Signor Ferrero's Reconstruction of Caesar's First Commentary
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Language Contact and Identity in Roman Britain
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-16-2016 12:00 AM Language Contact and Identity in Roman Britain Robert Jackson Woodcock The University of Western Ontario Supervisor Professor Alexander Meyer The University of Western Ontario Graduate Program in Classics A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Robert Jackson Woodcock 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Indo- European Linguistics and Philology Commons Recommended Citation Woodcock, Robert Jackson, "Language Contact and Identity in Roman Britain" (2016). Electronic Thesis and Dissertation Repository. 3775. https://ir.lib.uwo.ca/etd/3775 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Language is one of the most significant aspects of cultural identity. This thesis examines the evidence of languages in contact in Roman Britain in order to determine the role that language played in defining the identities of the inhabitants of this Roman province. All forms of documentary evidence from monumental stone epigraphy to ownership marks scratched onto pottery are analyzed for indications of bilingualism and language contact in Roman Britain. The language and subject matter of the Vindolanda writing tablets from a Roman army fort on the northern frontier are analyzed for indications of bilingual interactions between Roman soldiers and their native surroundings, as well as Celtic interference on the Latin that was written and spoken by the Roman army. -
1 Gallo-Roman Relations Under the Early Empire by Ryan Walsh A
Gallo-Roman Relations under the Early Empire By Ryan Walsh A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Ancient Mediterranean Cultures Waterloo, Ontario, Canada, 2013 © Ryan Walsh 2013 1 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This paper examines the changing attitudes of Gallo-Romans from the time of Caesar's conquest in the 50s BCE to the start of Vespasian's reign in 70-71 CE and how Roman prejudice shaped those attitudes. I first examine the conflicted opinions of the Gauls in Caesar's time and how they eventually banded together against him but were defeated. Next, the activities of each Julio-Claudian emperor are examined to see how they impacted Gaul and what the Gallo-Roman response was. Throughout this period there is clear evidence of increased Romanisation amongst the Gauls and the prominence of the region is obvious in imperial policy. This changes with Nero's reign where Vindex's rebellion against the emperor highlights the prejudices still effecting Roman attitudes. This only becomes worse in the rebellion of Civilis the next year. After these revolts, the Gallo-Romans appear to retreat from imperial offices and stick to local affairs, likely as a direct response to Rome's rejection of them. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
DBG Book 1 Outline
Caesar’s De Bello Gallico BOOK I OUTLINE Chapter I 1-4 Gaul has three parts, inhabited by three tribes (Belgae, Aquitaini, and Celtae/Galli) who are different in language, institutions, and laws. 4-5. The rivers that separate the three areas. 6-11. Three reasons why the Belgae are the bravest. 11-15. The final reason explains why the Helvetians surpass the other Gauls in courage, because they fight regularly with the Germans, either in Germania or in their own land. 15-18. The boundaries of the land the Gauls occupy. 18-21. The boundaries of the land the Belgae occupy. 21-24. The boundaries of the land the Aquitani occupy. Chapter II 1-6. The richest and noblest Helvetian made a conspiracy among the nobility because of a desire for power and persuaded his people to leave their land with the argument that because of their surpassing courage they would easily get control of all Gaul. 6-12. He easily swayed them because the Helvetians were hemmed in on all sides by natural barriers. 12-15. As a result they had less freedom of movement and were less able to wage war against their neighbors, and thus their warriors were afflicted with great sorrow. 15-18. They considered their land, 240 miles by 180 miles, too small in comparison with their numbers and their glory in war. Chapter III 1-6 Persuaded by their situation and the authority of Orgetorix, the Helvetians decide to get ready for departure: they buy all the wagons and pack animals they can; plant as many crops as possible for supplies on the trip, and make alliances with the nearest states. -
O Papel Dos Druidas Na Sociedade Céltica Na Gália Nos Séculos Ii E I A.C
