginners Monthly Dance & Workshops at Retro Ballroom, 5810 W. 36th St., St. Louis Park – see ad this page and page 18 for more details! Sat 9/15 Fall Bomber’s Moon Ball Hangar Dance, Featuring Dance Roseville Big Band. CAF Hanger, Fleming Field Airport, South St. Paul, MN, 6:00 p.m. doors open, 7:00 p.m. free lesson, 8:00 - Midnight Music & Dancing. $10 donation per person Sun 9/16 MN Orchestra plays at Lake Harriett Band Shell @ 3pm Sun 9/16 The Classic Big Band w/Nostalgics Vocal Quartet performing at St. Joseph’s Catholic Church, Hopkins from 1:00 pm - 3:30 pm 10/27/07 Minnesota Madness sponsored by Nathan Daniels & Scott Anderson, FMI: 763.545.8690. -
Jesse Mccartney Departure Mp3, Flac, Wma
Jesse McCartney Departure mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Departure Country: Europe Released: 2008 Style: Rhythm & Blues, Soul MP3 version RAR size: 1600 mb FLAC version RAR size: 1339 mb WMA version RAR size: 1725 mb Rating: 4.7 Votes: 368 Other Formats: XM MP1 AIFF MOD WMA AA MMF Tracklist Hide Credits Leavin' 1 3:40 Producer – The-Dream, Tricky Stewart It's Over 2 4:09 Producer – The Clutch Rock You 3 3:10 Featuring – Sean GarrettProducer – Kuya*, Sean Garrett How Do You Sleep? 4 3:44 Producer – Clubba Langg, Sean Garrett Into Ya 5 3:47 Producer – Sean Garrett Make Up 6 3:54 Producer – Kwamé My Baby 7 3:33 Producer – J. R. Rotem* Told You So 8 4:03 Producer – Eric Hudson Relapse 9 3:38 Producer – Madd Scientist Runnin' 10 3:45 Producer – The Clutch Freaky 11 3:39 Producer – Madd Scientist Not Your Enemy 12 4:14 Producer – Eric Hudson Bleeding Love 13 3:51 Producer – The Clutch Notes Manufactured and Printed in Indonesia Barcode and Other Identifiers Barcode: 050087123963 Other versions Category Artist Title (Format) Label Category Country Year Jesse Departure (CD, Hollywood D000194212 D000194212 US 2008 McCartney Album, Enh) Records Departure: Jesse Hollywood D000368902 Recharged (CD, D000368902 US 2009 McCartney Records Album, Enh, RE) Jesse Departure (CD, Hollywood BVPR001492 BVPR001492 US 2008 McCartney Album, Promo, Sni) Records Jesse Departure (CD, Hollywood D000194212 D000194212 Canada 2008 McCartney Album, Enh) Records Jesse Departure (CD, Hollywood 509921278020 509921278020 US 2008 McCartney Album) Records Related Music albums to Departure by Jesse McCartney Sean Kingston - Sean Kingston Ludacris Feat Chris Brown & Sean Garrett - What Them Girls Like Clutch - Prime Numbers Sean Dunphy And The Hoedowners - Sean Dunphy And The Hoedowners BoA - BoA Seán Donnelly - Teairra Mari - Roc-A-Fella Records Presents Teairra Marí Sean Garrett - Sean Garrett - Debut Sampler Clutch - Blast Tyrant (Sampler) Powerman / Papa San - Stone / Clutch. -
2012 May 8 May 15
NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: MAY 8 MAY 15 ISSUE 10 wea.com 2012 5/8/12 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPCSEL # SRP QTY DUE At The Skylines The Secrets To Life RRR CD 016861768720 176872 $9.94 4/18/12 Barenaked Ladies Stop Us If You've Heard This Before! RRW CD 081227975371 528908 $11.98 4/18/12 Donald Fagen The Nightfly WB A 093624952237 530187 $26.98 4/18/12 Group 1 Crew Outta Space Love: Bigger Love Edition FER CD 080688850722 888507 $13.99 4/18/12 Storm Corrosion Storm Corrosion RRR CD 016861764524 176452 $13.99 4/18/12 Storm Corrosion (Special Edition)(CD/Blu- Storm Corrosion RRR MX 016861764555 176455 $24.98 4/11/12 Ray) Tank This Is How I Feel ATL CD 075678825736 528524 $9.94 4/18/12 Tank This Is How I Feel (Amended) ATL CD 075678763144 531301 $9.94 4/18/12 Watkins, Sara Sun Midnight Sun NON CD 075597962048 530684 $16.98 4/18/12 BUMPED TO TBD Various Artists GCB: Music From Season One WNS CD 093624951681 530474 $18.98 Last Update: 03/28/12 For the latest up to date info on this release visit WEA.com. ARTIST: At The Skylines TITLE: The Secrets To Life Label: RRR/Roadrunner Records Config & Selection #: CD 176872 Street Date: 05/08/12 Order Due Date: 04/18/12 UPC: 016861768720 Box Count: 30 WEBSITES: Unit Per Set: 1 Facebook SRP: $9.94 Twitter Alphabetize Under: A Youtube File Under: At The Skylines VIDEOS TRACKS It's Cherried Compact Disc 1 01 Hush 06 Turbulence 02 It's Cherried 07 Chapter 7 03 Shady Dreamin' (Tension) 08 The Amazing Atom 04 143 Princess 09 Clear Eyes, Full Hearts 05 Let's Burn This 10 Forgiveness (Release) FEATURED TRACKS Shady Dreamin' (Tension) Turbulence ALBUM FACTS Genre: Rock Producers: Fredrik Nordström Radio Formats: Metal Radio Focus Markets: Hometown: Huntington Beach and LA market; Tour markets: Atlanta, GA Boston, MA Poughkeepsie, NY Philadelphia, PA New York, NY Buffalo, NY Pontiac, MI Chicago, IL St. -
