Captain Fantastic
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
Nuovi Film in Biblioteca 2021
Nuovi film in biblioteca aggiornato a gennaio 2021 120 battiti al minuto / regia di Robin Campillo; Francia, 2017; interpreti: Nahuel Pérez Biscyart, Adéle Haenel...[et al.]. N. inv. 74120 VIDEO.A 120BAM CAMPR DVD 8 / regia di Gus Van Sant … e altri, Francia, 2008; interpreti: Abderrahmane Sissako, Jan Kounen, Wim Wenders, Mira Nair, Jane Campion, Gael Garcia Bernal, Gaspar Noe. N. inv. 75033 VIDEO.A VAN SANT 8 DVD 2 A casa tutti bene / regia di Gabriele Muccino; Italia, 2018; interpreti: Stefano Accorsi, Carolina Crescentini, Pierfrancesco Favino, Claudia Gerini, Massimo Ghini, Sabrina Impacciatore, ... [et al.]. N. inv. 73835 VIDEO.A A CTB MUCCG DVD ACAB: All Cops Are Bastards / regia di Stefano Sollima; Italia/Francia 2011; interpreti: Pierfrancesco Favino, Filippo Nigro, Marco Giallini, Andrea Sartoretti, Domenico Diele. N. inv. 74907 VIDEO.A ACA SOLLS DVD American Beauty : ...guarda da vicino / regia di Sam Mendes; Stati Uniti, 1999; interpreti: Kevin Spacey, Annette Bening, Thora Birch, Allison Janney, Peter Gallagher, Mena Suvari, Wes Bentley, Chris Cooper. N. inv. 74900 VIDEO.A AMEB MENDS DVD VM 14anni L’ amore è più freddo della morte / regia di Rainer Werner Fassbinder; Germania, 1969; interpreti: Ulli Lommel, Hanna Schygulla, Rainer Werner Fassbinder, Hans Hirschmuller. N. inv. 74859 VIDEO.A FASSBINDER AMOEPF DVD Un amore su misura / regia di Renato Pozzetto; Italia, 2006; interpreti: Renato Pozzetto, Camilla Sjodberg, Anna Stante ... [et al.]. N. inv. 74248 VIDEO.A AMOSM POZZR DVD Amori che non sanno stare al mondo / regia di Francesca Comencini; Italia, 2017; interpreti: Lucia Mascino, Thomas Trabacchi, Carlotta Natoli, Camilla Semino Favro, Valentina Belle N. inv. -
Loving the Alien: David Bowie
Loving the alien: David Bowie Der Verwandlungskünstler des Glamrock und die Dekonstruktion der Gendervorstellungen von Dirk Frank 1 Udias volese laccus moluptatus, cum dolorat eos nus aut ea et de delibuscit, quosapi endellab invera doluptur? Cabor aut mintore scimiliquos autent aperror ecatemquae dolorerro corro et quibus aspis es et officides et harchil et iscil inctet plab incia cullam inihic tore velite Der Anfang 2016 gestorbene habe immer genau das Gegenteil versucht.« (zit. David Bowie hat wohl wie kaum ein n. Lachner, David Bowie, S. 166) anderer Künstler die Popmusik Bowie begnügt sich nicht damit, ein einmal etabliertes Image zu bedienen und damit die als Gesamtkunstwerk verstanden und sie Erwartungen seines Publikums zu erfüllen, wie textlich, musikalisch und visuell mit viele seiner Generationsgenossen. Frisur, Klei dem Neuen und Fremden konfrontiert. dung, Bühnenoutfit, aber auch die Covergestal tung, kurzum: Sein komplettes visuelles Image ie unterschiedlichen Farben seiner Augen war ihm wichtig. Der Musiktheoretiker und galten vielen Betrachtern bereits als physi Komponist Thomas Krämer schreibt zuspitzend, Dsche Manifestation seiner Andersartigkeit. das sei der eigentliche Kern seiner künstleri Dabei hatte diese Besonderheit eine vergleichs schen Existenz gewesen – die Musik werde quasi weise banale Ursache: Nach einer Schulhof drum herum konstruiert (Krämer, S. 187). prügelei mit seinem Freund George Underwood Der am 8. Januar 1947 im Londoner Arbei 1 Der Verwandlungskünstler (der später unter anderem das Cover des Bowie terstadtteil Brixton geborene David Robert und seine Alben: Auf dem Albums Aladdin Sane entwirft) im Alter von Jones wächst relativ behütet auf, wenngleich in Album »Diamond Dogs« (1974) posiert Bowie als Mensch- 15 Jahren bleibt die Pupille seines linken Auges seiner Familie einige Fälle von psychischen Hund-Zwitter. -
Accademia Del Cinema Italiano - Premi David Di Donatello
