The Grand Valley Ledger
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The H3 Baseball Bunch
The H3 Baseball Bunch (the picture below is the original 1980 logo) The Baseball Bunch is an American educational children's television series that originally aired in broadcast syndication from August 23, 1980 through the fall of 1985. Produced by Major League Baseball Productions, the series was a 30- minute baseball-themed program airing on Saturday mornings, which featured a combination of comedy sketches and Major League guest-stars, intended to provide instructional tips to Little League aged children. Throughout its five season run, the Emmy Award winning series starred Johnny Bench, Tommy Lasorda and The Famous San Diego Chicken alongside a group of eight children (boys and girls ranging in age from 8–14) as "The Bunch". The Original Baseball Bunch In 2013… (circa 1980) We’re going to re-create the baseball bunch in Charlottesville, and we’ll call it the H3 (HEAD HEART HUSTLE) Baseball Bunch. The participants will be K-3rd graders from the area and they will be paired with 7th-8th grader mentor/”buddies” from our TP Elite Red travel baseball team. Our Version… Kindergarten-3rd Grade • Austin Winslow • Ben Showman Participants • Henry Ford • Tommy Williams • Noah Murray • Dylan Mitchell • Jack McMullan • Zeb Mitchell • Ben Winslow • Ty Enoch • Owen Burton • Lucas Osada • Cole Baglio • Andy Commins • Carter Boyd • Grey Kallen • Spicer Edmunds • Charlie Pausic • Tyler Williams • Dillon O'Connor • Max Moore • Shawn Feggans • Izzy Sanok • Kason Kuhn • Nathan Gragg Benefits to K-3rd Grade Participants • Have lots of fun in a safe environment -
Tides for Sanibel & Captiva
, SPORT^y MEWS: EVERY WEEK: J Psome Coastal communities unite 6A Calendar 23A body Signatures trickling in Classifieds Visitors guide speGial 6C for 'Save Our Homes' drive 9A 21A i i 1961*1986 Still first after 25 years VOL. 26, NO. 6 TUESDAY, FEB. 10,1987 THREE SECTIONS, 68 PAGES 50 CENTS ear 'round sweethearts "Newiyweds" Mary and Al Bridell don't need a years. Neither do the two other Island couples - one ed to for this week's Valentine's Day story that begins special occasion to celebrate their marriage of two married for 52 years and the other for 26 years • we talk- on page 3B. Photo by Ricki Kosakow Cooper. Budding actresses will see Driftwood workshops Bird callers, camera buffs - Arts-Leisure 6B the lights of Broadway depend on volunteers should polish their skills Bridge 8B Cityslde 15A Cypress Lake High School Just like the Sanibel Shell Fair, Southwest Florida's first annual Club news 13B students Liz Abbott and Ruth the Driftwood Workshop sessions bird calling contest and wildlife Fishing tips 8C Brown will travel to the Big Apple depend on - and always get - photography contest will be part of later this month with their school's faithful volunteers. Every Monday the National Wildlife Week celebra- Milestones 19A jazz ensemble and pop choir. they produce sheilcraft items for tion in March. Police beat 8A sale at the fair. Shelling tips 9C 18A 1C 6B cislaiulhvi Tuesda 2A Island Shorts Feb. 10, WHAT IS IT? We don't want to know what it looks like or what it reminds you of. -
Sprin G 2007
The Lower Great Lakes Chapter Serving Bloomington, Ft. Wayne, Indianapolis, Muncie, Indiana; Akron, Canton, Cleveland, Lima, Mansfield, Toledo, Youngstown, Ohio; Erie, Pennsylvania President's Message Greeting & Salutations Fellow NATAS Members, On behalf of the board of governors and officers of the Lower Great Lakes chapter of NATAS, I wish to express a big round of thanks to all of you who entered this year’s Emmy® Awards. The number of entries and new memberships Terry D. Peterson was very strong, and given the fact that we introduced the DVD Lower Great Lakes chapter president requirement to the process, all of you came through magnificently. You will soon be receiving an announcement about the upcoming Emmy® nominations party which I hope you all plan on attending to hear the announcements and to mix and mingle with your fellow colleagues. Soon you will be receiving a slate of individuals who have expressed a desire to be on the board of governors. Please take this opportunity to review the ballot and cast your votes. In addition, Spring 2007 Spring starting at the June board meeting, the new officers and board of governors you have selected will be assuming their respective roles. We have a wonderful new group of leaders who will continue to keep the chapter moving in a forward direction with a commit- ment to excellence and added value to our membership. The chapter has undertaken a lot of major steps in the last four years and I am honored to have served as President. We still have a lot of challenges to embrace in the years to come but equally there are many opportunities that await us. -
108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains. -
Shootouts, Showdowns, & Barroom Brawls
