Honoured At2015 and He Is from the Island of South Uist
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Sheila Stewart
Sheila, Belle and Jane Turriff. Photo: Alistair Chafer “…Where would Sheila Stewart the ballad singing Scottish Traveller, Traditional Singer and Storyteller tradition in Scotland 1935 - 2014 be today without the unbroken continuity by Pete Shepheard of tradition passed on to us by Sheila and other members of Scotland’s ancient Traveller community…” “…one of Scotland’s finest traditional singers, inheriting The family was first brought to When berry time comes roond look for the Stewarts who rented Traveller lore and balladry from all light by Blairgowrie journalist each year, Blair’s population’s berry fields at the Standing Stones sides of her family, and learning a rich oral culture Maurice Fleming in 1954 following swellin, at Essendy. So he cycled up to songs from her mother, some of a chance meeting with folklorist There’s every kind o picker there Essendy and it was Sheila Stewart the most interesting, and oldest, of songs, ballads Hamish Henderson in Edinburgh. and every kind o dwellin; he met (just 18 years old at the songs in her repertoire came from Discovering that Hamish had There’s tents and huts and time) who immediately said she Belle’s brother, her uncle, Donald caravans, there’s bothies and and folk tales that recently been appointed as a knew the song and told Maurice MacGregor, who carefully taught there’s bivvies, research fellow at the School it had been written by her mother her the ballads. Donald could had survived as And shelters made wi tattie-bags Belle. Maurice reported the of Scottish Studies, Maurice neither read nor write, but was an and dug-outs made wi divvies. -
Context, Structure, and Meaning in the Scottish Ballad
Singing Families of Aberdeenshire: Context, Structure, and Meaning in the Scottish Ballad Thomas A. McKEAN The North-East of Scotland is sometimes called “the cold shoulder of Scotland”, with the cold winds coming off the surrounding North Sea. Cold and windy it may be, but it is also home to one of the most remarkable singing traditions in the world: the classic ballad tradition. In Francis James Child’s The English and Scottish Popular Ballads fully two-thirds of the primary texts come from Aberdeenshire. 1) The ballad in Scottish tradition is a song that tells a story, a compact narrative communicating history, experience, and happenstance along with the human emotional responses to them. The songs contain some of the most distilled and powerful poetic language to be found anywhere, in the service of dramatic, and sometimes horrifying plots. Before reflecting on the form and structure of the Scottish ballad, I want to focus on the people who sing. There has been extensive research on ballad texts, their background history, and the melodies to which they were sung, but comparatively little attention spent on who sings, why they sing, what it means to them, and how the songs function in their lives. The following may be considered a brief introduction to four prominent Scottish Traveller families, people for whom song is a part of daily life, a part of regular human communication, rather than for performance on a stage. On the way, we will encounter their society and consider their singing style. Families are the basic unit of folk song. -
THE EDINBURGH COMPANION to SCOTTISH WOMEN's WRITING WRITING EDITED by GLENDA NORQUAY Xxxxxxxxxx EDITED by GLENDA NORQUAY Glenda Norquay Xxxxx EDITED by GLENDA NORQUAY
