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KONSERTTIELÄMÄ HELSINGISSÄ SOTAVUOSINA 1939–1944 Musiikkielämän Tarjonta, Haasteet Ja Merkitys Poikkeusoloissa
KONSERTTIELÄMÄ HELSINGISSÄ SOTAVUOSINA 1939–1944 Musiikkielämän tarjonta, haasteet ja merkitys poikkeusoloissa Susanna Lehtinen Pro gradu -tutkielma Musiikkitiede Filosofian, historian ja taiteiden tutkimuksen osasto Humanistinen tiedekunta Helsingin yliopisto Lokakuu 2020 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Humanistinen tiedekunta / Filosofian, historian ja taiteiden tutkimuksen osasto Tekijä – Författare – Author Susanna Lehtinen Työn nimi – Arbetets titel – Title Konserttielämä Helsingissä sotavuosina 1939–1944. Musiikkielämän tarjonta, haasteet ja merkitys poikkeusoloissa. Oppiaine – Läroämne – Subject Musiikkitiede Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma Lokakuu 2020 117 + Liitteet Tiivistelmä – Referat – Abstract Tässä tutkimuksessa kartoitetaan elävä taidemusiikin konserttitoiminta Helsingissä sotavuosina 1939–1944 eli talvisodan, välirauhan ja jatkosodan ajalta. Tällaista kattavaa musiikkikentän kartoitusta tuolta ajalta ei ole aiemmin tehty. Olennainen tutkimuskysymys on sota-ajan aiheuttamien haasteiden kartoitus. Tutkimalla sotavuosien musiikkielämän ohjelmistopolitiikkaa ja vastaanottoa haetaan vastauksia siihen, miten sota-aika on heijastunut konserteissa ja niiden ohjelmistoissa ja miten merkitykselliseksi yleisö on elävän musiikkielämän kokenut. Tutkimuksen viitekehys on historiallinen. Aineisto on kerätty arkistotutkimuksen menetelmin ja useita eri lähteitä vertailemalla on pyritty mahdollisimman kattavaan kokonaisuuteen. Tutkittava -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
Osmo Vänskä, Conductor Augustin Hadelich, Violin
Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition. -
Sibelius Society
UNITED KINGDOM SIBELIUS SOCIETY www.sibeliussociety.info NEWSLETTER No. 84 ISSN 1-473-4206 United Kingdom Sibelius Society Newsletter - Issue 84 (January 2019) - CONTENTS - Page 1. Editorial ........................................................................................... 4 2. An Honour for our President by S H P Steadman ..................... 5 3. The Music of What isby Angela Burton ...................................... 7 4. The Seventh Symphonyby Edward Clark ................................... 11 5. Two forthcoming Society concerts by Edward Clark ............... 12 6. Delights and Revelations from Maestro Records by Edward Clark ............................................................................ 13 7. Music You Might Like by Simon Coombs .................................... 20 8. Desert Island Sibelius by Peter Frankland .................................. 25 9. Eugene Ormandy by David Lowe ................................................. 34 10. The Third Symphony and an enduring friendship by Edward Clark ............................................................................. 38 11. Interesting Sibelians on Record by Edward Clark ...................... 42 12. Concert Reviews ............................................................................. 47 13. The Power and the Gloryby Edward Clark ................................ 47 14. A debut Concert by Edward Clark ............................................... 51 15. Music from WW1 by Edward Clark ............................................ 53 16. A -
Gräsbeck 2017.5236 Words
Which of Sibelius’s 379 miniatures are remarkable? Folke Gräsbeck "Auch kleine Dinge können uns entzücken…" (Paul Heyse) Reckoning that Sibelius’s compositions amount to circa 600 separate pieces (youth works included, fragments omitted), we have to consider that roughly more than half of them are miniatures. I have calculated that nearly 380 original, separate pieces last less than 4 minutes. If we reject only Sibelius’s miniatures, we omit practically half his production. ‘I am a man of the orchestra᾿, Sibelius proclaimed. Needless to say, his successful orchestral works, generally regarded as national monuments in Finland, are impressive frescos; nonetheless, these large-scale pieces are full of carefully elaborated details. What about the painstakingly worked-out details in his small