NACBT Handbook 2015-2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cesare Pugni: Esmeralda and Le Violon Du Diable
Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................ -
Press Kit for Ballets Russes, Presented by Capri Releasing
PRESENTS BALLETS RUSSES A film by Dan Geller and Dayna Goldfine. A fifty-year journey through the lives of the revolutionary artists who transformed dance. Running Time: 120 Minutes Media Contact: Anna Maria Muccilli AM Public Relations 1200 Bay St., Suite 900 Toronto, Ontario, M5R 2A5 416.969.9930 x 231 [email protected] For photography, please visit: http://www.caprifilms.com/capri_pressmaterial.html Geller/Goldfine P R O D U C T I O N S Ballets Russes Synopsis Ego, politics, war, money, fame, glamour, love, betrayal, grace… and dance. Ballets Russes is a feature-length documentary covering more than fifty years in the lives of a group of revolutionary artists. It tells the story of the extraordinary blend of Russian, American, European and Latin American dancers who, in collaboration with the greatest choreographers, composers and designers of the first half of the 20th century, transformed ballet from mere music hall divertissement to a true art form. From 1909, when Russian impresario Serge Diaghilev premiered his legendary Ballet Russe company in Paris, to 1962 when Serge Denham’s Ballet Russe de Monte Carlo performed for the last time in Brooklyn, Ballets Russes companies brought their popular, groundbreaking and often controversial choreographies to big cities and small towns around the world. Along the way, these artistic visionaries left their mark on virtually every other area of art and culture – from stage design, painting and music to Hollywood and Broadway. Through their inclusive cosmopolitanism, they also put the first African-American and Native American ballerinas on the stage. Using intimate interviews with surviving members of the Ballets Russes companies (now in their 70s, 80s and 90s) as well as rare archival materials and motion picture footage, Ballets Russes is both an ensemble character film and an historical portrait of the birth of an art form. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Ballets Russes
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent: BALLETS RUSSES EEN FILM VAN / UN FILM DE DAYNA GOLDFINE & DAN GELLER Persmappen en beeldmateriaal van al onze actuele titels kunnen gedownload van onze site: www.cinemien.nl of www.abc-distribution.be Link door naar PERS en vul in; gebruikersnaam: ‘pers’, wachtwoord: ‘cinemien’ BALLETS RUSSES– synopsis (NL) Een schitterende documentaire over een revolutionaire dansgroep die bekend staat als het Ballet Russe. De groep is ontstaan uit een groep Russische vluchtelingen die nooit in Rusland hebben gedanst en splitste zich later op in twee rivaliserende dansgroepen: de ‘Original Ballet Russe’ en de ‘Ballet Russe de Monte Carlo’. De documentaire begint bij de oprichting in 1909 door de befaamde Serge Diaghilev, beschrijft de oprichting van de Ballet Russe de Monte Carlo na de dood van Diaghilev in 1929, het ontstaan van een tweede Ballets Russes groep, de voorspoedige jaren ’30 en ’40 toen het Ballet Russe door Amerika toerde, tot de ondergang in de jaren ’50 en ’60 door stijgende kosten, groeiende ego’s, competitie van buiten en intern wanbeleid. Niet alleen choreografen als Balanchine en Massine, maar ook schilders als Matisse, Dali en Picasso werkten voor de revolutionaire Ballets Russes. Om over componisten als Claude Debussy en Igor Stravinsky nog maar te zwijgen. Wereldsterren als Alicia Markova, Irina Baranova en Marc Platt halen herinneringen op. Velen van de Ballets Russes dansers van weleer zijn nu tachtig of negentig, maar zijn nog steeds actief in de balletwereld. -
Fang Family San Francisco Examiner Photograph Archive Negative Files, Circa 1930-2000, Circa 1930-2000
http://oac.cdlib.org/findaid/ark:/13030/hb6t1nb85b No online items Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid to the Fang family San BANC PIC 2006.029--NEG 1 Francisco examiner photograph archive negative files, circa 1930-... Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Collection number: BANC PIC 2006.029--NEG The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Fang family San Francisco examiner photograph archive negative files Date (inclusive): circa 1930-2000 Collection Number: BANC PIC 2006.029--NEG Creator: San Francisco Examiner (Firm) Extent: 3,200 boxes (ca. 3,600,000 photographic negatives); safety film, nitrate film, and glass : various film sizes, chiefly 4 x 5 in. and 35mm. Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Local news photographs taken by staff of the Examiner, a major San Francisco daily newspaper. -
Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
The Boris Volkoff Collection *
Boris Volkoff Collection (1924-1975) Inventory approx. 1600 items, 11.25 linear ft. Box #1 Env. #1: Biographical material – 20 items Env. #2: Chronologies of ballet performances (1938-1947) – 9 items Env. #3: Correspondence (Feb.6,1929-June 19,1973) – 86 items Env. #4: Choreographic ideas, plots, cast lists – 14 items Env. #5: School prospectuses – 16 items Env. #6: Student writings – 4 items Pieces by B.V.’s students at Camp Manitou-wabing. Env. #7a: Programs (1924-1939) – 41 items Env. #7b: Programs (1940-1953) – 45 items Including Canadian Ballet Festival. Env. #8: Programs (1954-1971) – 46 items Env. #9: XI Olympiad, Berlin, 1936 – 35+ items Programs (2); photos (31); press clippings; letter of introduction from Canadian Olympic Committee’s P.J. Mulqueen (July 8, 1936); article by James Pape from “Canada at the XI Olympiad” (see also Env. 26) Boris Volkoff Collection Inventory Page 2 of 20 Env. #10: Posters – 8 items 40 Years of Ballet in Canada, Hart House Theatre (4 copies and original art work); May Festival of Music and Dance, Varsity Arena, May 29, 1951; (also: The Green Cat and The Magic Flute – fragments only). Env. #11: Programs – 8 items Toronto Skating Club Carnival souvenir programs, 1934-39 (27th to 32nd; dups of 1937 and 1938) Env. #12: Programs – 7 items Toronto Skating Club Carnival souvenir programs, 1940-1948 (33rd to 36th; dups of 1940, 1942 and 1948) Env. #13: Programs – 8 items Toronto Skating Club Carnival souvenir programs, 1949-50; 1952-53 (37th; 38th; 40th; 41th;) (2 dups of 1950; 2 dups of 1953) Env. -
Blum Brings Michel Fokine Into the Fold
CHAPTER 8 Blum Brings Michel Fokine into the Fold lthough the Great Depression had begun in the United States with the A stock market crash of 1929, the French economy and that of Monte Carlo, protected by high tariff barriers, remained somewhat insulated from the worldwide recession until aft er 1931. Economic crisis and political turmoil reinforced each other. In 1932 the right-wing Bloc National lost control of parliament to the Radicals who then governed with the support of the Socialists, although the latt er refused to be represented in the cabinet. In Germany, in part as a result of economic chaos and infl ation, Hitler and the Nazis rose to power in 1933. Right-wing movements hostile to the Revolution and the republic had long existed in France, the most important of which was the Action Fran ç aise, founded by Charles Maurras at the turn of the century. He believed that “four alien na- tions, Jews, Freemasons, Protestants and Métèques [immigrants] domi- nated and corrupted the nation.” 1 He sought a return of the Catholic Church and the monarchy, appealing to conservatives and the military. Th e Action Fran ç aise created the Camelots du Roi, a violent street gang that presaged the actions of future Fascist movements in Italy, Germany, and elsewhere. With the rise of Hitler, and the popularity of other Fascist movements and their leaders such as Mussolini in Italy, authoritarian and Fascist move- ments like the anti-parliamentary Jeunesse Patriotes and the Croix de Feu emerged in France. On February 6, 1934, right-wing extremists managed to organize a huge demonstration at the Place de la Concorde. -
Danceinternational Journey to Soif
$7.50 • SUMMER 2014 INTERNATIONAL danceGinette Laurin’s Journey to Soif A New Danseur Noble Crazy Cabaret Girls Galleryspace La Monarca GLOBAL REPORTS: FLAMENCO MEN IN JEREZ, ROMEO AND JULIET IN WINNIPEG, BACKSTAGE AT THE BOLSHOI PMA No.40050848 INTERNATIONAL danceCLASSICAL AND CONTEMPORARY DANCE IN CANADA AND ABROAD SUMMER 2014 VOL. 42 No. 2 Publisher Vancouver Ballet Society Editor Kaija Pepper Shakespeare’s Romeo and Juliet features a female Copy Editor Margaret Jetelina lead who goes through an intense emotional jour- Web Administrator & Gabriele Walkow Social Media Manager ney within the story’s tight time frame. The es- Web Design Spry sential Juliet is about tempestuous first love, but Art Direction, Design Brenda Finamore the enriching details are up to the actress/balle- & Production rina playing her. Fulfillment The Oyster