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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
THE MENTOR 81, January 1994
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #81 ARTICLES: 27 - 40,000 A.D. AND ALL THAT by Peter Brodie COLUMNISTS: 8 - "NEBULA" by Andrew Darlington 15 - RUSSIAN "FANTASTICA" Part 3 by Andrew Lubenski 31 - THE YANKEE PRIVATEER #18 by Buck Coulson 33 - IN DEPTH #8 by Bill Congreve DEPARTMENTS; 3 - EDITORIAL SLANT by Ron Clarke 40 - THE R&R DEPT - Reader's letters 60 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PANDORA'S BOX by Andrew Sullivan 13 - AIDE-MEMOIRE by Blair Hunt 23 - A NEW ORDER by Robert Frew Cover Illustration by Steve Carter. Internal Illos: Peggy Ranson p.12, 14, 22, 32, Brin Lantrey p.26 Jozept Szekeres p. 39 Kerrie Hanlon p. 1 Kurt Stone p. 40, 60 THE MENTOR 81, January 1994. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: PO Box K940, Haymarket, NSW 2000, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) in both ASCII and your word processor file or typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. Contributions are not paid; however they receive a free copy of the issue their contribution is in, and any future issues containing comments on their contribution. -
Here Do I Start? a Newbie’S Dilemma
Copyright True Adventures, Ltd., 2019 last updated September 16, 2020 1 All rights reserved Table of Contents Introduction: What is True Dungeon? .... 4 Aura of Devotion ......................... 18 4th vs. 5th ....................................... 27 What Does That Word Mean? ....... 4 Shield Focus ................................. 19 Assassinate................................... 27 Community .................................... 4 Elf Wizard ......................................... 19 Poison Resistance ........................ 27 Character Class Overview ....................... 4 Skill Check: Planar Chart ............. 19 Wizard .............................................. 28 Combat Characters ............................. 4 Polymorph .................................... 19 Skill Check: Planar Chart ............ 28 Rogues ........................................... 4 Focused Polymorph...................... 19 Polymorph ................................... 28 Spellcasters......................................... 4 4th vs. 5th ....................................... 19 4th vs. 5th ..................................... 28 Bards ............................................. 4 Elf Wizard Spell List.................... 19 Wand Mastery .............................. 28 No Duplicate Classes in a Party ......... 4 Fighter ............................................... 20 Wizard Spell List ......................... 28 Class Card Introduction .......................... 5 Weapon Focus .............................. 20 Sorcerer Spell List ...................... -
Advanced White Box Player's Handbook
Advanced White Box Player’s Handbook 1 4th Edition, 2017 Swords & Wizardry, S&W, and Mythmere Games are trademarks of Matthew J. Finch Cover Art: Copyright © Dungeon Crawl Classics – Vault Of The Dragon King, 2005. Erol Otus Art: Archer by Eric Elmore, Gold from AD&D Unearthed Arcana, Goblin by Adrian Smith, Half-Orc from Baldur's Gate II - Shadows of Amn, Barbarian by myconius (inspired by Frank Frazetta), Assassin by Matthew Stewart, Thief from AD&D Unearthed Arcana, Ranger by Dustplat, Dwarf by Max Dunbar, Paladin by David Sutherland, Fighter by Wayne Renolds. Bard by Christiano Flexa, Wizard by Karl Kopinski, Elf by Evan Kart, Halfling by Rudy Siswanto, Magic by Anthony Palumbo, Druid by William Stukeley, Cleric by A.J. Manzanedo, Heroquest by Les Edwards, Faerie by Iain McCaig, Artificer by Terese Nielsen, Treasure Discovery from Unearthed Arcana, Warlock by Michael Mckenna, Tiefling by Tony DiTerlizzi, Half-Elf by Jared Blando, Automaton by march1studious, Lizardfolk by Makkon, Merchant by Jean Discart, Armory by Erol Otus, Hirelings from AD&D DM Guide Inspiration and material from Whitebox Omnibus, Whitebox Heroes, Castles and Crusades, S&W Additional Weaponry, Crusader‘s Companion, D&D 5th Edition, Whitebox Companion II, Whitebox Demihumans, Darkest Dungeon, Dungeon Crawl Classics, D&D 3.5 Edition, Pathfinder, dandwiki, and Whitebox, blogsites, YouTube, Charles Mason, /tg/, and many, many more. I am not affiliated with Matthew J. Finch or Mythmere Games 2 Table of Contents Foreward..... 4 Goblin…..57 Half-Orc…..59 Rules of Play…..5 -
Infusion RPG ALPHA BUILD 10.4 by Steveman Infusion Is a Labour of Love for Me, Something I've Been Working on for Many Years
Infusion RPG ALPHA BUILD 10.4 By Steveman Infusion is a labour of love for me, something I've been working on for many years. I call it a rules semi-lite game, with a robust and versatile ruleset for combat, but with much of the story is left to the Gamemaster and Players to handle. Yeah, I know, creating my own game rules is like kicking a broken printer in a field, and yes, I also know that my time would have been better spent world-building for a preexisting system, or practicing my art, or a myriad of other things. But this is what I wanted to work on, and even if I can not bring anything new to the table, I hope I can at least bring something good. Introduction This is a Role-playing game, were you and a few other people take on the roles of the characters of a larger-than- life story of action and adventure. A kind of shared story-telling game that uses the rules presented here to help govern how the story rolls out. All but one of the people playing the game take on the Players, creating Player Characters (PC) to interact with the game world, and play as the protagonists of the shared story experience. That one other person does not make a character, and instead takes on the role of the Gamemaster (GM). This person acts as the narrator and is in control of the side characters and antagonists of the story, the Non-Player Characters (NPC), and most importantly is the referee of the rules of play. -