works? Do they lack credibility because they are included in miniatures? Sibelius ‘forged᾿ the motifs and melodies in the small pieces no less carefully, sometimes referring to his miniatures as his ‘suffering pieces᾿ or 'pain pieces'[1]. Probably he would not have referred to them in this way if he had not valued them highly. The designation ‘salon piece’ is clumsy as applied to Sibelius’s miniatures. Very few of them were purposely composed as standard salon music – they are all too refined and abstract, and lack the lax and redundant reiterations so typical of such pieces. Perhaps the Valse lyrique, Op. 96a, approaches a real salon piece, but the material soars far above standard salon vocabulary, the lyrical sections, for example, revealing remarkable intimacy and character. Nowadays, it is common to employ the designation ‘Salon music’ in a pejorative sense. -
AINOLA Housing, Transport and Food Production Cause the Majority Of
AINOLA Housing, transport and food production cause the majority of global carbon emissions. These everyday functions have been organised at different times based on the prevailing ideas. The Time Machines and Utopias exhibition examines history and present day and asks how we could make sustainable choices when building our future. In Ainola, the Livelihoods exhibition focuses on food and the different methods of food production in different eras. The other parts of the exhibition are showcased in Tarvaspää and Visavuori. Journey to Ainola A warm welcome on this tour around Ainola! The map features sights in the museum’s surroundings. You can visit the sights in any order. Some feature contemporary art and others stories from the past. Further information on the sights marked on the map is available on the following page. Explore the landscape and imagine its change. What was life like in Ainola before? What will it become in the future? 1 Time Machines and Utopias: Lifelines During the Finnish Civil War, the shortage of food caused general unrest. The self-sufficiency afforded by kitchen “Food is the best vaccine against chaos, and the lack of gardens was considered to promote stability in society. food increases unrest and conflicts,” noted the chair of The self-sufficiency ideal is once again topical. Concern the Nobel Committee when giving the Nobel Peace Prize for the environment has increased urban residents’ to the UN World Food Programme in 2020. The interest in vegetable growing and local food. committee’s decision reminds us that the necessity to Furthermore, the potential of land cultivation as a form of secure basic human needs will further increase with carbon sequestration and the climate impact of different climate change. -
SIBELIUS SOCIETY NEWSLETTER No
UNITED KINGDOM SIBELIUS SOCIETY NEWSLETTER No. 76 United Kingdom Sibelius Society Newsletter - Issue 76 (January 2015) - C ontent S - Page Editorial ....................................................................................... 3 News and Views .......................................................................... 5 Original Sibelius. Festival Review by Edward Clark .................. 6 Sibelius and Bruckner by Peter Frankland .................................. 10 The Piano Music of Jean Sibelius by Rudi Eastwood .................. 16 Why do we like Sibelius? by Edward Clark ................................ 19 Arthur Butterworth by Edward Clark .......................................... 20 A memoir of Tauno Hannikainen by Arthur Butterworth ............ 25 2014 Proms – Review by Edward Clark ...................................... 27 Sibelius. Thoughts by Fenella Humphries ................................... 30 The Backman Trio. Concert and CD review by Edward Clark ... 32 Finlandia. Commentary by David Bunney ................................... 33 The modernity of Sibelius by Edward Clark ............................... 36 Sibelius and his Violin Concerto by Edward Clark ..................... 38 The United Kingdom Sibelius Society would like to thank its corporate members for their generous support: ............................................................................................... BB-Shipping (Greenwich) Ltd Transfennica (UK) Ltd Music Sales Ltd Skandinaviska Enskilda Banken Breitkopf & Härtel - 2 - Editorial -
