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Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Sponsorship Opportunity: I Am Ireland Film For
the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916. -
Helping Hands, Inc* 415 Hoffmansville Rd* Bechtelsville, PA
Helping Hands, Inc* 415 Hoffmansville Rd* Bechtelsville, PA 19505 Phone-610-754-6491*Fax- 610-754-7157* Email- HHandsInc @Comcast.net ~ Website: www.HelpingHandsInc.com And Find us on Facebook at HelpingHandsPA -Tuesday, March 1, 2016 -As Mother Nature decided not to allow in February, we will be making the rescheduled trek to Valley Forge Casino for some gambling fun!!! Cost will be $30.00 per person which will include lunch in the area. Please bring along money for gambling and for additional snacks, or feel free to bring a snack. They have penny, nickel, dime, quarter, etc machines, and plenty of tables for cards, roulette, etc. We will be taking one van and meeting at the Helping Hands office at 10:00am and returning at 3:00pm. All participants MUST have a valid ID card for participation as they will verify upon admission. If you do not have this upon arrival to the office, you will not be permitted to participate. Space is limited and will be on a first call first reserved basis. -Friday, March 4, 2016 -Let’s get into the St. Patrick’s Day spirit with a concert to see Gaelic Storm at the Colonial Theater in Phoenixville, PA. “After nearly two decades and more than 3,000 live shows, Gaelic Storm — the chart-topping, multi-national Celtic band — is looking sharper than ever with their latest release, Matching Sweaters. The new album mixes traditional Irish music with modern influences, creating a sound that's as wide- ranging as the band's own audience. From bluegrass fans and country cowboys to Deadheads, rock & rollers and Celtic fanatics, Gaelic Storm has built one of the most diverse fan bases in modern music. -
John Bull's Other Ireland
John Bull’s Other Ireland: Manchester-Irish Identities and a Generation of Performance Item Type Thesis or dissertation Authors O'Sullivan, Brendan M. Citation O'Sullivan, B. M. (2017). John Bull’s Other Ireland: Manchester- Irish identities and a generation of performance (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Download date 28/09/2021 05:41:52 Link to Item http://hdl.handle.net/10034/620650 John Bull’s Other Ireland Manchester-Irish Identities and a Generation of Performance Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Brendan Michael O’Sullivan May 2017 Declaration The material being presented for examination is my own work and has not been submitted for an award of this, or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis has been undertaken collaboratively, the nature of my individual contribution has been made explicit. ii Table of Contents Preface .......................................................................................................... 2 Locating Theory and Method in Performance Studies and Ethnography. .. 2 Chapter 1 ..................................................................................................... 12 Forgotten but not Gone ............................................................................ 12 Chapter 2 .................................................................................................... -
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
Trotskyists Debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 Reason in Revolt Trotskyists Debate Ireland 1939, Mid-50S, 1969
Trotskyists debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 www.workersliberty.org Reason in revolt Trotskyists debate Ireland 1939, mid-50s, 1969 1 Workers’ Liberty Trotskyists debate Ireland Introduction: freeing Marxism from pseudo-Marxist legacy By Sean Matgamna “Since my early days I have got, through Marx and Engels, Slavic peoples; the annihilation of Jews, gypsies, and god the greatest sympathy and esteem for the heroic struggle of knows who else. the Irish for their independence” — Leon Trotsky, letter to If nonetheless Irish nationalists, Irish “anti-imperialists”, Contents Nora Connolly, 6 June 1936 could ignore the especially depraved and demented charac - ter of England’s imperialist enemy, and wanted it to prevail In 1940, after the American Trotskyists split, the Shachtman on the calculation that Catholic Nationalist Ireland might group issued a ringing declaration in support of the idea of gain, that was nationalism (the nationalism of a very small 2. Introduction: freeing Marxism from a “Third Camp” — the camp of the politically independent part of the people of Europe), erected into absolute chauvin - revolutionary working class and of genuine national liberation ism taken to the level of political dementia. pseudo-Marxist legacy, by Sean Matgamna movements against imperialism. And, of course, the IRA leaders who entered into agree - “What does the Third Camp mean?”, it asked, and it ment with Hitler represented only a very small segment of 5. 