EDINBURGH COMPANIONS THE EDINBURGH COMPANION TO TO SCOTTISH LITERATURE WRITING WOMEN'S SCOTTISH THE EDINBURGH SERIES EDITORS: IAN BROWN & THOMAS OWEN CLANCY COMPANION TO This series offers new insights into Scottish authors, periods and topics drawing on contemporary critical approaches. Each volume: • provides a critical evaluation and comprehensive overview of its subject SCOTTISH • offers thought-provoking original critical assessments by expert contributors • includes a general introduction by the volume editor(s) and a selected guide to further reading. WOMEN'S THE EDINBURGH COMPANION TO SCOTTISH WOMEN'S WRITING WRITING EDITED BY GLENDA NORQUAY xxxxxxxxxx EDITED BY GLENDA NORQUAY Glenda Norquay xxxxx EDITED BY GLENDA NORQUAY GLENDA BY EDITED ISBN 978-0-7486-4431-5 ISBN 978 0 7486 4431 5 Edinburgh University Press 22 George Square E dinburgh Edinburgh EH8 9LF Cover image: Still Life www.euppublishing.com © Margaretann Bennett Cover design: www.paulsmithdesign.com www.margaretannbennett.co.uk The Edinburgh Companion to Scottish Women’s Writing NORQUAY PRINT.indd i 10/05/2012 11:24 Edinburgh Companions to Scottish Literature Series Editors: Ian Brown and Thomas Owen Clancy Titles in the series include: The Edinburgh Companion to Robert Burns The Edinburgh Companion to Scottish Drama Edited by Gerard Carruthers Edited by Ian Brown 978 0 7486 3648 8 (hardback) 978 0 7486 4108 6 (hardback) 978 0 7486 3649 5 (paperback) 978 0 7486 4107 9 (paperback) The Edinburgh Companion to Twentieth- The Edinburgh Companion to Sir Walter Scott Century -
The Stewarts of Blair
Alex,The Belle, Stewarts Cathie and Sheila of Stewart Blair Traditional ballads, songs and pipe music by one of Scotland’s great singing families. 1 Huntingtower Recorded by Bill Leader Notes by Hamish Henderson 2 Caroline of Edinburgh Town First issued by Topic 1965. 3 In London’s Fair City 4 Queen Amang the Heather 5 Dowie Dens o’ Yarrow 6 The Lakes o’ Shillin 7 Ower Yon Hill There Lives a Lassie 8 The Convict’s Song 9 Young Jamie Foyers 10 The Corncrake amang the Whinny Knowes 11 Busk, Busk, Bonnie Lassie 12 March; Strathspey; Reel There is a Scots saying that a Stewart is ‘either a tinker This is the man from whom Alex Stewart learned to play or sib to the King’. Nobody who knows the Stewarts of the pipes, and this is the musical yardstick by which Alex’s Blairgowrie, who spring from a long and famous line of Scots playing and the singing of his family should be judged. travelling folk, will feel like arguing the toss as to which of these possibilities confers the higher status. By general Belle Stewart comes of MacGregor stock - her people, consent the Stewarts rank high among the singing ‘folk’ expert tinsmiths, travelled the Perthshire glens with shelties families of Europe and the world, and (as Robert Burns (Highland or Shetland ponies), buying and selling goods, would have agreed) this and similar considerations of sense and working on the farms in harvest-time. Her grandfather and merit confer the only patent of nobility worth a docken. was brutally murdered by members of another travelling clan, and a feud smoulders between the two to this day. -
Orality and the Ballad Tradition.Pdf
EDINBURGH COMPANIONS THE EDINBURGH COMPANION TO TO SCOTTISH LITERATURE WRITING WOMEN'S SCOTTISH THE EDINBURGH SERIES EDITORS: IAN BROWN & THOMAS OWEN CLANCY This series offers new insights into Scottish authors, periods and topics drawing on contemporary COMPANION TO critical approaches. Each volume: • provides a critical evaluation and comprehensive overview of its subject • offers thought-provoking original critical assessments by expert contributors SCOTTISH • includes a general introduction by the volume editor(s) and a selected guide to further reading. WOMEN'S THE EDINBURGH COMPANION TO SCOTTISH WOMEN'S WRITING WRITING EDITED BY GLENDA NORQUAY EDITED BY GLENDA NORQUAY Explores women’s writing in Scotland across a range of periods and genres From early modern to contemporary writing, these fifteen essays examine women’s engagement with different areas of literary production and discuss the implications of their literary output for our wider understanding of Scottish literature. The contributors consider the ways in which women writers worked with ‘feminine’ arenas such as spirituality, oral culture, domestic fiction and the ‘private’ writing of letters and diaries, as well as with the traditionally ‘masculine’ areas of Enlightenment culture and the periodical press. They offer insights into women’s role within Gaelic culture, women’s negotiations of space, place and national identities and their appropriations of specific forms, such as supernatural, detective and historical fiction. They also provide analysis of writing by Margaret Oliphant, Janet Hamilton, Marion Angus, Catherine Carswell, Naomi Mitchison, Dorothy Dunnett, Denise Mina, A.L. Kennedy, Ali Smith, Liz Lochhead, Kathleen Jamie and Sìleas na Ceapaich amongst others. NORQUAY GLENDA BY EDITED Glenda Norquay is Professor of Scottish Literary Studies at Liverpool John Moores University. -
