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Nadine Gordimer, Jump and Other Stories: “The Alternate Lives I Invent” Abstracts & Bios Abstracts International Conference
Nadine Gordimer, Jump and Other Stories: “the alternate lives I invent” Abstracts & Bios Abstracts International Conference Website: http://www.vanessaguignery.fr/ Contacts : [email protected] 4-5 October 2018 [email protected] ENS de Lyon 15 Parvis René Descartes, Site Buisson (building D8), Conference Room 1 Nadine Gordimer, Jump and Other Stories: “the alternate lives I invent” Abstracts & Biographical presentations International Conference ENS de Lyon 4-5 October 2018 15.00 • COFFEE BREAK 15.30 • Liliane LOUVEL (University of Poitiers) : “‘The Enigma of the Encoun- — PROGRAMME — ter’: a World out of Joint in Nadine Gordimer’s Jump and Other Stories” 16.05 • Hubert MALFRAY (Lycée Claude-Fauriel Saint Etienne - IHRIM): “Traces, Nadine Gordimer, Jump and Other Stories: Tracks and Trails: Hunting for Sense in Nadine Gordimer’s Jump and Other “the alternate lives I invent” Stories” 16.40 • Fiona McCANN (University of Lille): “A Poetics of Liminality: Nadine ENS DE LYON - SITE BUISSON (BUILDING D8), CONFERENCE ROOM 1 Gordimer’s Jump and Other Stories” 20.00 • DINNER THURSDAY 4th OCTOBER 2018 FRIDAY 5th OCTOBER 2018 09.30 • Registration and coffee MORNING SESSION 09.50 • Welcome address by Vanessa GUIGNERY (ENS de Lyon) and Christian GUTLEBEN (University of Nice — Sophia Antipolis) Chair: Pascale TOLLANCE (University Lyon 2) 09.30 • Christian GUTLEBEN (University of Nice — Sophia Antipolis): MORNING SESSION “Metonymy Thwarted: When the Part is Segregated from the Whole in Nadine Gordimer’s Jump and Other Stories” Chair: -
ABSTRACT —The Waters Return“: Myth and Mystery in Graham Swift
ABSTRACT “The Waters Return”: Myth and Mystery in Graham Swift’s Waterland Laura Schrock, M.A. Director: Dr. Richard R. Russell, Ph.D. The following chapter will engage Waterland in isolation from Swift’s other novels and collection of short stories, not because these texts do not mutually illuminate one another, but because Waterland deserves a treatment of the kind of depth that warrants an extended, concentrated study. That chapter seeks specifically to counter several of the blatant misreadings of the narrator’s posture and intent within the novel, and to adequately evaluate that posture and intent as they emerge within the full context of the wealth of literary devices Swift employs, including irony, mythical imagery, and scriptural allusion. The mythical images and allusions that are touched upon by other critics comprise here the central study; close reading, biblical hermeneutics, and specific strains of French feminism will interact to allow for a reengangement of Waterland beyond the exhausted circular terms of deconstructive relativism. “The Waters Return”: Myth and Mystery in Graham Swift’s Waterland by Laura Schrock, B. A. A Thesis Approved by the Department of English ___________________________________ Dianna M. Vitanza, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Dr. Richard R. Russell, Ph.D. ___________________________________ Dr. Luke Ferretter, Ph.D. ___________________________________ Dr. David Clinton, Ph.D. Accepted by the Graduate School August 2008 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
The Return of the Historical Novel ? Metafiction
andrew james johnston johnston · wiegandt johnston kai wiegandt Editors The Return of the Historical Thinking Novel ? (Eds.) About Fiction and History johnston · wiegandt (Eds.) After Historiographic The Return of the Historical Novel ? Metafiction ntil recently, the critical reception of historical fiction was dominated by two theoretical paradigms: György Lukács’s Marxist view and Linda Hutcheon’s concept of ‘historiographic of the Historical Novel The Return metafiction’. We are now entering a new phase as the discussion of the historical novel is rapidly becoming more inclusive, more tolerant and, above all, more diverse. It is before the backdrop of these changes in the critical