Group The two ballet productions I’ve seen so far this Printing Horseshoe Press Inc. year had memorable Juliets. The Royal Winnipeg Photo: Steven Lemay Steven Photo: Mailing Mail-O-Matic Ballet’s delicate heroine — in Rudi van Dantzig’s Advertising Kelsey Jorssen 1967 version — was made even more ethereal by pink satin pointe shoes, whether danced by Amanda Green, Elizabeth Lamont or Sophia Lee (yes, DANCE INTERNATIONAL is published quarterly by the Vancouver Ballet Society and is available by I saw all three casts, on tour in Vancouver). By contrast, on my recent visit membership in the society or by subscription. to Dresden, the Semperoper Ballett’s Julia Weiss — in Stijn Celis’ 2013 con- Opinions expressed within are those of the temporary telling — was a thrillingly grounded young woman in white shirt, authors and do not necessarily represent the shorts and shoes. -
A Celebration of Dance 2021
ARTISTIC DIRECTOR THOM CLOWER AND BALLET ENSEMBLE OF TEXAS PRESENT A CELEBRATION OF DANCE 2021 FIREBIRD CONFETTI SWAN LAKE IN A NUTSHELL SPACIAL PERCUSSION APRIL 9-10 IRVING ARTS CENTER Presenting Sponsors: NEA/TCA Funded in part of the City of Irving through the Irving Arts Board and the City of Coppell. Dear Friends, On behalf of all of us at Ballet Ensemble of Texas, we would like to express sincere gratitude to everyone who supported our work during this Pandemic. Just over a year ago we were going along dancingly, and suddenly, we had to stop…some- thing that is not great for people who are movers! As difficult as it was for us to teach the dancers via Zoom, I cannot imagine having to live them with while they were experiencing it. It was not easy for any of us…but now, it seems, we are beginning to get past this unprecedented moment in our lives. Thank Goodness! We also appreciate your continued support as we move forward and create our new “normal”. We will continue to follow our mission of presenting quality ballet performances for local communities, and to train pre-professional students for careers in dance. We will continue to present full-length ballets and ambitious performances to the Dallas/Fort Worth area, dancing or premiering works by noted choreographers. Additionally, we will continue our outreach programs, creating a culture of inclusion by donating tickets to veterans, Girl Scouts, Boys and Girls Clubs, and the elderly. As a non-profit 501(c)(3) organization, the company is funded by donations, ticket sales, and is grateful to the National Endowment for the Arts, Texas Commission on the Arts, City of Coppell, Irving Arts Center and the City of Irving through the Irving Arts Board for their support. -
Ballet Positions
Andros On Ballet - Technique If you can say it, you can do it... If you're serious about learning classical ballet, you will learn the vocabulary. And if you're serious about learning the vocabulary, you will make a small investment in this very valuable book...Technical Manual and Dictionary of Classical Ballet by Gail Grant. It is tiny (fits conveniently in a dance bag) and remarkably inexpensive (under $5) but it is packed with useful information. It is considerably more detailed than any of the online ballet dictionaries. You can order it right now from amazon.com or barnsandnoble.com. Excerpts from this book are used throughout this technique page. HOME HISTORY Positions of the Body Timeline I teach Cecchetti (Italian) ballet technique and as such use the Cechetti body positions. I Am. Ballet Theatre borrow one position (efface derriere) from the Vaganova (Russian) school since no Atlanta Ballet comparable position exists in the Cechetti vocabulary. American Beginnings Ballet Russe Ballet Russe Descendents Bolshoi Ballet Chicago Ballet Dance Th. of Harlem Early Ballet Eliot Feld Ballet French Ballet Joffrey Ballet Modern Dance croise devant quatrieme devant efface (devant) New York City Ballet Pas de Quatre Russian Beginnings Russian Ballet 1904-1927 San Francisco Ballet FEATURES Words Necessity a la seconde croise derriere ecarte Who Are We? The Gypsy Robe Margaret & Sonia What Children Say Addicted to Dance A League of His Own 60 and Still Counting Dance, But What Kind? When Did It All Change? The Nutcracker Mystique epaule quatrieme derriere efface derriere (Vaganova) Ballet and the Evil Empire Ballet As Track and Field Although I do not teach from the Vaganova (Russian) school, the Vaganova positions here The Best of the Androisms are given for completeness.