Doctor Who: the Gallifrey Chronicles
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
Our Changing World: a Global Assessment
OUR CHANGING WORLD A GLOBAL ASSESSMENT 1991 CONTENTS INTRODUCTION ...................................... ASIA AND THE PACIFIC . ... .. ......... ... ... 35 Japan ........ .......... .... ..... ............ 35 CHRONOLOGY OF SIGNIFICANT EVENTS . .. .. 2 Republic of Korea ....... .... ............. .... ...... 37 North Korea .... ... ..... .... ..... ............... 38 NATO .................................................. 3 China ... ............... ........ ... .... .... .... 39 Canada . ...... .. ....... ... .... ......... ... 5 Taiwan ... ...... ... ...... ... ................... 39 Great Britain . 5 Philippines ... ....................... .... .... ... 40 France . .. .. 6 Vietnam .......... ....... ....... .... ....... ... 41 Germany .. .. .... ..... ............ ..... .. .. 7 Cambodia . ......... .... .......................... 41 Spain . .................................... ....... 8 Thailand ............ ........ .......... ....... ... 42 Italy . .. .. 8 India ...... ........... .... ..................... 43 Greece . ... ... ... ............ .... ... .... ..... .. 9 Pakistan ..... ....... .. ................. ... ...... 44 Afghanistan ....................................... 44 EASTERN EUROPE . ........ ... ..... ...... .... ... 10 Australia . .......... ....... ............... ...... 45 Poland . ..... ....................... ........... ... 10 Czechoslovakia . .. 12 MEXICO, CENTRAL AMERICA Hungary ...... .............. ....... ....... ... ... 13 AND THE CARIBBEAN . ........................ 46 Romania . ..... .................... -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Airing the Truth: Norene Otnes of the Southeast Alaska Regional Health Consortium Chants a Blessing for the Alaska Clothesline Project
Whalesong 2007-02-12 Item Type Journal Publisher University of Alaska Southeast Download date 25/09/2021 23:11:52 Link to Item http://hdl.handle.net/11122/10554 http://www.uas.alaska.edu/whalesong/archives/2007/2_12_2007/Clothesline_project.html F E B 2 0 0 7 By David AstinoAlaskan Clothesline Project raises awareness of violence against women/ Airing the truth: Norene Otnes of the Southeast Alaska Regional Health Consortium chants a blessing for the Alaska Clothesline Project. Photo by David Asti A clothesline full of colorful t-shirts expressed horrific stories of violence committed against women. The shirts lined the dining area from Oct. 24 through Oct. 27 in the Mourant building. The collection, named the Alaskan Clothesline Project, travels the state displaying color coded shirts that describe the type of violence committed against its victim. One shirt displayed a message about a child asking her father why she was sexually assaulted by him. Norene Otnes of the Southeast Alaska Regional Health Consortium (SEARHC) blessed the hanging of the shirts with chanting and spiritual beating of drums. “I want to come and support by encouraging,” Otnes said. The purple, orange, green and red t-shirts signified women who were victims of rape, physical assault, child abuse, and anti-lesbian hate crime. Especially noteworthy were the white shirts which were created in memory of women who were murdered. http://www.uas.alaska.edu/whalesong/archives/2007/2_l2_2DD7/Clothesline_project.html Student wellness supervisor Cheryl Loudermilk helped facilitate the display of the project at UAS. “Having (the shirts) here for a few days gives people a chance to read and become aware of the issue,” Loudermilk said. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Rich's Notes: the Ten Doctors: a Graphic Novel by Rich Morris 102
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 102 Rich's Notes: Since the Daleks are struggling to destroy eachother as well as their attackers, the advantage goes to the Federation forces. Things are going well and the 5th Doctor checks in with the 3rd to see how the battle is playing out. The 3rd Doctor confirms that all is well so far, but then gets a new set of signals. A massive fleet of Sontaran ships unexpectedly comes out of nowhere, an the Sontaran reveal a plot to eliminate the Daleks, the Federation fleet AND the Time Lords! The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 103 Rich's Notes: The 3rd Doctor is restrained by the Sontarans before he can warn the fleet. The 5th Doctor tries as well, but the Master has jammed his signal. The Master explains how he plans to use his new, augmented Sontarans to take over the universe. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 104 Rich's Notes: Mistaking the Sontarans as surprise allies hoping to gain the lion’s share of the glory, the Draconian Ambassador and the Ice Warrior general move to greet them as befits their honour and station. But they get a nasty surprise when the Sontarans attack them. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 105 Rich's Notes: The Master, his plot revealed, now uses the sabotaged computer to take over control of the 5th Doctor’s ship. He uses it to torment his old enemy, but causing him to destroy the Federation allies. -
Page 1 of 279 FLORIDA LRC DECISIONS
FLORIDA LRC DECISIONS. January 01, 2012 to Date 2019/06/19 TITLE / EDITION OR ISSUE / AUTHOR OR EDITOR ACTION RULE MEETING (Titles beginning with "A", "An", or "The" will be listed according to the (Rejected / AUTH. DATE second/next word in title.) Approved) (Rejectio (YYYY/MM/DD) ns) 10 DAI THOU TUONG TRUNG QUAC. BY DONG VAN. REJECTED 3D 2017/07/06 10 DAI VAN HAO TRUNG QUOC. PUBLISHER NHA XUAT BAN VAN HOC. REJECTED 3D 2017/07/06 10 POWER REPORTS. SUPPLEMENT TO MEN'S HEALTH REJECTED 3IJ 2013/03/28 10 WORST PSYCHOPATHS: THE MOST DEPRAVED KILLERS IN HISTORY. BY VICTOR REJECTED 3M 2017/06/01 MCQUEEN. 100 + YEARS OF CASE LAW PROVIDING RIGHTS TO TRAVEL ON ROADS WITHOUT A APPROVED 2018/08/09 LICENSE. 100 AMAZING FACTS ABOUT THE NEGRO. BY J. A. ROGERS. APPROVED 2015/10/14 100 BEST SOLITAIRE GAMES. BY SLOANE LEE, ETAL REJECTED 3M 2013/07/17 100 CARD GAMES FOR ALL THE FAMILY. BY JEREMY HARWOOD. REJECTED 3M 2016/06/22 100 COOL MUSHROOMS. BY MICHAEL KUO & ANDY METHVEN. REJECTED 3C 2019/02/06 100 DEADLY SKILLS SURVIVAL EDITION. BY CLINT EVERSON, NAVEL SEAL, RET. REJECTED 3M 2018/09/12 100 HOT AND SEXY STORIES. BY ANTONIA ALLUPATO. © 2012. APPROVED 2014/12/17 100 HOT SEX POSITIONS. BY TRACEY COX. REJECTED 3I 3J 2014/12/17 100 MOST INFAMOUS CRIMINALS. BY JO DURDEN SMITH. APPROVED 2019/01/09 100 NO- EQUIPMENT WORKOUTS. BY NEILA REY. REJECTED 3M 2018/03/21 100 WAYS TO WIN A TEN-SPOT. BY PAUL ZENON REJECTED 3E, 3M 2015/09/09 1000 BIKER TATTOOS. -
Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award.