ACCADEMIA DEL CINEMA ITALIANO - PREMI DAVID DI DONATELLO CANDIDATURE FILM 2020 Queste le candidature ai Premi David di Donatello 2021 dei film usciti al cinema dal 1˚ gennaio 2020 al 28 febbraio 2021, in ordine alfabetico, votate dal 1° al 15 marzo 2021 dai componenti la Giuria dell'Accademia e trasmesse ufficialmente dallo Studio Notarile Marco Papi. Le ha comunicate, nell'incontro di oggi con la stampa, Piera Detassis, Presidente e Direttore Artistico dell'Accademia. Sono presenti degli ex-aequo*. MIGLIOR FILM prodotto da Agostino SACCÀ e Giuseppe SACCÀ per PEPITO PRODUZIONI con RAI Favolacce CINEMA, con AMKA FILMS PRODUCTION, con VISION DISTRIBUTION, con QMI per la regia di Fabio e Damiano D’INNOCENZO prodotto da Agostino SACCÀ, Maria Grazia SACCÀ, con RAI CINEMA, in Hammamet associazione con MINERVA PICTURES GROUP ed EVOLUTION PEOPLE per la regia di Gianni AMELIO prodotto da ROSAMONT, MINIMUM FAX MEDIA, RAI CINEMA Le sorelle Macaluso per la regia di Emma DANTE prodotto da Marta DONZELLI e Gregorio PAONESSA per VIVO FILM con RAI CINEMA, Joseph ROUSCHOP e Valérie BOURNONVILLE per TARANTULA Miss Marx BELGIQUE per la regia di Susanna NICCHIARELLI prodotto da Carlo DEGLI ESPOSTI, Nicola SERRA, con RAI CINEMA Volevo nascondermi per la regia di Giorgio DIRITTI MIGLIOR REGIA Favolacce Fabio e Damiano D’INNOCENZO Hammamet Gianni AMELIO Le sorelle Macaluso Emma DANTE Miss Marx Susanna NICCHIARELLI Volevo nascondermi Giorgio DIRITTI MIGLIORE REGISTA ESORDIENTE I predatori Pietro CASTELLITTO Magari Ginevra ELKANN Non odiare Mauro MANCINI Sul più -
67. Mostra Internazionale D'arte Cinematografica Venezia 1/11 Settembre 2010
67. Mostra Internazionale d'Arte Cinematografica Venezia 1/11 settembre 2010 FILM IN PROGRAMMA SELEZIONE UFFICIALE Venezia 67 Concorso internazionale di lungometraggi in prima mondiale Fuori concorso Opere firmate da autori di importanza riconosciuta Orizzonti Le nuove correnti del cinema mondiale Controcampo Italiano Le nuove linee di tendenza del cinema italiano La situazione comica Sezione retrospettiva sul cinema comico italiano SEZIONI AUTONOME SIC - Settimana Internazionale della Critica Rassegna di 7 film - opere prime - autonomamente organizzata da una commissione nominata dal SNCCI Giornate degli autori Rassegna autonomamente organizzata da una commissione nominata dall’ANAC e dall’API Venezia 67 Concorso internazionale di lungometraggi in prima mondiale DARREN ARONOFSKY - BLACK SWAN Usa, 103' Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder ASCANIO CELESTINI - LA PECORA NERA ITALIA, 93' Ascanio Celestini, Giorgio Tirabassi, Maya Sansa SOFIA COPPOLA - SOMEWHERE Usa, 98' Stephen Dorff, Elle Fanning, Benicio Del Toro, Michelle Monaghan, Laura Chiatti, Simona Ventura ANTONY CORDIER - HAPPY FEW Francia, 103' Marina Fois, Elodie Bouchez, Roschdy Zem, Nicolas Duvauchelle SAVERIO COSTANZO - LA SOLITUDINE DEI NUMERI PRIMI ITALIA, 118' Alba Rohrwacher, Luca Marinelli, Filippo Timi, Isabella Rossellini, Maurizio Donadoni ALEKSEI FEDORCHENKO - OVSYANKI (SILENT SOULS) Russia, 75' Igor Sergeyev, Yuriy Tsurilo, Yuliya Aug, Victor Sukhorukov VINCENT GALLO - PROMISES WRITTEN IN WATER Usa, 75' Vincent Gallo, Delfine Bafort, Sage Stallone, Lisa Love MONTE HELLMAN - ROAD TO NOWHERE Usa, 121' Shannyn Sossamon, Dominique Swain, John Diehl, Fabio Testi ÁLEX DE LA IGLESIA - BALADA TRISTE DE TROMPETA Spagna, Francia, 107' Carmen Maura, Carolina Bang, Santiago Segura, Antonio de la Torre, Fernando Guillen-Cuervo ABDELLATIF KECHICHE - VENUS NOIRE Francia, 166' Yahima Torres, Olivier Gourmet, André Jacobs PABLO LARRAÍN - POST MORTEM Cile, Messico, Germania, 98' Alfredo Castro, Antonia Zegers RICHARD J. -
L'estate Di Martino (2010)