An Examination of Gaming Environments in Dungeons and Dragons Groups
University of San Diego Digital USD Dissertations Theses and Dissertations 2020-05-17 An Examination of Gaming Environments in Dungeons and Dragons Groups Joe Lasley University of San Diego Follow this and additional works at: https://digital.sandiego.edu/dissertations Part of the Leadership Studies Commons Digital USD Citation Lasley, Joe, "An Examination of Gaming Environments in Dungeons and Dragons Groups" (2020). Dissertations. 170. https://digital.sandiego.edu/dissertations/170 This Dissertation: Open Access is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital USD. For more information, please contact [email protected]. AN EXAMINATION OF GAMING ENVIRONMENTS IN DUNGEONS & DRAGONS GROUPS by Joe Lasley A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy May 2020 Dissertation Committee Dr. Cheryl Getz, EdD Dr. Zachary Gabriel Green, PhD Dr. Sarah Lynne Bowman, PhD University of San Diego © Copyright by Joe Lasley All Rights Reserved 2020 University of San Diego School of Leadership and Education Sciences CANDIDATE’S NAME: Joe Lasley TITLE OF DISSERTATION: AN EXAMINATION OF GAMING ENVIRONMENTS IN DUNGEONS AND DRAGONS GROUPS APPROVAL: _____________________________________, Chair Cheryl Getz, EdD – _____________________________________, Member Zachary Gabriel Green, PhD- _____________________________________, Member Sarah Lynne Bowman, PhD - DATE: April 20, 2020 ABSTRACT Tabletop Role-Playing Games (TRPG) like Dungeons & Dragons are unique phenomena within the topics of game-based learning and gamification of leadership development. Games in general are used for both game-based learning (learning from playing games) and as sources of inspiration for gamification: the application of game design elements in non-game contexts like business or education. -
A Microfluidic Investigation of Calcium Oxalate
A MICROFLUIDIC INVESTIGATION OF CALCIUM OXALATE CRYSTALLIZATION By JINNIE ANSTICE A thesis submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Science Graduate Program in Chemistry Written under the direction of Dr. George Kumi And approved by ______________________________ Dr. George Kumi ______________________________ Dr. Alex J. Roche ______________________________ Dr. Hao Zhu Camden, New Jersey May 2018 THESIS ABSTRACT A microfluidic investigation of calcium oxalate crystallization By JINNIE ANSTICE Thesis Director: Dr. George Kumi Calcium oxalate crystallization is widely studied due to the prevalence of this substance in various biomineralization processes, especially the formation of kidney stones. Bulk crystallization studies are a common and popular method for investigating calcium oxalate in particular. Crystallization studies using microfluidic platforms are becoming more popular because of the simplicity of use, cost effectiveness and enhanced control of system variables that these systems offer. Microfluidic systems using a two-input, one- output design results in crystallization at the entrance of the microchannel. This could lead to clogging of the device, and clogging makes it difficult to study crystallization over long lengths of time using these devices. In this study a three-input, three-output microfluidic channel system was designed and a protocol was established that minimized bubble occurrence and synthesized calcium oxalate crystals within the device; crystals were analyzed ex-situ. Equimolar input salt concentrations (CaCl2, K2C2O4) of 20, 40 and 60 mM were used in these experiments. Evidence of crystallization within the device was a line forming in the center channel that grew (i.e., darkened) over time. -
An Aspect-Oriented Approach for the Devel- Opment of Complex Simulation Software
Vol. 9, No. 1, January{February 2010 An Aspect-Oriented Approach for the Devel- opment of Complex Simulation Software Tudor B. Ionescu, Andreas Piater, Walter Scheuermann, and Eckart Laurien, University of Stuttgart, Institute of Nu- clear Technology and Energy Systems, Stuttgart, Germany, Email: fionescu,piater,scheuermann,[email protected] We propose an aspect-oriented approach for the development of simulation software aiming at increasing the flexibility, the rapidity of development, and maintainability of simulation software. The horizontal decomposition method is used to separate the core functionality of the simulation application from simulation-specific cross-cutting concerns like distribution, tool integration, persistence, and fault tolerance. We ana- lyze an existing dispersion simulation application to demonstrate the applicability of our approach and provide a proof of concept in form of the aspect-oriented implemen- tation of two cross-cutting concerns, namely distribution and tool integration. 1 INTRODUCTION In many engineering and natural sciences modeling and simulation play an impor- tant role in understanding the behavior and limitations of certain technical facilities, natural phenomena, and other physical or abstract systems. Simulation software has been developed from the very beginnings of the computer science era and one type of software component, called simulation code, has been established as the standard way of encapsulating a simulator for a certain physical aspect of a real system. A simulation code is a command line executable (often written in FORTRAN) which uses file-based communication with the outside world. Some of the codes also sup- port command line parameters. Codes are usually developed by research institutes and some of them can date back from the late 1970s. -