1 UNIVERSIDADE FEDERAL FLUMINENSE CENTRO DE ESTUDOS GERAIS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. NITERÓI 2008 2 FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. Tese apresentada ao Programa de Pós-Graduação em História da Universidade Federal Fluminense, como requisito para a obtenção do Grau de Doutor em História. Área de Concentração: História Social. Orientador: Prof° Dr° CIRO FLAMARION SANTANA CARDOSO Niterói 2008 3 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá O49 Olivieri, Filippo Lourenço. O papel dos druidas na sociedade céltica na Gália nos séculos II e I a.C. / Filippo Lourenço Olivieri. – 2008. 312 f. ; il. Orientador: Ciro Flamarion Santana Cardoso. Tese (Doutorado) – Universidade Federal Fluminense, Departamento de História, 2008. Bibliografia: f. xxx-xxx. 1. História da Gália. 2. Druidas e druidismo. 3. Civilização celta. 4. Celtas - Religião. I. Cardoso, Ciro Flamarion Santana. II. Universidade Federal Fluminense. Instituto de Ciências Humanas e Filosofia III. Título. CDD 936.402 4 FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. Tese apresentada ao Programa de Pós-Graduação em História da Universidade Federal Fluminense como requisito para obtenção do Grau de Doutor em História. Área de Concentração: História Social. Aprovada em março de 2008. BANCA EXAMINADORA ___________________________________________________________________________ Prof° Dr° Ciro Flamarion Santana Cardoso – Orientador Universidade Federal Fluminense ___________________________________________________________________________ Profª. Drª. Lívia Lindóia Paes Barreto – Co-orientadora Universidade Federal Fluminense ___________________________________________________________________________ Profª. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
The Manipulation of Fear in Julius Caesar's" Bellum Gallicum."
THE MANIPULATION OF FEAR IN JULIUS CAESAR'S BELLUM GALLICUM by Kristin Slonsky Submitted in partial fulfillment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2008 © Copyright by Kristin Slonsky, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-43525-0 Our file Notre reference ISBN: 978-0-494-43525-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Beltane Celebration Altar Yellow Flowers North: Flowering Plant; East: Incense Or Tobacco; South: Candle; West: Water Bowl Blue
Beltane Celebration Altar Yellow flowers North: flowering plant; East: incense or tobacco; South: candle; West: water bowl Blueberries and strawberries Procession Morris dancing Chant: Earth my body, water my blood Casting The Circle Calling The Four directions Invocation Winter and Summer by Thomas Evans Blessing of Fire Gathering Around Fire/Lighting of fire o Lighting of candles Historical context o Druid belief that fire connects human world to spiritual world o Dancing around fire for purification Dance around fire, singing Spirit of Fire Come To Us, We will Kindle The Fire Blessing of Water Historical context o Dew gathered for healing and enabling o Sprinkling of people during May Day processions o Union of fire and water Sprinkling of participants o “May the waters of life cleanse your spirit.” Song: Born of water, cleansing, powerful; Healing, changing, we are Blessing of Flowers Historical context o Gathering of yellow flowers to brighten and protect homes o Lovers exchange wreaths o Decorating May bush and May pole Decorating may bush Exchanging flowers o “May the light of the sun bring warmth into your life.” Song : Lusty Month of May Meditation Circle with yellow crepe paper Water washes away old hopes and dreams Fire warms our spirit to new actions Flowers call us to senseless acts of joy and beauty Opening of Circle o Farewell to four directions o Closing: Farewell To The Spirits Invocation: Winter and Summer By Thomas Evans All the sweetness of nature was buried in black winter’s grave, And the wind sings a sad lament with its cold plaintive cry; But oh, the teeming summer will come bringing life in its arms, And will strew rosy flowers on the face of hill and dale, In lovely harmony the wood has put on its green mantle, And summer is on its throne playing its string-music; The willows, whose harp hung silent when it was withered in winter, Now gives forth its melody. -
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar Wrote Accounts of His Campaigns in Gaul to Justify His Power and Actions
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar wrote accounts of his campaigns in Gaul to justify his power and actions. Here he gives his most extensive accounts of the peoples of Gaul and Germany. What customs, values and practices among the Gauls and the Germans seem significantly different from customs, values and practices at Rome? Are there ways in which he may use these differences as a justification for the military campaigns he is carrying out? Caesar, Gallic Wars Book 6 (chapters 11-20) (Trans. by H. J. Edwards, 1917) 6.11 Since I have arrived at this point, it would seem to be not inappropriate to set forth the customs of Gaul and of Germany, and the difference between these nations. In Gaul, not only in every state and every canton and district, but almost in each several household, there are parties [= political factions]; and the leaders of the parties are men who in the judgment of their fellows are deemed to have the highest authority, men to whose decision and judgment the supreme issue of all cases and counsels may be referred. And this seems to have been an ordinance from ancient days, to the end that no man of the people should lack assistance against a more powerful neighbour; for each man refuses to allow his own folk to be oppressed and defrauded, since otherwise he has no authority among them. The same principle holds in regard to Gaul as a whole taken together; for the whole body of states is divided into two parties. -