International Register (Updated March 5, 2021)
Last updated: March 5, 2021 © Mark L. DeBard, MD, Registrar & International Lilac Society Freek Vrugtman, Registrar Emeritus Assistant Registrars: Claire Fouquet, David Gressley, Tatyana Polyakova International Register and Checklist of Cultivar names in the Genus Syringa L. (Oleaceae) (“Work-in-Progress” Lilac Register) For information on title, copyright, address, table of content, acknowledgements, historical overview, and introduction see Introductory Pages. RELEASE NOTE: This release includes updates to the main Register PDF and Excel files, including a massive revision to the Russian cultivar information as a result of a detailed review by our Assistant Registrar, Tatyana Polyakova. In particular, the Latvian cultivars have been updated and many Kravchenko cultivars from Uzbekistan have been added or revised. Also, multiple cultivars from Kazakhstan as well as those of Makedonskaya and Ihara have been updated or added. In addition, the Registrars have decided to maintain the British English format of cultivar names, based on 40 years of tradition and worldwide usage of the names, while converting the text to American English. This primarily affects abbreviations in the cultivar names, such that in British English, Dr, Mr, Mrs, and Ms are all written without periods after them, but in both British and American English, Mons. and Pres. do have periods. There are actually rules governing this. This release is the basis for the identically dated printed hardcopy release of the Register. It has 3561 entries including 1223 registered lilacs (in bold), 640 more with established but non- registered names, and 669 more with non-established names. There are 1025 entries with synonyms or rejected or unacceptable names. -
Helsinki, Thursday June 28, 2007
Experience Finland Helsinki, Thursday June 28, 2007 8am Coaches and guides pickup at pier 8:15 – 9:45am Helsinki Highlights guided tour (includes short stop at the Sibelius monument) 9:45 – 10:00am Finnish National Opera: Dr. Vescu Ruotonen welcomes the guests, welcome speech 10:00 –10:45am Oral introduction and classical recital at the foyer 11:00am Direct transportation to the restaurant for lunch 11:30am – 1:00pm Lunch 1:00pm Direct drive to Ainola Museum, the home of Jean Sibelius 1:40pm Arrival at Ainola museum 1:45 – 3:00pm Entrance and guided visit of the museum 3:00pm Departure from Ainola, direct drive back to Helsinki 4:00pm Arrival in Helsinki, ending at pier HELSINKI HIGHLIGHTS Depart for a guided true experience, through the city of Helsinki, the “Daughter of Baltic”! Helsinki is first and foremost a city of great archi- tecture and stunning nature. Fabulous buildings are visible all the time, from the historical buildings around the Senate Square to the mighty Parliament House, the world-wide known Finlandia Hall, by Alvar Aalto, the National Opera, the Olympic Stadium — just to mention few of them. You will view Uspenski, the biggest Orthodox Cathedral in Scandinavia, the President’s Palace and the very popular main Market Place by the sea front. You will make a short stop at the Sibelius monu- ment, dedicated to the famous Finnish composer Jean Sibelius. Time permitting, you will also visit (our entrance is subject to availability at the moment of the visit) one of the most important sights in Helsinki, the Rock Church (Temple Square Church), built into solid rock where, among all other Church functions, classical/or other music concerts, may be organized. -
The Language of the Birds Theatre Music That Cost a Lot of Effort but Was Never Performed Eija Kurki