Mario Mazzarotto presents Martino’s summer a film by MASSIMO NATALE produced by MOVIMENTO FILM in collaboration con RAI CINEMA release date: 19 november 2010 film press office VIVIANA RONZITTI Via Domenichino 4 - 00184 ROMA 06 4819524 - 333 2393414 [email protected] press material at: www.kinoweb.it non-contractual credits . technical crew director MASSIMO NATALE based on “LUGLIO 80” by Giorgio Fabbri Winner of the Premio Solinas 2007 artistic collaboration GIUSEPPE EUSEPI photography VLADAN RADOVIC A.I.C. editing PAOLA FREDDI music ROBERTO COLAVALLE Edizioni musicali RAI TRADE set designer SABRINA BALESTRA costumes ALESSIA CONDÒ continuity SAMUELA ZAMPAGNI sound MICHELE TARANTOLA LUCA BERTOLIN sound editor MARTA BILLINSGLEY sound effects editor MIRKO PERRI sound mixer FRANCESCO CUCINELLI assistant director GIUSEPPE EUSEPI coordination GIACOMO DI NIRO executive producer LINDA VIANELLO for INTELFILM s.r.l. produced by MARIO MAZZAROTTO for MOVIMENTO FILM in collaboration with RAI CINEMA this film is recognised as being of cultural interest by the GENERAL DIRECTORATE for the CINEMA of the MINISTRY of CULTURE a film made in collaboration with APULIA FILM COMMISSION distribution MOVIMENTO FILM nationality ITALIAN of production 2010 location Apulia duration 87’ 2 . artistic crew TREAT WILLIAMS Captain Jeff Clark LUIGI CIARDO Martino MATILDE MAGGIO Silvia PIETRO MASOTTI Massimo SIMONE BORRELLI Andrea MATTEO PIANEZZI Luca RENATA MALINCONICO Serena BENJAMIN FRANCORSI soldier 1 DAVID HARTCHER soldier 2 with SILVIA DELFINO Martino’s mother also featuring MARCELLO PRAYER Martino’s father 3 . synopsis MARTIN’S SUMMER is a fantasy film where the dream of a peaceful world might become a reality. The summer of 1980 is a bloody one, scarred by the tragedy of Ustica on 27 June and the Bologna Station bomb on 2 August: tragic episodes that provide a backdrop to the story of Martino (Luigi Ciardo) and his relationship with Captain Clark (Treat Williams), an American soldier, and Silvia (Matilde Maggio) his brother’s girlfriend. -
L I V E M U S
JAPANESE FILM FESTIVAL 2019 CINEMA NOTES AT A GLANCE This year’s Festival is a continuation of the highly successful Spring sees yet another exceptional line-up of feature films at ........................................................................................................................................................... collaboration between the Embassy of Japan and access>CINEMA, Triskel Christchurch. There is the biopic of Vincent van Gogh from Sun 31 Mar - Wed 3 April with support from the Ireland Japan Association and the Japan the director of The Diving Bell and the Butterfly with an Oscar The Kindergarten Teacher Foundation. Screenings will take place at both The Gate Cinema nominated performance by Willem Dafoe. We bring back the Unquiet Graves and Triskel Christchurch. Visit www.jff.ie for full details. LIVE MUSIC incredibly popular documentaries The Camino Voyage and RBG, The Camino Voyage Standard ticket prices apply or get a season ticket to see all five along with the powerful new Irish film Unquiet Graves, and a final ........................................................................................................................................................... films for €35 full price / €30 for annual membership holders. chance to see the Academy Award winning film Free Solo. There Sun 7 - Thurs 11 April are films by female directors Sara Colangelo (The Kindergarten STANDBACK Foxtrot Teacher), Alice Rohrwacher (Happy As Lazzarro), Carol Morley BORN BONE BORN NC THE STORY OF STEVIE NICKS & FLEETWOOD -
Legenden David Bowie Släpper Ny Singel Och Samling