Oratio Recta and Oratio Obliqua in Caesar's De Bello
VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS (Under the Direction of James C. Anderson, jr.) ABSTRACT According to his contemporaries and critics, Julius Caesar was an eminent orator. Despite the lack of any extant orations written by Caesar, however, one may gain insight into Caesar’s rhetorical ability in his highly literary commentaries, especially the De Bello Gallico. Throughout this work, Caesar employs oratio obliqua (and less frequently oratio recta) to animate his characters and give them “voices.” Moreover, the individuals to whom he most frequently assigns such vivid speeches are his opponents. By endowing his adversaries in his Commentarii with the power of speech (with exquisite rhetorical form, no less), Caesar develops consistent characterizations throughout the work. Consequently, the portrait of self-assured, unification-minded Gauls emerges. Serving as foils to Caesar’s own character, these Gauls sharpen the contrast between themselves and Caesar and therefore serve to elevate Caesar’s status in the minds of his reader. INDEX WORDS: Caesar, rhetoric, oratory, De Bello Gallico, historiography, propaganda, opponent, oratio obliqua, oratio recta VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS B.S., Vanderbilt University, 1992 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Randy Fields All Rights Reserved VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS Major Professor: James C. -
Memory and Identity in Flodoard of Reims: His Use of the Roman Past
E MMA B E DDO E Memory and identity in Flodoard of Reims: his use of the Roman past The Historia Remensis ecclesiae of Flodoard of Reims is a history of that church and diocese from its mythical foundations until Flodoard’s own time, around the mid tenth century. His role as archivist of the church of Reims must have given him complete access to its records, and a unique understanding of the history of his city and church. The various sources were utilised by Flodoard for what they could tell him about this past, which he then reformed in his own fashion when he wrote the account of it. It is only by working backwards from his text that it is possible to unravel the smooth finished result and uncover the sometimes disparate sources and evidence which he used to create this polished narrative. This process of assessment and adjustment is more easily uncovered in his first few chapters in which he dealt with the distant foundation of Reims, and its Roman past, than in his later books. In these first chapters, not only did he state which sources he was using, but his classical sources are also mostly extant, so allowing for a detailed examination of his text and of the way he used his sources. In addition to the written sources available, the contemporary oral tra- ditions and the evidence from the physical remains in the landscape around him also influenced his portrayal of this distant past of Reims. Both the collective memories of his contemporaries in Reims and the historical memories of Reims which he read in the classical sources were adapted by Flodoard when writing what he felt was the appropriate history of his town and church. -
Portal Into Celtic Mythology
Portal to Celtic Mythology PORTAL TO CELTIC MYTHOLOGY In other sections, we've examined the influence of Greek, Roman, and Norse mythology on the Harry Potter books, and then learned a little more about each of them with stories about their gods, goddesses, and heroes. One other major mythology influences the books—Celtic mythology. Celtic mythology was the belief system held by the people of Britain before it was ever even a far-flung outpost of the Roman Empire. The Celtic people were not a unified group of people, nor did they live in one general area like the Greeks. The Celtic world consisted of Ireland, Scotland, Wales, West England, some areas of France, Germany, and even down into Spain and Italy. When we think of the Celts today we usually think of the Irish, Welsh, Scottish, or English. Because they were not a unified group of people, they did not have a unified mythology. There is no one creation myth as we see with the Greeks or the Norse, nor is there one pantheon of gods and goddesses. The Celtic gods and goddesses had many different names and aspects, depending on where they came from. Some carried over from land to land and from people to people. The god Lug, for example, was a god popular from Ireland all the way down into southern France and Spain. Others were only popular in one particular area. For example, there are many gods and goddesses and heroes specific to Ireland or Wales. Another way in which Celtic mythology differs is that it ultimately became influenced by the Roman Empire.