1948: Irish Trotskyists call for a united replied: Irish opinion, even of generally anti-British Irish opinion. “It means Czech students fighting the Gestapo in the The presumption of the IRA, which literally saw itself as Ireland with autonomy for the Protestant streets of Prague and dying before Nazi rifles in the class - the legitimate government of Ireland, to pursue its own for - rooms, with revolutionary slogans on their lips. -
The Sound of Freedom Ann Murtagh
The Sound of Freedom ISBN 978-1-78849-125-9 eBook ISBN 978-1-78849-199-0 Ann Murtagh Historical note from the author The Sound of Freedom is a fictional story, but it is based ‘I could be drilling with the men in the fields by firmly on history. Here are some facts that are woven into Sunday.’ the story, along with references for those who want to Local companies, such as the Glenidan Company, often find out more. drilled in the fields at night. Chapter 1 IMA, BMH, WS 1439, James Maguire. ‘Soldiers are we, whose lives are pledged to … the cold air was filled with the clanging of Joe Ireland.’ Lynch’s hammer on the hoop of a barrel. This is the first line of the chorus of the ‘Soldier’s Song’, Joe Lynch was a cooper in the local area (Ankerland). composed by Peadar Kearney and Patrick Heeney in 1907. www.duchas.ie/en/cbes/5009029/4979045 It later became a popular marching song for the Irish Volunteers. It was translated into Irish in the 1920s and Chapter 2 used as the Irish national anthem from 1926. historyireland.com/20th-century-contemporary-history/ Sinn Féin members and supporters were well countdown-to-2016-a-soldiers-song-amhran-na-bhfiann/ used to being called by the nickname ‘Rainbow Chasers’. ‘We’re all under instructions from Dev not to ‘Rainbow Chasers’ was the name given to members have anything to do with the RIC and it’s not of the Sinn Féin party and its supporters by the Irish sitting well with them.’ Parliamentary Party or Home Rule Party. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
Makem & Clancy
Makem & Clancy We've Come A Long Way mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: We've Come A Long Way Country: US Released: 1988 Style: Celtic MP3 version RAR size: 1108 mb FLAC version RAR size: 1502 mb WMA version RAR size: 1553 mb Rating: 4.8 Votes: 564 Other Formats: ADX VOC MOD WAV VQF TTA FLAC Tracklist Hide Credits We've Come A Long Way 1 Written By – K. McGarrigle Frog In The Well 2 Written By – J. Clancy Roseville Fair 3 Written By – B. Staines The Queen Of Connemara 4 Written By – Fahy & Meadan Peg Leg Jack 5 Written By – S. Makem The Mary Ellen Carter 6 Written By – S. Rogers Fair And Tender Ladies 7 Arranged By – J. ClancyWritten By – Trad.* 8 The Coast Of Malabar The Highwayman 9 Written By – J. Webb Fagfaidh Mise An Baile Seo 10 Arranged By – T. Makem & L. Clancy*Written-By – Trad.* Parcel Of Rogues 11 Written By – R. Burns Drill Ye Terriers Drill 12 Arranged By – T. Makem & L. Clancy*Written-By – Trad.* Golden 13 Written By – A. Stewart Companies, etc. Recorded At – Lansdowne Studios Credits Bass – Eoghan O'Neill Bouzouki, Bodhrán, Keyboards – Donal Lunny Concertina – Liam Clancy Coordinator – Elizabeth Reeves Drums – Noel Bridgeman Engineer – Andrew Boland Engineer [Assistant] – Brian Narty, Catherine Considine Executive Producer – Maurice Cassidy Fiddle, Viola – Nollaig Casey Guitar – Arty McGlynn Guitar [Spanish Guitar] – Conor Barry* Harmonica – Ray Preston Photography By – Thom Hindle Pipe [Uilleann Pipes], Low Whistle – Davy Spillane Producer – Donal Lunny Barcode and Other Identifiers -
The Great Irish Famine in Songs Erick Falc’Her-Poyroux