2014-09-09 15:49 CEST LEGENDEN DAVID BOWIE SLÄPPER NY SINGEL OCH SAMLING Nya Deluxe samlingen ”Nothing Has Changed” som släpps den 17 november via Parlophone innehåller den nya singeln ”Sue (Or In A Season Of Crime)”. ALBUM: 3CD, 2CD, DUBBEL VINYL OCH DIGITAL DOWNLOAD SINGEL: LIMITERAD UPPLAGA OM 10" vinyl och digital download Femtio år efter sin första inspelning fortsätter David Bowie att vara i spetsen för samtida kultur som musiker, konstnär och ikon. ”Nothing Has Changed” samlar för första gången all Bowie’s musik från åren 1964-2014. Albumet (uppkallat efter en text från öppningsspåret "Sunday" från albumet "Heathen”) samlar låtarna från varje period av Bowies karriär – allt från hans tidigaste inkarnationer som "Liza Jane" och "Can’t Help Thinking About Me” enda fram till James Murphys "Hello Steve Reich Mix" av "Love Is Lost" från förra året. Albumet innehåller Bowies första nya musik sedan han släppte det kritikerrosade albumet ”The Next Day" förra året. Den nya singeln "SUE (Or In A Season Of Crime) spelades in särskilt för ”Nothing Has Changed” tillsammans med långtida samarbetspartnern Tony Visconti och kommer att släppas i en begränsad upplaga (10" singel och digital nedladdning) samma dag som albumet. Vid sidan av det helt nya spåret innehåller albumet den tidigare outgivna låten "Let Me Sleep Beside You" som togs fram från inspelningarna till mytomspunna albumet "TOY" som aldrig släpptes, låten "Your Turn To Drive" som gör debut på CD samt den fantastiska 2001 nyinspelningen av låten "Shadow Man" från år 1971. DAVID BOWIE -
Mongrel Media
Mongrel Media Presents I AM LOVE A Film by Luca Guadagnino (120min., Italy, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS We open on a journey through the idyllic snow covered streets of Milan in the run up to Christmas. We enter a stunning, bourgeois mansion house: the home of the wealthy Recchi family. The families are gathering for a birthday dinner in honor of the patriarchal figure of Edoardo Recchi Sr. We are introduced to Emma, the stylish head of the household who is overseeing arrangements with the servants. With his health in a poor state, Edoardo Sr is preparing to hand over the reigns to the Recchi textile business. It seems a foregone conclusion when Edoardo Sr announces that he will be handing over to his son Tancredi. However, when he tells them that his grandson Edoardo Jr (Edo), Emma & Tancredi’s son, will have joint control there is a ripple of surprise at the dinner table. Gianluca, Edo’s brother is left out of the deal. Later on, a young man, Antonio, arrives at the house to deliver a cake to Edo. Having beaten him in a race earlier that day, the chef has brought a consolation present. Emma is introduced to him and thinks nothing more of the encounter. -
Sworn Virgin
Strand Releasing presents SWORN VIRGIN A FILM BY LAURA BISPURI Starring Alba Rohrwacher, Flonja Kodheli, Lars Eidinger Official Selection: Berlin International Film Festival Tribeca Film Festival San Francisco International Film Festival Seattle International Film Festival Frameline Film Festival Chicago International Film Festival AFI Film Festival Country of Origin: Italy/Switzerland/Germany/Albania in partnership with Kosovo Format: DCP/2.35/Color Sound Format: Dolby SRD Running Time: 90 minutes Genre: Drama Rating: Not Rated In Albanian and Italian with English Subtitles National Press Contact: Jenna Martin / Marcus Hu Strand Releasing Phone: 310.836.7500 [email protected] [email protected] Please download photos from our website: http://strandreleasing.com/films/sworn-virgin/ SHORT SYNOPSIS SWORN VIRGIN follows a young woman named Hana who lives in an Albanian village ruled by men, and she takes an oath of eternal virginity to live as a “sworn virgin” becoming Mark, so she can live free as a man. Years later, restless and feeling imprisoned by his choice, Mark leaves for Italy to visit his sister and family. There, he explores the unexpected pleasures of attraction and the body and decides to abandon Mark, rediscovering herself (himself) as Hana, to become a new and liberated person. LONG SYNOPSIS Hana Doda, still a girl, escapes from her destiny of being a wife and a servant, a future imposed on women in remote village life in Albania. With the help of her uncle’s guidance, Hana appeals to the old Kanun traditional law and takes an oath of eternal virginity for the chance to bear a rifle and live free as men. -
