Falling Waters Music Camp 2019

Total Page：16

File Type：pdf, Size：1020Kb

Falling Waters Music Camp 2019 Friday, January 11th Saturday, January 12th Sunday, January 13th Session 1 Session 2 Session 3 Session 4 Session 5 Session 6 Session7 Session 8 Session 9 9:45 Session 10 1-2:15pm 2:30-3:45pm 4-5pm 9:15-10:30am 10:45-12pm 1-2:15pm 2:30-3:45 4-5pm - 11am 11:15-12:30 Tim Ball Fiddle Twin fiddle w/ New England Sligo Fiddle (fiddle) Orientation Rick Manning tunes tunes Shane Cook Bluegrass Cross Canada Celtic Improv Ontario tunes Ontario tunes (fiddle) Tunes Tour ornament. grass/swing 1 2 Winifred Horan Left Hand Irish Session Irish Fiddle Improving Ornament. Rhythm and (fiddle) Technique Tunes Bow Work fiddle tone Irish fiddle feel Judy Hyman Crooked A Tunes Kentucky Original (fiddle) Tunes by Ed Haley tunes waltzes Rosie Newton Old Time: the Singing while Fiddle and Banjo Old Time (fiddle) Highwoods playing w/Richie Sterns Bowing Paul Fairbanks Banjo Roll Theory and Learning (Banjo) Recipes facts apps Adam Hurt Scale maps old Round Peak Sandy River Fiddle tunes Clawhammer Old time trio (banjo) time style Belle for Banjo Ben Krakauer Bluegrass Back up on Chord Jazz Bluegrass Melodies (banjo) basics banjo progressions harmony Repetoire w/rolls Aaron Lipp Old Time Flatpicking (Banjo) Basics w/Bobby Henri Richie Sterns Old Time Fiddle and Banjo (Banjo) Banjo w/Rosie Newton Rick Manning Portlandia: Twin Fiddle w/ (fiddle/mandolin) Warm Up Tim Ball David Surette Old time Duo playing Celtic DADGAD Celtic/ Accomp. a Folk rock (mandolin/guitar) mandolin w/Susie Burke mandolin Celtic guitar Old time singer w/Susie Joe Walsh G, C and D Fingerboard Improv on Easy mando Dawg style Golden Eagle (mandolin) Chords layout tunes tunes Ethan Jodciewitz Bass 1 Bass 2 Bass 3 Bass 4 Bass 5 Bass 6 (bass) Grant Gordy Playing Right hand Timing and Mapping Tunes, Tune writing (Guitar) w/others technique groove the neck solos+licks Bobby Henrie Flatpicking Djangoners (Guitar) w/Aaron Lipp w/Dave Davies Kyle Waymouth Intro to Drop D Flatpicking Fancy Drop Cross Canada Step dance 1 Step dance 2 (guitar/stepdance) Drop D II melodies D Chords Susie Burke Voice Duo playing Singing/Song Fingerpicking Accomp. a Folk rock (voice/guitar) upkeep w/David S. interpretation guitar Songwriter’s singer w/David Joe Crookston Fingerstyle Songwriting showcase Songwriting I Guitar Tricks Slide guitar String band (voice/guitar) Guitar 2 Dave Davies Voice Djangoners Swing guitar Swing band (voice/swing) improv w/Bobby Henri .

Copy Link

Recommended publications

Music K-8 Marketplace 2021 Spring Update Catalog
A Brand New Resource For Your Music Classroom! GAMES & GROOVES FOR BUCKET BAND, RHYTHM STICKS, AND LOTS OF JOYOUS INSTRUMENTS by John Riggio and Paul Jennings Over the last few years, bucket bands have grown greatly in popularity. Percussion is an ideal way to teach rhythmic concepts and this low-cost percussion ensemble is a great way to feel the joy of group performance without breaking your budget. This unique new product by John Riggio and Paul Jennings is designed for players just beyond beginners, though some or all players can easily adapt the included parts. Unlike some bucket band music, this is written with just one bucket part, intended to be performed on a small to medium-size bucket. If your ensemble has large/bass buckets, they can either play the written part or devise a more bass-like part to add. Every selection features rhythm sticks, though the tracks are designed to work with just buckets, or any combination of the parts provided. These change from tune to tune and include Boomwhackers®, ukulele, cowbell, shaker, guiro, and more. There are two basic types of tunes here, games and game-like tunes, and grooves. The games each stand on their own, and the grooves are short, repetitive, and fun to play, with many repeats. Some songs have multiple tempos to ease learning. And, as you may have learned with other music from Plank Road Publishing and MUSIC K-8, we encourage and permit you to adapt all music to best serve your needs. This unique collection includes: • Grizzly Bear Groove • Buckets Are Forever (A Secret Agent Groove) • Grape Jelly Groove • Divide & Echo • Build-A-Beat • Rhythm Roundabout ...and more! These tracks were produced by John Riggio, who brings you many of Plank Road’s most popular works.