debate that the contributions to this volume are meant to be read. Rather than seeing historical fiction as locked in a clear-cut scheme of teleological succession or assigning to the historical novel specific aesthetic purposes, the articles in this collection seek to probe deeply into the his- torical novel’s potential for providing readers not simply with an understanding of how the image of the past is constructed but also of how attempts to chart forms of historical otherness constitute a specific mode of cultural experience mediated by literature. This desire for a literary experience of historical ? otherness has recently increased in urgency, even if the histori- cal authenticity one might nostalgically associate with such a project must always elude us. Authors discussed include Walter Scott, John Fowles, Graham Swift, M. J. Vassanji, J. M. Coetzee, Peter Ackroyd, Alan Massie, Julian Barnes, Ian McEwan, Hilary Mantel and Jim Crace. Universitätsverlag winter isbn 978-3-8253-6721-3 Heidelberg britannica et americana Dritte Folge · Band 33 herausgegeben von wolfram r. -
The Impossibility of Achieving Self-Knowledge in the Novels of Graham Swift
THE IMPOSSIBILITY OF ACHIEVING SELF-KNOWLEDGE IN THE NOVELS OF GRAHAM SWIFT KATHERINE COTTIER FOR MUM AND DAD 2 ACKNOWLEDGEMENTS An enormous thank-you to my parents for all their years of support, love and encouragement - and especially for listening to all that 'arty stuff'. Thank-you to Dr Jim Acheson, my supervisor, for his invaluable patience, words of wisdom and belief in me. My gratitude also to Professor David Gunby for his care and quiet guidance during my Honours and under graduate years. Thank-you to Grandma for her letters 'with something extra' and for reading me fairy tales. Thank-you to my brothers Sam and Luke for their office visits and coffee breaks. An extra special thanks to Jack Charters and Diana Cameron for welcoming me so readily into their homes. Dan, Miles, Dave, Suzanne, Phil, Jen-Jen, Karl, Katy and Sue - thank you for your unfailing interest and encouragement. 3 CONTENTS Preface 6 Chapter One: Part I - Psychoanalytic Narration in Water/and 10 Part II - Swift's Use of Autobiography in Shuttlecock and Ever After 25 Chapter Two: Circularity in the Novels of Graham Swift: Water/and and Last Orders 52 Chapter Three: Swift's Use of the Fairy Tale in Water/and, Ever After and Out of This World 87 Works Cited 135 4 ABBREVIATIONS EA - Swift, Graham. Ever After. London: Picador, 1992. LO - . Last Orders. London: Picador, 1996. OTW - . Out of This World. London: Penguin Books, 1988 S - . Shuttlecock. Middlesex: Penguin Books, 1981. W - Water/and. New York: Washington Square Press, 1985. 5 PREFACE ' 6 In each of his novels Graham Swift provides a kind of prototype for the reader: that of a black, coiled, twisting spiral. -
Graham Swift's the Light Of
Connotations Vol. 24.1 (2014/2015) Playing with the Ready-Made: Graham Swift’s The Light of Day A Response to Andrew James* CATHERINE PESSO-MIQUEL Andrew James starts from the premise that The Light of Day (LOD) “has come to be viewed as an intriguing attempt to create serious literature devoid of poetic language” (214). The use of the anonymous passive voice allows him to imply that there is a critical consensus backing this opinion. James asserts in his introduction that in this novel Swift does use clichés “in such a way that they resonate, and we are made to reconsider their meaning,” and that “when the method works, Swift is able to create a literary effect through colloquial language” (214), yet his article shows that he remains inclined to agree more with the negative reviews of the novel, those that disapprove of Swift’s use of clichés and simple, colloquial language. His opinion rests on a restricted definition of “poetic.” The general definition of this word, according to the OED, is “[o]f, belonging to, or characteris- tics of poets or poetry,” but other definitions seem in agreement with Andrew James’s opinion when they equate “poetic language” with a language befitting “poetry, as in being elevated, sublime etc.”1 In response, I will first argue with James about what he deems to be the protagonist’s “naivety” as regards clichés, and about the status of the narrative voice. Then I will focus on the fact that, in my opinion, his analysis of clichés has failed to take into account Swift’s playful humour, and the fact that unpretentious, colloquial language can be used to create a poetic, literary novel.2 *Reference: Andrew James, “Language Matters: An Investigation into Cliché in The Light of Day,” Connotations 22.2 (2012/13): 214-34. -