The Blairgowrie and Rattray Song Book
The Blairgowrie and Rattray Song Book This collection is presented as a tribute to Hamish Henderson, poet, author, folk-story and song collector, political activist, academic, father and friend. It is offered in recognition of, and in gratitude for, his life and work. A gold coin does not last long in company, but a good song can be shared with a world of people. Collated by C. M. Chandler Blairgowrie and Rattray Song Book ACKNOWLEDGEMENTS This project has enjoyed support from the following. • The University of Aberdeen who provided facility support, encouragement and financial support for related ‘spin-off' ventures. • Blairgowrie and Rattray Community Council • The School of Scottish Studies, University of Edinburgh who provided access to their archive as well as encour- agement and advice. • Hamish MacGregor; who generously allowed the presentation of material published in the books written by his mother (Sheila Stewart). • Anne Lorne Gilles, for permission to copy a score from her book `Songs of Gaelic Scotland'. • The contribution that Ewan MacColl (James Henry Miller, 1915-1989) made to folk music cannot be overstated. Born in Salford, Lancashire, England to Scottish parents Ewan was very concious of his Scottish roots. He collected, performed and contributed several traditional songs to the public repertoire. He also made several of those songs available to Prof. Bertrand Harris Bronson for inclusion in his collection of Child Ballads. Several of his recordings of his songs are available on youtube. Ewan lists his addresses as `London and Perthshire', and I have taken the latter as justifying the inclusion of those traditional songs in `The Blairgowrie and Rattray Song Book'. -
FINAL EDITS-APR12-Tobler Dissertation-Musical Identity of The
ABSTRACT Title of Document: Breathing It In: The Musical Identity of the Scottish Travellers Cheryl Annette Tobler, Doctor of Philosophy, 2012 Directed By: Dr. Robert C. Provine chair Division of Musicology and Ethnomusicology School of Music, University of Maryland This study examines the creation and continuation of identity among Travellers with regard to their vocal music and storytelling traditions. Travellers are historically a nomadic ethnic group found mainly in the United Kingdom and the Republic of Ireland, and in smaller numbers in the United States. My study focuses specifically on the Travellers of Scotland, in particular those of Perthshire and Aberdeenshire. Known widely for their musical abilities, the historically peripatetic Travellers often introduced new tunes or new settings wherever they travelled and mingled with settled, or non- Traveller, communities. Within the past forty years the majority of Travellers have become settled, and many have managed to maintain their identity through their expressive culture, specifically music and stories. I examine how for many Travellers a previous peripatetic lifestyle and a current settled lifestyle have both contributed to and affected their musical identity. For this study, I draw on theories of identity and ethnicity, as well as the fields of folklore, ethnomusicology, history, linguistics and cultural studies to assist in the interpretation of music and identity in a cultural context. Fieldwork I conducted in Scotland, Ireland, and the United States informs my research into how Traveller identity and ethnicity is conveyed and sustained through their vocal music. I conducted fieldwork in Ireland in the summer of 2004; in the United States in the summer of 2003 and the fall of 2004; and in Scotland in April 2004, August 2005, from September 2006 to April 2007, and in January 2008.