2016-2017 NACBT Handbook
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Cesare Pugni: Esmeralda and Le Violon Du Diable
Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................ -
Audition Guidelines & Frequently Asked
AUDITION GUIDELINES & FREQUENTLY ASKED QUESTIONS Explore Your Potential and Realize Your Dream Patricia Lavoie, Artistic Director ABOUT SOUTHERN NH YOUTH BALLET Welcome to Southern NH Youth Ballet (SNHYB), the official performing company of Southern NH Dance Theater. The Youth Ballet has been educating dancers and inspiring audiences throughout New Hampshire since 1998. For more than 15 years the Youth Ballet has also been the resident Nutcracker Performing Company at the historic Palace Theatre in Manchester, NH. By providing young dancers with unique performance opportunities, intensive dance training and individual coaching, the Youth Ballet continues to inspire the youth in our community by fostering their artistic growth and enriching their lives. EXPLORE YOUR POTENTIAL AND REALIZE YOUR DREAM There are many benefits for company members of Southern NH Youth Ballet. Some of those opportunities include: • Participation in several performing opportunities • Perform with a live orchestra in The Nutcracker at the Palace Theatre in downtown Manchester • Work with some of the industry’s leading choreographers • Dance alongside professional dancers • Exposure to the dance community on a national level HOW DO I BECOME A MEMBER OF THE YOUTH BALLET? By attending the company auditions held in the fall of each year. Participation in the Youth Ballet is voluntary and open to all Southern NH Dance Theater students enrolled in ballet levels 5 through 7. There are no age requirements for students in ballet levels 5-7. It is very important to remember that the Youth Ballet is designed for the serious dancer. A commitment of this level is viewed by our staff as a family commitment. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Press Kit for Ballets Russes, Presented by Capri Releasing
PRESENTS BALLETS RUSSES A film by Dan Geller and Dayna Goldfine. A fifty-year journey through the lives of the revolutionary artists who transformed dance. Running Time: 120 Minutes Media Contact: Anna Maria Muccilli AM Public Relations 1200 Bay St., Suite 900 Toronto, Ontario, M5R 2A5 416.969.9930 x 231 [email protected] For photography, please visit: http://www.caprifilms.com/capri_pressmaterial.html Geller/Goldfine P R O D U C T I O N S Ballets Russes Synopsis Ego, politics, war, money, fame, glamour, love, betrayal, grace… and dance. Ballets Russes is a feature-length documentary covering more than fifty years in the lives of a group of revolutionary artists. It tells the story of the extraordinary blend of Russian, American, European and Latin American dancers who, in collaboration with the greatest choreographers, composers and designers of the first half of the 20th century, transformed ballet from mere music hall divertissement to a true art form. From 1909, when Russian impresario Serge Diaghilev premiered his legendary Ballet Russe company in Paris, to 1962 when Serge Denham’s Ballet Russe de Monte Carlo performed for the last time in Brooklyn, Ballets Russes companies brought their popular, groundbreaking and often controversial choreographies to big cities and small towns around the world. Along the way, these artistic visionaries left their mark on virtually every other area of art and culture – from stage design, painting and music to Hollywood and Broadway. Through their inclusive cosmopolitanism, they also put the first African-American and Native American ballerinas on the stage. Using intimate interviews with surviving members of the Ballets Russes companies (now in their 70s, 80s and 90s) as well as rare archival materials and motion picture footage, Ballets Russes is both an ensemble character film and an historical portrait of the birth of an art form. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Ballets Russes
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent: BALLETS RUSSES EEN FILM VAN / UN FILM DE DAYNA GOLDFINE & DAN GELLER Persmappen en beeldmateriaal van al onze actuele titels kunnen gedownload van onze site: www.cinemien.nl of www.abc-distribution.be Link door naar PERS en vul in; gebruikersnaam: ‘pers’, wachtwoord: ‘cinemien’ BALLETS RUSSES– synopsis (NL) Een schitterende documentaire over een revolutionaire dansgroep die bekend staat als het Ballet Russe. De groep is ontstaan uit een groep Russische vluchtelingen die nooit in Rusland hebben gedanst en splitste zich later op in twee rivaliserende dansgroepen: de ‘Original Ballet Russe’ en de ‘Ballet Russe de Monte Carlo’. De documentaire begint bij de oprichting in 1909 door de befaamde Serge Diaghilev, beschrijft de oprichting van de Ballet Russe de Monte Carlo na de dood van Diaghilev in 1929, het ontstaan van een tweede Ballets Russes groep, de voorspoedige jaren ’30 en ’40 toen het Ballet Russe door Amerika toerde, tot de ondergang in de jaren ’50 en ’60 door stijgende kosten, groeiende ego’s, competitie van buiten en intern wanbeleid. Niet alleen choreografen als Balanchine en Massine, maar ook schilders als Matisse, Dali en Picasso werkten voor de revolutionaire Ballets Russes. Om over componisten als Claude Debussy en Igor Stravinsky nog maar te zwijgen. Wereldsterren als Alicia Markova, Irina Baranova en Marc Platt halen herinneringen op. Velen van de Ballets Russes dansers van weleer zijn nu tachtig of negentig, maar zijn nog steeds actief in de balletwereld. -