The Language of the Birds Theatre music that cost a lot of effort but was never performed Eija Kurki In March 1911 Adolf Paul sent a telegram to Jean Sibelius asking for music for a new play that was to be performed at the Munich Hoftheater. The result was inci- dental music to Die Sprache der Vögel (The Language of the Birds), JS 62, which con- sists only of a single piece. Sibelius com posed it for large orchestra and gave it the name Hochzeitzug [sic] (Wedding March). For potential theatre use he also gave instruc tions concerning the use of smaller orchestral forces. Paul’s comedy The Language of the Birds has been performed in central Europe and England, but so far not in Finland or the other Nordic countries. Sibelius’s music has never been performed together with the play, although numerous attempts have been made to do so. This was a dis appointment for both Sibelius and Paul; the playwright had hoped that Sibelius’s music would help him to score a success comparable to that of Kung Kristian II (King Christian II ) some years earlier. The correspondence between Jean Sibelius and Adolf Paul from the years 1899– 1943, published in 2016 and edited by Fabian Dahlström (Din tillgifne ovän. Korrespondensen mellan Jean Sibelius och Adolf Paul 1899–1943 ), allows us to exa - mine their fascinating and multifaceted collaboration. Dahlström has described Paul’s life and collaboration with Sibelius, and Hedvig Rask has written about his lit erary output in this volume. Paul was a champion of Sibe lius’s music in Germany, and their friend ship lasted for decades – until Paul’s death. -
BIS-CD-1585 Inlay
BIS-CD-1697-00 Q7 Sib 15 box:booklet 16/10/06 14:41 Page 2 2 BIS-CD-1697-00 Q7 Sib 15 box:booklet 16/10/06 14:41 Page 3 PRELUDE TO A DREAM Karl Fredrik Wasenius – known to his readership as Bis – was a much feared music critic in Helsinki around the turn of the last century. He was also a rather minor composer, but he was perspicacious enough to recognize true genius when he saw it. Thus he became Jean Sibelius’s first music publisher and one of his first true supporters, as well as taking part as a viola player in several Sibelius pre- mières. Karl Fredrik’s son, Carl-Johan, was solo cellist in the Helsinki Philhar - monic Orchestra and himself participated in many performances of Sibelius’s music, both orchestral and chamber. Carl-Johan’s daughter Margaretha is known as a prima ballerina assoluta at the Finnish Opera, and mine is the honour to be her son. Basically, since I started BIS in 1973, I have had a dream to record ‘every-note- he-ever-wrote’ by Sibelius, but not before I met Andrew Barnett, one of today’s great Sibe lius cognoscenti, did any firm plan materialize. True, the recording of the complete piano music had been started, as had that of the symphonies, but Andrew injected plan ning and system into the project. Great help was also received from the legendary Sibelius biographer Erik Tawaststjerna, as well as from the doyen of present-day Sibe lius scholars Fabian Dahlström. The project was not an easy one. -
Anne Marie Frohnmayer Suzanne Duplantis Anthony Schneider Laura
Sibelius at 150 Anne Marie Frohnmayer Soprano Suzanne DuPlantis Mezzo Soprano Anthony Schneider Bass with Laura Ward at the piano Tuesday, December 8, 2015, 6:00pm at The Academy of Vocal Arts JEAN SIBELIUS 8 December 1865 – 20 September 1957 Welcome to Sibelius’s world of fire and ice. Welcome to his native land of glistening snow and mystical forests; of lonely cranes arched across a leaden sky; of long, frigid, starry nights and all-too- brief summers. Finnish composer Jean Sibelius was born on this day 150 years ago. He grew up in a Swedish speaking home and spent a (fatherless) childhood enchanted, consoled and nourished by the natural world and the rich folklore of Finland. He learned violin from an uncle who encouraged his imagination and piano from an aunt who rapped his knuckles. In his youth he began to improvise music. Sibelius studied composition of course, and soon was on his way to becoming an accomplished composer – he changed his given name from “Janne” to “Jean.” Sibelius married for love and fathered six daughters. (He grieved the one lost in infancy.) Rarely was there enough money, but somehow he managed to build “Ainola,”a house for his family just far enough away from Helsinki to shut out the hustle-bustle of the city, when that was he wanted. There he composed in silence at his writing desk, pouring over manuscripts, reworking and reworking until a symphony might remind him of “the scent of the first snow.” His own unrest and the lure of the city often beckoned him back to Helsinki, however, where he ran up un-payable bills, and where he ate and drank to a point that threatened his life.