[Show full text]
{PDF EPUB} Blood in West Virginia Brumfield V. Mccoy by Brandon Kirk William Greenville “Green” Mccoy
Read Ebook {PDF EPUB} Blood in West Virginia Brumfield v. McCoy by Brandon Kirk William Greenville “Green” McCoy. Are you adding a grave photo that will fulfill this request? Yes, fulfill request No, this is not a grave photo. Oops, something didn't work. Close this window, and upload the photo(s) again. Make sure that the file is a photo. Photos larger than 8Mb will be reduced. Photos larger than 8.0 MB will be optimized and reduced. Each contributor can upload a maximum of 5 photos for a memorial. A memorial can have a maximum of 20 photos from all contributors. The sponsor of a memorial may add an additional 10 photos (for a total of 30 on the memorial). Include gps location with grave photos where possible. No animated GIFs, photos with additional graphics (borders, embellishments.) No post-mortem photos. File Name · Request Grave Photo. Photo request failed. Try again later. The note field is required. Leave a Flower. Your Scrapbook is currently empty. Add to your scrapbook. You are only allowed to leave one flower per day for any given memorial. View Flower. Share. Facebook Twitter Pinterest Email. Save To. Ancestry Virtual Cemetery Copy to clipboard Print. Your Virtual Cemeteries. Select to include on a virtual cemetery: Loading… Report Abuse. Are you sure that you want to report this flower to administrators as offensive or abusive? This flower has been reported and will not be visible while under review. Failed to report flower. Try again later. Remove Flower. Failed to remove flower. Try again later. Delete Memorial.
[Show full text]
Haley, James Edward (Ed) and Family 94-085 Collection
HALEY, JAMES EDWARD (ED) AND FAMILY 94-085 COLLECTION Physical description: .75 l.f. (copies) including 8 audio tapes ( TTA-187A/H) 1 volume (copy) 1 binder (copy) Dates: Ca. 1946-1947 Restriction: These materials may be used only with the permission of the donor. Provenance: These materials were loaned for copying by John Hartford of Madison Tennessee with the permission of the Haley family. Some of these discs were copied earlier by the Library of Congress and appear on the Rounder album Ed Haley, Parkersburg Landing (Rounder 1010) Biographical Sketch: James Edward (Ed) Haley was born on Hart’s Creek, Logan county, West Virginia, in 1885, the son of Andrew Jackson and Emma (Mullins) Haley. He lost his vision in early childhood and received no formal education. As an adult supported himself by his fiddle playing in West Virginia, Kentucky and Ohio. In 1914 he married (Martha) Ella of Morehead Kentucky, who was also blind, and moved to Ashland Kentucky. The Haleys, who had five children, divorced in 1935 but continued to play together. Ed Haley died in 1951, Ella in 1954. Scope and Content: This collection consists of a photocopied volume of John Hartford’s research notes concerning the Haley family and regional history and 8 reel to reel analog audio tapes of instantaneous discs made by West Virginia fiddler J.E. (Ed) Haley of West Virginia and his family, ca. 1946-1947. The volume includes detailed information on the family, including copies of photographs; song texts, sometimes with explanatory notes including an extensive discussion of “Lincoln Country Crew,” a murder ballad; Hartford’s transcriptions of Haley’s tunes and information on those and other tunes in Haley’s repertoire; drawings of Haley’s fiddle positions based on information from his son Lawrence and other information on his playing technique; and scattered information on other fiddlers, especially “Uncle Jack” McElwain from whom Haley learned a number of tunes.
[Show full text]
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D.
[Show full text]
Flatpick Guitar and Fiddle Music from Kanawha County, West Virginia
The American Folklife Center of the Library of Congress presents Traditional Ethnic and Regional Music and Dance that’s “Homegrown” in Communities across the U.S. AN ACQUISITIONS & PRESENTATION PROJECT Flatpick Guitar and Fiddle Music from Kanawha County, West Virginia Thursday August 16, 2012 FREE AND OPEN 12 NOON -1 PM Coolidge Auditorium TO THE PUBLIC Ground Floor, Thomas Jefferson Building Metro Stop: Library of Congress Capitol South, located one block 10 First Street, SE, south of the Washington, DC Jefferson Building Cosponsored with the Kennedy Center Millennium Stage Request ADA accommodations five days in advance at (202) 707-6362 or [email protected] For more information contact Thea Austen 202-707-1743 Flatpick Guitar and Fiddle Music from Kanawha County, West Virginia Kanawha Tradition dances. Clark’s music was highly desired by square dancers, and his Great traditional musicians leave a legacy of music attributed to early recordings included square dance calls by Ernest Legg. Bobby them, stories about them, and most important, a group of active Taylor, a state champion fiddler, carries on the square dance tradition younger musicians who carry their music forward. Historically, and regularly plays for three dances a month. After Clark had a traditional music was only passed from one person to another; the stroke that crippled his left side, Bobby would visit Clark and note only proven way of maintaining the tradition. However the music the fiddle while Clark operated the bow. In the process, Bobby does change in minor ways from one generation to the next rather experienced his “down-bow” style.