Dayton Ballet Company 2019–2020
2019–2020 SEASON Page 13 Message from the President Paul Helfrich, President & CEO, Dayton Performing Arts Alliance Welcome to the Schuster Center and Dayton Ballet’s presentation of The Nutcracker! We’re glad you’re here. The holiday season is always a busy time for the Dayton Performing Arts Alliance, and I want to make sure that you don’t miss any of it. We’re excited to be offering these performances of Dayton Ballet’s The Nutcracker with the sensational Dayton Philharmonic Orchestra, and we’re also looking forward to a special presentation of the wonderful jazz music from “A Charlie Brown Christmas” with the Jim Martinez Quartet on December 28. Attending The Nutcracker with family and friends is a cherished holiday tradition. Other December traditions include the Philharmonic’s presentation of Handel’s Messiah on December 18 and our New Year’s Eve concert on December 31. There’s also our free “Bach’s Lunch” concerts with the Carillon Brass; two performances at the Loft Theatre on Friday, December 13. Mainstage performances like The Nutcracker are some of our most visible offerings, but equally important performances take place in classrooms all around the Miami Valley. Over 70,000 young people in the Miami Valley benefited from DPAA education programs in the past year, including the Dayton Ballet School, Philharmonic Ensembles, Opera on the Road, Q the Music, Young People’s and Magic Carpet Concerts, ArtsConnect, and the Dayton Philharmonic Youth Orchestra, Youth Strings, and Junior Strings. Those programs are made possible through the support of generous contributors to our Annual Fund Campaign. -
AM Joffrey Interviewees
Press Contacts: Natasha Padilla, WNET 212.560.8824, [email protected] Lynn Tejada, Green Galactic 213.840.1201, [email protected] Press Kits: pbs.org/pressroom or thirteen.org/pressroom Websites: pbs.org/americanmasters , facebook.com/americanmasters , #AmericanMasters American Masters Joffrey: Mavericks of American Dance Premieres nationally Friday, December 28 at 9 p.m. (ET) on PBS (check local listings) Interviewees (in alphabetical order) Sasha Anawalt , Author and lecturer Sasha Anawalt is director of University of Southern California Annenberg Arts Journalism Programs, including the Masters degree in Specialized Journalism (The Arts) program, a partnership with the five arts schools at USC that she helped create and launch in 2008. She is a lecturer on the Annenberg School of Journalism faculty. Anawalt also directs the USC Annenberg/Getty Arts Journalism Program. Anawalt’s best-selling cultural biography, The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company (Scribner, 1996), was re-issued in January 2012 as an e-book. American Masters Joffrey: Mavericks of American Dance is heavily based on her book. Charthel Arthur , Joffrey Ballet Dancer, 1965-1979 Charthel Arthur began her dance training in Pasadena, California with Eva Lorraine. After graduating from high school with honors, she went to New York and was given a full scholarship to the Joffrey Ballet School followed by an apprenticeship to the Joffrey Ballet and three months later she became a full company member. Arthur performed with the Joffrey Ballet for 13 years as a principal dancer. In 1983, Arthur and her husband, Robert Estner moved to Grand Rapids, Michigan to establish a professional ballet school now known as The School of the Grand Rapids Ballet. -
Fang Family San Francisco Examiner Photograph Archive Negative Files, Circa 1930-2000, Circa 1930-2000
http://oac.cdlib.org/findaid/ark:/13030/hb6t1nb85b No online items Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Bancroft Library staff The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid to the Fang family San BANC PIC 2006.029--NEG 1 Francisco examiner photograph archive negative files, circa 1930-... Finding Aid to the Fang family San Francisco examiner photograph archive negative files, circa 1930-2000, circa 1930-2000 Collection number: BANC PIC 2006.029--NEG The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Fang family San Francisco examiner photograph archive negative files Date (inclusive): circa 1930-2000 Collection Number: BANC PIC 2006.029--NEG Creator: San Francisco Examiner (Firm) Extent: 3,200 boxes (ca. 3,600,000 photographic negatives); safety film, nitrate film, and glass : various film sizes, chiefly 4 x 5 in. and 35mm. Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Local news photographs taken by staff of the Examiner, a major San Francisco daily newspaper. -
Celebra Ting 32 Years of Excellence, Quality & Joy!
