David Bowie Loving the Alien (Re-Mixed Version) Mp3, Flac, Wma

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David Bowie Loving The Alien (Re-Mixed Version) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Loving The Alien (Re-Mixed Version) Country: US Released: 1985 Style: Pop Rock MP3 version RAR size: 1636 mb FLAC version RAR size: 1650 mb WMA version RAR size: 1977 mb Rating: 4.4 Votes: 196 Other Formats: VQF ADX MP2 MP1 AA DMF APE Tracklist Hide Credits Loving The Alien (Re-Mixed Version) A 4:43 Written-By – David Bowie Don't Look Down (Re-Mixed Version) B 4:04 Written-By – I. Pop*, J. Williamson* Credits Art Direction, Design – Shoot That Tiger! Artwork [Album Artwork Concept] – Mick Haggerty Engineer [Assistant] – Alex Haas Music Consultant – Carlos Alomar Photography By – Steve Rapport Producer – David Bowie, Derek Bramble, Hugh Padgham Producer [Additional Producton On Remix] – Steve Thompson Remix – Steve Thompson And Michael Barbiero* Notes Recorded in Canada. From the LP Tonight SJ-17138 A: Jones Music- B: James Osterberg Music/Strait James Music (admin. by Bug)-ASCAP/BMI ℗ 1984 David Bowie under license to EMI America Records, a division of Capitol Records, Inc. (Printed on labels) ℗ 1985 David Bowie under license to EMI America Records, a division of Capitol Records, Inc. (Printed on sleeve) © 1985 EMI America Records, a division of Capitol Records, Inc. Mfd. by Capitol Records, Inc., a subsidiary of Capitol Industries-EMI, Inc., U.S.A. Printed in U.S.A. Barcode and Other Identifiers Matrix / Runout (Label Side A): X501613A Matrix / Runout (Label Side B): X501619A Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year David Loving The Alien (12", VG 75105 EMI America VG 75105 Canada 1985 Bowie Gat) Loving The Alien David 06 2005997 (Re·Mixed Version) (7", EMI America 06 2005997 Italy 1985 Bowie Single) Loving The Alien David (Extended Dance Mix) none Parlophone none US 2007 Bowie (5xFile, AAC, EP, RE, RM, 256) Loving The Alien 12 AMIL (C) David 12 AMIL (C) South (Extended Dance Mix) EMI America 1985 550 Bowie 550 Africa (12", Maxi) Loving The Alien (Re- David New AMI.1484 mixed Version) (7", Single, EMI America AMI.1484 1984 Bowie Zealand Promo, Gat) Related Music albums to Loving The Alien (Re-Mixed Version) by David Bowie David Bowie, Nancy McClean - MAXIMUM BOWIE - the unauthorised biography of DAVID BOWIE David Bowie - Blue Jean (Extended Dance Mix) David Bowie - Blue Jean David Bowie - Day-In Day-Out (Remix) David Bowie - Loving The Alien David Bowie - Tonight David Bowie And Mick Jagger - Dancing In The Street David Bowie Et Mick Jagger - Dancing In The Street.

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Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing.
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