IED693-793.Pdf
1 Hacettepe University Faculty of Letters Department of English Language and Literature SYLLABUS IED 693/793 CONTEMPORARY ENGLISH NOVEL Title of the Course: IED 6/793 Contemporary English Novel Instructor: Prof. Dr. SERPIL OPPERMANN Year and Term: Spring 2015 Classroom and Hours: Seminar Room, Tuesday 13:00-16:50 Office Hours: Aim and Content: The aim of this course is to study in depth the main developments in the English novel from the 1950s on to the present. Different literary trends, changing social and cultural climate of the times and the technical and thematic concerns will be discussed during the class. The focus will be mainly on the postmodern fictions, and thus concepts relating to postmodern novels, such as self-reflexivity, self-consciousness, intertextuality, parody and pastiche, irony, play, process, indeterminacy, textuality and fictionality, etc., will be discussed in our interpretation of the novels. The course aims to introduce postmodern approaches to representation and history, the problematic relationship of life and fiction, the parodoxes of fictive and the real, the uses of ex-centric characters and narrators, the decentered view of the contemporary life, subversion of traditional modes of writing, and the challenging of the metanarratives. It also aims to introduce the emerging genre of cli-fi (a new genre of novel) or climate fictions and discuss the problematic issue of representing the anthropogenic climate change and environmental transformations in the age of the Anthropocene. We will analyze climate fictions -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June. -
Graham Swift Writer - Fiction
Graham Swift Writer - fiction Graham Swift was born in 1949 and is the author of nine novels. He is the recipient of many awards for his fiction, including the bi- annual Geoffrey Faber Memorial Prize for SHUTTLECOCK (1981); the Guardian Fiction Prize for WATERLAND (1983); and in 1996, the Booker Prize for Fiction for LAST ORDERS. Two of his novels have been made into films: WATERLAND, starring Jeremy Irons, and, more recently, LAST ORDERS, starring Michael Caine, Helen Mirren, Bob Hoskins and Tom Courtenay. Agents Caradoc King Agent Millie Hoskins [email protected] Assistant Becky Percival [email protected] 020 3214 0932 Publications Fiction Publication Notes Details HERE WE ARE It is Brighton, 1959, and the theatre at the end of the pier is having its best 2020 summer season in years. Ronnie, a brilliant young magician, and Evie, his UK Simon & dazzling assistant, are top of the bill, drawing audiences each night. Schuster US Knopf Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures. Rich, comic, alive and subtly devastating, Here We Are is a masterly piece of literary magicianship which pulls back the curtain on the human condition. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Publication Notes Details MOTHERING It is March 30th 1924. -
'Houseless – Homeless – Hopeless!': Suburbs, Slums and Ghosts 1830