BALLET ARTS OPEN DIVISION BALLET TUCSON & JOY! EXCELLENCE, QUALITY YEARS OF 32 CELEBRATING 2017 – 2018 Tucson Official School of Ballet Arizona School of Dance Training The Professional __________________________________________ www.balletartstucson.com (520) 623-3373 AZ 85716 TUCSON, TUCSON BLVD. 200 S. (Ballet Class Levels) (Ages are approximate and placement is based on ability.) PRE-BALLET: The Nutcracker BALLET 1: BALLET 2: Open c s auditions for Ballet Tucson performances of Phantom of the Opera and The Nutcracker are: BALLET 3: Saturday, August 19 & 26 and Saturday, September 9 Auditions for BT2 ( ) are: Friday, August 18 & 25 BALLET 4: Ballet Tucson American Ballet Theatre REGISTRATION FORM New York City Ballet Gus Giordano National Ballet School, Toronto Boston Ballet School of American Ballet Ballet West BALLET 5: Oregon Ballet Theatre Aspen/Santa Fe Ballet San Francisco Ballet The Kirov Academy Milwaukee Ballet Hartford Ballet Harid Conservatory Houston Ballet BALLET 6: Pacific Northwest Ballet Sarasota Ballet Cleveland Ballet Alvin Ailey Dance Theatre of Harlem Ballet Florida Pennsylvania Ballet Dayton Ballet BALLET 7 & 8: Disney Tokyo Ohio Ballet North Carolina School of the Arts Oakland Ballet Alabama Ballet Dutch National Ballet Louisville Ballet Washington Ballet Radio City Rockettes Joffrey Ballet PROFESSIONAL DIVISION TRAINEE TRACK (By audition/invitation only) TEEN/ADULT DIVISION Phantom of the Opera TEEN/ADULT BEGINNING BALLET/JAZZ: The Nutcracker TEEN/ADULT INTERMEDIATE & ADVANCED BALLET/JAZZ: All class placement is determined by the instructor and Artistic Director. JAZZ/TAP CLASS DESCRIPTIONS CLASS RATES RECOMMENDED STUDY FALL-WINTER-SPRING 2017 2018 Phantom of the Opera The Nutcracker non-refundable The Nutcracker Phantom of the Opera ENROLLMENT/TUITION POLICIES MONTHLY PAYMENT PLAN ACTUAL COST must CLASSES/MONTH TUITION PRE-BALLET PER CLASS Footprints at the Fox The Nutcracker THERE ARE NO EXCEPTIONS CONCERNING THESE POLICIES. -
Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946. -
Download the Transcript
CF interview Gregory Robinson/Schwartz Sisters 1 VDC Interview Transcript Gregory Robinson, former principal dancer with Dayton Ballet Company Schwartz Sisters 6.27.18 Total Time: 42:35 Dayton Contemporary Dance DCDC Offices 840 Germantown Street Dayton, Ohio 45402 Key: CF: Candace Feck GR: Gregory Robinson JC: Jessica Cavender (VDC film team) JD: Jane D’Angelo: (Ohio Dance Director) CF: I’m Candace Feck, and I’m talking with Gregory Robinson at the Dayton Contemporary Dance Studios. Today is June 27, 2018. GR: (asks about the nature of the project). CF: It’s an oral history project that celebrates the amazing contributions of artists and educators in dance throughout the state. The selections are chosen by nomination. Thirty nominations were made in the first round — selections from those were made by the OhioDance board. DCDC was in that first round. GR: I see. CF: And then in this, the second round, we are considering the contributions of the Schwarz sisters, which is why we wanted to speak with you today. GR: Great. CF: It looks like you originally studied in Alabama? GR: That’s right.1 CF: And you graduated and came straight to Dayton Ballet? GR: Yes, this was my job right out of training. Yes. CF: So it seems that you started in 1980, and I think that was the year that Miss Jo retired. 1 Robinson began at the University of Alabama (Tuscaloosa), transferring to the University of Alabama in Birmingham (UAB). He was a member of Ballet UAB, where he continued to perform and pursue his BFA through 1980, when he joined Dayton Ballet.