[Show full text]
March 2013 Guitar Journal PDF
March 2013 www.joedocmusic.com Guitar Journal PDF Copyright 2013 www.joedocmusic.com/Joe Dochtermann, all rights reserved. This document and all contents are only to be distributed by www.joedocmusic.com from the designated download link. Contents may not be copied, reproduced, redistributed, resold, recycled, or regurgitated without express permission of the author. So there. For your reference, here's a link to the YouTube video: https://www.youtube.com/watch?v=JTHwqVadL64 This month's lesson is a primer on some of the country guitar techniques that differ significantly from how you probably play if you come from the blues/rock school of guitar playing. I'm planning a full DVD in this style, which will expand on these ideas and add a lot more about double-stops, bending, chromatics, and creating fills and solos using all these techniques. Bookmark our site and subscribe to our YouTube channel to be sure you don't miss upcoming lessons! * First off is the tab for the lick I play at the beginning of the video. I suggest that you work through the video before jumping in and trying this. It's important to learn the proper right-hand technique first - you don't want to practice incorrectly and wind up "programming" your fingers the wrong way. If you're familiar with hybrid picking, then you're ready to try it out: My suggestions for the picking are next to the tab: P = pick M = middle finger R = ring finger Please pardon the way the tablature program displays the grace notes on the D- string.
[Show full text]
Robert Schafer, Robin Kessinger, and Bobby Taylor, Homegrown Concert
The American Folklife Center of the Library of Congress presents Traditional Ethnic and Regional Music and Dance that’s “Homegrown” in Communities across the U.S. AN ACQUISITIONS & PRESENTATION PROJECT Flatpick Guitar and Fiddle Music from Kanawha County, West Virginia Thursday August 16, 2012 FREE AND OPEN 12 NOON -1 PM Coolidge Auditorium TO THE PUBLIC Ground Floor, Thomas Jefferson Building Metro Stop: Library of Congress Capitol South, located one block 10 First Street, SE, south of the Washington, DC Jefferson Building Cosponsored with the Kennedy Center Millennium Stage Request ADA accommodations five days in advance at (202) 707-6362 or [email protected] For more information contact Thea Austen 202-707-1743 Flatpick Guitar and Fiddle Music from Kanawha County, West Virginia Kanawha Tradition dances. Clark’s music was highly desired by square dancers, and his Great traditional musicians leave a legacy of music attributed to early recordings included square dance calls by Ernest Legg. Bobby them, stories about them, and most important, a group of active Taylor, a state champion fiddler, carries on the square dance tradition younger musicians who carry their music forward. Historically, and regularly plays for three dances a month. After Clark had a traditional music was only passed from one person to another; the stroke that crippled his left side, Bobby would visit Clark and note only proven way of maintaining the tradition. However the music the fiddle while Clark operated the bow. In the process, Bobby does change in minor ways from one generation to the next rather experienced his “down-bow” style.
[Show full text]
A State Divided: the Civil War in Kentucky Civil War in the Bluegrass
$5 Fall 2013 KentuckyKentucky Humanities Council, Inc. humanities A State Divided: The Civil War in Kentucky Civil War in the Bluegrass e are 150 years removed from the Civil War, yet it still creates strong emotions in many Americans. The War Between the States split the nation deeply and divided Kentucky, pitting friend against friend, neighbor against neighbor, brother against brother, and even father against son. WKentucky’s future was forever changed by the events of the Civil War. In commemoration of the Civil War’s sesquicentennial, we are pleased to share with you a wide array of Kentucky perspectives and issues that developed throughout the war. What would Abraham Lincoln say about slavery and the Civil War if he were alive today? Stephen A. Brown conducts a “conversation” with President Lincoln through chronicled speeches and writings. His article is on page 7. Camp Nelson played a pivotal role in the destruction of slavery in the Commonwealth. W. Stephen McBride shares the history of Kentucky’s largest recruitment and training center for Ben Chandler African American soldiers and what remains of Camp Nelson today. Executive Director John Hunt Morgan is widely known for his Confederate Cavalry raids, overshadowing fellow Kentucky Humanities Council Kentuckian George Martin Jessee, known as “Naughty Jessee.” Mark V. Wetherington tells us about the lesser known Confederate Cavalryman on page 15. While Kentucky’s men were off fighting for both the Union and the Confederacy, their wives, mothers, sisters, and daughters were left to take care of the family and home. On page 18, Nancy Baird shares the stories of several Kentucky women who bravely kept the home fires burning during the Civil War.