The Great Irish Famine in Songs Erick Falc'Her-Poyroux To cite this version: Erick Falc'Her-Poyroux. The Great Irish Famine in Songs. Revue fran¸caisede civilisation britannique, 2014, La grande famine en Irlande 1845-1851, 19 (2), pp.1. <halshs-01147771> HAL Id: halshs-01147771 https://halshs.archives-ouvertes.fr/halshs-01147771 Submitted on 1 May 2015 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. The Great Irish Famine in Songs Erick FALC’HER-POYROUX Université de Nantes “Those in power write the history, those who suffer write the songs” Frank Harte (1933-2005) - sleeve notes for 1798: the First Year of Liberty However biased a view the opening quote by Irish traditional singer and collector Frank Harte may represent, an analysis of folk songs1 about the Great Irish Famine deserves careful study, as one will find in them views that are often told from palpable and vivid experience, and traces of Irish history often described as dry statistics, rather than the human tragedy it really was. It is generally considered that very few songs from the famine era have survived: it is indeed a testimony to the power and importance of traditional music and songs, and remarkably so in Ireland, that illiterate people on the threshold of exile or death could find the strength to express their misfortunes in such a poetic and elaborate form, as in this caoineadh (i.e. -
Makem & Clancy the Makem & Clancy Collection Mp3, Flac
Makem & Clancy The Makem & Clancy Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Makem & Clancy Collection Country: Ireland Released: 1980 MP3 version RAR size: 1489 mb FLAC version RAR size: 1368 mb WMA version RAR size: 1140 mb Rating: 4.3 Votes: 897 Other Formats: VOX XM WAV DTS TTA FLAC AC3 Tracklist A1 A Place In The Choir 2:26 A2 The Cobbler 3:00 A3 The Ducthman 5:05 A4 The Garden Song 3:18 A5 Willie McBride 5:09 A6 Morning Glory 2:45 A7 Four Green Fields 4:20 B1 Ballad Of St. Anne's Reel 3:17 B2 Red Is The Rose 3:48 B3 Gentle Annie 3:39 B4 Ar Éirinn Ní Neosainn Cé Hí 4:00 B5 Town Of Ballybay 2:02 B6 The Band Played Waltzing Matilda 6:00 B7 Rambles Of Spring 2:52 Companies, etc. Distributed By – Polygram Records (Ireland) Ltd. Printed By – Shorewood Packaging Co. Ltd. Barcode and Other Identifiers Rights Society: MCPS Matrix / Runout (Runout side A, etched): BLB1009 B ( crossed through ) A TB Matrix / Runout (Runout side B, etched): BLB1009 A ( crossed through ) B TB Other versions Category Artist Title (Format) Label Category Country Year Makem & The Makem & Clancy 52001 Shanachie 52001 Canada 1980 Clancy Collection (LP, Comp) Makem & The Makem & Clancy 52001 Shanachie 52001 US 1980 Clancy Collection (Cass, Comp) The Makem & Clancy Makem & 52001 Collection (CD, Comp, Shanachie 52001 US 1994 Clancy RE) The Makem & Clancy TFCDBLB Makem & Third Floor TFCDBLB Collection (CD, Comp, Ireland Unknown 1009 Clancy Music 1009 RE) Makem & The Makem & Clancy 52001 Shanachie 52001 US 1986 Clancy Collection (CD, Comp) Related Music albums to The Makem & Clancy Collection by Makem & Clancy 1. -
Tommy Makem the Bard of Armagh Mp3, Flac, Wma
Tommy Makem The Bard Of Armagh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Bard Of Armagh Country: UK Released: 1970 Style: Folk MP3 version RAR size: 1535 mb FLAC version RAR size: 1130 mb WMA version RAR size: 1100 mb Rating: 4.6 Votes: 978 Other Formats: WAV DXD MMF AAC XM VQF ASF Tracklist Hide Credits Henry Joy A1 Adapted By – Tommy MakemArranged By – Tommy Makem Leather Wing Bat A2 Adapted By – Alan Lomax, John A. LomaxArranged By – Alan Lomax, John A. Lomax Bard Of Armagh A3 Arranged By – Tommy Makem Erie Canal A4 Arranged By – Tommy Makem Butcher Boy A5 Arranged By – Tommy Makem Farewell To Nova Scotia A6 Arranged By – Tommy Makem Winds Of Morning B1 Written-By – Tommy Makem Little Beggar Man B2 Written-By – Tommy Makem Four Green Fields B3 Written-By – Tommy Makem Sally O B4 Written-By – Tommy Makem True Love And Time B5 Written-By – Tommy Makem Gallowa' Hills B6 Arranged By – Tommy Makem Companies, etc. Printed By – Shorewood Packaging Co. Ltd. Phonographic Copyright (p) – CBS Credits Banjo – Tommy Makem Bass – Martin Walsh Engineer – Darby Carrol* Guitar – Dick Barton, Ray Durham Vocals – Tommy Makem Notes This UK Version has a different sleeve to the one currently on the Database Barcode and Other Identifiers Matrix / Runout: S-64001-A1 V 7 Matrix / Runout: S-64001-B1 1 2 5 Other versions Category Artist Title (Format) Label Category Country Year Tommy The Bard Of Armagh (LP, S 64001 CBS S 64001 UK 1970 Makem Album) Tommy Farewell To Nova Scotia KHE 90174 Harmony KHE 90174 Canada Unknown Makem (LP, Album, RE) Tommy The Bard Of Armagh (LP, ST 2006 GWP Records ST 2006 US 1970 Makem Album) Related Music albums to The Bard Of Armagh by Tommy Makem 1.