Tutte Le Candidature Dei Nastri 2021
LE CANDIDATURE 2021 IL FILM dell’ANNO MISS MARX di Susanna NICCHIARELLI Nastri d’Argento per Regia, Produzione, Costumi, Colonna sonora (Vivo Film, RAI Cinema, Massimo Cantini Parrini, Gatto Ciliegia contro il Grande Freddo) MIGLIOR FILM Assandira di Salvatore MEREU prodotto da Elisabetta SODDU, Salvatore MEREU Viacolvento con RAI Cinema Cosa sarà di Francesco BRUNI Prodotto da Carlo DEGLI ESPOSTI, Nicola SERRA Palomar e Vision Distribution in collaborazione con Sky, Amazon Prime Video Le sorelle Macaluso di Emma DANTE Prodotto da Rosamont e Minimum Fax Media con RAI Cinema Lei mi parla ancora di Pupi AVATI Prodotto da Bartlebyfilm, Vision Distribution in collaborazione con Duea Film Non mi uccidere di Andrea DE SICA Prodotto da Marta DONZELLI, Gregorio PAONESSA Warner Bros. Entertainment Italia e Vivo Film MIGLIORE REGIA Pupi AVATI Lei mi parla ancora Francesco BRUNI Cosa sarà Antonio CAPUANO Il buco in testa Emma DANTE Le sorelle Macaluso Edoardo PONTI La vita davanti a sé MIGLIOR REGISTA ESORDIENTE Pietro CASTELLITTO I Predatori Maura DELPERO Maternal Nunzia DE STEFANO Nevia Carlo S. HINTERMANN The Book of Vision Gianluca JODICE Il cattivo poeta Mauro MANCINI Non odiare MIGLIORE COMMEDIA Genitori Vs Influencer Michela ANDREOZZI Isabella COCUZZA e Arturo PAGLIA PACO CINEMATOGRAFICA, VISION DISTRIBUTION in collaborazione con SKY CINEMA L’incredibile storia dell’Isola delle Rose Sydney SIBILIA Matteo ROVERE GROENLANDIA Si vive una volta sola Carlo VERDONE Aurelio e Luigi DE LAURENTIIS FILMAURO Sul più bello Alice FILIPPI Roberto PROIA -
Delivering Content in Academic Libraries
Insights – 29(2), July 2016 Where are we now? Delivering content | Joanna Ball Where are we now? Delivering content in academic libraries Changes in scholarly communications and new business models are presenting academic libraries with challenges and opportunities which impact the way they approach the delivery of content. Libraries are re-evaluating internal processes and structures, enhancing and developing the skills within their teams, and embracing new possibilities for strengthening and enhancing partnerships with publishers and the academic community. This will not only enable them to manage in the current unstable and unpredictable environment, but empower them to influence and drive forward changes in the development of content and models. Under pressure The transformation of academic content presents both a direct challenge and new opportunities to the role of libraries. The content that we deliver is evolving and diversifying, not only from print to digital, but also from the traditional formats of book and journal article to new media such as research data and learning materials. Much of it is not even purchased or licensed by us, given the increase in what is available in the public domain or as open access (OA). Libraries are no longer defined by the collections within our buildings; the scope of the content we deliver and who we deliver it to is becoming difficult to define. JOANNA BALL Our focus is just as much about exposing and delivering university-generated outputs to the Head of Library outside world as providing licensed and purchased content to our own user communities. Content Delivery and Digital Strategy How we deliver that content is also changing: the traditional purchase and subscription University of Sussex models we have worked with comfortably for many years have been overtaken by a shifting landscape of demand-driven and e-textbook services.