[Show full text]
Appalachian Studies Bibliography Cumulation 2013-June 2016 ______
Appalachian Studies Bibliography Cumulation 2013-June 2016 _____________________ CONTENTS Agriculture and Land Use ................................................................................................................3 Appalachian Studies.........................................................................................................................8 Archaeology and Physical Anthropology ......................................................................................14 Architecture, Historic Buildings, Historic Sites ............................................................................18 Arts and Crafts ..............................................................................................................................21 Biography .......................................................................................................................................27 Civil War, Military.........................................................................................................................29 Coal, Industry, Labor, Railroads, Transportation ..........................................................................37 Description and Travel, Recreation and Sports .............................................................................63 Economic Conditions, Economic Development, Economic Policy, Poverty ................................71 Education .......................................................................................................................................82
[Show full text]
Today's World Magazine for May 2000
TODAY’S TODAY’S WORLDWORLDMayMay 20002000 Mother takes her message and her heart to the world Father’s Words hyun Jin nim in asia rev. KWaK: understanding the Present era north Korean arts trouPe PerForms in seoul Message from the Publisher Reverend Sun Jo Hwang Creating the Conditions for Reunification From a sermon given on May 21st at the Headquarters One is the media and the other is non-governmental Church in Seoul, Korea (social) organizations. The media and civil organiza- tions will be more influential in the 21st century. True FTER we had successfully concluded True Par- Parents have been preparing foundations in these two ents’ birthday celebration in February, True areas for a long time. In Korea, the movement consists Father immediately instructed us to hold of a large number of social organizations. We also have nationalA rallies for South-North unification at twenty- a global media network dedicated to the development one venues in Korea. Never in our wildest dreams had of the global providence. we imagined that another major series of events would On May 15th, I received a phone call from Mr. Sang follow on the heels of what had been such a tremen- Kwon Pak, president of Pyeonghwa Motors, while I dous occasion. We were all surprised, and even rather was meeting with a senior South Korean government worried. Only after completing all the rallies did we see official. Mr. Pak was discussing arrangements for the the reason Father had decided to do them and could visit of the North Korean dance group with a North appreciate Father’s intuitive sense of heavenly fortune.
[Show full text]
Fingerpicking Patterns 5 Single Note Patterns
How To Effortlessly Generate An Endless Flow Of Creative Fingerpicking Ideas And Have Them Sound Amazing Every Time You Pick Up Your Guitar To Play! - Part 1 © Guitar Mastery Solutions, Inc. Page !2 Table Of Contents Fingerpicking Technique 4 1. Correct Picking Hand Position ........................................................................................4 2. Finger Choices .................................................................................................................4 3. Finger Efﬁciency ..............................................................................................................5 Fingerpicking Patterns 5 Single Note Patterns .............................................................................................................5 Plucking Notes Together Patterns ........................................................................................5 Pinching Patterns .................................................................................................................6 Mixing Patterns ....................................................................................................................6 Masterclass Fingerpicking Chord Progression .....................................................................7 Creative Fingerpicking Applications 7 Application 1: Jazz Fingerpicking 7 Progression ...........................................................................................................................7 Jazz Application Example ....................................................................................................8
[Show full text]
The Works of Charley, Noah, & Hazel Kinney
S L O W TIME The Works of Charley, Noah, & Hazel Kinney Design: Matt Collinsworth Art Photos: Geoff Carr, Adrian Swain Table of Contents Introduction by Adrian Swain 4 Acknowledgements 6 A Sense of Place by Lee Kogan 8 At the Head of Salt Lick (1980) by John Harrod 31 About the Authors 35 Exhibition Checklist 36 Introduction Anyone with wits about them who visited the Kinney farm had to Charley and Noah were well informed conclude that there was something quite extraordinary taking place about material ‘progress.’ They there, but the relative otherness of the Kinneys’ existence could just picked and chose which of the easily lead one to be distracted by the “old-timey” details of their new ways they would fool with lifestyle. and ignored the rest. Strip away the few conveniences they did Charley and Noah Kinney were born 6 years apart—1906 and adopt, and these two men could 1912 respectively—into a life of subsistence farming not so far survive just fine without them, removed from that eked out by early white settlers in northeast thank you very much, though Kentucky. They died within 6 months of each other in 1991. Their there’s no doubt that Hazel’s lives spanned a tumultuous era in history, a time of unprecedented addition to the family as Noah’s economic, technological, socio-political and cultural change: the wife in 1960 reinstated a much- advent of radio, flight, rural electrification, mechanized farming, missed thread of domestic order. television, chain saws, repeating rifles, indoor plumbing, and other technological marvels.
[Show full text]