Is Black Motherhood a Marker of Oppression Or Empowerment? Hip-Hop and R&B Lessons About "Mama"
Chaney and Brown: Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Ho BLACK MOTHERHOOD . Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Hop and R&B Lessons about “Mama” Cassandra Chaney and Arielle Brown A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as Source of Strength and Self-Confidence; (3) Motherhood as Superior to Fatherhood; (4) Motherhood as Teacher and Disciplinarian; and (5) Motherhood Instills Unconditional Endless Love. Supporting qualitative lyrics are provided to support each of the aforementioned themes. For most Black women, the ability to create, nurture, and provide for their progeny holds boundless personal, cultural, and social significance. Although racism, sexism, and classism frequently make motherhood difficult,1 becoming a mother is one of the most salient personal and social identity symbols for many Black women. Several years ago, Shirley A. Hill2 wrote, “motherhood is a significant marker of womanhood. It provides a -
Hip-Hop and R&B Lessons About "Mama"
Chaney and Brown: Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Ho BLACK MOTHERHOOD . Is Black Motherhood A Marker of Oppression or Empowerment? Hip-Hop and R&B Lessons about “Mama” Cassandra Chaney and Arielle Brown A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as Source of Strength and Self-Confidence; (3) Motherhood as Superior to Fatherhood; (4) Motherhood as Teacher and Disciplinarian; and (5) Motherhood Instills Unconditional Endless Love. Supporting qualitative lyrics are provided to support each of the aforementioned themes. For most Black women, the ability to create, nurture, and provide for their progeny holds boundless personal, cultural, and social significance. Although racism, sexism, and classism frequently make motherhood difficult,1 becoming a mother is one of the most salient personal and social identity symbols for many Black women. Several years ago, Shirley A. Hill2 wrote, “motherhood is a significant marker of womanhood. It provides a -
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies June 2016 Published by VCU Scholars Compass, 2016 1 Journal of Hip Hop Studies, Vol. 3 [2016], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, PhD Student, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre E. Johnson, University of Memphis Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol3/iss1/1 2 et al.: Journal of Hip Hop Studies . Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2016 3 Journal of Hip Hop Studies, Vol. -
Dancing with the Stars Crowns Bobby Bones As Its Season 27 Champion
(11.19.18) - https://people.com/tv/dancing-with-the-stars-season-27-champion-bobby-bones/ Dancing with the Stars Crowns Bobby Bones as Its Season 27 Champion Dancing with the Stars has a new champion! On Monday’s live finale of the reality dancing competition series, the four remaining couples — Alexis Ren and Alan Bersten, Bobby Bones and Sharna Burgess, Milo Manheim and Witney Carson, and Evanna Lynch and Keo Motsepe — went head-to-head as they competed for the Mirrorball Trophy. The finalists performed two dances on the finale: first, their most memorable number from the season and second, a freestyle for judges Carrie Ann Inaba, Len Goodman and Bruno Tonioli. While it was a tight competition, radio show host Bones, 38, was declared the season 27 winner. After being named the champ, Bones said, “Thank you to the people, thank you to Sharna for making all this possible.” “You are, in very true words, the people’s champion my friend,” said co-host Tom Bergeron. Reflecting on his win, Bones told reporters that he was “in shock” about taking home the trophy. “I apologized so many times to [Sharna] for getting stuck with me because she’s so good and talented. I mean if you have a pencil, how do you paint a portrait? It didn’t make sense, but she stuck with me. It was very difficult for me to comprehend some very simple things, even today!” he shared. He added, “I’m so thankful for her people because without the people we wouldn’t be here.