Notes 1 ‘Houseless – Homeless – Hopeless!’: Suburbs, Slums and Ghosts 1830–1870 1. John Summerson, in Georgian London (1991) in fact describes a fourfold originary suburban typology: i) overgrowth of existing villages; ii) building of remote villas; iii) roadside developments along key routes; iv) development of self-standing estates. 2. The Crystal Palace was of course of crucial architectural significance; the first iron and glass structure in the world, strong, durable, light, adaptable and moveable. It was also immensely popular and, despite its official role show- casing British scientific and imperial achievement, was actually dedicated to amusements, spectacles, games and sports. 3. See also Sanitary Ramblings, Being Sketches and Illustrations of Bethnal Green by Hector Gavin (London: Frank Cass, 1971), 1872’s London: a Pilgrimage by Jerrold and Dore ( Jerrold and Dore, 2004), In the Slums by the Rev. D. Rice- Jones (London: Dodo Press, 2009). 4. See http://booth.lse.ac.uk for reproductions of Booth’s maps. 5. Ironically, this prestigious lineage serves to further undermine Sparkin’s authenticity. Originally, the suffix ‘Fitz’ indicated that the person named was illegitimate, was in fact of Royal bastard lineage. 6. This lack of suburban individual substance reaches a comic, even uncanny, extreme in Great Expectations Here, Wemmick’s intended wife, at home in his Walworth ‘castle’, is portrayed as wind-up automaton, made from wood. Wemmick himself is a robotic commuter lacking free will. 7. First recorded, incidentally, in the 1860s, and according to one source: ‘The cheap, flimsy constructs of Jerry Brothers – a Liverpool building firm.’ See http://www.phrases.org.uk/meanings/211600.html. -
V. S. Naipaul. a World in Tension Judith Misrahi-Barak
V. S. Naipaul. A World in Tension Judith Misrahi-Barak To cite this version: Judith Misrahi-Barak. V. S. Naipaul. A World in Tension. Presses universitaires de la Méditerranée, 262 p., 2004, 2-84269-618-2. hal-03145637 HAL Id: hal-03145637 https://hal.archives-ouvertes.fr/hal-03145637 Submitted on 18 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Publication de Montpe l lier 3 Une question? Un problème? Té léphonez au 04 67 14 24 06 ou au 04 67 14 24 03. i naipaul Départ imprimerie 2004-5-5 8 h 54 page 1 i i i i i i i Publication de Montpe l lier 3 Une question? Un problème? Té léphonez au 04 67 14 24 06 ou au 04 67 14 24 03. i naipaul Départ imprimerie 2004-5-5 8 h 54 page 2 i i i i i i i Publication de Montpe l lier 3 Une question? Un problème? Té léphonez au 04 67 14 24 06 ou au 04 67 14 24 03. i naipaul Départ imprimerie 2004-5-5 8 h 54 page 3 i i i Centre d'études et de recherches sur les Pays du Commonwealth V. -
Çankaya University the Graduate School of Social Sciences English Literature and Cultural Studies
ÇANKAYA UNIVERSITY THE GRADUATE SCHOOL OF SOCIAL SCIENCES ENGLISH LITERATURE AND CULTURAL STUDIES MA THESIS GRAHAM SWIFT’S WATERLAND AS HISTORIOGRAPHIC METAFICTION VOLKAN DUMAN DECEMBER 2019 ABSTRACT GRAHAM SWIFT’S WATERLAND AS HISTORIOGRAPHIC METAFICTION DUMAN, Volkan Department of English Literature and Cultural Studies M.A. Thesis Supervisor: Assist. Prof. Dr. Mustafa KIRCA December, 2019, 79 Pages This thesis aims to analyze Graham Swift’s Waterland as postmodernist historical novel in the light of Linda Hutcheon’s concept of “historiographic metafiction”. Principally, the concept of historiographic metafiction suggests that history is a construction and cannot present facts objectively. In the light of these ideas, the study argues that Graham Swift’s Waterland undermines history as a grand narrative through the main character Tom Crick, who is a history teacher and the only narrator in the novel. As a self-reflexive narrator, in a self-referential text, Tom Crick primarily blurs the definitions of history, story, reality, progress and fairy-tale. Furthermore, his paradoxical accounts on the relevance of historical facts create confusion in the reader. His distortion of reality through his stories as a means of redemption does not prove to be helpful except for himself. Thus, it is questioned by the present study in what ways Tom Crick is an unreliable narrator and a true historian, and shown that historical facts are not represented objectively in Swift’s postmodern historical fiction. Key words: Waterland, Historiographic Metafiction, Self-reflexive Narrator, Deconstruction. iv ÖZET GRAHAM SWIFT’İN SU DİYARI ADLI ROMANININ TARİHSEL ÜSTKURMACA AÇISINDAN İNCELENMESİ DUMAN, Volkan İngiliz Edebiyatı ve Kültür İncelemeleri Bölümü Yüksek Lisans Tezi Danışman: Dr.