he year is 1870, the place is Kansas, and the hero is Bat Masterson. As Liberal’s new sheriff, he must bring the rowdy cowtown under control. But an evil cattle baron plots T the lawman’s demise even as he vows to tame its mean streets. Is Bat doomed? Can he make the town safe? In the end, will good triumph over evil? You don’t have to see the movie Trail Street to know the guy in the white hat wins. In fact, if you’ve seen one Shootouts, Showdowns, & Barroom Brawls 1940s Western, you’ve pretty much seen them all. The “REAL” TO “REEL” HISTORY — THATWAS genre’s strength is in fast-paced action rather than creative plots. And if gunfights, chases, and a little romance are THE FORMULA DURING THE HEYDAY OF your idea of a good time, then these movies are bound to THE HOLLYWOOD WESTERN.AND IN THE please. FANTASTICAL MIX OF GUNFIGHTS AND Kansas was the subject of many films during the FISTFIGHTS, GOOD GUYS AND BAD,KANSAS Western’s heyday (1930s–1950s), when Hollywood writ- ers and directors had just enough knowledge of the state’s OFTEN PLAYED A STARRING ROLE. history to be dangerous. They inserted famous people and by Rebecca Martin place-names into a formulaic outline, blurring the line be- tween “reel” and “real” history. Thus, generations of youth who spent Saturday afternoons at the local theater came to believe that Bleeding Kansas and the Civil War were (TOP) DRAMATIC SCENE FROM A REB RUSSELL WESTERN.(LEFT) IN THE 1950 FILM GUNMEN OF one and the same, Jesse James was just an unfortunate vic- ABILENE, POPULAR “B” WESTERN STAR ROCKY LANE (AS A U.S. -
Records of the White House Press Office: a Guide to Its Records at the Jimmy Carter Library
441 Freedom Parkway NE Atlanta, GA 30307 http://www.jimmycarterlibrary.gov Records of the White House Press Office: A Guide to Its Records at the Jimmy Carter Library Collection Summary Creating Organization: White House Press Office Title: Records of the White House Press Office Dates: 1977-1981 Quantity: 552 linear feet (435) linear feet open for research, 993 containers Identification: Accession Number: 80-1 Archival Research Catalog (ARC) Identification: 1119 Scope and Content: The files of the White House Press Office consist of correspondence, memoranda, notes, briefing papers, press releases, news conferences, pool reports, daily schedules, speech drafts, wire copies, photographs, press clippings, and miscellaneous printed material. These materials illustrate how the Press Office, under the direction of Press Secretary Jody Powell, coordinated the daily press briefings for electronic and print media representatives. This office also routinely issued copies of all of Carter’s official statements and scheduled his interviews with the media. Powell and designated members of his staff frequently served as official spokespersons for the administration. Restrictions: Restrictions on Access: These papers contain documents restricted in accordance with Executive Order 12958, which governs National Security policies, and material which has been closed in accordance with the donor’s deed of gift. Terms Governing Use and Reproduction: Copyright interest in these papers has been donated to the United States Government. Some of the records may be subject to copyright restrictions. (i.e. newspapers, publications, etc) Researchers should contact the publisher for further information. 1 2 Related Material: Related materials in this repository: Communications Office; Gerald Rafshoon Papers; Speechwriter’s Office; Barry Jagoda Papers; Pat Bauer Papers; Jody Powell Papers Separated material: Office of Media Liaison – Bradley Woodward’s audio tapes of radio actualities. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Microfilmed - 1064 Information to Users
MICROFILMED - 1064 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they ari spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note wfll appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—bepnning below the first row and continuing on until complete. -
This Trans Am Has a Hidden Identity
1976 Grand Safari Loaded with Options & SMOKE History SIGNALS GR RRR The Official Publication of the Pontiac - Oakland Club International February 2017 Split Personality This Trans Am has a Hidden Identity 2017 POCI Board Election Read the Bios - Vote Now 1975 GMC Gentleman Jim Limited Edition Model Photo Feature Event Coverage • Wichita & Wisconsin First-Born Bandit This unique special edition Trans Am is the by Richard Price the early ‘70s, General Mo- tors Design Vice President Bill Mitchell was intrigued by the black-and-gold John Player Specials then racing in Formula 1. Being an avid motorcycle enthusiast, he had a pair of his personal bikes done up in this same color scheme and was pleased enough with it that he made a suggestion to Pontiac Design Stu- dio #2 Director John Schinella that he apply it to a Trans Am. Schinella requisitioned a Buccaneer Red 455 automatic ‘73 Trans Am which was deliv- ered to the Design Center paint shop, where the entire car — including the rear bumper — was painted a custom black metallic lacquer with gold metalflakes mixed in. The tailpipes, grilles and head- light bezels were painted metallic gold and the Hon- eycomb wheels were covered with a genuine gold coating. Gold pinstriping was then applied around the grille openings, wheel arches, rear bumper, the upper portion of the car, around all of the glass openings and over the roof. Finally, special one-off Trans Am decals (including the hood bird, made from a gold foil) were applied. 22 SMOKE SIGNALS • FEBRUARY 2017 has Split Personality earliest known production Y82 in existence photos - various contributors Inside, the otherwise stock Trans Am Deluxe inte- rior was redone in a light tan with a parachute-silk fabric on the horsecollar buckets. -
Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway As 1977'S
* * MEDIA ALERT * * MEDIA ALERT * * MEDIA ALERT * * May 3, 2017 Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway as 1977’s Blockbuster Action-Comedy Smokey and the Bandit Returns to U.S. Cinemas May 21 and 24 This Iconic Film Returns to Big Screens Nationwide for 40th Anniversary as Part of TCM Big Screen Classics Series WHAT: The summer of 1977 might be best known for a certain intergalactic adventure, but across the country the other summertime smash combined three things America couldn’t get enough of: Burt Reynolds, CB radio and Coors beer. Forty years later, Smokey and the Bandit makes its way back to movie screens nationwide for two days only on Sunday, May 21 and Wednesday, May 24 as part of the year-long TCM Big Screen Classics series from Turner Classic Movies and Fathom Events. This screening will also include specially- produced commentary from TCM host Ben Mankiewicz, both before and after the feature. “The Bandit” (Reynolds) has 28 hours to drive a truckload of Coors beer from Texarkana, Texas, to Atlanta – while doing everything he can to avoid the relentless pursuit of “Smokey,” aka Sheriff Buford T. Justice (Jackie Gleason), while accompanied by runaway bride “Frog” (Sally Field). But the story takes a backseat to the stunt-driven action of director Hal Needham, the still-sizzling on-screen chemistry of Reynolds and Field, and the good-ol’-boy antics of the film’s easy-going cast, including Jerry Reed, Paul Williams, Pat McCormick and Mike Henry. WHO: Fathom Events, Turner Classic Movies and Universal Pictures WHEN: Sunday, May 21, 2017; 2:00 p.m. -
National Box Office Digest Annual (1940)
Ho# Ujjfice JbiaeAt Haui: «m JL HE MOST IMPORTANT NEWS of many moons to this industry is the matter-of-fact announcement by Technicolor that it will put into effect a flat reduction of one cent a foot on release prints processed after August 1st. "There is a great industrial story of days and nights and months and years behind the manner in which Dr. Kalmus and his associates have boosted the quality and service of color to the industry, beaten down the price step by step, and maintained a great spirit of cooperation with production and exhibition. TECHNICOLOR MOTION PICTURE CORPORATION HERBERT T. KALMUS, President , 617 North La Brea Avenue, Los Angeles, Subscription Rate, $10.00 Per ■Ml ^Ite. DIGEST ANNUAL *7lie. 1/ea>i WcM. D OMESTIC box office standings take on values in this year of vanished foreign markets that are tremendous in importance. They are the only ratings that mean anything to the producer, director, player, and exhibitor. Gone—at least for years to come—are the days when known box office failures in the American market could be pushed to fabulous income heights and foisted on the suffering American exhibitor because of a shadowy "for¬ eign value.” Gone are the days—and we hope forever—when producers could know¬ ingly, and with "malice aforethought,” set out on the production of top budgetted pictures that would admittedly have no appeal to American mass audiences, earn no dimes for American exhibitors. All because of that same shadowy foreign market. ^ ^ So THE DIGEST ANNUAL comes to you at an opportune time. -
How Generation Y Views and Disseminates Echoes of Vietnam Films As Seen in Videos Created by Troops in Iraq
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 5-3-2007 A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq Lindsey Ann Hagan Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Hagan, Lindsey Ann, "A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_theses/21 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. A NEW APPROACH TO AN OLD STORY: HOW GENERATION Y VIEWS AND DISSEMINATES ECHOES OF VIETNAM FILMS AS SEEN IN VIDEOS CREATED BY TROOPS IN IRAQ by LINDSEY ANN HAGAN Under the Direction of Kathryn Fuller-Seeley ABSTRACT This is an examination of how the fictional representation and re-creation of past wars is colliding with the personal video presentations of the Iraq War. It raises questions about how war and art are experienced in a new way and also how “instant history” is made available to the public. Personally recorded footage of the everyday experience of war has altered the way in which society views war and copes with its aftereffects because Generation Y has become a computer based generation.