2 October 2015
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Filozofické Aspekty Technologií V Komediálním Sci-Fi Seriálu Červený Trpaslík
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Dominik Zaplatílek Bakalářská diplomová práce Filozofické aspekty technologií v komediálním sci-fi seriálu Červený trpaslík Vedoucí práce: PhDr. Martin Flašar, Ph.D. 2020 Prohlašuji, že jsem tuto práci vypracoval samostatně a použil jsem literárních a dalších pramenů a informací, které cituji a uvádím v seznamu použité literatury a zdrojů informací. V Brně dne ....................................... Dominik Zaplatílek Poděkování Tímto bych chtěl poděkovat panu PhDr. Martinu Flašarovi, Ph.D za odborné vedení této bakalářské práce a podnětné a cenné připomínky, které pomohly usměrnit tuto práci. Obsah Úvod ................................................................................................................................................. 5 1. Seriál Červený trpaslík ................................................................................................................... 6 2. Vyobrazené technologie ............................................................................................................... 7 2.1. Android Kryton ....................................................................................................................... 14 2.1.1. Teologická námitka ........................................................................................................ 15 2.1.2. Argument z vědomí ....................................................................................................... 18 2.1.3. Argument z -
Wilderness Exploration - 1
Wilderness Exploration - 1 These tables describe how to run an improvised wilderness hex crawl. The idea is that the even the GM does not know what the players will encounter, since the map, features, and encounters are all rolled randomly at the table. Every time the players explore a new hex, there are three primary rolls that need to be made. It works well to assign particular players to be responsible for some of these rolls to speed play- and also keep the players a part of the world creation. However the GM should always be the one to make the encounter roll. The party should have a blank Hex Region map (Make copies of the one at the end of the document) and a ‘starting point’ hex. If rolling for the starting hex, roll a d8 for the row and then the column. Next roll or select a hex terrain type for their starting point- this will be important for when they begin exploring the hexes around the starting hex. (You may want to roll up a village for their starting hex using the village and town rules. This can be their safe place for buying rations and selling treasure.) BASIC PROCEDURE Every time the PCs explore a new adjacent hex, these three roll are made first: » Determine the Hex Terrain type - using the table on the next page, roll a D20 and cross reference it with the hex type they just exited. This tells the type of the new hex. (There is a 50% chance that it is the same type as before) » Roll for presence of a Feature - A d8 roll to see if the party finds something of interest in that hex. -
D&D Skyships
D&D Skyships Disclaimer The following is a document of House Rules. In this but you can easily find several good sources on the document are alternatives to the normal Dungeons & internet. Dragons 5E rules. You will still need the 5E "Player’s This style campaign works well even if you decide that Handbook", "Monster Manual", and "Dungeon Master’s skyships can only fly through the air and not travel into Guide" to make full sense of this document. space. Simply drop all space travel rules. All that remains should work as written. Copyrights 1930’s Buck Rogers, Flash Gordon This document is intended to be used as alternative style (Science Fantasy) house rules to an already standing game system. No information herein is to be copied and sold for profit. This would be a campaign of brass rocket ships with lots of glass and rivets. The PCs will have the ability to step out the door of their rocket ship and leap onto the Introduction enemy's to do battle. They will be firing ray guns and D&D Skyships is a supplement to fifth edition Dungeons & saving princesses. You may want to run this as a steam Dragons set in a universe of ships that fly between the pink campaign. worlds and of battles in the air and in space. What you These rules will require some modifications to use in this will not find here is a setting with descriptions of new type of campaign. The skyships become rocket ships. worlds to explore, monsters to defeat and new races The helm becomes a technological device that provides defined.